Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
Sitting atop a chest inscribed “Bank of England,” a wrinkled and thin woman dressed in paper one- pound notes throws her hands back as Prime Minister William Pitt (the Younger) reaches into her... Delineator: Gillray, James 22 May 1797 |
A woman in a black cloak with a young bonneted girl behind her stands in a covered, open-air market filled with baskets of fruits and fresh goods. The woman grips a large basket of grapes and looks... 1835 |
Five "Arab scholars" attend to their lessons. All the boys wear loose white robes and colored turbans. The central figure sits cross-legged, his body turned to the right. He draws in the dirt with... 1806 |
Dr. Syntax sits on the right-hand side of the back row in the pit, alongside a critic and a wit (Combe 223). He and his fellow theater-goers face the unfolding drama on the stage: two men battle over... Delineator: Rowlandson, Thomas Author: Combe, William 1 May 1812 |
"Plate 57" features seven illustrations to accompany Book III of A Compleat System of Opticks, which describes the science behind a variety of optical and image-making machines, including a... Author: Smith, Robert 1738 |
This scene illustrates an important episode from the Hindu epic Ramayana. In this epic tale, Rama and Sita, who lean against the red-cushioned throne, return to the capital city after... 1750 |
c. Early 19th century |
In a small, dark, cave-like dwelling, a woman with a creased brow and elongated nose sits crouched with her knees to her chest. She wears a white bonnet and large cloak, and she smokes a slender clay... Author: Caulfield, James 1820 |
A man in a long cape and cloth cap holds a cane in his right hand and a large letter “B” in his left as he walks. He has a beard and moustache, and a rimmed black hat hangs from his neck. Author: Smith, John Thomas 1817 |
On a page located near the halfway point of an album that was kept between 1827 and 1841 by a Miss Catharine Eliza Lowe, several lines handwritten in black ink accompany a blue ribbon and a... |
This map of Vesuvius is color-coded to indicate the various routes of lava flows traced during Vesuvius’ major eruptions from 1631. Palo, the larger cone, is marked with every lava flow (colored red... Author: Auldjo, John Richardson 1833 |
c. 1819-20 |
A view of the ruins of Uxmal depicts the House of the Nuns (on the left) and the House of the Dwarf (on the right). The House of the Nuns is a short, wide, one-story building with a series of small... Delineator: Catherwood, Frederick 1841 |
Within the elaborate frame printed on one page of the E. Boyes album by the book’s manufacturer, someone has pasted in shiny blue foil so as to form a second frame. This surrounds an arrangement... |
The image portrays a sea dark with swells—no whitecaps—interrupted by large, sharp-edged, wildly-shaped icebergs that have been carved out at their bases by the incessant motion of the waves. Two... Delineator: Back, Sir George 1828 |
This page of watercolor painting and cut paper work is found in an album compiled around 1822 and 1823 in honor of a certain Miss [Louisa?] Gilman. At the page’s center is a footed vase, classical... |
A native “Hindoo” woman is portrayed carrying three pots of water on her head as she descends down to the river. The viewer is presented with a voyeuristic gaze of her backside; the implied motion of... Engraver: Taylor, William Dean 1836 |
Light brown cliffs, partially cloaked in dark green plant life, take up most of the left half of the painting. Near the center of the piece two small boats work their way along the river, which... 1844 |
1824 |
1821 |
Sir Joseph Banks’ journal entry depicts his and William Hooker’s arrival at Mount Helca’s main crater, Raud-Oldur. They stand in a green patch of vegetation to pitch their tents—one of the few areas... 1811 |
Cutting a nearly perfect diagonal across the picture plane from the top left corner, the ruins of the Temple of Peace, or Basilica of Maxentius, loom large on the canvas, casting a shadow on the... 1779 |
Across the upper half of this album page a map has been created in black ink and brown wash. Identified at the top of the page as a “Map of Matrimony,” it charts the imaginary terrain... |
A man and two children stand in the doorway of a small wooden structure. Hovering over the structure are three beings with fin-like wings on their backs. The furthest flying figure (in the background... Author: Paltock, Robert 1783 |
This plate offers seven profiles (or cross-sections) of fragments of the coast of north-west America, as if seen from a passing ship or small boat, which range from Cape Mendocino (the westernmost... Delineator: Skyes, J., Alexander, William 1798 |
1787 |
View of Broad-bottom Bridge 1794 |
A conventional edge-painting uses one of the edges of a closed book as a canvas—usually the edge furthest from the binding or spine (the fore-edge), but sometimes the top or bottom. They are... 1821 |
One of several pieces of sheet music included in Heinrich Grellmann's Dissertation of the Gipseys (London, 1807) Author: Grellmann, Heinrich Moritz Gottlieb 1807 |
Lucifer and his fellow angels are cast out of Heaven, falling into a deep chasm with sheer rock walls textured by what appears to be tree roots. The chasm is illuminated by light from the opening... Author: Milton, John 1826 |
The image shows a young man reading; he sits at a generously laid table, and a woman standing behind it pours water into a teapot. In front of the man, an open chest filled with loose pages draws the... Author: Mahony, Francis 1836 |
Dr. Syntax sits on his horse at the center of the engraving, holding an open sketchbook and pen; an open umbrella appears to be tucked under his arm. A local fisherman and his dog stand behind him;... Author: Combe, William 1 May 1812 |
Dressed as nursemaids with patriotic ribbons, Prime Minister Henry Addington, Lord Hawkesbury, and Charles Fox gather around Britannia as an oversized baby squeezed into a crib, the top of which... Delineator: Gillray, James 4 December 1802 |
This image comes from a text called, Illustrations of Natural Philosophy, which depicts the many properties of air. The central images feature a rendering of all of the highest mountain ranges... 10 December 1850 |
The image depicts a hairless head, with numbers mapped upon the exposed skin and face, indicating the location of the organs. The corresponding text identifies which characteristic or faculty is... Author: Fowler, Orson Squire 1847 |
In this etching, a married couple negotiates the shared space of the parlour. The woman is playing the piano and singing of woe and troubles (as evident from the titles of her music book) while the... 1805 |
With church spires rising above it in the very center of the background, Bartholmew Fair is in full swing, crowded with people and chaos. Overflowing the square—with the hospital on one side, a... Delineator: Rowlandson, Thomas Author: Combe, William 1808 |
The "rout" (or boisterous throng) mentioned in the title of this hand-coloured etching, stretches from the left- to the right-hand side of the page, filling the lower-half of the design. It is... June 1823 |
A crew rows their boat away from the viewer and towards the mouth of a river in lightly choppy seas. A man standing in back steers with the rudder oar. A sand beach extends on the left, while bluffs... Delineator: Back, Sir George 1836 |
"Plate II" features seven illustrations to accompany Priestley’s text, including: a parabolic or burning mirror; a diagram of a convex lens used for magnification; a diagram of how light passes... Author: Priestley, Joseph 1772 |
This painting exists in two states: the first portrays the actual, "unimproved" prospect from the house at Tatton Park, as it was when Repton first visited the Park, on 8 Nov. 1791; the second... 1794 |
In this print, Corinthian Tom’s tailor, Mr. Primefit, has come to Corinthian House to fit Jerry Hawthorn for a new suit. Jerry stands in the center, his back to the viewer, while Mr. Primefit... Author: Egan, Pierce 31 August 1820 |
Dr. Syntax falls backward off his rocky seat into the water. Though his hat has fallen into the water, he still clutches his pen and journal: he has evidently been sketching the moss-covered ruins of... Author: Combe, William 1 May 1812 |
Trees line the foreground of this image and follow a pavement to a house, The Briars, in the distance. The Briars sits at the middle of the image: it is a fair-sized house with two floors. In the... 1845 |
Elizabeth Gunning sits astride a cannon in the front foreground of the print, the skirt of a golden dress flying toward her face and revealing her legs and undergarments, her arms thrown open and... Delineator: Gillray, James 5 March 1791 |
The image is divided down the center of the page into two parts. On the left, a man holds an axe over his head, preparing to chop at the base of a tree. There is a severed tree limb lying on the... Author: Cobbin, Ingram 1829 |
The four-stepped, low-rising Pyramid of Cholula, covered in sparse vegetation, stands in a flat valley, surrounded by distant mountains. A stairway leads up from the base of the pyramid to the small... Delineator: Humboldt, Alexander von 1816 |
Page thirty-two displays eight views from the ruined ground of Pevensey Castle. All images are black and white wood prints. Editor: Knight, Charles c. Early 19th century |
This image depicts an icescape in fog. The immediate foreground features a prominent rock jutting out of the ground to the left, next to what appears to be a large vertebra. The center portion of the... Delineator: Back, Sir George 1836 |
c. 1800 |