Abstract

This Living Hand: Bright Star and the Etsy Effect

This essay argues that the Keats portrayed in Jane Campion’s Bright Star is a product of the twenty-first century’s Etsy culture—and that this portrayal, if somewhat surprising or even counterintuitive, effectively captures Keats’s understanding of the relationship between poetic making and imperfection. The paper both compares Keats’s presence on the handicraft-marketing platform Etsy.com to his characterization in Campion’s hand-centric film and identifies the ways in which the Keats of contemporary popular culture has become an appealing and textually reasonable model for entrepreneurial crafters and other aspiring artisans.