Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
 Page thirty-two displays eight views from the ruined ground of Pevensey Castle. All images are black and white wood prints. Editor: Knight, Charles c. Early 19th century |
 Within the elaborate frame printed on one page of the E. Boyes album by the book’s manufacturer, someone has pasted in shiny blue foil so as to form a second frame. This surrounds an arrangement... |
 1783 |
 As noted by curator Andrew Stevens (Chazen Museum, University of Wisconsin), this “painting is a pastiche of second-hand Italianate architecture and geography imagery supplemented with the artist's... 1791 |
 Dorothy George describes this print:
A complicated piece of machinery fills the centre of a room in a fashionable establishment; an open door (r.) leads into a shop where, in the... 1828 |
 The titular 9th, 10th, and 11th windows of the North Aisle of Westminster Abbey form the background of the print. In the foreground, a variety of people walk around and look at the monuments along... Delineator: White, John 11 October 1812 |
 A jagged icy cliff on the left descends to a pool of water; beyond these immediate ice formations, a plain of ice or water extends to the far horizon, where more cliffs rise against building clouds.... Delineator: Back, Sir George 1828 |
 The subjects are Napoleon Bonaparte and Josephine at their wedding ceremony. Josephine is wearing a white wedding gown with a scarlet red train while Napoleon dons the blue jacket and white pants he... Delineator: Cruikshank, George 28 October 1814 |
 A young man has two caged doves which he holds up for display. |
 c. 1790s |
 George IV, pictured as a guard, stands before a door, holding a pole with an evidence bag which reads "BEWARE of the Report of a BAD HOUSE." From the house's open window, Queen Caroline holds a torch... Delineator: Cruikshank, George 1820 |
 "A light-filled cleft in the clouds divides the image in two; its impact is made the greater by the blue-grey mass to its left. This is the true subject of the study, one of the 'large climbing... 1822 |
 Three men in white wigs with shawls over their heads gaze contemplatively at the moon from a bank of dark clouds. The moon is made up of two faces: the light side is smiling, while the dark side is... 1791 |
 In the immediate foreground of the picture plane is a herd of sheep. The sheep are reclining on the ground in manner that suggests that they have either been struck dead or are sleeping. Only several... Engraver: Wallis, Robert 1829 |
 c. Early 19th century |
 Cliffs, presumably near New Weir (spelled “New Wear” in the title), stretch upward, taking up most of the left half of the print. In the foreground, at the foot of the cliffs, is a small house. A... Delineator: Cooper, Robert Bransby 1830 |
 The landscape contains a winding river that passes by a group of ruined castles in the distance. In the foreground is a mass of trees on the left and groups of bushes and small trees in the center... 1770 |
 These scientific diagrams depict "vibrations in solid bodies," including rods and plates. 1830 |
 At the forefront of the image is a horse-drawn buggy carrying a cannon, which is stuck in the snow. Two horses appear to have been pulling the buggy; however, one of them has fallen over. The other... Delineator: Cruikshank, George 1828 |
 1824 |
 This page of watercolor painting and cut paper work is found in an album compiled around 1822 and 1823 in honor of a certain Miss [Louisa?] Gilman. At the page’s center is a footed vase, classical... |
 The ruins of an elaborate entrance to the Palace at Madurai dominate the left register of the picture plane. Intricate stonework and molding decorates the inside of the edifice, while the outside is... Engraver: Daniell, William c. 1797-98 |
 This image presents the same view as the first in the gallery, with some alterations (the over-slip attached to the illustration constituted by these two images has been lifted). We still have a view... Collaborator: Repton, John Adey 1 February 1816 |
 c. 1800 |
 "Fig. 1," the image on the right, depicts a petrified ("incrustated") skull. "Fig. 2" depicts a sword, also petrified. Delineator: Rymsdyk, Jan van 1791 |
 The top image, labeled "Fig. 1," is a spider's nest, while the image directly below it depicts the accompanying valve. The figure below the valve is a card of silk made from the spider's thread,... 1791 |
 To the left, two trees stand out among a small copse; their branches extend along the uppermost border of the sketch, framing the scene. The Abbey itself rests in the right half of the sketch,... 1782 |
 This chart provides the "average," "full," "large," "very large," "moderate," "small," and "very small" sizes of the organs measured in each phrenological category. 1847 |
 The top image ("Fig. 1") depicts a brick, believed to be taken from the Tower of Babel. "Fig. 2" and "Fig. 3" each depict a canopic jar, or "canopus"; these were vases used by the ancient Egyptians... 1791 |
 A man and two children stand in the doorway of a small wooden structure. Hovering over the structure are three beings with fin-like wings on their backs. The furthest flying figure (in the background... 1783 |
 In a room in Somerset House, a throng of people view the Exhibition. Well-dressed couples mingle and inspect paintings with catalogues in hand. The couple in the center stand with their backs to the... Delineator: Cruikshank, Isaac, Cruikshank, George 1 July 1821 |
 Five "Arab scholars" attend to their lessons. All the boys wear loose white robes and colored turbans. The central figure sits cross-legged, his body turned to the right. He draws in the dirt with... 1806 |
 Engraver: Lucas, David c. 1832-34 |
 A man in a long cape and cloth cap holds a cane in his right hand and a large letter “B” in his left as he walks. He has a beard and moustache, and a rimmed black hat hangs from his neck. 1817 |
 Pope Pius VII, decked in religious garb, stands at the forefront of this image. To his left is Napoleon who is depicted standing on a platform as he places a crown upon his head. To the pope’s right... Delineator: Cruikshank, George 13 December 1814 |
 “Plate III” features four illustrations of rational recreations involving optics and illusions. Figure 1 illustrates the refraction of light through water in a vessel. Figure 2 diagrams alterations... 1774 |
 1824 |
 Satan and Jesus are silhouetted on the right at the edge of a cliff. A serpent hangs from a cliff on the left. Cities and rivers are revealed far below them, from the bottom of the print to about 2/3... Illustrator: Turner, Joseph Mallord William 1835 |
 In the catalogue Indian Miniature Painting, Chandra describes Portrait of a Lady: “The lady wears a pink skirt and a white robe. She is sensitively drawn, the linear rhythms,... 1800 |
 1826 |
 A phrenologist lectures to a seated audience. The writing below the print identifies the phrenologist as James De Ville; however, M. George posits that the phrenologist is George Combe (George 606).... Delineator: Lump, J. September 1826 |
 1821 |
 1802 |
 In this etching, a young woman and man who are courting make music together. The woman plays a harp and leans over to read the music from the music book that the young man is holding. They both... 1805 |
 “The balloon over Helsbye-Hill in Chester, at half past II on Thursday the 8th of September, 1785. It is seen in the southwest quarter. The view was taken in a high field, at the end of Sutton-... Delineator: Stothard, Thomas, Newton, R. 1 May 1786 |
 The river bends to the right, wrapping around bushes and a tree in the right foreground. To the left, more shrubbery and trees border a ruined house or manor. In the background, non-detailed, wooded... 1782 |
 An obese and rosy Lady Emma Hamilton in a white nightgown and nightcap sits up in her bed with arms and legs splayed outward, pushing the sea-foam green curtains of the canopy back. Her gaze is... Delineator: Gillray, James 6 February 1802 |
 A schematic drawing shows the two halves of Burford’s Description of a View of the Great Temple of Karnak and the Surrounding City of Thebes: the top half depicts the Karnak Temple as a... 1839 |
 The central image, figure 9, depicts one half of an Egyptian pebble, the interior of which seems to contain the image of a small, white face. This large, oblong pebble is encircled by other, much... 1791 |
 “Plate XVII” features ten figures that accompany a section of the text discussing optical illusions and tricks. Figures 52 and 53 depict an illusion using decanters of water and a concave mirror.... 1803 |