About this Volume
This volume takes as its starting point a 2001 volume in the Romantic Circles Praxis Series, Reading Shelley’s Interventionist Poetry, 1819-1820, in which volume-editor Michael Scrivener, employing Theodor Adorno's terminology, identifies a binary in Shelley's "interventionist" work: the "antinomy of commitment and autonomy." Asking what it means for a work of art to intervene in its immediate political context, this volume asserts the necessity of seeing through and beyond the antinomy of political commitment and artistic autonomy by rereading and reimagining the political in Shelley’s writings and his legacy. Indeed, the essays in this volume chart new political possibilities in our estimation of Shelley’s body of work—pathways that take us back to post-Peterloo repression through to the Victorian Shelleyans, and then forward to Jacques Rancière’s post-Marxism.
About the Design and Markup
This volume was designed at the University of Maryland by David Rettenmaier, Site Manager at Romantic Circles. The initial transformation from WORD Doc to TEI P5 was made using the OxGarage tool, with further TEI markup modifications according to RC house style. TEI renders text in archival quality for better preservation and future access. Laura Mandell and Dave Rettenmaier developed the modified versions of the XSLT transforms provided by the TEI that were used to convert the TEI files into HTML. The image associated with this volume is George Cruikshank's The Massacre of Peterloo housed in the Wikimedia Commons. This image is in the public domain.
About the Romantic Circles Praxis Series
The Romantic Circles Praxis Series is devoted to using computer technologies for the contemporary critical investigation of the languages, cultures, histories, and theories of Romanticism. Tracking the circulation of Romanticism within these interrelated domains of knowledge, RCPS recognizes as its conceptual terrain a world where Romanticism has, on the one hand, dissolved as a period and an idea into a plurality of discourses and, on the other, retained a vigorous, recognizable hold on the intellectual and theoretical discussions of today. RCPS is committed to mapping out this terrain with the best and most exciting critical writing of contemporary Romanticist scholarship.