"The former deals with a professor travelling back in time and meeting Byron, while the latter very ingeniously attributes a type of vampire possession to Byron, Shelley, and Keats, cleverly incorporating incidents in their lives and quotations from their poems into a very coherent system." —A. Stein

In Suzanne Collins's The Ballad of Songbirds and Snakes (2020), the prequel to the Hunger Games trilogy, a major character is named Lucy Gray. In chapter 26, another character references the "really old [song] by some man named Wordsworth" and sings a version of the poem which the protagonist, Coriolanus Snow, cannot understand: "He couldn't make sense of it...It reminded him of the time he hadn't understood a poem in rhetoric class and Livia Cardew had humiliated him in front of everyone. What a dreadful song."

"First rate and rather unusual type of biographical material. Shelley is treated not as a budding poet, but as an eccentric, anti-social youth, with lovable qualities, hatred of cruelty, a twisted sort of courage, and a point of view which made him the butt of his school fellows, and unpopular, with the herd, but generally beloved by the underdog. This story shows his luxurious—but none too sympathetic—home surroundings, his small boy school days, his later public school years, and the university period. There it stops—but the picture left is of a personality.

". . . another beautifully rendered and detailed imagination of [a cyberpunk] world, though ... more gentle and erudite in tone than picaresque. The use of the Romantics, including Wordsworth and Coleridge, is clear. But the real heart of the book is the 'clave' or "phyle" (corporate clan) of the Vickys, who style their life and ideology after the Victorian age.

The Doors of Perception is a short book by Aldous Huxley, first published in 1954, detailing his experiences when taking mescaline. The book takes the form of Huxley's recollection of a mescaline trip that took place over the course of an afternoon, and takes its title from a phrase in William Blake's 1793 poem The Marriage of Heaven and Hell. Huxley recalls the insights he experienced, which range from the "purely aesthetic" to "sacramental vision".[1] He also incorporates later reflections on the experience and its meaning for art and religion. -Wikipedia

In Crawford Kilian's novel The Fall of the Republic, when a gateway is found to a parallel world equivalent to 18th-century Earth, it is named Beulah, and other worlds at different points in the timestream are named for other Blake entities, such as Orc, Ahania, Los, Urthona, Thel, and Tharmas. In particular, a future world whose atmosphere has been devastated by unknown forces is called Ulro. -Wikipedia

"A series of brutal and bizarre murders has London on edge. Near the dismembered corpse of each victim, the killer has scrawled cryptic quotations from the eighteenth-century mystic poet William Blake. Baffled, the police enlist the aid of Damon Reade, a brilliant but reclusive Blake scholar, who reluctantly agrees to help. Reade’s combination of instinctive deduction and psychic penetration leads him to Gaylord Sundheim, who may be the murderer. But when Reade befriends Sundheim and becomes convinced he is incapable of having committed the crimes, is he right and Sundheim innocent?

In the novel The History of Lucy's Love Life in Ten and a Half Chapters, Lucy Lyons uses a time machine to visit 1813 and meet her idol, Byron. -Wikipedia

"[in which] Coleridge's interruption during his composition of 'Kubla Khan' was orchestrated by the Sidhe, who were afraid that the Song of Power embodied in the poem would result in a cleansing of our world's evils, which are themselves orchestrations of the Sidhe to keep humans in chains." —M. O'Neill