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Lyric Conditions: Survival and Reproduction

Date published: 

February, 2020

Lyric Conditions: Survival & Reproduction 18thc–Present

—syllabus PDF—

Prof. Lenora Hanson
Thursday 2:00-4:45 PM

What does abortion have to do with the Anthropocene? How is the legal right to termination connected to ecological predictions of extinction? This course will consider the tools that lyric poetry gives us to answer these questions.

Section: 

Collected Writings of Robert Bloomfield

November, 2019

Admired by Wordsworth and Southey, called by Clare 'the greatest Pastoral Poet England ever gave birth too’, Robert Bloomfield was one of the bestselling poets of the nineteenth century. A labouring-class writer famed for his rural verse, Bloomfield was not only a major influence on Clare but also a children’s author, playwright, tourist writer, and literary critic. The Collected Writings of Robert Bloomfield is the first ever scholarly edition of his entire oeuvre. The editors have collated all the lifetime editions of his publications, making it possible as never before to study the range of his work and the many revisions it underwent. The poems’ textual histories are displayed in variants, editorial footnotes and explanatory introductions. The literary and biographical contexts are discussed, as are the works' critical receptions and publication histories. The effect on his publications of Bloomfield’s vexed position, caught between the traditional expectations of a patron and the demands of a commercial bookseller is detailed. As a result, it is now possible to see Bloomfield both as a major nature poet and as a dramatic illustration of the new pressures on the author caused by the expansion of print culture in the Romantic era. The Collected Writings takes its place alongside the other Bloomfield resources on Romantic Circles—the Electronic Editions of his Letters and of his poem/tour journal/sketchbook The Banks of Wye—and the essay collection ‘The inestimable blessing of letters’.

Mary Wollstonecraft Even Now

This volume attests to the continuing relevance of Mary Wollstonecraft to twenty-first century feminist thought. Making connections between Wollstonecraft's efforts to think within and beyond Enlightenment principles of liberal humanism and various significant issues and debates in contemporary culture from the impacts of social media to the impasses in theories (and practices) of social justice, the essays collectively address questions about what counts as feminism(s) now. Mary Wollstonecraft Even Now explores the range of concerns its contributors take up in considering the feminist afterlives of Wollstonecraft’s controversial writings and ideas.

Date published: 

October, 2019

Tags: 

The Futures of Shelley's Triumph

Ever since Paul de Man’s "Shelley Disfigured," we have come to see Percy Shelley’s final, unfinished poem, The Triumph of Life, as a symptom of the end of Romanticism and Romanticism as end. If or once things are over, why bother to re-visit the end? This is one of many questions Shelley’s poem compels its readers to ask, which is in turn to ask why we any longer need to re-visit the poem at this a time when so little apparently rests on our doing so. So, as if to prolong the idea of an end (whatever that might be), this volume is comprised of four essays compelled to return to the same poem, as if to read the poem as a crime scene that leaves a barrage of clues, none of them adding up to a crime, but each lingering differently with Shelley as Shelley lingers with life and history and as we linger (or not) with the shadows his future casts (or not) upon our present moment, which seems more than ever beyond our grasp, if it ever was within our ken. Why even bother? But then again, and just in case: if so little and so much is at stake, why not?

Date published: 

October, 2019

On the 200th Anniversary of Lord Byron's Manfred: Commemorative Essays

In commemoration of the 200th anniversary of Manfred: A Dramatic Poem (1817) and based on original talks given at an international symposium at New York University on April 21, 2017, this special Romantic Circles Praxis volume offers not only a collection of essays that reassesses Lord Byron’s drama from an array of angles but also recent artistic adaptations of the script and an audio recording of a reenacted musical scene from the 1834 London production of Manfred. Among the subjects addressed in these essays are the play’s dramaturgical and staging potential, the curious history of its publication, circulation, and reception, and the authorial intent of a work based on Byron’s scandalous life. The readings also revisit the complexities behind Manfred’s hybrid genre, while expanding the range of cultural influences and source materials that have previously been associated with the play. With Manfred Byron created a work that fused his own celebrity myth with elements from various cultures, faiths, myths, epochs, genres, and traditions. Byron fired the public imagination with a drama that, in pushing well beyond its rootedness in a Swiss landscape and in his own biography, transcends the limits of the personal and the local as an eccentric and eclectic work of global horizons.

Date published: 

June, 2019

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