Abstract

The Iconography of Forgiveness: Manfred's Astarte

What this essay explores is the way in which the illustrations of Byron’s poetry, particularly images of his two heroines, Manfred's Astarte and The Giaour's Leila, reveal a great deal about the public response not so much to Byron’s poetry but rather to their own projected narratives and fantasies about Byron on to his poetry. Perhaps counter-intuitively, I will argue that it is by taking a careful look at the ways in which Byron’s heroines are illustrated that we are granted a window into the public view of the poet himself.