Romanticism and Popular Culture

This evolving bibliography collects media that represent Romantic-era works and historical figures in fictional contexts. We welcome feedback and additions from the RC community.

Literature

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Random House

Date:

1995

"Roszak...risks much and achieves all in this richly imagined, frankly erotic homage to Mary Shelley, who modeled Victor Frankenstein's murdered—and scarcely heard from—bride on herself.

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Hamish Hamilton

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1989

"Byron's manuscripted memoirs were destroyed - possibly because they contained revelations of his varied sexual proclivities. This novel aims to bring to life the man condemned as mad, bad and dangerous to know. The author won the Hawthornden Prize and The Guardian Fiction Prize for Falstaff." —Google Books

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Farrar, Straus, and Giroux

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1968

"A novel written in the form of Byron's Journal. Takes place, as the title suggests, during his stay in Missolonghi." —J. Leys

"essential . . . A book worth stealing and xeroxing. Or maybe you could get reprint permissions." —J. Kolb

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Talbot Press

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1937

A novel about Shelley and Amelia Curran. -OCLC

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A. A. Knopf

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1926

"Wylie's two later novels both express her idolatry of Shelley. In The Orphan Angel (1926), the great young poet is rescued from drowning off an Italian cape and travels to America, where he encounters the dangers of the frontier. Although the novel was a Book-of-the-Month selection in 1926, its critical and popular reception both were mixed.

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Victor Gollancz Ltd.

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1977

In Carter’s novel highly heterogeneous influences interweave in the paradigm of the female community and they result in a contradictory and sometimes paradoxical model of the city of women. In PNE, even the name of the gynocratic community defines a specific satiric intention. As a literary topos, Beulah appears for the first time in John Bunyan’s Pilgrim’s Progress and is defined as a place "upon the border of Heaven" through which "pilgrims pass on to eternal life" (155). The "daughters of Beulah" in William Blake’s works are the Muses inspiring the poet (420).

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A. & C. Boni

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1930

Almost all the characters of Byron's life make an appearance. The author does, however, give the characters interesting names and nicknames. For instance, he refers to Byron throughout the text as Geordie, sometimes called "The Pup" by his mother, whom he calls "The Crow." Augusta becomes A. or Pippin or Goose. The Cambridge set calls Byron "Old Baron." Byron calls Hobhouse "Hobby" or "Hob." The author starts with Byron's birth and ends with Byron's death, moving from Aberdeen to Missolonghi.

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1947

"The theme is that there are alien beings watching us, and every time a human being is about to make a significant breakthrough they send a Person from Porlock as a distraction." —M. Paley

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lulu.com

Date:

2010

Dan Chapman's 2010 vampire novella The Postmodern Malady of Dr. Peter Hudson begins at the time of Lord Byron's death and uses biographical information about him in the construction of its title character. It also directly quotes some of his work. -Wikipedia

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2010

Description from Amazon.com: In 1837, after years of struggling with alcoholism and depression, the great nature poet John Clare finds himself in High Beach—a mental institution located in Epping Forest on the outskirts of London. It is not long before another famed writer, the young Alfred Tennyson, moves nearby and grows entwined in the catastrophic schemes of the hospital's owner, the peculiar Dr. Matthew Allen, his lonely adolescent daughter, and a coterie of mysterious local characters.

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Published by Wordsworth Trust

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1997

"The Wordsworth Trust issued a catalogue of its bicentenary exhibit at the Dove Cottage museum on STC's Rime, which includes some of the Hunt illustrations as well as samples from many other 19th-20th century illustrators and artists. The catalogue is The Rime of the Ancient Mariner: The Poem and Its Illustrators, eds. Robert Woof and Stephen Hebron. The Wordsworth Trust, 1997. Mervyn Peake's illustrations in particular are the stuff nightmares are made on." —Richard Matlak

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Bantam Books

Date:

1997

"A far-future science fiction tetralogy in which an Articial Intelligence reconstruction of John Keats plays a major role. They're long books and quite a commitment of time, but they're excellent, and the treatment of Keats's life (and death) is very movingly integrated into the story. . . . Aside from the fact that the words "I was an English major" seem to scream from every page (the first novel is a version of Canterbury Tales, among other things), [the novels] are very engrossing and explore Keats's life and poetry in a fascinating way.

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Viking Press

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1988

Rushdie's influences have long been a point of interest to scholars examining his work. According to W. J. Weatherby, influences on The Satanic Verses were listed as James Joyce, Italo Calvino, Franz Kafka, Frank Herbert, Thomas Pynchon, Mervyn Peake, Gabriel García Márquez, Jean-Luc Godard, J. G. Ballard and William S. Burroughs. Chandrabhanu Pattanayak notes the influence of William Blake's The Marriage of Heaven and Hell and Mikhail Bulgakov's The Master and Margarita (influences Rushdie admitted to). -Wikipedia

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Lippincott Williams & Wilkins

Date:

1978

"After Lord Byron's death in 1824 his memoirs were burned as they were considered too scandalous and for over 150 years were therefore considered lost. The author claims that he has discovered in Greece an ancient manuscript in Byron's handwriting which could be the long lost memoirs. Whether this book is the literary discovery of the century or an ingenious forgery, it remains a vivid and bawdy recreation of Byron's life." —FictionDB

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Berkley

Date:

1986

"[in which] Coleridge's interruption during his composition of 'Kubla Khan' was orchestrated by the Sidhe, who were afraid that the Song of Power embodied in the poem would result in a cleansing of our world's evils, which are themselves orchestrations of the Sidhe to keep humans in chains." —M. O'Neill

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Sidgwick & Jackson

Date:

1955

The Stars My Destination is a science fiction novel by Alfred Bester. Originally serialized in Galaxy magazine in four parts beginning with the October 1956 issue, it first appeared in book form in the United Kingdom as Tiger! Tiger! – after William Blake's poem "The Tyger", the first verse of which is printed as the first page of the novel – and the book remains widely known under that title in markets where this edition was circulated. A working title for the novel was Hell's My Destination, and it was also associated with the name The Burning Spear. -Wikipedia

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Ace Books

Date:

1989

"The former deals with a professor travelling back in time and meeting Byron, while the latter very ingeniously attributes a type of vampire possession to Byron, Shelley, and Keats, cleverly incorporating incidents in their lives and quotations from their poems into a very coherent system." —A. Stein

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Random House

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2011

Byron is one of the main characters in David Liss's 2011 novel The Twelfth Enchantment. -Wikipedia

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Jonathan Cape

Date:

1979

In The Unlimited Dream Company, a man named Blake crashes a stolen aircraft into the River Thames outside the London suburb of Shepperton. Whether he survives the crash, to become a sort of supernatural messiah for the small town, or if he actually drowns, and dying, imagines the whole thing, is never truly revealed. Contradictory hints are scattered throughout the novel which may support both interpretations...As well as the protagonist's name, the novel draws on the works of William Blake, particularly his epic work Milton a Poem in other ways.

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1834

"Edgar Allan Poe’s 'The Visionary' marked his debut on the literary scene. It was influenced in part by current events of his time, by the appeal of 'the arabesque' to his readers, his high regard for Lord Byron and Poe's familiarity with Byron’s life. It is also probable that events and characters from Poe’s own life figure in the tale, especially the death of his mother and his adoption by the Allan family." —Kathy Dudley

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Farrar, Straus, and Giroux

Date:

1992

"The novel is a brilliant portrait of an age, the bloody epoch in which the Bourbon monarchs of the Kingdom of Naples—aided by the infamous Baron Scarpia of Tosca fame—took violent revenge on the revolutionaries and intellectuals who supported the insurrection of 1799."  —Publishers Weekly

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