Audio Essay

Rhyming Sensation in "Mont Blanc": In Response to Rob Mitchell

In response to Rob Mitchell, this essay extends his argument regarding the Deleuzean elements of "Mont Blanc" in two key respects. It argues that the poem engages the sublime both on the level of its philosophical content and the mode of its articulation, drawing attention to the level of sensation in philosophical argument through its easily overlooked pattern of irregular rhyme.

The Transcendental: Deleuze, P. B. Shelley, and the Freedom of Immobility

This essay highlights the relevance of Deleuze for Romanticists and Romanticism by linking Deleuze's philosophy to a central Romantic-era philosopher, Immanuel Kant, and to one of the more philosophical of the British Romantic poets, Percy Shelley. Deleuze's method of "transcendental deduction" bears on the Kantianism with which scholars of Romanticism are already familiar, but it also highlights a conception of rhythm that is assumed, but not made explicit, in Kant's theory of aesthetic judgment.

Repetition, Representation and Revolution: Deleuze and Blake's America

The purpose of this paper is to explore specific ways Gilles Deleuze's Difference & Repetition provides a productive critical framework for thinking about revolution in William Blake's America, A Prophecy and, in turn, the way that America's peculiar dramatization of revolution offers a specific political dimension to a Deleuzian ontology. Reading Blake's America in Deleuzean terms suggests an alternative to seeing the poem as either referring exclusively to the material word, or wholly to the idiosyncratic mental world of Blake's vision.

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