Romantic Circles Gallery
Gallery Editors:
Theresa M. KelleyJacob Leveton
In his A Dictionary of Arts, Manufactures, and Mines, Andrew Ure provides a lengthy explanation for the mechanical workings displayed in this simple line-drawing. He begins by describing its... Author: Ure, Andrew 1839 |
On this album page, a hand-colored engraving images three kinds of flowering plants. Miniscule numbers are placed beside each of three, with the numbers keyed to the plants’ names and their... |
In this print, Corinthian Tom’s tailor, Mr. Primefit, has come to Corinthian House to fit Jerry Hawthorn for a new suit. Jerry stands in the center, his back to the viewer, while Mr. Primefit... Author: Egan, Pierce 31 August 1820 |
This large map, measuring 71 x 98cm, details the topography of Rome and its environs, from Lacus Sabatinus [Lago di Bracciano] in the north to Norba in the south, and from Nerola in the east to the... Author: Gell, William September 1834 |
A large, stone head rests between other large, carved stone pieces and a tree. A male figure, clad in slacks, a coat, and a wide-brimmed hat sits in profile next to the stone head, staring off the... Delineator: Catherwood, Frederick 1843 |
This print depicts Dr. Syntax with his hostess, the beautiful bluestocking, Mrs. Omicron. She sits half reclined on a couch in a pose suggesting the famous portraits of Madame Recamier. Syntax reads... Author: Combe, William 1 November 1820 |
c. 1816-17 |
"Fig. 1," the image on the right, depicts a petrified ("incrustated") skull. "Fig. 2" depicts a sword, also petrified. Delineator: Rymsdyk, Jan van 1791 |
The Grand West Entrance to Jedburgh Abbey is at the perfect center of the composition. The sequence of intricately carved arches framing the comparatively small, rectangular door creates a tunneling... 19 September 1846 |
The pyramid at El Tajín is shown in three-quarter view. It is a step-pyramid with six levels and a staircase leading from the ground to the top platform. The sky is blank over a completely flat... 1804 |
In the center background, a man-made structure—appearing, though distant, to be composed of walls and towers—crests an imposing promontory. To the right of this bluff a high, wooded hill rises to the... Delineator: Gilpin, William Author: Gilpin, William 1798 |
The central image, figure 9, depicts one half of an Egyptian pebble, the interior of which seems to contain the image of a small, white face. This large, oblong pebble is encircled by other, much... 1791 |
The top image, labeled "Fig. 1," is a spider's nest, while the image directly below it depicts the accompanying valve. The figure below the valve is a card of silk made from the spider's thread,... 1791 |
Pope Pius VII, decked in religious garb, stands at the forefront of this image. To his left is Napoleon who is depicted standing on a platform as he places a crown upon his head. To the pope’s right... Delineator: Cruikshank, George Author: Combe, William 13 December 1814 |
These scientific diagrams depict "vibrations in solid bodies," including rods and plates. Author: Herschel, John Frederick William 1830 |
The image depicts a hairless head, with numbers mapped upon the exposed skin and face, indicating the location of the organs. The corresponding text identifies which characteristic or faculty is... Author: Fowler, Orson Squire 1847 |
George III is portrayed as Prospero the wizard in his long black cloak, holding a book bearing the words “justice” and “integrity” and a long, whip-like wand. He stands on a landmass labeled “Albion... 11 August 1798 |
Here, on one of the four engraved and hand-colored pages interspersed among the blank pages of the Floral Album, the engraver has pictured a wreath of flowers formed from pink roses, blue... |
This image depicts an icescape in fog. The immediate foreground features a prominent rock jutting out of the ground to the left, next to what appears to be a large vertebra. The center portion of the... Delineator: Back, Sir George 1836 |
A native “Hindoo” woman is portrayed carrying three pots of water on her head as she descends down to the river. The viewer is presented with a voyeuristic gaze of her backside; the implied motion of... Engraver: Taylor, William Dean 1836 |
This plate from George Adams II’s An Essay on Vision illustrates his camera obscura model of vision, as well as several optical experiments proposed in the book. The figures are described... Delineator: Milne, T. Author: Adams, George 31 July 1789 |
A man, apparently one of the “Esquimaux,” stands in the right quarter of the frame with a club on his shoulder, looking directly at the artist/viewer. He is on a beach. Against the foggy sky in the... Delineator: Back, Sir George 1828 |
This illustration depicts a rough image of Earth, which is shown floating in black space that grows misty near the edges. Europe is white, while everything "east," as well as Australia, is colored a... 1839 |
This image depicts a confrontation between an American and a British ship, each displaying their national flag. The flag of the British ship, on the left, is upside down. Both ships have tattered... 1831 |
This image depicts an octave and variant systems of tuning, or "temperament." The octave is represented by the circumference of the circle. Author: Young, Thomas 1800 |
The image depicts a broad, flat plain, interrupted at its further end by a grey body of water. In the distance, a low mountain range looms in vague, dark contours against the sky, nearly touching the... 1792 |
“Plate XVII” features ten figures that accompany a section of the text discussing optical illusions and tricks. Figures 52 and 53 depict an illusion using decanters of water and a concave mirror.... Author: Hutton, Charles, Ozanam, Jacques 1803 |
Two canopied beds lie perpendicular to one another in a small room. A candle on the table between them illumines the room. A portly figure lies in the bed on the left and points toward the figure... 1765 |
1815 |
The art historian Pramod Chandra describes this miniature as follows:
[T]he man, seated on a chair, listens to a group of musicians squatting on a striped blue carpet. He is attended by... 1870 |
The subject, Chepstow Castle, dominates most of the print, sitting across the water from the viewer. It is in a state of ruin: ivy climbs up the towers, and the tops of the rightmost towers are... Delineator: Cooper, Robert Bransby Author: Bloomfield, Robert 1813 |
The image shows a young man in profile, lying with his eyes closed, knees slightly bent, on a bed with its curtain pushed to one side. In front, next to the bed, a book lies open, face-down, on the... Author: Mahony, Francis 1836 |
Figures 1 and 2 depict two small hummingbirds, each of which appear to be either plummeting from a height or flying at a downward angle. The large bird below them, figure 4, is a Bird of Paradise,... 1791 |
To the left, two trees stand out among a small copse; their branches extend along the uppermost border of the sketch, framing the scene. The Abbey itself rests in the right half of the sketch,... 1782 |
“Plate XIX” features eight figures to accompany the text entitled “Of Optics.” Figure 1 illustrates the manner in which light travels through a multiplying glass to the eye. Figure 2 diagrams the... Delineator: Ferguson, James Author: Ferguson, James 1764 |
A man sits while a woman examines his head. The right side of the image shows a mapped skull placed on a table. 1826 |
Lucifer and his fellow angels are cast out of Heaven, falling into a deep chasm with sheer rock walls textured by what appears to be tree roots. The chasm is illuminated by light from the opening... Author: Milton, John 1826 |
Dressed as nursemaids with patriotic ribbons, Prime Minister Henry Addington, Lord Hawkesbury, and Charles Fox gather around Britannia as an oversized baby squeezed into a crib, the top of which... Delineator: Gillray, James 4 December 1802 |
Dorothy George describes this print:
A complicated piece of machinery fills the centre of a room in a fashionable establishment; an open door (r.) leads into a shop where, in the... 1828 |
c. 1810 |
The art historian Pramod Chandra describes the subject of this image as follows:
A painter wearing a pince-nez and surrounded by vials of paint, brushes, and other tools is busy at work... 1800 |
In the left register of the picture plane are the two remaining towers of Hadleigh Castle. Between the decaying stone edifices, underbrush and foliage have over-grown the crumbling ruins. In the... |
One of several pieces of sheet music included in Heinrich Grellmann's Dissertation of the Gipseys (London, 1807) Author: Grellmann, Heinrich Moritz Gottlieb 1807 |
Across the upper half of this album page a map has been created in black ink and brown wash. Identified at the top of the page as a “Map of Matrimony,” it charts the imaginary terrain... |
Goodrich Castle sits atop a massive hill, which is partially covered in trees (to the left of the ruins) and partially eroded (bare rock forms the base of the hill directly below the castle). To the... 1782 |
A Hindu woman, wearing a short-sleeved dress, walks away from the basket in which she has placed her baby. A scarf is draped over her head, and she holds one end in her left hand. Her right hand is... 1800 |
Delineator: Pugin, Augustus Charles, Rowlandson, Thomas 1808 |
Dr. Syntax visits the home of a Lord for dinner. Seated in large chairs around a large circular table are three other men, one of which is Sir John as the accompanying text names. They are all well... Delineator: Rowlandson, Thomas Author: Combe, William 1 May 1812 |
Three men in white wigs with shawls over their heads gaze contemplatively at the moon from a bank of dark clouds. The moon is made up of two faces: the light side is smiling, while the dark side is... 1791 |
“Plate II” presents two figures, both of which refer to a sedan-chair style camera obscura in which a person can comfortably sit. Figure 7 is a view of the interior of this alternative camera obscura... 1803 |