Works Cited


Works Cited:

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  • Beer, John. Coleridge the Visionary. London: Chatto and Windus, 1959.
  • Bohn, Henry G., ed. The Works of the Right Honourable Joseph Addison. 6 vols. London: George Bell & Sons, 1856.
  • Bunyan, John. The Pilgrim's Progress from This World to That which is to Come. New York: Hurst & Co., 1880.
  • Cobbett, William. Rural Rides [. . .] During the Years 1821 to 1832:With Economical and Political Observations. Vol. 2. London: Reeves and Turner, 1885.
  • Coburn, Kathleen, ed. The Notebooks of Samuel Taylor Coleridge, vol. 2, 1804-1808, Text. Princeton: Princeton University Press, 1961.
  • Courtney, Winifred. Young Charles Lamb, 1775-1802. New York: New York University Press, 1982.
  • Crawford, Rachel. "Accident and Strange Calamity in 'This Lime-Tree Bower My Prison,'" Romanticism 2.2 (1996): 188-203.
  • D'Avanzo, Mario L. "Coleridge's 'This Lime-Tree bower My Prison' and The Tempest," The Wordsworth Circle 1.2 (1970): 66-68.
  • Dowden, Edward. New Studies in Literature. Boston and New York: Houghton, Mifflin, 1895.
  • Durr, R. A. "'This Lime-Tree Bower My Prison' and a Recurrent Action in Coleridge," ELH 26 (1959): 514-30.
  • Engell, James. "Imagining into Nature: This Lime-Tree Bower My Prison." In J. Robert Barth, S. J., and John L. Mahoney, eds. Coleridge, Keats, and the Imagination: Romanticism and Adam's Dream. Columbia, MO: University of Missouri Press, 1990. Pp. 81-96.
  • Fruman, Norman. Coleridge, the Damaged Archangel. New York: George Braziller, 1971.
  • Gatrell, V. A. C. The Hanging Tree: Execution and the English People: 1770-1868. Oxford: Oxford University Press, 1994.
  • Griggs, Earl Leslie, ed. Collected Letters of Samuel Taylor Coleridge, Vol 1: 1785-1800. Oxford: Clarendon Press, 1966.
  • Gutteridge, John. "Scenery and Ecstasy: Three of Coleridge's Blank Verse Poems." In Donald Sultana, ed. New Approaches to Coleridge: Biographical and Critical Essays. Totowa, NJ: Barnes & Noble, 1981. Pp. 151-171.
  • Harper, George Maclean. "Coleridge's Conversation Poems," Quarterly Review, 244 (1925.
  • Hitchcock, Susan Tyler. Mad Mary Lamb: Lunacy and Murder in Literary London. New York: Norton, 2005.
  • Holmes, Richard. Coleridge: Early Visions, 1772-1804. New York: Pantheon, 1989.
  • Ingram, Allan, with Michelle Faubert. Cultural Constructions of Madness in Eighteenth Century Writing: Representing the Insane. Houndmills: Palgrave Macmillan, 2005.
  • Kirkham, Michael. "Metaphor and the Unitary World: Coleridge and Henry Vaughan," Essays in Criticism 37.2 (1987): 121-134.
  • Knapp, Andrew, and William Baldwin, eds. The Newgate Calendar; Comprising Interesting Memoirs of the Most Notorious Characters who have been Convicted of Outrages on the Laws of England . . . Vol. 3. London: J. Robins and Co. 1825.
  • Lucas, E. V. Charles Lamb and the Lloyd: Comprising Newly Discovered Letters of Charles Lamb, Samuel Taylor Coleridge, the Lloyds, Etc. Philadelphia, PA: J. B. Lippincott, 1899.
  • Magnuson, Paul. Coleridge's Nightmare Poetry. Charlottesville, VA: University Press of Virginia, 1974.
  • Marrs, Edwin W., Jr. The Letters of Charles and Mary Anne Lamb, Vol. 1: 1796-1801. Ithaca: Cornell University Press, 1975.
  • Matheson, Ann. "The Influence of Cowper's The Task on Coleridge's Conversation Poems." In Donald Sultana, ed. New Approaches to Coleridge: Biographical and Critical Essays. Totowa, NJ: Barnes & Noble, 1981. Pp. 137-150.
  • Mays, J. C. C., ed. The Collected Works of Samuel Taylor Coleridge. Vol. 16: Poetical Works, Parts I and II: Poems. Princeton: Princeton University Press, 2001.
  • Mays, J. C. C., ed. The Collected Works of Samuel Taylor Coleridge. Vol. 16: Poetical Works, Part III: Plays. Princeton: Princeton University Press, 2001.
  • Mellor, Anne K. "Coleridge's 'This Lime-Tree Bower My Prison' and the Categories of English Landscape," Studies in Romanticism 18.2 (1979): 253-270.
  • Mileur, Jean-Pierre. Vision and Revision: Coleridge's Art of Imminence (Berkeley: University of California Press, 1982.
  • Miller, Christopher R. "Coleridge and the Scene of Lyric Description," JEGP 101.4 (2002): 520-539.
  • Norris, Cara. "The Suspension of Habeas Corpus and Wordsworth's The Borderers," European Romantic Review 17.2 (2006): 197-203.
  • Orr, Leonard. "The Accomplishments of Memory in Coleridge's 'This Lime-Tree Bower My Prison." In James Hogg, ed. Romantic Reassessment 81.2. Salzburg: Insitut fur Anglistik und Amerikanistik Universitat Salzburg, 1981. Pp. 3-13.
  • Perry, Seamus. "Coleridge, Bunyan, and the Arts of Bafflement," The Wordsworth Circle 32.2 (2001): 89-95.
  • Perry, Seamus, ed. S. T. Coleridge: Interviews and Recollections. Basingstoke: Palgrave, 2000.
  • Potkay, Adam. "Coleridge's Joy," The Wordsworth Circle 35.3 (2004): 107-113.
  • Rajan, Tilottama. The Supplement of Reading: Figures of Understanding in Romantic Theory and Practice. Ithaca, NY: Cornell University Press, 1990.
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  • Rzepka, Charles. The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and Keats. Cambridge, MA: Harvard University Press, 1986.
  • Simone, John. "Coleridge and the Sublime: 'This Lime-Tree Bower My Prison," The Charles Lamb Bulletin, New Series No. 56 (1986): 260-263.
  • Sisman, Adam. The Friendship: Wordsworth and Coleridge. New York: Viking, 2007.
  • Taussig, Gurion. Coleridge and the Idea of Friendship, 1789-1804. Newark, DE: University of Delaware Press, 2002.
  • Taylor, Anya. Erotic Coleridge: Women, Love, and the Law Against Divorce. New York: Palgrave Macmillan, 2005.
  • Warren, Robert Penn. "A Poem of Pure Imagination: An Experiment in Reading." In Selected Essays. New York: Random House, 1958. Pp. 223-257.
  • Weissman, Stephen M. His Brother's Keeper: A Psychobiography of Samuel Taylor Coleridge. Madison, CN: International Universities Press, 1989.
  • Wordsworth, Jonathan, M. H. Abrams, and Stephen Gill. William Wordsworth: The Prelude 1799, 1805, 1850. New York: W. W. Norton, 1979.


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