Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
 Sir Joseph Banks’ journal entry depicts his and William Hooker’s arrival at Mount Helca’s main crater, Raud-Oldur. They stand in a green patch of vegetation to pitch their tents—one of the few areas... 1811 |
 A young man, seated with a long rifle on a rock, wears a dark jacket and light trousers. A horn is strung around his neck and a brimmed hat lies at his side. He is addressed by a woman with a large... 1807 |
 During the latter part of their honeymoon in 1837-38, Hannah Palmer and her husband Samuel, also a painter and a follower of William Blake, spent much time sketching at Pompeii. For this view, she... 1838 |
 In this view of parts of Cheshire and Lancashire, as if seen from the car of a balloon sailing far above them, the familiar has become strange. In contrast to more conventional prospects, we are... 5 January 1786 |
 At the corner of Little Maddox Street and New Bond Street, a smirking and red-cheeked Lord Sandwich approaches from behind and fondles a young barrow woman selling carrots. The woman’s body is... Delineator: Gillray, James 3 December 1796 |
 "Plate II" features seven illustrations to accompany Priestley’s text, including: a parabolic or burning mirror; a diagram of a convex lens used for magnification; a diagram of how light passes... 1772 |
 Lucifer and his fellow angels are cast out of Heaven, falling into a deep chasm with sheer rock walls textured by what appears to be tree roots. The chasm is illuminated by light from the opening... 1826 |
 c. 1800-01 |
 1770 |
 "Fig. 1," the image on the right, depicts a petrified ("incrustated") skull. "Fig. 2" depicts a sword, also petrified. Delineator: Rymsdyk, Jan van 1791 |
 View of Broad-bottom Bridge 1794 |
 The subjects are Napoleon Bonaparte and Josephine at their wedding ceremony. Josephine is wearing a white wedding gown with a scarlet red train while Napoleon dons the blue jacket and white pants he... Delineator: Cruikshank, George 28 October 1814 |
 “Plate XVII” features ten figures that accompany a section of the text discussing optical illusions and tricks. Figures 52 and 53 depict an illusion using decanters of water and a concave mirror.... 1803 |
 This image, Plate 17 of Bell's illustrations, depicts the three small bones of the ear. Bell describes it as such:
The natural size of these bones is shown in Fig. 1 Plate 17, (the... c. 1830s |
 1824 |
 The image is set in what appears to be a schoolroom. The master holds a stick above his head, preparing to give "strokes" to the young boy he grips by the elbow. The boy, dressed in a long coat and... 1829 |
 As noted by curator Andrew Stevens (Chazen Museum, University of Wisconsin), this “painting is a pastiche of second-hand Italianate architecture and geography imagery supplemented with the artist's... 1791 |
 In the catalogue Indian Miniature Painting, Chandra describes Portrait of a Lady: “The lady wears a pink skirt and a white robe. She is sensitively drawn, the linear rhythms,... 1800 |
 A Hindu woman, wearing a short-sleeved dress, walks away from the basket in which she has placed her baby. A scarf is draped over her head, and she holds one end in her left hand. Her right hand is... 1800 |
 The image depicts a hairless head, with numbers mapped upon the exposed skin and face, indicating the location of the organs. The corresponding text identifies which characteristic or faculty is... 1847 |
 c. Early 19th century |
 Dressed as nursemaids with patriotic ribbons, Prime Minister Henry Addington, Lord Hawkesbury, and Charles Fox gather around Britannia as an oversized baby squeezed into a crib, the top of which... Delineator: Gillray, James 4 December 1802 |
 This image depicts the ruins of Hadleigh Castle, near Leigh-on-Sea, Essex. The two remaining towers of the castle stand in the left register of the picture place, a scrawny tree between them. In the... Engraver: Lucas, David 1832 |
 The two remaining towers of Hadleigh Castle stand in the left register of the picture plane. A single scrawny tree grows between the decaying stone edifices. The surrounding hillside is completely... Engraver: Lucas, David 1830 |
 In the saloon of Covent Garden Theatre, Tom and Jerry stand in the center surrounded by women in elegant evening dress, “gay Cyprians,” or courtesans (Egan 173). On the left sits a woman in a rigint-... Delineator: Cruikshank, George, Cruikshank, Isaac 1 July 1821 |
 Light brown cliffs, partially cloaked in dark green plant life, take up most of the left half of the painting. Near the center of the piece two small boats work their way along the river, which... 1844 |
 “Plate III” features four illustrations of rational recreations involving optics and illusions. Figure 1 illustrates the refraction of light through water in a vessel. Figure 2 diagrams alterations... 1774 |
 A woman with loose hair in a flowing costume sits on a grassy ledge. In one hand she carries an empty palate and several paintbrushes; with the other she uses a brush to take pigment from the rainbow... 1780 |
 1826 |
 One of several pieces of sheet music included in Heinrich Grellmann's Dissertation of the Gipseys (London, 1807) 1807 |
 In a room in Somerset House, a throng of people view the Exhibition. Well-dressed couples mingle and inspect paintings with catalogues in hand. The couple in the center stand with their backs to the... Delineator: Cruikshank, Isaac, Cruikshank, George 1 July 1821 |
 A man in a long cape and cloth cap holds a cane in his right hand and a large letter “B” in his left as he walks. He has a beard and moustache, and a rimmed black hat hangs from his neck. 1817 |
 A crew rows their boat away from the viewer and towards the mouth of a river in lightly choppy seas. A man standing in back steers with the rudder oar. A sand beach extends on the left, while bluffs... Delineator: Back, Sir George 1836 |
 A man and two children stand in the doorway of a small wooden structure. Hovering over the structure are three beings with fin-like wings on their backs. The furthest flying figure (in the background... 1783 |
 Preserving dried flowers and a scrap of wallpaper, this page is found in the album that was kept over many years by the salonnière and painter Elizabeth (Eliza) Aders. The pasted-in piece of... |
 The subject, Chepstow Castle, dominates most of the print, sitting across the water from the viewer. It is in a state of ruin: ivy climbs up the towers, and the tops of the rightmost towers are... Delineator: Cooper, Robert Bransby 1813 |
 Dr. Syntax is in the center of the print, sitting on an overturned washtub and drawing in his sketchbook. In front of him to the left are a bevy of farm animals, including Syntax’s own donkey,... 1 May 1812 |
 c. 1824-25 |
 Napoleon is singularly depicted in this image. He is standing on a platform in front of his throne carrying a scepter. He is wearing a blue robe with a purple, fur-trimmed cape. Upon his head is a... Delineator: Cruikshank, George 1828 |
 This scene illustrates an important episode from the Hindu epic Ramayana. In this epic tale, Rama and Sita, who lean against the red-cushioned throne, return to the capital city after... 1750 |
 A man, imprisoned, sits in the corner of a cell next to a barred window through which two figures stare. The captive wears a large brimmed hat, long curled wig, and cravat, which date the sitter to... 1819 |
 Engraver: Daniell, Thomas 1795 |
 Engraver: Daniell, Thomas 1795 |
 c. 1791-94 |
 The four-stepped, low-rising Pyramid of Cholula, covered in sparse vegetation, stands in a flat valley, surrounded by distant mountains. A stairway leads up from the base of the pyramid to the small... Delineator: Humboldt, Alexander von 1816 |
 c. 1790s |
 1812 |
 360.—Richmond Castle, from the River Swale, placed in the bottom left corner of page eighty nine, depicts the castle as seen from the banks of the Swale river. A bridge extends from the... Editor: Knight, Charles c. Early 19th century |
 An antiquarian holds up his spectacles in his right hand to examine an object that resembles an Egyptian mummy. He stoops and holds a cane in his left hand, a tri-corner hat under his arm. He is... 1789 |
 The central image, figure 9, depicts one half of an Egyptian pebble, the interior of which seems to contain the image of a small, white face. This large, oblong pebble is encircled by other, much... 1791 |
