About this Volume
This volume explores the multiplicity of the media concept during the Romantic age in England. The collection's central investigations include: the multiplicity of Romantic-era media technologies and theories; the conceptual models of network, assemblage, and ecology used by contemporary scholars to map the relations between media; Romantic valorizations of noise as a benign register of materiality, singularity, and finitude; and the turn to questions of affect and emotion as a way to describe the position of the subject within extended networks of mediation. Volume contributors reflect on the interactions among the diverse media forms of the Romantic age and explore the connections between those old media forms and today’s dynamic new media ecologies.
About the Design and Markup
This volume was designed at the University of Maryland by David Rettenmaier, Technical Editor. The initial transformation from WORD Doc to TEI P5 was made using the OxGarage tool, with further TEI markup modifications according to RC house style. TEI renders text in archival quality for better preservation and future access. Laura Mandell and Dave Rettenmaier developed the modified versions of the XSLT transforms provided by the TEI that were used to convert the TEI files into HTML. The image associated with this volume is entitled The Gallant-ee show and was originally printed in The Magic Lantern 1.1 (November 1, 1822).
About the Romantic Circles Praxis Series
The Romantic Circles Praxis Series is devoted to using computer technologies for the contemporary critical investigation of the languages, cultures, histories, and theories of Romanticism. Tracking the circulation of Romanticism within these interrelated domains of knowledge, RCPS recognizes as its conceptual terrain a world where Romanticism has, on the one hand, dissolved as a period and an idea into a plurality of discourses and, on the other, retained a vigorous, recognizable hold on the intellectual and theoretical discussions of today. RCPS is committed to mapping out this terrain with the best and most exciting critical writing of contemporary Romanticist scholarship.