Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
 This painting exists in two states: the first portrays the actual, "unimproved" prospect from the house at Tatton Park, as it was when Repton first visited the Park, on 8 Nov. 1791; the second... 1794 |
 Dr. Syntax sits on the right-hand side of the back row in the pit, alongside a critic and a wit (Combe 223). He and his fellow theater-goers face the unfolding drama on the stage: two men battle over... Delineator: Rowlandson, Thomas 1 May 1812 |
 A toddler, or Swedenborgian “angel,” extends a hand over a group of grotesque, gargoyle-like figures writhing in pain. The child is illumined, while the other figures are cast in shadow. c. 18th century |
 This page of watercolor painting and cut paper work is found in an album compiled around 1822 and 1823 in honor of a certain Miss [Louisa?] Gilman. At the page’s center is a footed vase, classical... |
 This foldout guide to the "Moving Diorama of Venice" is divided into three large panels showing a series of "highlight" views of Venice, as if seen from a passing gondola. Ignoring the distance that... 1841 |
 A dandy has fainted and leans back in a chair with his limbs straight out, while three other dandies support him and a fourth closes a curtain. Beyond the curtain we can see a castrato opera singer... 11 1818 |
 A beehive sits atop a thick board, with wild-looking plants growing on either side. Grass grows around the hive's board. Seven bees hover around the top of the hive, with another at the hive's center... c. 1820s |
 “Plate XVII” features ten figures that accompany a section of the text discussing optical illusions and tricks. Figures 52 and 53 depict an illusion using decanters of water and a concave mirror.... 1803 |
 In this etching, a married couple negotiates the shared space of the parlour. The woman is playing the piano and singing of woe and troubles (as evident from the titles of her music book) while the... 1805 |
 A young man, seated with a long rifle on a rock, wears a dark jacket and light trousers. A horn is strung around his neck and a brimmed hat lies at his side. He is addressed by a woman with a large... 1807 |
 The art historian Pramod Chandra describes the subject of this image as follows:
A painter wearing a pince-nez and surrounded by vials of paint, brushes, and other tools is busy at work... 1800 |
 The empress of the moths, a saturnia pavonia minor, perches on a leaf. She is reading her visitor's book. The emperor, a male of the same species, sits on the branch facing her. To their left, in the... 1831 |
 1783 |
 In this image, the French army attempts to cross the Alps during the Napoleonic Wars. Front and center in the image is an Asian man sitting on a boulder. Leading away from him are the caravans of... Delineator: Cruikshank, George 13 December 1814 |
 Satan and Jesus are silhouetted on the right at the edge of a cliff. A serpent hangs from a cliff on the left. Cities and rivers are revealed far below them, from the bottom of the print to about 2/3... Illustrator: Turner, Joseph Mallord William 1835 |
 The image depicts a stone cenotaph, erected in a garden. Papworth’s skill in drawing is conveyed by his close attention to detail. The trees are depicted in different shades, and some appear to be in... c. March 1822 |
 Elizabeth Gunning sits astride a cannon in the front foreground of the print, the skirt of a golden dress flying toward her face and revealing her legs and undergarments, her arms thrown open and... Delineator: Gillray, James 5 March 1791 |
 1821 |
 John Auldjo, the artist himself, stands on the far right of the image, poking the lava with a cane and holding a cloth over his mouth. In the background, the eruption of Vesuvius’ small cone, Monte... 1845 |
 A phrenologist, identified as J. De Ville, places his right hand on the forehead of a young man who is kneeling at the center of the image. A well-dressed woman, probably the young man’s mother,... 4 February 1826 |
 1778 |
 "A light-filled cleft in the clouds divides the image in two; its impact is made the greater by the blue-grey mass to its left. This is the true subject of the study, one of the 'large climbing... 1822 |
 A black man in a sailor’s uniform leans on a crutch and cane in a nondescript environment. In his left hand he holds a brimmed hat, while atop his head sits an elaborate model ship affixed to a... 1817 |
 In the center of the image, a nude male figure sits on the edge of a bed, one leg resting on the floor. He looks up at a female figure who stands between his legs undressing, untying the strings of... Delineator: Calvert, Edward 1831 |
 1824 |
 “Plate I” has six figures which illustrate experiments and problems on the nature of light. Figure 1 is a diagram of light reflecting off a polished surface. Figures 2 and 3 illustrate light... 1803 |
 1786 |
 This image comes from a text called, Illustrations of Natural Philosophy, which depicts the many properties of air. The central images feature a rendering of all of the highest mountain ranges... 10 December 1850 |
 Lucifer and his fellow angels are cast out of Heaven, falling into a deep chasm with sheer rock walls textured by what appears to be tree roots. The chasm is illuminated by light from the opening... 1826 |
 This work offers a view of the large group of Alutiiq Indians, carried by a fleet of canoes, who were encountered by Captain George Vancouver and his fleet at Port Dick, Alaska, on 16 May 1794. The... Delineator: Humphreys, H., Alexander, William 1798 |
 The subjects are Napoleon Bonaparte and Josephine at their wedding ceremony. Josephine is wearing a white wedding gown with a scarlet red train while Napoleon dons the blue jacket and white pants he... Delineator: Cruikshank, George 28 October 1814 |
 A great amount of snow covers the ground in this image. Many soldiers are partially or completely buried by it, and one soldier sits atop a horse whose legs are also buried. Each soldier wears an... Delineator: Cruikshank, George 23 January 1815 |
 A man sits while a woman examines his head. The right side of the image shows a mapped skull placed on a table. 1826 |
 The illustration depicts a man sleeping in bed with his mouth open; he wears a nightcap, and only his face is visible above the covers. A miniature sultan, with a dark visage and an immense moustache... 1836 |
 c. Early 19th century |
 This image uses scientific diagrams to depict sound waves and vibrational patterns. The specific phenomena depicted by the various figures and the import of these depictions are discussed at length... 1800 |
 c. 1810 |
 A crew rows their boat away from the viewer and towards the mouth of a river in lightly choppy seas. A man standing in back steers with the rudder oar. A sand beach extends on the left, while bluffs... Delineator: Back, Sir George 1836 |
 Light brown cliffs, partially cloaked in dark green plant life, take up most of the left half of the painting. Near the center of the piece two small boats work their way along the river, which... 1844 |
 This image depicts a battle between the French and the Austrians. The Austrians are situated primarily on the left side of the bridge while the French are on the right. The Austrians are wearing... Delineator: Cruikshank, George 28 November 1814 |
 Figures 1 and 2 depict two small hummingbirds, each of which appear to be either plummeting from a height or flying at a downward angle. The large bird below them, figure 4, is a Bird of Paradise,... 1791 |
 At the forefront of the image is a horse-drawn buggy carrying a cannon, which is stuck in the snow. Two horses appear to have been pulling the buggy; however, one of them has fallen over. The other... Delineator: Cruikshank, George 1828 |
 c. 1800 |
 Sitting atop a chest inscribed “Bank of England,” a wrinkled and thin woman dressed in paper one- pound notes throws her hands back as Prime Minister William Pitt (the Younger) reaches into her... Delineator: Gillray, James 22 May 1797 |
 This image depicts a naval battle between two ships. Each ship flies its colors in three flags prominently displayed, although one of the American flags appears to have only stripes. Cannon smoke... 1831 |
 The façade of a brick structure—with a sidewall jutting out to form a kind of corner—and a tree with a serpentine trunk take up the right half of the oval-shaped image. Light shining through the... 1800 |
 The image depicts a broad, flat plain, interrupted at its further end by a grey body of water. In the distance, a low mountain range looms in vague, dark contours against the sky, nearly touching the... 1792 |
 The scene of this print is a butcher’s establishment, understood as the shop and residence of the Marrowfat family. In the center of the scene, the butcher’s daughter sits by the fire playing a lute... c. 18th century |
 Two groups of men drag rowboats over a rocky “reef,” which seems to be serving as a dam between one body of water (placid-looking) and another (which appears to be the sea). A strong curving line... Delineator: Back, Sir George 1828 |
 The pyramid at El Tajín is shown in three-quarter view. It is a step-pyramid with six levels and a staircase leading from the ground to the top platform. The sky is blank over a completely flat... 1804 |
