Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
 This image comes from a text called, Illustrations of Natural Philosophy, which depicts the many properties of air. The central images feature a rendering of all of the highest mountain ranges... 10 December 1850 |
 The subjects are Napoleon Bonaparte and Josephine at their wedding ceremony. Josephine is wearing a white wedding gown with a scarlet red train while Napoleon dons the blue jacket and white pants he... Delineator: Cruikshank, George 28 October 1814 |
 In a small, dark, cave-like dwelling, a woman with a creased brow and elongated nose sits crouched with her knees to her chest. She wears a white bonnet and large cloak, and she smokes a slender clay... 1820 |
 Two groups of men drag rowboats over a rocky “reef,” which seems to be serving as a dam between one body of water (placid-looking) and another (which appears to be the sea). A strong curving line... Delineator: Back, Sir George 1828 |
 Dr. Syntax falls backward off his rocky seat into the water. Though his hat has fallen into the water, he still clutches his pen and journal: he has evidently been sketching the moss-covered ruins of... 1 May 1812 |
 Cliffs, presumably near New Weir (spelled “New Wear” in the title), stretch upward, taking up most of the left half of the print. In the foreground, at the foot of the cliffs, is a small house. A... Delineator: Cooper, Robert Bransby 1830 |
 Dressed as nursemaids with patriotic ribbons, Prime Minister Henry Addington, Lord Hawkesbury, and Charles Fox gather around Britannia as an oversized baby squeezed into a crib, the top of which... Delineator: Gillray, James 4 December 1802 |
 In the left register of the picture plane are the two remaining towers of Hadleigh Castle. Between the decaying stone edifices, underbrush and foliage have over-grown the crumbling ruins. In the... |
 This image depicts a naval battle between two ships. Each ship flies its colors in three flags prominently displayed, although one of the American flags appears to have only stripes. Cannon smoke... 1831 |
 Three men in white wigs with shawls over their heads gaze contemplatively at the moon from a bank of dark clouds. The moon is made up of two faces: the light side is smiling, while the dark side is... 1791 |
 A girl is sitting on a large grave in a cemetery, looking down. Behind her a large tree is depicted, a few tombstones, and a church. From beyond a fence bordering one side of the churchyard, a woman... 1834 |
 The image shows a man lying on a bed, his hands folded in a gesture of prayer. He faces the upper left corner of the picture, where two angels descend towards him on a stream of light. In front of... 1816 |
 The image shows a young man reading; he sits at a generously laid table, and a woman standing behind it pours water into a teapot. In front of the man, an open chest filled with loose pages draws the... 1836 |
 The work depicts a “building designed in imitation of the ruins of a church or chapel…intended to be placed, as those houses generally are, by the side of a piece of still water…or built by the side... |
 A viscountess sits between a portrait of a peasant woman breastfeeding a baby, the frame of which reads “Maternal Love,\" and a window revealing a carriage waiting outside, its attendant holding its... Delineator: Gillray, James 15 February 1796 |
 1826 |
 The top image—labeled "Page 13" below and "1" at its top right corner—depicts a bee on a sunflower; the second, labeled "2" and "Page 32," depicts a lesson given concerning a beehive, and the third,... 1830 |
 1786 |
 The engraving depicts the lower room of the “Old Ashmolean” building at the University of Oxford. Various natural specimens, including a giraffe and a dodo, are evident, as well as two groups of... Delineator: Delamotte, William Alfred 1 December 1834 |
 With church spires rising above it in the very center of the background, Bartholmew Fair is in full swing, crowded with people and chaos. Overflowing the square—with the hospital on one side, a... Delineator: Rowlandson, Thomas 1808 |
 This print portrays Lord Byron as the quintessential Romantic poet. He sits in three-quarter view, his face turned in profile to the left and resting on his right hand in the archetypal thinking pose... Engraver: Longacre, James Barton 1841 |
 At the piano, a young wife in a drooping bonnet plays the piano and sings with a wide open mouth. She rolls her eyes back, as if to ascertain whether her husband is listening, or perhaps to ensure... Delineator: Gillray, James 25 September 1805 |
 A ship is tipped towards the viewer, almost completely submerged by a wave crashing over it. Only the main mast, part of a second mast, and a sliver of the deck rise above the tumultuous water. Men... Illustrator: Turner, Joseph Mallord William 1835 |
 The titular 9th, 10th, and 11th windows of the North Aisle of Westminster Abbey form the background of the print. In the foreground, a variety of people walk around and look at the monuments along... Delineator: White, John 11 October 1812 |
 In the center background, a man-made structure—appearing, though distant, to be composed of walls and towers—crests an imposing promontory. To the right of this bluff a high, wooded hill rises to the... Delineator: Gilpin, William 1798 |
 "Fig. 1" depicts an earthen jar or vase. "Fig. 2" depicts the root of a plant named the "Scythian Lamb". 1791 |
 c. 1810 |
 Two men attempt to haul a boat (one other man inside) to shore in a storm. A variety of ships out to sea appear lashed by the wind and waves. To the right of the image there is a house on the shore... 1823 |
 A man and two children stand in the doorway of a small wooden structure. Hovering over the structure are three beings with fin-like wings on their backs. The furthest flying figure (in the background... 1783 |
 Similar to the central figure of A Hindoo Female, the subject of The Rajpootnee Bride is initially striking on account her size; the female body fills the space of the image. The... Engraver: Woodman, Richard 1835 |
 c. 1824-25 |
 This foldout guide to the "Moving Diorama of Venice" is divided into three large panels showing a series of "highlight" views of Venice, as if seen from a passing gondola. Ignoring the distance that... 1841 |
 "A light-filled cleft in the clouds divides the image in two; its impact is made the greater by the blue-grey mass to its left. This is the true subject of the study, one of the 'large climbing... 1822 |
 1821 |
 This image portrays three ships and a row boat, presumably transporting the pilot to the central frigate. The ocean is rough with small waves, and the sails of the ships billow with wind. Both the... 1797 |
 View of Broad-bottom Bridge 1794 |
 “To the right, the keelmen and the dark, flat-bottomed keels that carried the coal from Northumberland and Durham down the River Tyne are silhouetted against the orange and white flames from the... 1835 |
 In a large green exhibition hall, a crowd gathers to attend the auction. Men and women sit on benches in the middle of the room: most face the auctioneer standing in the rostrum, though some converse... Delineator: Pugin, Augustus Charles, Rowlandson, Thomas 1808 |
 Depicting roughly 35 miles of the Eifel mountain range, this topographic map is color coded to indicate rock type. Volcanoes are depicted by sets of lines, each which culminates in a circle to... 1832 |
 Delineator: Pugin, Augustus Charles, Rowlandson, Thomas 1808 |
 This print depicts Dr. Syntax with his hostess, the beautiful bluestocking, Mrs. Omicron. She sits half reclined on a couch in a pose suggesting the famous portraits of Madame Recamier. Syntax reads... 1 November 1820 |
 This image, Plate 13 of Bell's illustrations, depicts the ear without the skin. The numbers and their labels are given below: 1830s |
 c. 1800-01 |
 This picture shows Henry Kirke White as a boy, reading from a book held in the lap of an older woman. A cat sits near their feet. There are three other children to the woman's right, two of whom are... 1818 |
 This image depicts a battle between the French and the Austrians. The Austrians are situated primarily on the left side of the bridge while the French are on the right. The Austrians are wearing... Delineator: Cruikshank, George 28 November 1814 |
 Lady Cecilia Johnstone is in profile, seated on a large golden chamber pot. Her brow is slightly furrowed and her gaze intensely focused. She rests her chin in her hand, her elbow propped upon her... Delineator: Gillray, James 19 September 1791 |
 Engraver: Lucas, David c. 1832-34 |
 Elizabeth Gunning sits astride a cannon in the front foreground of the print, the skirt of a golden dress flying toward her face and revealing her legs and undergarments, her arms thrown open and... Delineator: Gillray, James 5 March 1791 |
 The art historian Pramod Chandra gives a description of Studies of European Figures, quoted below:
[A] study sheet shows four European figures, one of them seated on a chair and... 1850 |
 “Plate II” presents two figures, both of which refer to a sedan-chair style camera obscura in which a person can comfortably sit. Figure 7 is a view of the interior of this alternative camera obscura... 1803 |