Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
 George III is portrayed as Prospero the wizard in his long black cloak, holding a book bearing the words “justice” and “integrity” and a long, whip-like wand. He stands on a landmass labeled “Albion... 11 August 1798 |
 Here, on one of the four engraved and hand-colored pages interspersed among the blank pages of the Floral Album, the engraver has pictured a wreath of flowers formed from pink roses, blue... |
 The river bends to the right, wrapping around bushes and a tree in the right foreground. To the left, more shrubbery and trees border a ruined house or manor. In the background, non-detailed, wooded... 1782 |
 The image depicts a momument, inscribed with an epitaph, in two parts: the topmost figure appears to be the top of a momument, while the figure below it may be the base. The upper part is decorated... 1834 |
 A toddler, or Swedenborgian “angel,” extends a hand over a group of grotesque, gargoyle-like figures writhing in pain. The child is illumined, while the other figures are cast in shadow. c. 18th century |
 The top image—labeled "Page 13" below and "1" at its top right corner—depicts a bee on a sunflower; the second, labeled "2" and "Page 32," depicts a lesson given concerning a beehive, and the third,... 1830 |
 The frame is vertically oriented and presents the viewer with an elevated perspective. A cliff on the left shadows the river, which moves down the left third of the image. Three men are pushing a... Delineator: Back, Sir George 1836 |
 View of Broad-bottom Bridge 1794 |
 Sitting atop a chest inscribed “Bank of England,” a wrinkled and thin woman dressed in paper one- pound notes throws her hands back as Prime Minister William Pitt (the Younger) reaches into her... Delineator: Gillray, James 22 May 1797 |
 The artists of the Royal Academy sit in a semicircle, in two tiers, with sketch pads and pencils, facing a female model posing nude on a stage. Most of the men look at the model, while others draw or... 1811 |
 A view of the ruins of Uxmal depicts the House of the Nuns (on the left) and the House of the Dwarf (on the right). The House of the Nuns is a short, wide, one-story building with a series of small... Delineator: Catherwood, Frederick 1841 |
 This print depicts Dr. Syntax with his hostess, the beautiful bluestocking, Mrs. Omicron. She sits half reclined on a couch in a pose suggesting the famous portraits of Madame Recamier. Syntax reads... 1 November 1820 |
 “Plate No. 32 Optics” features thirty-four color illustrations which refer to a range of scientific diagrams and to popular knowledge on the general topic of optics. This variety of illustrations... Delineator: Emslie, John 10 December 1850 |
 A large stone stela, facing forward, depicts a Maya deity decorated with myriad visual embellishments, its fists clenched upon its chest. The background depicts the small clearing in which the stela... Delineator: Catherwood, Frederick 1841 |
 c. 1800 |
 The subject, Chepstow Castle, dominates most of the print, sitting across the water from the viewer. It is in a state of ruin: ivy climbs up the towers, and the tops of the rightmost towers are... Delineator: Cooper, Robert Bransby 1813 |
 A man in a long cape and cloth cap holds a cane in his right hand and a large letter “B” in his left as he walks. He has a beard and moustache, and a rimmed black hat hangs from his neck. 1817 |
 This image portrays an icescape with distant mountains. The Arctic sun is low on the horizon, and smoke-like clouds extend in a widening mass from the far right of the image to the upper left corner... Delineator: Back, Sir George 1836 |
 John Bull (indicated by the name on the chamber pot under his bed) sleeps under a grey blanket, surrounded by green curtains. His mouth is open as he snores. On his chest sits an impish official,... 13 August 1795 |
 Engraver: Daniell, Thomas 1795 |
 “Plate I” has six figures which illustrate experiments and problems on the nature of light. Figure 1 is a diagram of light reflecting off a polished surface. Figures 2 and 3 illustrate light... 1803 |
 1802 |
 "Plate II" features seven illustrations to accompany Priestley’s text, including: a parabolic or burning mirror; a diagram of a convex lens used for magnification; a diagram of how light passes... 1772 |
 360.—Richmond Castle, from the River Swale, placed in the bottom left corner of page eighty nine, depicts the castle as seen from the banks of the Swale river. A bridge extends from the... Editor: Knight, Charles c. Early 19th century |
 The first image ("Fig. 1") depicts a Taylor-bird's nest, while the second image ("Fig. 2") depicts a wasp's nest. 1791 |
 Dorothy Jordan, clad in a masculine riding dress has an open playbook in hand, “Act III. Enter Little Pickle." The Duke of Clarence, slightly ahead and in front of her, pulls the miniature royal... Delineator: Gillray, James 23 April 1797 |
 This image uses scientific diagrams to depict sound waves and vibrational patterns. The specific phenomena depicted by the various figures and the import of these depictions are discussed at length... 1800 |
 The Queen of Candy, the Candian king’s daughter, poses in a chair, legs crossed, against a mountainous landscape. Her elongated neck is covered with exotic, shell-like jewelry. Her hair is bound... Engraver: Woodman, Richard 10 January 1833 |
 Two ships are portrayed in the center right of the image, a rowboat between them. The ship on the right is British, its flag displayed on the right side. It is more brightly colored and has more... 1783 |
 Spine image of Grellmann's Dissertation of the Gipseys 1807 |
 A dandy has fainted and leans back in a chair with his limbs straight out, while three other dandies support him and a fourth closes a curtain. Beyond the curtain we can see a castrato opera singer... 11 1818 |
 This image depicts an icescape in fog. The immediate foreground features a prominent rock jutting out of the ground to the left, next to what appears to be a large vertebra. The center portion of the... Delineator: Back, Sir George 1836 |
 A woman travels through a landscape with two children: an infant held to her back in a shawl, and a young child who stands beside her and holds the hem of her cloak. The woman has long hair and a... 1807 |
 A man, apparently one of the “Esquimaux,” stands in the right quarter of the frame with a club on his shoulder, looking directly at the artist/viewer. He is on a beach. Against the foggy sky in the... Delineator: Back, Sir George 1828 |
 The Spectator implied by this design "is supposed to be in the Car of the Balloon, suspended above the Center of the View." From this vantage point, he/she looks down on a vast "Amphitheatre... 5 January 1786 |