About this Volume
This volume considers the place of Romantic works and the Romantic period itself in the work of one of the most important twentieth-century theorists of culture, Raymond Williams. Few works have generated as much critical thinking about Romantic writing’s literary purposes and social meanings as Culture and Society: 1780–1950 (1958), The Long Revolution (1961), or The Country and the City (1973), but, as these essays suggest, many of Williams’s other works have a more oblique yet equally powerful relationship to Romanticism’s moment. After an introduction that pays particular attention to central concepts passed down from Williams like "structure of feeling" and "cultural formation," these essays revisit Williams over thirty years after his death to reconsider his bearing on particular Romantic authors or broader sociohistorical processes in order to ask how his work helps us ask questions about the contemporary university and the place of the humanities within it.
About the Design and Markup
This volume was designed and encoded at the University of Colorado, Boulder by Site Manager T. J. McLemore and Technical Editor Dave Rettenmaier at Romantic Circles. The initial transformation from WORD Doc to TEI P5 was made using the OxGarage tool, with further TEI markup modifications according to RC house style. TEI renders text in archival quality for better preservation and future access. Laura Mandell and Dave Rettenmaier developed the modified versions of the XSLT transforms provided by the TEI that were used to convert the TEI files into HTML.
About the Romantic Circles Praxis Series
The Romantic Circles Praxis Series is devoted to using computer technologies for the contemporary critical investigation of the languages, cultures, histories, and theories of Romanticism. Tracking the circulation of Romanticism within these interrelated domains of knowledge, RCPS recognizes as its conceptual terrain a world where Romanticism has, on the one hand, dissolved as a period and an idea into a plurality of discourses and, on the other, retained a vigorous, recognizable hold on the intellectual and theoretical discussions of today. RCPS is committed to mapping out this terrain with the best and most exciting critical writing of contemporary Romanticist scholarship.