Introduction: Stanley Cavell and the Event of Romanticism

For Romanticists, the many interests of Stanley Cavell’s work include not only the pervasive concern with skepticism across all his books, but topics as divergent as understanding and incomprehensibility, acknowledgment, denial, withholding and secrecy, responsibility, forgiveness, gender, melodrama, horror, monstrousness, therapy, cinematic ontology, religion, secularity, and spectatorship. Two points of emphasis are maintained across his books. These are: the idea of skepticism as an unappeasable predicament one does not solve but lives (skepticism as a problem whose “answer does not consist in denying the conclusion of skepticism but in reconceiving its truth” [The Senses of Walden 133]); and the discovery that acknowledgement and avoidance are primary human orientations (often experienced through their equally human denial), with regard to which certainty and ignorance (the more visible and epistemologically-privileged terms of knowing) are evasions.

Four of the contributors to Stanley Cavell and the Event of Romanticism (François, Fry, Wilner, and Lindstrom) presented early versions of their essays as part of the “Stanley Cavell and Romanticism” panel, organized by Joshua Wilner and Eric Lindstrom, at the 2010 International Conference on Romanticism (ICR) held in Lubbock, Texas.