Untitled (Tav. 1; Pyramid at El Tajín)
Description:
The pyramid at El Tajín is shown in three-quarter view. It is a step-pyramid with six levels and a staircase leading from the ground to the top platform. The sky is blank over a completely flat horizon. The ground is represented by a continuous series of receding vertical lines.
Copyright:
Copyright 2009, Department of Special Collections, Memorial Library, University of Wisconsin-Madison, Madison, WI
Location:
Accession Number:
G95 D85 Cutter
Height (in centimeters):
11
Width (in centimeters):
16
Printing Context
This illustration is one of four untitled plates reproduced in Due Antichi Monumenti di Architettura Messicana (1804), by Pedro José Marquez. Each plate presents a view of a structure at El Tajín or Xochicalco.Associated Events
Suppression of the JesuitsAssociated Places
El TajínAssociated Texts
Marquez’s Untitled (Pyramid at El Tajín) is based directly off of José Antonio Alzate’s illustration of the same pyramid, originally published in the magazine Gacetas de literatura in 1791.Subject
Pedro Marquez' s 1804 book contains the first scientific illustrations of Mexican archaeology to be produced in Europe. By depicting the Pyramid at El Tajin with sharp, clean angles and a lack of geographic context, Marquez sought to visually tie it to Greek and Roman temples, thus showing the technological advancement and social sophistication of native Mexican peoples.Significance
This illustration, along with the others in Marquez’s book, were the first published images of Mexican archaeology to be produced in Europe (Keen 300). Consequently, Marquez’s illustrations are the progenitors of European interest in Mexican archaeology, from which stems the increased interest in Mexican travel during the Romantic period after Mexican independence (circa 1821-1850). It is important to note that this image, with its total lack of concern for surrounding landscape, larger geographic context, or cultural specificity, was published in Europe at precisely the same time Alexander von Humboldt was in Mexico drawing his Pyramide de Cholula for publication in Vues des Cordillères: et monumens des peuples indigènes de l’Amérique (1810). Marquez, recently expelled from Mexico, made it a personal goal to show the technological advancement and social sophistication of native Mexican peoples (of which he was one); the subtle connection he draws between El Tajín and Greek or Roman temples may push toward such a reading. In any event, the tension between Marquez’s representational style and Humboldt’s marriage of enlightenment science with Romantic depictions of landscape would continue to inform visual representations of Mexican sites throughout the early nineteenth century.Function
Marquez produced this image, and the others in Due Antichi Monumenti di Architettura Messicana, with the express purpose of showing European audiences the technological advancement and social sophistication of native Mexican civilizations. This was the first image of a Mexican archaeological site to be published in Europe (Keen 300).Bibliography
Cañizares-Esguerra, Jorge. How to Write the History of the New World: Histories, Epistemologies, and Identities in the Eighteenth-Century Atlantic World. Stanford: Stanford UP, 2001. Print. Cultural Sitings.Long Title
Due antichi Monumenti di Architectura MessicanaFeatured in Exhibit:
Delineator:
Image Date:
1804
Publisher:
Preso il Salomoni