Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
 “Plate XVII” features ten figures that accompany a section of the text discussing optical illusions and tricks. Figures 52 and 53 depict an illusion using decanters of water and a concave mirror.... 1803 |
 A bank of thick clouds hovers over the standing stones, with sunlight shining through to illuminate the center of the monument. A flock of sheep grazes in the foreground on the course grass, some... Engraver: Wallis, Robert 1829 |
 1803 |
 This picture shows Henry Kirke White as a boy, reading from a book held in the lap of an older woman. A cat sits near their feet. There are three other children to the woman's right, two of whom are... 1818 |
 "Fig. 1," the image on the right, depicts a petrified ("incrustated") skull. "Fig. 2" depicts a sword, also petrified. Delineator: Rymsdyk, Jan van 1791 |
 This image uses scientific diagrams to depict sound waves and vibrational patterns. The specific phenomena depicted by the various figures and the import of these depictions are discussed at length... 1800 |
 On this album page a wreath formed of cut-outs of flowers and leaves serves as a frame for a poem composed by the nineteenth-century playwright and humorist Douglas Jerrold and addressed to Annie... |
 A large, stone head rests between other large, carved stone pieces and a tree. A male figure, clad in slacks, a coat, and a wide-brimmed hat sits in profile next to the stone head, staring off the... Delineator: Catherwood, Frederick 1843 |
 c. 1791-94 |
 A schematic drawing shows the two halves of Burford’s Description of a View of the Great Temple of Karnak and the Surrounding City of Thebes: the top half depicts the Karnak Temple as a... 1839 |
 At least fourteen ships are engaged in battle. Dark smoke billows up from the surface of the water on the left horizon line, spreading to either side of the sky and obscuring the entire top of the... 1831 |
 This image depicts the Battle of Lodi. The French army takes up the forefront and majority of the image. There is a distinct gap between the Austrians and the French on the bridge, further clarifying... Delineator: Cruikshank, George 10 May 1823 |
 Similar to the central figure of A Hindoo Female, the subject of The Rajpootnee Bride is initially striking on account her size; the female body fills the space of the image. The... Engraver: Woodman, Richard 1835 |
 Engraver: Daniell, Thomas 1795 |
 John Bull (indicated by the name on the chamber pot under his bed) sleeps under a grey blanket, surrounded by green curtains. His mouth is open as he snores. On his chest sits an impish official,... 13 August 1795 |
 Page thirty-two displays eight views from the ruined ground of Pevensey Castle. All images are black and white wood prints. Editor: Knight, Charles c. Early 19th century |
 Two canopied beds lie perpendicular to one another in a small room. A candle on the table between them illumines the room. A portly figure lies in the bed on the left and points toward the figure... 1765 |
 Cutting a nearly perfect diagonal across the picture plane from the top left corner, the ruins of the Temple of Peace, or Basilica of Maxentius, loom large on the canvas, casting a shadow on the... 1779 |
 This image, Plate 13 of Bell's illustrations, depicts the ear without the skin. The numbers and their labels are given below: 1830s |
 In the left register of the picture plane are the two remaining towers of Hadleigh Castle. Between the decaying stone edifices, underbrush and foliage have over-grown the crumbling ruins. In the... |
 A native “Hindoo” woman is portrayed carrying three pots of water on her head as she descends down to the river. The viewer is presented with a voyeuristic gaze of her backside; the implied motion of... Engraver: Taylor, William Dean 1836 |
 A man and two children stand in the doorway of a small wooden structure. Hovering over the structure are three beings with fin-like wings on their backs. The furthest flying figure (in the background... 1783 |
 “Plate No. 32 Optics” features thirty-four color illustrations which refer to a range of scientific diagrams and to popular knowledge on the general topic of optics. This variety of illustrations... Delineator: Emslie, John 10 December 1850 |
 In this etching, a young woman and man who are courting make music together. The woman plays a harp and leans over to read the music from the music book that the young man is holding. They both... 1805 |
 The ruins of Goodrich Castle sit perched on a hill near the center of the piece. Three boats full of people, ostensibly tourists, row down the river which bends sharply to the left. The central hill... 1785 |
 Various ships are visible in the distance, and one ship in full sail sits directly beyond the coastal waters. Three poles emerge from the sea in the left foreground, indicating the shoreline; the... 1823 |
 Elizabeth Gunning sits astride a cannon in the front foreground of the print, the skirt of a golden dress flying toward her face and revealing her legs and undergarments, her arms thrown open and... Delineator: Gillray, James 5 March 1791 |
 The frame is split between a rocky shore bordering an icy sea and an expanse of gray sky, with clouds scudding low on the horizon. Five people sit around a pot on an outcropping of rock to the far... Delineator: Back, Sir George 1836 |
 The empress of the moths, a saturnia pavonia minor, perches on a leaf. She is reading her visitor's book. The emperor, a male of the same species, sits on the branch facing her. To their left, in the... 1831 |
 A young, nude boy is depicted against a dark background in a bust medallion. Two cornucopias entwine above his head, spilling forth fruit and foliage as a border around the frame. Below is a smaller... 1807 |
 During the latter part of their honeymoon in 1837-38, Hannah Palmer and her husband Samuel, also a painter and a follower of William Blake, spent much time sketching at Pompeii. For this view, she... 1838 |
 In the center background, a man-made structure—appearing, though distant, to be composed of walls and towers—crests an imposing promontory. To the right of this bluff a high, wooded hill rises to the... Delineator: Gilpin, William 1798 |
 The "rout" (or boisterous throng) mentioned in the title of this hand-coloured etching, stretches from the left- to the right-hand side of the page, filling the lower-half of the design. It is... June 1823 |
 Within the elaborate frame printed on one page of the E. Boyes album by the book’s manufacturer, someone has pasted in shiny blue foil so as to form a second frame. This surrounds an arrangement... |
 c. 1819-20 |
