Weird Sisters
Description:
Three men in white wigs with shawls over their heads gaze contemplatively at the moon from a bank of dark clouds. The moon is made up of two faces: the light side is smiling, while the dark side is sleeping. More dark clouds make up the background.
Copyright:
Copyright, 2009, Yale Center for British Art, Paul Mellon Collection
Location:
Accession Number:
B1981.25.853
Height (in centimeters):
22
Width (in centimeters):
33
Provenance
James Gillray (1756-57) created this image while in a partnership with the publisher Hannah Humphrey.Exhibition History
This image was first displayed in the window of Mrs. Humphrey’s print shop for the entertainment and education of passers-by.Marks Description
Over the top of the image, in script: “To H. Fuzelli Esq. this attempt in the Caricatura-Sublime, is respectfully dedicated.”Associated Events
1788-9Associated Places
LondonAssociated Texts
Shakespeare's Macbeth (first published in 1623)Subject
This satirical commentary on the Regency Crisis and the madness of George III portrays the leading government officials of the time—Pitt the Younger, Edward Thurlow, and Henry Dundas—as the the three witches from Shakespeare's Macbeth, parodying Fuseli's own depiction of the "weird sisters."Theme
Parody. Politics. Caricature.Significance
Caricature and propaganda were an important part of the political climate of the time, and opportunities for satire were abundant in a nation whose ruler was going mad. Caricatures attempted to illustrate for the public the unhealthy state of the English nobility—perhaps trying to garner support for the French Revolution and the overthrow, or at least the reorganization, of the ruling class (Donald 142). The effects of this satirical imagery, however, were difficult to control, and caricatures often sparked visceral, passionate responses that were unregulated by text. Both the grotesque images of Fuseli and the satires of Gillray are examples of caricatures that were able to incite such reactions in viewers. Weird Sisters in particular shows the influence that the Romantic fascination with the supernatural had on the genre of caricature, and demonstrates how such influence, by combining the strong emotions invoked by the unknown with those invoked by political outrage, could be especially effective.Bibliography
Donald, Diana. Age of Caricature: Satirical Prints in the Reign of George III. New Haven: Yale UP, 1996. Print. The Paul Mellon Centre for Studies in British Art.Long Title
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)Featured in Exhibit:
From the Collection:
Engraver:
Image Date:
1791