Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
1787 |
The central image, figure 9, depicts one half of an Egyptian pebble, the interior of which seems to contain the image of a small, white face. This large, oblong pebble is encircled by other, much... 1791 |
A man, apparently one of the “Esquimaux,” stands in the right quarter of the frame with a club on his shoulder, looking directly at the artist/viewer. He is on a beach. Against the foggy sky in the... Delineator: Back, Sir George 1828 |
Dorothy George describes this print:
A complicated piece of machinery fills the centre of a room in a fashionable establishment; an open door (r.) leads into a shop where, in the... 1828 |
George III is portrayed as Prospero the wizard in his long black cloak, holding a book bearing the words “justice” and “integrity” and a long, whip-like wand. He stands on a landmass labeled “Albion... 11 August 1798 |
This image depicts a naval battle between two ships. Each ship flies its colors in three flags prominently displayed, although one of the American flags appears to have only stripes. Cannon smoke... 1831 |
This image, like Cavallo’s image of the process for inflating hot air balloons, was a popular element of accounts of balloon in late eighteenth-century print culture. Its focus on the means by which... 14 January 1784 |
A toddler, or Swedenborgian “angel,” extends a hand over a group of grotesque, gargoyle-like figures writhing in pain. The child is illumined, while the other figures are cast in shadow. c. 18th century |
A phrenologist, identified as J. De Ville, places his right hand on the forehead of a young man who is kneeling at the center of the image. A well-dressed woman, probably the young man’s mother,... 4 February 1826 |
c. 1824-25 |
Light brown cliffs, partially cloaked in dark green plant life, take up most of the left half of the painting. Near the center of the piece two small boats work their way along the river, which... 1844 |
A man in a long cape and cloth cap holds a cane in his right hand and a large letter “B” in his left as he walks. He has a beard and moustache, and a rimmed black hat hangs from his neck. Author: Smith, John Thomas 1817 |
1826 |
“The balloon over Helsbye-Hill in Chester, at half past II on Thursday the 8th of September, 1785. It is seen in the southwest quarter. The view was taken in a high field, at the end of Sutton-... Delineator: Stothard, Thomas, Newton, R. Author: Baldwin, Thomas 1 May 1786 |
In his A Dictionary of Arts, Manufactures, and Mines, Andrew Ure provides a lengthy explanation for the mechanical workings displayed in this simple line-drawing. He begins by describing its... Author: Ure, Andrew 1839 |
1819 |
Various ships are visible in the distance, and one ship in full sail sits directly beyond the coastal waters. Three poles emerge from the sea in the left foreground, indicating the shoreline; the... 1823 |
Writing in Airopaidia: Containing the Narrative of a Balloon Excursion (1786), Thomas Baldwin describes this view as "taken in a high Field, at the End of Sutton-Causeway," while... Author: Baldwin, Thomas 5 January 1786 |
“To the right, the keelmen and the dark, flat-bottomed keels that carried the coal from Northumberland and Durham down the River Tyne are silhouetted against the orange and white flames from the... 1835 |
The image shows a young man reading; he sits at a generously laid table, and a woman standing behind it pours water into a teapot. In front of the man, an open chest filled with loose pages draws the... Author: Mahony, Francis 1836 |
The image depicts a stone cenotaph, erected in a garden. Papworth’s skill in drawing is conveyed by his close attention to detail. The trees are depicted in different shades, and some appear to be in... Author: Papworth, John Buonarotti c. March 1822 |
Carefully annotated sketches such as this one, which served as a basis for explanations of how hot air balloons were filled, were included in books such as Tiberius Cavallo’s 1785 The History and... Author: Cavallo, Tiberius 1 January 1785 |
In this print, Corinthian Tom’s tailor, Mr. Primefit, has come to Corinthian House to fit Jerry Hawthorn for a new suit. Jerry stands in the center, his back to the viewer, while Mr. Primefit... Author: Egan, Pierce 31 August 1820 |
This image provides multiple illustrations of skulls and famous busts, providing measurements for each by which organ size can be determined. Note especially the famous political figures, as well as... Author: Fowler, Orson Squire 1847 |
A phrenologist lectures to a seated audience. The writing below the print identifies the phrenologist as James De Ville; however, M. George posits that the phrenologist is George Combe (George 606).... Delineator: Lump, J. September 1826 |
"Plate 57" features seven illustrations to accompany Book III of A Compleat System of Opticks, which describes the science behind a variety of optical and image-making machines, including a... Author: Smith, Robert 1738 |
Corinthian Tom has taken Corinthian Kate, her companion Sue, and his friends Jerry Hawthorn and Bob Logic to tour Carlton House; this print depicts them with an attendant in the Throne Room. On the... Author: Egan, Pierce 1 March 1821 |
View of Mottram depicts the village of Mottram in Cheshire. 16 July 1794 |
The ruins of Goodrich Castle sit perched on a hill near the center of the piece. Three boats full of people, ostensibly tourists, row down the river which bends sharply to the left. The central hill... 1785 |
These five figures explicate the construction of a device which, using catoptrical mirrors, project optical illusions. Figures 1 and 2 portray the device itself, while Figures 3 through 5 explain the... Author: Guyot, Edme-Gilles 1775 |
“Plate III” features four illustrations of rational recreations involving optics and illusions. Figure 1 illustrates the refraction of light through water in a vessel. Figure 2 diagrams alterations... Author: Hooper, William 1774 |
Fielding’s "view" of the castle occurs at sunset, and is taken from the banks of a river flowing in the lower register of the painting. A large tree seems to grasp the right riverbank with its... 1816 |
The first image ("Fig. 1") depicts a Taylor-bird's nest, while the second image ("Fig. 2") depicts a wasp's nest. 1791 |
The engraving depicts the exterior of the “Old Ashmolean” building at the University of Oxford. We see it at a slight distance, with a good view of the street on which it is stationed. Three figures... Delineator: MacKenzie, Frederick 1 December 1834 |
As noted by curator Andrew Stevens (Chazen Museum, University of Wisconsin), this “painting is a pastiche of second-hand Italianate architecture and geography imagery supplemented with the artist's... 1791 |
On a page located near the halfway point of an album that was kept between 1827 and 1841 by a Miss Catharine Eliza Lowe, several lines handwritten in black ink accompany a blue ribbon and a... |
A young, nude boy is depicted against a dark background in a bust medallion. Two cornucopias entwine above his head, spilling forth fruit and foliage as a border around the frame. Below is a smaller... Author: Wilson, G.H. 1807 |
In a large green exhibition hall, a crowd gathers to attend the auction. Men and women sit on benches in the middle of the room: most face the auctioneer standing in the rostrum, though some converse... Delineator: Pugin, Augustus Charles, Rowlandson, Thomas 1808 |
The top image—labeled "Page 13" below and "1" at its top right corner—depicts a bee on a sunflower; the second, labeled "2" and "Page 32," depicts a lesson given concerning a beehive, and the third,... 1830 |
A girl is sitting on a large grave in a cemetery, looking down. Behind her a large tree is depicted, a few tombstones, and a church. From beyond a fence bordering one side of the churchyard, a woman... Author: Sigourney, Lydia Howard Huntley 1834 |
Dr. Syntax is in the center of the print, sitting on an overturned washtub and drawing in his sketchbook. In front of him to the left are a bevy of farm animals, including Syntax’s own donkey,... Author: Combe, William 1 May 1812 |
Abraham kneels on a flat plain before three winged angels who stand conversing among themselves. Some hills and trees stand in the distance, and the sky is furrowed with thick, wavy lines that... 1782 |
Engraver: Rooker, Edward, Rooker, Michael Angelo 1775 |
In a room in Somerset House, a throng of people view the Exhibition. Well-dressed couples mingle and inspect paintings with catalogues in hand. The couple in the center stand with their backs to the... Delineator: Cruikshank, Isaac, Cruikshank, George Author: Egan, Pierce 1 July 1821 |
The image shows a young man in profile, lying with his eyes closed, knees slightly bent, on a bed with its curtain pushed to one side. In front, next to the bed, a book lies open, face-down, on the... Author: Mahony, Francis 1836 |
This image depicts the Governor's House at Uxmal: it is a single-story, stone-brick building, lightly covered in vegetation and elevated upon a stone-brick platform. A variety of Mexican flora... Delineator: Norman, Benjamin Moore 1843 |
"Fig. 1" depicts an earthen jar or vase. "Fig. 2" depicts the root of a plant named the "Scythian Lamb". 1791 |
“Plate I” has six figures which illustrate experiments and problems on the nature of light. Figure 1 is a diagram of light reflecting off a polished surface. Figures 2 and 3 illustrate light... 1803 |
The woman depicted is named, like the image, by her work: “the fruit seller.” The fruit seller stands in the foreground, leaning against the pole of a stand, her breasts exposed and her head lowered... Engraver: Woodman, Richard 1835 |
During the latter part of their honeymoon in 1837-38, Hannah Palmer and her husband Samuel, also a painter and a follower of William Blake, spent much time sketching at Pompeii. For this view, she... 1838 |