Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
 Goodrich Castle sits atop a massive hill, which is partially covered in trees (to the left of the ruins) and partially eroded (bare rock forms the base of the hill directly below the castle). To the... 1782 |
 The frame is vertically oriented and presents the viewer with an elevated perspective. A cliff on the left shadows the river, which moves down the left third of the image. Three men are pushing a... Delineator: Back, Sir George 1836 |
 This plate from George Adams II’s An Essay on Vision illustrates his camera obscura model of vision, as well as several optical experiments proposed in the book. The figures are described... Delineator: Milne, T. 31 July 1789 |
 The façade of a brick structure—with a sidewall jutting out to form a kind of corner—and a tree with a serpentine trunk take up the right half of the oval-shaped image. Light shining through the... 1800 |
 A man and two children stand in the doorway of a small wooden structure. Hovering over the structure are three beings with fin-like wings on their backs. The furthest flying figure (in the background... 1783 |
 A toddler, or Swedenborgian “angel,” extends a hand over a group of grotesque, gargoyle-like figures writhing in pain. The child is illumined, while the other figures are cast in shadow. c. 18th century |
 The top image ("Fig. 1") depicts a brick, believed to be taken from the Tower of Babel. "Fig. 2" and "Fig. 3" each depict a canopic jar, or "canopus"; these were vases used by the ancient Egyptians... 1791 |
 The art historian Pramod Chandra describes the subject of this image as follows:
A painter wearing a pince-nez and surrounded by vials of paint, brushes, and other tools is busy at work... 1800 |
 c. Early 19th century |
 Figures 1 and 2 depict two small hummingbirds, each of which appear to be either plummeting from a height or flying at a downward angle. The large bird below them, figure 4, is a Bird of Paradise,... 1791 |
 The art historian Pramod Chandra gives a description of Studies of European Figures, quoted below:
[A] study sheet shows four European figures, one of them seated on a chair and... 1850 |
 This image depicts a death's-head moth on a white background, with wings outstretched. 1831 |
 The image shows a young man reading; he sits at a generously laid table, and a woman standing behind it pours water into a teapot. In front of the man, an open chest filled with loose pages draws the... 1836 |
 This map of Vesuvius is color-coded to indicate the various routes of lava flows traced during Vesuvius’ major eruptions from 1631. Palo, the larger cone, is marked with every lava flow (colored red... 1833 |
 c. 1810 |
 “Plate II” presents two figures, both of which refer to a sedan-chair style camera obscura in which a person can comfortably sit. Figure 7 is a view of the interior of this alternative camera obscura... 1803 |
 The image depicts a momument, inscribed with an epitaph, in two parts: the topmost figure appears to be the top of a momument, while the figure below it may be the base. The upper part is decorated... 1834 |
 The image is divided down the center of the page into two parts. On the left, a man holds an axe over his head, preparing to chop at the base of a tree. There is a severed tree limb lying on the... 1829 |
 The image portrays a sea dark with swells—no whitecaps—interrupted by large, sharp-edged, wildly-shaped icebergs that have been carved out at their bases by the incessant motion of the waves. Two... Delineator: Back, Sir George 1828 |
 A viscountess sits between a portrait of a peasant woman breastfeeding a baby, the frame of which reads “Maternal Love,\" and a window revealing a carriage waiting outside, its attendant holding its... Delineator: Gillray, James 15 February 1796 |
 “The balloon over Helsbye-Hill in Chester, at half past II on Thursday the 8th of September, 1785. It is seen in the southwest quarter. The view was taken in a high field, at the end of Sutton-... Delineator: Stothard, Thomas, Newton, R. 1 May 1786 |
 This image provides multiple illustrations of skulls and famous busts, providing measurements for each by which organ size can be determined. Note especially the famous political figures, as well as... 1847 |
 Various ships are visible in the distance, and one ship in full sail sits directly beyond the coastal waters. Three poles emerge from the sea in the left foreground, indicating the shoreline; the... 1823 |
 The river bends to the right, wrapping around bushes and a tree in the right foreground. To the left, more shrubbery and trees border a ruined house or manor. In the background, non-detailed, wooded... 1782 |
 This image depicts the Battle of Lodi. The French army takes up the forefront and majority of the image. There is a distinct gap between the Austrians and the French on the bridge, further clarifying... Delineator: Cruikshank, George 10 May 1823 |
 Napoleon on his characteristic white horse is at the forefront of this image, which depicts the French army’s early attempt to cross the Alps. Other men, who are both on horseback and on foot,... 1828 |
 360.—Richmond Castle, from the River Swale, placed in the bottom left corner of page eighty nine, depicts the castle as seen from the banks of the Swale river. A bridge extends from the... Editor: Knight, Charles c. Early 19th century |
 1824 |
 The first image ("Fig. 1") depicts a Taylor-bird's nest, while the second image ("Fig. 2") depicts a wasp's nest. 1791 |
 This painting exists in two states: the first portrays the actual, "unimproved" prospect from the house at Tatton Park, as it was when Repton first visited the Park, on 8 Nov. 1791; the second... 1794 |
 Dorothy Jordan, clad in a masculine riding dress has an open playbook in hand, “Act III. Enter Little Pickle." The Duke of Clarence, slightly ahead and in front of her, pulls the miniature royal... Delineator: Gillray, James 23 April 1797 |
 The frame is split between a rocky shore bordering an icy sea and an expanse of gray sky, with clouds scudding low on the horizon. Five people sit around a pot on an outcropping of rock to the far... Delineator: Back, Sir George 1836 |
 Carefully annotated sketches such as this one, which served as a basis for explanations of how hot air balloons were filled, were included in books such as Tiberius Cavallo’s 1785 The History and... 1 January 1785 |
 Cliffs, presumably near New Weir (spelled “New Wear” in the title), stretch upward, taking up most of the left half of the print. In the foreground, at the foot of the cliffs, is a small house. A... Delineator: Cooper, Robert Bransby 1830 |
 Trees line the foreground of this image and follow a pavement to a house, The Briars, in the distance. The Briars sits at the middle of the image: it is a fair-sized house with two floors. In the... 1845 |
 1804 |
 Gilded pages of Grellmann's Dissertaion on the Gipseys (London, 1807). 1807 |
 The landscape contains a winding river that passes by a group of ruined castles in the distance. In the foreground is a mass of trees on the left and groups of bushes and small trees in the center... 1770 |
 1783 |
 Dorothy George describes this print:
A complicated piece of machinery fills the centre of a room in a fashionable establishment; an open door (r.) leads into a shop where, in the... 1828 |
 View of Broad-bottom Bridge 1794 |
 The engraving depicts an Aeolian harp (the topmost image); it also includes several scientific diagrams indicating how the harp might function. 1781 |
 A young man has two caged doves which he holds up for display. |
 A man sits while a woman examines his head. The right side of the image shows a mapped skull placed on a table. 1826 |
 In the immediate foreground of the picture plane is a herd of sheep. The sheep are reclining on the ground in manner that suggests that they have either been struck dead or are sleeping. Only several... Engraver: Wallis, Robert 1829 |
 Engraver: Daniell, Thomas 1795 |
 This print portrays Lord Byron as the quintessential Romantic poet. He sits in three-quarter view, his face turned in profile to the left and resting on his right hand in the archetypal thinking pose... Engraver: Longacre, James Barton 1841 |
 “Plate III” features four illustrations of rational recreations involving optics and illusions. Figure 1 illustrates the refraction of light through water in a vessel. Figure 2 diagrams alterations... 1774 |
 On this album page, a hand-colored engraving images three kinds of flowering plants. Miniscule numbers are placed beside each of three, with the numbers keyed to the plants’ names and their... |
 Sir Joseph Banks’ journal entry depicts his and William Hooker’s arrival at Mount Helca’s main crater, Raud-Oldur. They stand in a green patch of vegetation to pitch their tents—one of the few areas... 1811 |
