Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any manner without authorization unless it is for purposes of criticism, comment, news reporting, teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.
Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law. Except as expressly permitted by this statement, redistribution or republication in any medium requires express prior written consent from the author/editors and advance notification of Romantic Circles. Any requests for authorization should be forwarded to Romantic Circles:>
By their use of these texts and images, users agree to the following conditions:
Users are not permitted to download these texts and images in order to mount them on their own servers. It is not in our interest or that of our users to have uncontrolled subsets of our holdings available elsewhere on the Internet. We make corrections and additions to our edited resources on a continual basis, and we want the most current text to be the only one generally available to all Internet users. Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions of use.
National Library of Wales, MS 4812D. Previously published: John Wood Warter (ed.), Selections from the Letters of Robert Southey, 4 vols (London, 1856), I, pp. 339–341.
These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer
For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University; the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and Fenland Museum; the University of Virginia Library.
A research grant from the British Academy made much of the archival work possible, as did support from the English Department of Nottingham Trent University.
Any dashes occurring in line breaks have been removed.
Because of web browser variability, all hyphens have been typed on the U.S. keyboard.
Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their length.
Southey’s spelling has not been regularized.
Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded in brackets.
& has been used for the ampersand sign.
£ has been used for £, the pound sign
All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity decimals.
I shall take your advice respecting xxxx Madoc, & confine myself to correcting the parts as they are.
About the catastrophe when my thoughts acquire any thing like a definite form – you shall be consulted.
To day I start with Elmsley for Edinburgh, & shall be home
within three weeks. I have a world of reviewing to do, which with Espriella,
Froude, a clergyman of Devonshire,sort of
suspicious way, as if he doubted whether the promise would be kept; he is most joyfully & gratefully received but demands to have
the Princess & the child cut in half. The Lady on no account will permit her husband to break his promise & prove a false
knight, & lays down on a table to submit to the operation. It then appears that the White Knight is the Spirit of the Merchant who
does this only to prove Sir Amadas.
Sir Gowther – the Son of the Devil – is equally wild in story – but I have no time now for more.
Each is about 800 lines long. the rest of the volume contains many curious things with much devotional poetry. I shall show it to Walter Scott, & get the owners permission to take measures for publishing such
of its contents <as> are worthy.