Abstract

More than a Feeling: Shelley’s Affect

Taking as its main focus Shelley’s lyrical drama Prometheus Unbound, this essay examines the Romantic treatment of feeling as a kind of affective ecology sustained by love. The poem reconstitutes feeling, not as it indicates a subject formed by Enlightenment notions of words or looks, but as an unrestrained jouissance that constitutes the event of feeling itself. This event shatters the subject so that, as if to tarry with a Jupiterian desire to conscript meaning, the subject can feel its truth.