This volume summarizes and utilizes the arc of Gilles Deleuze's work while turning it toward Blake, Kant, Shelley, and Wordsworth. It serves both as a primer for those not familiar with the idiosyncratic vocabulary and concepts of Deleuze as well as a thoughtful intervention in Romantic criticism in order to open up new terrain on travel, the sublime, and the revolutionary. Contributors include David Baulch on representation and revolution in Blake's _America_, Ron Broglio on Wordsworth and the picturesque narrative of encounter, and Robert Mitchell on P. B. Shelley's sublime, with a responding essay by David Collings.