Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
 Across the upper half of this album page a map has been created in black ink and brown wash. Identified at the top of the page as a “Map of Matrimony,” it charts the imaginary terrain... |
 Various ships are visible in the distance, and one ship in full sail sits directly beyond the coastal waters. Three poles emerge from the sea in the left foreground, indicating the shoreline; the... 1823 |
 A young man, seated with a long rifle on a rock, wears a dark jacket and light trousers. A horn is strung around his neck and a brimmed hat lies at his side. He is addressed by a woman with a large... 1807 |
 1802 |
 The landscape contains a winding river that passes by a group of ruined castles in the distance. In the foreground is a mass of trees on the left and groups of bushes and small trees in the center... 1770 |
 Two cocks are fighting on the left side of the cockpit; one foot of each feeder is visible at opposite ends of the fighting table, (usually constructed as a large table enclosed by a raised rim of... Delineator: Hogarth, William 5 November 1759 |
 Lucifer and his fellow angels are cast out of Heaven, falling into a deep chasm with sheer rock walls textured by what appears to be tree roots. The chasm is illuminated by light from the opening... 1826 |
 The central image, figure 9, depicts one half of an Egyptian pebble, the interior of which seems to contain the image of a small, white face. This large, oblong pebble is encircled by other, much... 1791 |
 At the corner of Little Maddox Street and New Bond Street, a smirking and red-cheeked Lord Sandwich approaches from behind and fondles a young barrow woman selling carrots. The woman’s body is... Delineator: Gillray, James 3 December 1796 |
 In his A Dictionary of Arts, Manufactures, and Mines, Andrew Ure provides a lengthy explanation for the mechanical workings displayed in this simple line-drawing. He begins by describing its... 1839 |
 In a large green exhibition hall, a crowd gathers to attend the auction. Men and women sit on benches in the middle of the room: most face the auctioneer standing in the rostrum, though some converse... Delineator: Pugin, Augustus Charles, Rowlandson, Thomas 1808 |
 At least fourteen ships are engaged in battle. Dark smoke billows up from the surface of the water on the left horizon line, spreading to either side of the sky and obscuring the entire top of the... 1831 |
 As noted by curator Andrew Stevens (Chazen Museum, University of Wisconsin), this “painting is a pastiche of second-hand Italianate architecture and geography imagery supplemented with the artist's... 1791 |
 A beehive sits atop a thick board, with wild-looking plants growing on either side. Grass grows around the hive's board. Seven bees hover around the top of the hive, with another at the hive's center... c. 1820s |
 Here, on one of the four engraved and hand-colored pages interspersed among the blank pages of the Floral Album, the engraver has pictured a wreath of flowers formed from pink roses, blue... |
 The image depicts a broad, flat plain, interrupted at its further end by a grey body of water. In the distance, a low mountain range looms in vague, dark contours against the sky, nearly touching the... 1792 |
 The most intense aspects of the rage for ballooning had subsided by the late 1780’s, but balloons remained popular throughout the nineteenth century. This image appeared as part of a humorous 1845... 1845 |
 c. 1829 |
 Fielding’s "view" of the castle occurs at sunset, and is taken from the banks of a river flowing in the lower register of the painting. A large tree seems to grasp the right riverbank with its... 1816 |
 Napoleon on his characteristic white horse is at the forefront of this image, which depicts the French army’s early attempt to cross the Alps. Other men, who are both on horseback and on foot,... 1828 |
 In this print, Corinthian Tom’s tailor, Mr. Primefit, has come to Corinthian House to fit Jerry Hawthorn for a new suit. Jerry stands in the center, his back to the viewer, while Mr. Primefit... 31 August 1820 |
 A broad expanse of river fills the foreground of the image, narrowing in the center ground and stretching away from the viewer. A rocky bluff—descending in steep gradations to the water's edge—fills... Delineator: Gilpin, William 1798 |
 In this drawing of a printing machine patented by “Messrs. Applegath and Cowper,” two men work at the press while one man operates a fly-wheel pulley system. The figure at the back of the machine... 1839 |
 1786 |
 This image depicts an octave and variant systems of tuning, or "temperament." The octave is represented by the circumference of the circle. 1800 |
 A conventional edge-painting uses one of the edges of a closed book as a canvas—usually the edge furthest from the binding or spine (the fore-edge), but sometimes the top or bottom. They are... 1821 |
 Trees line the foreground of this image and follow a pavement to a house, The Briars, in the distance. The Briars sits at the middle of the image: it is a fair-sized house with two floors. In the... 1845 |
 This image depicts a death's-head moth on a white background, with wings outstretched. 1831 |
 John Auldjo, the artist himself, stands on the far right of the image, poking the lava with a cane and holding a cloth over his mouth. In the background, the eruption of Vesuvius’ small cone, Monte... 1845 |
 c. 1779-80 |
 A man, apparently one of the “Esquimaux,” stands in the right quarter of the frame with a club on his shoulder, looking directly at the artist/viewer. He is on a beach. Against the foggy sky in the... Delineator: Back, Sir George 1828 |
 1770 |
 A single large pyramid stands covered in vegetation, crowned by a small, exposed temple. The pyramid is surrounded by a variety of trees and bushes, and is fronted by a small clearing. Two men stand... Delineator: Norman, Benjamin Moore 1843 |
 A jagged icy cliff on the left descends to a pool of water; beyond these immediate ice formations, a plain of ice or water extends to the far horizon, where more cliffs rise against building clouds.... Delineator: Back, Sir George 1828 |
 “Plate III” features four illustrations of rational recreations involving optics and illusions. Figure 1 illustrates the refraction of light through water in a vessel. Figure 2 diagrams alterations... 1774 |
 This work offers a view of the large group of Alutiiq Indians, carried by a fleet of canoes, who were encountered by Captain George Vancouver and his fleet at Port Dick, Alaska, on 16 May 1794. The... Delineator: Humphreys, H., Alexander, William 1798 |
 The four-stepped, low-rising Pyramid of Cholula, covered in sparse vegetation, stands in a flat valley, surrounded by distant mountains. A stairway leads up from the base of the pyramid to the small... Delineator: Humboldt, Alexander von 1816 |
 Delineator: Gillray, James 1788 |
 This page of watercolor painting and cut paper work is found in an album compiled around 1822 and 1823 in honor of a certain Miss [Louisa?] Gilman. At the page’s center is a footed vase, classical... |
 Pope Pius VII, decked in religious garb, stands at the forefront of this image. To his left is Napoleon who is depicted standing on a platform as he places a crown upon his head. To the pope’s right... Delineator: Cruikshank, George 13 December 1814 |
 George III is portrayed as Prospero the wizard in his long black cloak, holding a book bearing the words “justice” and “integrity” and a long, whip-like wand. He stands on a landmass labeled “Albion... 11 August 1798 |
 The woman depicted is named, like the image, by her work: “the fruit seller.” The fruit seller stands in the foreground, leaning against the pole of a stand, her breasts exposed and her head lowered... Engraver: Woodman, Richard 1835 |
 These five figures explicate the construction of a device which, using catoptrical mirrors, project optical illusions. Figures 1 and 2 portray the device itself, while Figures 3 through 5 explain the... 1775 |
 This image presents the same view as the first in the gallery, with some alterations (the over-slip attached to the illustration constituted by these two images has been lifted). We still have a view... Collaborator: Repton, John Adey 1 February 1816 |
 The art historian Pramod Chandra gives a description of Studies of European Figures, quoted below:
[A] study sheet shows four European figures, one of them seated on a chair and... 1850 |
 Carefully annotated sketches such as this one, which served as a basis for explanations of how hot air balloons were filled, were included in books such as Tiberius Cavallo’s 1785 The History and... 1 January 1785 |
 In the immediate foreground of the picture plane is a herd of sheep. The sheep are reclining on the ground in manner that suggests that they have either been struck dead or are sleeping. Only several... Engraver: Wallis, Robert 1829 |
 1778 |
 The image depicts a stone cenotaph, erected in a garden. Papworth’s skill in drawing is conveyed by his close attention to detail. The trees are depicted in different shades, and some appear to be in... c. March 1822 |
 c. 1810 |
