Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
"Plate 57" features seven illustrations to accompany Book III of A Compleat System of Opticks, which describes the science behind a variety of optical and image-making machines, including a... Author: Smith, Robert 1738 |
Abraham kneels on a flat plain before three winged angels who stand conversing among themselves. Some hills and trees stand in the distance, and the sky is furrowed with thick, wavy lines that... 1782 |
The "rout" (or boisterous throng) mentioned in the title of this hand-coloured etching, stretches from the left- to the right-hand side of the page, filling the lower-half of the design. It is... June 1823 |
"A light-filled cleft in the clouds divides the image in two; its impact is made the greater by the blue-grey mass to its left. This is the true subject of the study, one of the 'large climbing... 1822 |
View of Broad-bottom Bridge 1794 |
The image is set in what appears to be a schoolroom. The master holds a stick above his head, preparing to give "strokes" to the young boy he grips by the elbow. The boy, dressed in a long coat and... Author: Cobbin, Ingram 1829 |
Sir Joseph Banks’ journal entry depicts his and William Hooker’s arrival at Mount Helca’s main crater, Raud-Oldur. They stand in a green patch of vegetation to pitch their tents—one of the few areas... 1811 |
This image presents the same view as the first in the gallery, with some alterations (the over-slip attached to the illustration constituted by these two images has been lifted). We still have a view... Author: Repton, Humphry Collaborator: Repton, John Adey 1 February 1816 |
John Bull (indicated by the name on the chamber pot under his bed) sleeps under a grey blanket, surrounded by green curtains. His mouth is open as he snores. On his chest sits an impish official,... 13 August 1795 |
At the center of this page an unknown artist has painted in watercolor two pink roses growing from a single stem--one almost in full bloom, the other just beginning to bud—and entwined it... |
Five pyramids and a stone-block building stand on a flat landscape, varied only by some small bushes and a few large rocks. The sky occupies a great portion of the picture: the clouds breaking at top... Delineator: Norman, Benjamin Moore 1843 |
This page of watercolor painting and cut paper work is found in an album compiled around 1822 and 1823 in honor of a certain Miss [Louisa?] Gilman. At the page’s center is a footed vase, classical... |
This panoramic vista of the Valley of Mexico depicts Mexico City in the background, lying low in the landscape and surrounded by short vegetation and plants. A small Spanish church stands in the... Delineator: Bullock, William 1825 |
Within the elaborate frame printed on one page of the E. Boyes album by the book’s manufacturer, someone has pasted in shiny blue foil so as to form a second frame. This surrounds an arrangement... |
A dandy has fainted and leans back in a chair with his limbs straight out, while three other dandies support him and a fourth closes a curtain. Beyond the curtain we can see a castrato opera singer... 11 1818 |
Across the upper half of this album page a map has been created in black ink and brown wash. Identified at the top of the page as a “Map of Matrimony,” it charts the imaginary terrain... |
The image portrays a sea dark with swells—no whitecaps—interrupted by large, sharp-edged, wildly-shaped icebergs that have been carved out at their bases by the incessant motion of the waves. Two... Delineator: Back, Sir George 1828 |
A phrenologist lectures to a seated audience. The writing below the print identifies the phrenologist as James De Ville; however, M. George posits that the phrenologist is George Combe (George 606).... Delineator: Lump, J. September 1826 |
In the left register of the picture plane are the two remaining towers of Hadleigh Castle. Between the decaying stone edifices, underbrush and foliage have over-grown the crumbling ruins. In the... |
The woman depicted is named, like the image, by her work: “the fruit seller.” The fruit seller stands in the foreground, leaning against the pole of a stand, her breasts exposed and her head lowered... Engraver: Woodman, Richard 1835 |
This plate offers seven profiles (or cross-sections) of fragments of the coast of north-west America, as if seen from a passing ship or small boat, which range from Cape Mendocino (the westernmost... Delineator: Skyes, J., Alexander, William 1798 |
“Plate III” features four illustrations of rational recreations involving optics and illusions. Figure 1 illustrates the refraction of light through water in a vessel. Figure 2 diagrams alterations... Author: Hooper, William 1774 |
In this image, the French army attempts to cross the Alps during the Napoleonic Wars. Front and center in the image is an Asian man sitting on a boulder. Leading away from him are the caravans of... Delineator: Cruikshank, George Author: Combe, William 13 December 1814 |
On this album page a wreath formed of cut-outs of flowers and leaves serves as a frame for a poem composed by the nineteenth-century playwright and humorist Douglas Jerrold and addressed to Annie... |
1803 |
The central image, figure 9, depicts one half of an Egyptian pebble, the interior of which seems to contain the image of a small, white face. This large, oblong pebble is encircled by other, much... 1791 |
In the center background, a man-made structure—appearing, though distant, to be composed of walls and towers—crests an imposing promontory. To the right of this bluff a high, wooded hill rises to the... Delineator: Gilpin, William Author: Gilpin, William 1798 |
The scene of this print is a butcher’s establishment, understood as the shop and residence of the Marrowfat family. In the center of the scene, the butcher’s daughter sits by the fire playing a lute... c. 18th century |
The top image, labeled "Fig. 1," is a spider's nest, while the image directly below it depicts the accompanying valve. The figure below the valve is a card of silk made from the spider's thread,... 1791 |
Carefully annotated sketches such as this one, which served as a basis for explanations of how hot air balloons were filled, were included in books such as Tiberius Cavallo’s 1785 The History and... Author: Cavallo, Tiberius 1 January 1785 |
In the catalogue Indian Miniature Painting, Chandra describes Portrait of a Lady: “The lady wears a pink skirt and a white robe. She is sensitively drawn, the linear rhythms,... 1800 |
Elizabeth Gunning sits astride a cannon in the front foreground of the print, the skirt of a golden dress flying toward her face and revealing her legs and undergarments, her arms thrown open and... Delineator: Gillray, James 5 March 1791 |
A man sits while a woman examines his head. The right side of the image shows a mapped skull placed on a table. 1826 |
The frame is vertically oriented and presents the viewer with an elevated perspective. A cliff on the left shadows the river, which moves down the left third of the image. Three men are pushing a... Delineator: Back, Sir George 1836 |
This print depicts Dr. Syntax with his hostess, the beautiful bluestocking, Mrs. Omicron. She sits half reclined on a couch in a pose suggesting the famous portraits of Madame Recamier. Syntax reads... Author: Combe, William 1 November 1820 |
The river bends to the right, wrapping around bushes and a tree in the right foreground. To the left, more shrubbery and trees border a ruined house or manor. In the background, non-detailed, wooded... 1782 |
“To the right, the keelmen and the dark, flat-bottomed keels that carried the coal from Northumberland and Durham down the River Tyne are silhouetted against the orange and white flames from the... 1835 |
The engraving depicts an Aeolian harp (the topmost image); it also includes several scientific diagrams indicating how the harp might function. Author: Jones, William 1781 |
Dr. Syntax sits on his horse at the center of the engraving, holding an open sketchbook and pen; an open umbrella appears to be tucked under his arm. A local fisherman and his dog stand behind him;... Author: Combe, William 1 May 1812 |
Here, on one of the four engraved and hand-colored pages interspersed among the blank pages of the Floral Album, the engraver has pictured a wreath of flowers formed from pink roses, blue... |
This portrait depicts a young woman, in colorful costume, seated on the ground against a large rock by the sea. The large outcrop of rock is crowned with a variety of vegetation. Mountains can be... 1831 |
Twelve portraits are given in this collection of figures: the second features a woman and two children, while the rest are individual portraits. The members of the dinner party, many portrayed... Author: Cruikshank, George Editor: à Beckett, Gilbert Abbott 1845 |
c. Early 19th century |
The frame is split between a rocky shore bordering an icy sea and an expanse of gray sky, with clouds scudding low on the horizon. Five people sit around a pot on an outcropping of rock to the far... Delineator: Back, Sir George 1836 |
This image gives a view of a fork in the road, along which pedestrians and carriages travel. The road is lined with two-story buildings; hanging meat in a window and large signs suggest a commercial... Author: Repton, Humphry Collaborator: Repton, John Adey 1 February 1816 |
This image depicts an icescape in fog. The immediate foreground features a prominent rock jutting out of the ground to the left, next to what appears to be a large vertebra. The center portion of the... Delineator: Back, Sir George 1836 |
c. 1800 |
c. 1790s |
The top image ("Fig. 1") depicts a brick, believed to be taken from the Tower of Babel. "Fig. 2" and "Fig. 3" each depict a canopic jar, or "canopus"; these were vases used by the ancient Egyptians... 1791 |
Dorothy George describes this print:
A complicated piece of machinery fills the centre of a room in a fashionable establishment; an open door (r.) leads into a shop where, in the... 1828 |