Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
 This print portrays Lord Byron as the quintessential Romantic poet. He sits in three-quarter view, his face turned in profile to the left and resting on his right hand in the archetypal thinking pose... Engraver: Longacre, James Barton 1841 |
 The image shows a man lying on a bed, his hands folded in a gesture of prayer. He faces the upper left corner of the picture, where two angels descend towards him on a stream of light. In front of... 1816 |
 The image is divided down the center of the page into two parts. On the left, a man holds an axe over his head, preparing to chop at the base of a tree. There is a severed tree limb lying on the... 1829 |
 Delineator: Pugin, Augustus Charles, Rowlandson, Thomas 1808 |
 Dorothy Jordan, clad in a masculine riding dress has an open playbook in hand, “Act III. Enter Little Pickle." The Duke of Clarence, slightly ahead and in front of her, pulls the miniature royal... Delineator: Gillray, James 23 April 1797 |
 Doctor Syntax and the bookseller occupy the center of the piece. Syntax gestures demonstratively at his travel journal while the bookseller looks upward. To the left, the bookseller’s wife is seated... 1 May 1812 |
 1783 |
 "Fig. 1" depicts an earthen jar or vase. "Fig. 2" depicts the root of a plant named the "Scythian Lamb". 1791 |
 In the saloon of Covent Garden Theatre, Tom and Jerry stand in the center surrounded by women in elegant evening dress, “gay Cyprians,” or courtesans (Egan 173). On the left sits a woman in a rigint-... Delineator: Cruikshank, George, Cruikshank, Isaac 1 July 1821 |
 c. 1791-94 |
 This image depicts the Battle of Lodi. The French army takes up the forefront and majority of the image. There is a distinct gap between the Austrians and the French on the bridge, further clarifying... Delineator: Cruikshank, George 10 May 1823 |
 Cliffs, presumably near New Weir (spelled “New Wear” in the title), stretch upward, taking up most of the left half of the print. In the foreground, at the foot of the cliffs, is a small house. A... Delineator: Cooper, Robert Bransby 1830 |
 As noted by curator Andrew Stevens (Chazen Museum, University of Wisconsin), this “painting is a pastiche of second-hand Italianate architecture and geography imagery supplemented with the artist's... 1791 |
 The top image—labeled "Page 13" below and "1" at its top right corner—depicts a bee on a sunflower; the second, labeled "2" and "Page 32," depicts a lesson given concerning a beehive, and the third,... 1830 |
 “The balloon over Helsbye-Hill in Chester, at half past II on Thursday the 8th of September, 1785. It is seen in the southwest quarter. The view was taken in a high field, at the end of Sutton-... Delineator: Stothard, Thomas, Newton, R. 1 May 1786 |
 Carefully annotated sketches such as this one, which served as a basis for explanations of how hot air balloons were filled, were included in books such as Tiberius Cavallo’s 1785 The History and... 1 January 1785 |
 This image comes from a text called, Illustrations of Natural Philosophy, which depicts the many properties of air. The central images feature a rendering of all of the highest mountain ranges... 10 December 1850 |
 1821 |
 A large stone stela, facing forward, depicts a Maya deity decorated with myriad visual embellishments, its fists clenched upon its chest. The background depicts the small clearing in which the stela... Delineator: Catherwood, Frederick 1841 |
 This image provides multiple illustrations of skulls and famous busts, providing measurements for each by which organ size can be determined. Note especially the famous political figures, as well as... 1847 |
 1804 |
 c. 1779-80 |
 The engraving depicts the exterior of the “Old Ashmolean” building at the University of Oxford. We see it at a slight distance, with a good view of the street on which it is stationed. Three figures... Delineator: MacKenzie, Frederick 1 December 1834 |
 The art historian Pramod Chandra describes this miniature as follows:
[T]he man, seated on a chair, listens to a group of musicians squatting on a striped blue carpet. He is attended by... 1870 |
 “Plate 16” features nine figures which illustrate devices used to create optical illusions. Three of the colored figures depict different forms of magic lanterns and how they are operated in order to... 1775 |
 The image is set in what appears to be a schoolroom. The master holds a stick above his head, preparing to give "strokes" to the young boy he grips by the elbow. The boy, dressed in a long coat and... 1829 |
 This plate from George Adams II’s An Essay on Vision illustrates his camera obscura model of vision, as well as several optical experiments proposed in the book. The figures are described... Delineator: Milne, T. 31 July 1789 |
 “To the right, the keelmen and the dark, flat-bottomed keels that carried the coal from Northumberland and Durham down the River Tyne are silhouetted against the orange and white flames from the... 1835 |
 Five wreaths of human hair have been looped through ribbons of various colors, which have in turn been stitched onto a page in a handmade booklet. The booklet, crafted out of sheets of light blue... |
 A viscountess sits between a portrait of a peasant woman breastfeeding a baby, the frame of which reads “Maternal Love,\" and a window revealing a carriage waiting outside, its attendant holding its... Delineator: Gillray, James 15 February 1796 |
 Similar to the central figure of A Hindoo Female, the subject of The Rajpootnee Bride is initially striking on account her size; the female body fills the space of the image. The... Engraver: Woodman, Richard 1835 |
 This image depicts a confrontation between an American and a British ship, each displaying their national flag. The flag of the British ship, on the left, is upside down. Both ships have tattered... 1831 |
 In the immediate foreground of the picture plane is a herd of sheep. The sheep are reclining on the ground in manner that suggests that they have either been struck dead or are sleeping. Only several... Engraver: Wallis, Robert 1829 |
 1793 |
 This painting exists in two states: the first portrays the actual, "unimproved" prospect from the house at Tatton Park, as it was when Repton first visited the Park, on 8 Nov. 1791; the second... 1794 |
 This image portrays an icescape with distant mountains. The Arctic sun is low on the horizon, and smoke-like clouds extend in a widening mass from the far right of the image to the upper left corner... Delineator: Back, Sir George 1836 |
 This map of Vesuvius is color-coded to indicate the various routes of lava flows traced during Vesuvius’ major eruptions from 1631. Palo, the larger cone, is marked with every lava flow (colored red... 1833 |
 In this print, Corinthian Tom’s tailor, Mr. Primefit, has come to Corinthian House to fit Jerry Hawthorn for a new suit. Jerry stands in the center, his back to the viewer, while Mr. Primefit... 31 August 1820 |
 The woman depicted is named, like the image, by her work: “the fruit seller.” The fruit seller stands in the foreground, leaning against the pole of a stand, her breasts exposed and her head lowered... Engraver: Woodman, Richard 1835 |
 "Fig. 1," the image on the right, depicts a petrified ("incrustated") skull. "Fig. 2" depicts a sword, also petrified. Delineator: Rymsdyk, Jan van 1791 |
 At the forefront of the image is a horse-drawn buggy carrying a cannon, which is stuck in the snow. Two horses appear to have been pulling the buggy; however, one of them has fallen over. The other... Delineator: Cruikshank, George 1828 |
 The four-stepped, low-rising Pyramid of Cholula, covered in sparse vegetation, stands in a flat valley, surrounded by distant mountains. A stairway leads up from the base of the pyramid to the small... Delineator: Humboldt, Alexander von 1816 |
 1824 |
 The titular 9th, 10th, and 11th windows of the North Aisle of Westminster Abbey form the background of the print. In the foreground, a variety of people walk around and look at the monuments along... Delineator: White, John 11 October 1812 |
 1812 |
 c. 1816-17 |
 The image depicts a broad, flat plain, interrupted at its further end by a grey body of water. In the distance, a low mountain range looms in vague, dark contours against the sky, nearly touching the... 1792 |
 George III is portrayed as Prospero the wizard in his long black cloak, holding a book bearing the words “justice” and “integrity” and a long, whip-like wand. He stands on a landmass labeled “Albion... 11 August 1798 |
 The subjects are Napoleon Bonaparte and Josephine at their wedding ceremony. Josephine is wearing a white wedding gown with a scarlet red train while Napoleon dons the blue jacket and white pants he... Delineator: Cruikshank, George 28 October 1814 |
 A conventional edge-painting uses one of the edges of a closed book as a canvas—usually the edge furthest from the binding or spine (the fore-edge), but sometimes the top or bottom. They are... 1821 |
