About this Volume
What might romantic minimality and brevity suggest as alternative additions to our critical vocabulary in romantic studies? How do they allow us to think differently—and briefly—about a constellation of questions and perspectives that throw into relief the necessity to think through the small, negligent, obscure, too little or too much, the ephemeral, the mere there is, the all but not there? The authors of the position papers collected for this issue were each asked to respond to just these kinds of prompts, and to keep their arguments operatively brief. Conciseness and intensification in service of our theme of brevity and minimality was the order of the day. The space between stanzas, like the disappearance of a ruin into history, became equal considerations for reflecting on the brevity of things that the larger “life” of romanticism cannot ever ignore.
About the Design and Markup
This volume was designed at the University of Maryland by David Rettenmaier, Technical Editor. The initial transformation from WORD Doc to TEI P5 was made using the OxGarage tool, with further TEI markup modifications according to RC house style. TEI renders text in archival quality for better preservation and future access. Laura Mandell and Dave Rettenmaier developed the modified versions of the XSLT transforms provided by the TEI that were used to convert the TEI files into HTML. The image associated with this volume is John Linnell's Sailboats on Southhampton River (1819), and can be found in the Romantic Circles Gallery.
About the Romantic Circles Praxis Series
The Romantic Circles Praxis Series is devoted to using computer technologies for the contemporary critical investigation of the languages, cultures, histories, and theories of Romanticism. Tracking the circulation of Romanticism within these interrelated domains of knowledge, RCPS recognizes as its conceptual terrain a world where Romanticism has, on the one hand, dissolved as a period and an idea into a plurality of discourses and, on the other, retained a vigorous, recognizable hold on the intellectual and theoretical discussions of today. RCPS is committed to mapping out this terrain with the best and most exciting critical writing of contemporary Romanticist scholarship.