Pilgrimage, Canto 3, stanza 45ff.: see particularly his summary in stanzas 59-61.
Clerval prefers the beautiful, with its humanistic overtones, to the sublime with
its otherworldly and supernatural associations. It is indicative that he centers his
descriptions of the landscape upon human images—the priest and his mistress, grape-pickers
among the vines—who give historical or local significance to its details.