|
B.................3 |
May like to Peter |
B |
. |
O grant that like to Peter I, Line 2 |
Somewhere in the column headed letter |
B |
|
The Jealousies, Line 101 |
The Viscount |
B |
. shall live at cut-and-run; |
The Jealousies, Line 157 |
|
BAAING............1 |
Their |
baaing |
vanities, to browse away |
Endymion: A Poetic Romance, Book III, Line 3 |
|
BAAL..............1 |
To Lucifer or |
Baal |
, when he'd pine |
Endymion: A Poetic Romance, Book IV, Line 892 |
|
BAALITES..........1 |
It may not be - those |
Baalites |
of pelf, |
Isabella; or, The Pot of Basil, Line 451 |
|
BABBLES...........1 |
And |
babbles |
thorough silence, till her wits |
Endymion: A Poetic Romance, Book I, Line 948 |
|
BABBLING..........2 |
|
Babbling |
so wildly of its lovely daughters |
I stood tip-toe upon a little hill, Line 42 |
But why do I stand |
babbling |
to myself? |
Otho the Great, Act I, SCENE I, Conrad, Line 14 |
|
BABE..............2 |
Shall the dear |
babe |
, upon its mother's breast, |
To My Brother George (epistle), Line 102 |
Like an own |
babe |
I nurse thee on my breast: |
Endymion: A Poetic Romance, Book IV, Line 281 |
|
BABES.............1 |
Moan, Cybele, moan, for thy pernicious |
babes |
|
The Fall of Hyperion: A Dream, CANTO I, Line 425 |
|
BABY..............2 |
I was a prince - a |
baby |
prince - my doom |
When they were come unto the Faery's court, Line 30 |
Could agonize me more than |
baby |
-words |
Hyperion: A Fragment, Book II, Line 314 |
|
BABY'S............1 |
Little |
baby's |
|
There was a naughty boy, Line 84 |
|
BABYLON...........2 |
Like thunder clouds that spake to |
Babylon |
, |
Endymion: A Poetic Romance, Book III, Line 20 |
Memphis, and |
Babylon |
, and Nineveh. |
Endymion: A Poetic Romance, Book III, Line 849 |
|
BACCHANAL.........1 |
With a |
Bacchanal |
blush, |
Spirit here that reignest, Line 19 |
|
BACCHUS...........13 |
Of |
Bacchus |
from his chariot, when his eye |
Sleep and Poetry, Line 335 |
'Twas |
Bacchus |
and his crew! |
Endymion: A Poetic Romance, Book IV, Line 196 |
'Twas |
Bacchus |
and his kin! |
Endymion: A Poetic Romance, Book IV, Line 199 |
"Within his car, aloft, young |
Bacchus |
stood, |
Endymion: A Poetic Romance, Book IV, Line 209 |
' We follow |
Bacchus |
! Bacchus on the wing. |
Endymion: A Poetic Romance, Book IV, Line 222 |
' We follow Bacchus! |
Bacchus |
on the wing. |
Endymion: A Poetic Romance, Book IV, Line 222 |
|
Bacchus |
, young Bacchus! good or ill betide, |
Endymion: A Poetic Romance, Book IV, Line 224 |
Bacchus, young |
Bacchus |
! good or ill betide, |
Endymion: A Poetic Romance, Book IV, Line 224 |
For wine we follow |
Bacchus |
through the earth; |
Endymion: A Poetic Romance, Book IV, Line 235 |
And, save when |
Bacchus |
kept his ivy tent, |
Endymion: A Poetic Romance, Book IV, Line 240 |
Not charioted by |
Bacchus |
and his pards, |
Ode to a Nightingale, Line 32 |
Or where God |
Bacchus |
drains his cups divine, |
Lamia, Part I, Line 209 |
Soon was God |
Bacchus |
at meridian height; |
Lamia, Part II, Line 213 |
|
BACCHUS'..........2 |
Before young |
Bacchus' |
eye-wink turning pale.- |
Endymion: A Poetic Romance, Book IV, Line 267 |
The purple slaughter-house, where |
Bacchus' |
self |
Otho the Great, Act V, SCENE V, Ludolph, Line 125 |
|
BACK..............51 |
And on his |
back |
a fay reclined voluptuously. |
Imitation of Spenser, Line 18 |
Fain would I echo |
back |
each pleasant note |
To George Felton Mathew, Line 13 |
Mount his |
back |
! thy sword unsheath! |
Hadst thou liv'd in days of old, Line 61 |
And echo |
back |
the voice of thine own tongue? |
Sleep and Poetry, Line 52 |
Some looking |
back |
, and some with upward gaze; |
Sleep and Poetry, Line 147 |
With hands held |
back |
, and motionless, amaz'd |
I stood tip-toe upon a little hill, Line 232 |
How tiptoe Night holds |
back |
her dark-grey hood. |
Endymion: A Poetic Romance, Book I, Line 831 |
So reaching |
back |
to boy-hood: make me ships |
Endymion: A Poetic Romance, Book I, Line 881 |
His paces |
back |
into the temple's chief; |
Endymion: A Poetic Romance, Book II, Line 298 |
Down whose green |
back |
the short-liv'd foam, all hoar, |
Endymion: A Poetic Romance, Book II, Line 349 |
Of thron'd Apollo, could breathe |
back |
the lyre |
Endymion: A Poetic Romance, Book II, Line 362 |
Keep |
back |
thine influence, and do not blind |
Endymion: A Poetic Romance, Book III, Line 182 |
Thou art the man!" Endymion started |
back |
|
Endymion: A Poetic Romance, Book III, Line 255 |
Me |
back |
to Scylla o'er the billows rude. |
Endymion: A Poetic Romance, Book III, Line 462 |
To usher |
back |
his spirit into life: |
Endymion: A Poetic Romance, Book III, Line 1015 |
Each with large dark blue wings upon his |
back |
. |
Endymion: A Poetic Romance, Book IV, Line 344 |
Good bye! I'll soon be |
back |
."- "Good bye!" said she:- |
Isabella; or, The Pot of Basil, Line 207 |
But to throw |
back |
at times her veiling hair. |
Isabella; or, The Pot of Basil, Line 376 |
And when she left, she hurried |
back |
, as swift |
Isabella; or, The Pot of Basil, Line 469 |
Tight at 's |
back |
|
There was a naughty boy, Line 19 |
And rub your flinty |
back |
against it - budge! |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 50 |
His flinty |
back |
, and I shall kiss and snub |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 66 |
And |
back |
returneth, meagre, barefoot, wan, |
The Eve of St. Agnes, Line 12 |
With hair blown |
back |
, and wings put cross-wise on their breasts. |
The Eve of St. Agnes, Line 36 |
And |
back |
retir'd, not cool'd by high disdain; |
The Eve of St. Agnes, Line 61 |
His poor guide hurried |
back |
with agues in her brain. |
The Eve of St. Agnes, Line 189 |
Had come to mock behind her |
back |
, |
The Eve of St. Mark, Line 87 |
To toll me |
back |
from thee to my sole self! |
Ode to a Nightingale, Line 72 |
Yet stay,- perhaps a charm may call you |
back |
, |
Otho the Great, Act I, SCENE I, Conrad, Line 84 |
Fall |
back |
! Away there! |
Otho the Great, Act I, SCENE II, Other voices, Line 84a |
(advancing from the |
back |
of the stage, whither he had |
Otho the Great, Act I, SCENE II, S.D. to Line 85 |
The province to invite your Highness |
back |
|
Otho the Great, Act I, SCENE III, Theodore, Line 126 |
When to the stream she launches, looks not |
back |
|
Otho the Great, Act II, SCENE II, Gersa, Line 102 |
That, unless heaven would send me |
back |
my son, |
Otho the Great, Act III, SCENE II, Otho, Line 28 |
Wilt thou creep dastardly behind his |
back |
, |
Otho the Great, Act III, SCENE II, Erminia, Line 246 |
And in thy teeth I give thee |
back |
the lie! |
Otho the Great, Act IV, SCENE II, Gersa, Line 104 |
I hasten'd |
back |
, your grieving messenger, |
Otho the Great, Act IV, SCENE II, Page, Line 117 |
The caitiff of the cold steel at his |
back |
. |
Otho the Great, Act V, SCENE I, Conrad, Line 15 |
|
back |
scene, guarded by two Soldiers. Lords, Ladies, Knights, Gentlemen, etc., |
Otho the Great, Act V, SCENE V, Setting |
And of that other ridge whose barren |
back |
|
Lamia, Part I, Line 177 |
Lycius, look |
back |
! and be some pity shown." |
Lamia, Part I, Line 246 |
"Leave thee alone! Look |
back |
! Ah, Goddess, see |
Lamia, Part I, Line 257 |
They held me |
back |
, with a benignant light, |
The Fall of Hyperion: A Dream, CANTO I, Line 265 |
On, fellow soldiers! Earl of Redvers, |
back |
! |
King Stephen Act I, SCENE I, Stephen, Line 34 |
Close at your |
back |
, that sly old Crafticant? |
The Jealousies, Line 49 |
Or a sharp needle run into her |
back |
an inch. |
The Jealousies, Line 72 |
Whose glass once up can never be got |
back |
, |
The Jealousies, Line 232 |
Elfinan's |
back |
was turn'd, but, ne'ertheless, |
The Jealousies, Line 335 |
It was too much. He shrunk |
back |
in his chair, |
The Jealousies, Line 456 |
|
Back |
to your palace, where I wait for guerdon fit." |
The Jealousies, Line 522 |
"A poet, mounted on the court-clown's |
back |
, |
The Jealousies, Line 775 |
|
BACKBITING........1 |
|
Backbiting |
all the world in ev'ry page; |
The Jealousies, Line 95 |
|
BACKS.............3 |
Hung swollen at their |
backs |
, and jewel'd sands |
Endymion: A Poetic Romance, Book III, Line 313 |
Bearing upon their scaly |
backs |
, in files, |
Endymion: A Poetic Romance, Book IV, Line 246 |
Fly, cowards, fly! Glocester is at your |
backs |
! |
King Stephen Act I, SCENE I, Stephen, Line 9 |
|
BACKWARD..........5 |
Into some |
backward |
corner of the brain; |
Endymion: A Poetic Romance, Book II, Line 11 |
In |
backward |
yawns. But all were soon alive: |
Endymion: A Poetic Romance, Book II, Line 510 |
A thousand years with |
backward |
glance sublime? |
Endymion: A Poetic Romance, Book III, Line 329 |
With |
backward |
footing through the shade a space: |
Hyperion: A Fragment, Book I, Line 154 |
"He always comes down |
backward |
, with one shoe"- |
The Jealousies, Line 304 |
|
BACKWARDS.........3 |
The slave retreated |
backwards |
, humble-eyed, |
The Jealousies, Line 203 |
As |
backwards |
as he can,- is't something new? |
The Jealousies, Line 302 |
|
Backwards |
and downwards from his own two pair: |
The Jealousies, Line 310 |
|
BAD...............12 |
For others, good or |
bad |
, hatred and tears |
Endymion: A Poetic Romance, Book II, Line 4 |
Take refuge.- Of |
bad |
lines a centaine dose |
Dear Reynolds, as last night I lay in bed, Line 112 |
You vext with |
bad |
revolt? Was't opium, |
Otho the Great, Act I, SCENE III, Sigifred, Line 34 |
Thou bitter mischief! Venemous |
bad |
priest! |
Otho the Great, Act III, SCENE II, Ludolph, Line 76 |
With more |
bad |
bitter grain, too difficult |
Otho the Great, Act III, SCENE II, Ethelbert, Line 175 |
A noon-day proof of |
bad |
Auranthe's guilt. |
Otho the Great, Act III, SCENE II, Ethelbert, Line 191 |
And careless hectorers in proud |
bad |
verse. |
The Fall of Hyperion: A Dream, CANTO I, Line 208 |
|
Bad |
reasons for her sorrow, as appears |
The Jealousies, Line 85 |
Love thwarted in |
bad |
temper oft has vent: |
The Jealousies, Line 176 |
"Mr. Nisby is of opinion that laced coffee is |
bad |
|
The Jealousies, Keats's Note to Line 365 |
"The Emperor's horrid |
bad |
; yes, that's my cue!" |
The Jealousies, Line 622 |
|
Bad |
omen - this new match can't be a happy one. |
The Jealousies, Line 657 |
|
BADE..............10 |
Cathedrals call'd. He |
bade |
a loth farewel |
Endymion: A Poetic Romance, Book II, Line 626 |
Glad was the hour, when, with thee, myriads |
bade |
|
Endymion: A Poetic Romance, Book IV, Line 32 |
I |
bade |
good-morrow, |
Endymion: A Poetic Romance, Book IV, Line 174 |
And |
bade |
the sun farewell, and joy'd his fill. |
Isabella; or, The Pot of Basil, Line 80 |
And what the friars |
bade |
him bring, |
O Some Skulls in Beauley Abbey, near Inverness, Line 87 |
Their lips touch'd not, but had not |
bade |
adieu, |
Ode to Psyche, Line 17 |
They |
bade |
me stop. |
Otho the Great, Act IV, SCENE II, Page, Line 5a |
I took compassion on her, |
bade |
her steep |
Lamia, Part I, Line 106 |
Therefore he call'd a coach, and |
bade |
it drive amain. |
The Jealousies, Line 225 |
And |
bade |
the coachman wheel to such a street, |
The Jealousies, Line 254 |
|
BAFFLED...........3 |
But, curb'd and |
baffled |
, he began |
O Some Skulls in Beauley Abbey, near Inverness, Line 69 |
When lulled Argus, |
baffled |
, swoon'd and slept, |
As Hermes once took to his feathers light, Line 2 |
With flowers, and stirring shades, and |
baffled |
beams: |
Ode on Indolence, Line 44 |
|
BAG...............6 |
Shewing tooth, tusk, and venom- |
bag |
, and sting! |
Endymion: A Poetic Romance, Book III, Line 502 |
First the soft |
bag |
-pipe mourn'd with zealous haste; |
Of late two dainties were before me plac'd, Line 5 |
Sigh'd; rueful again the piteous |
bag |
-pipe went; |
Of late two dainties were before me plac'd, Line 7 |
O |
bag |
-pipe, thou didst steal my heart away; |
Of late two dainties were before me plac'd, Line 9 |
O |
bag |
-pipe, thou didst reassert thy sway; |
Of late two dainties were before me plac'd, Line 11 |
Powder'd |
bag |
-wigs and ruffy-tuffy heads |
The Jealousies, Line 770 |
|
BAGS..............1 |
How could these money- |
bags |
see east and west?- |
Isabella; or, The Pot of Basil, Line 142 |
|
BAIAE.............1 |
As thou wast hymned on the shores of |
Baiae |
? |
Mother of Hermes! and still youthful Maia, Line 3 |
|
BAIAE'S...........1 |
Who had on |
Baiae's |
shore reclin'd at ease, |
To Charles Cowden Clarke, Line 29 |
|
BAKEN.............1 |
Spitting, from forth its sulphur- |
baken |
peak, |
The Jealousies, Line 662 |
|
BALANCED..........1 |
|
Balanced |
upon his grey-grown pinions twain, |
The Jealousies, Line 581 |
|
BALANCES..........3 |
Its rocky marge, and |
balances |
once more |
Sleep and Poetry, Line 378 |
That |
balances |
the heavy meteor-stone;- |
Endymion: A Poetic Romance, Book I, Line 644 |
Even as a miser |
balances |
his coin; |
Otho the Great, Act III, SCENE II, Ethelbert, Line 187 |
|
BALD..............4 |
To do an honor to your old |
bald |
pate |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 3 |
Of you my brain will split! |
Bald |
sorcerer! |
Otho the Great, Act III, SCENE II, Ludolph, Line 204 |
With curl'd gray beard, sharp eyes, and smooth |
bald |
crown, |
Lamia, Part I, Line 364 |
And pledge him. The |
bald |
-head philosopher |
Lamia, Part II, Line 245 |
|
BALDPATE..........2 |
Ungrateful |
baldpate |
, have I not disdain'd |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 11 |
That the jealous, the jealous old |
baldpate |
may hear, |
Hush, hush, tread softly, hush, hush, my dear, Line 3 |
|
BALDRIC...........1 |
Furbish his jingling |
baldric |
while he sleeps, |
Otho the Great, Act I, SCENE I, Conrad, Line 82 |
|
BALDWIN...........4 |
EARL |
BALDWIN |
DE REDVERS |
King Stephen 4 |
[Enter EARL |
BALDWIN |
, and Soldiers, as defeated. |
King Stephen Act I, SCENE I, S.D. to Line 19b |
|
Baldwin |
? |
King Stephen Act I, SCENE I, Stephen, Line 21a |
He must by this have fallen. |
Baldwin |
is taken; |
King Stephen Act I, SCENE II, First Captain, Line 16 |
|
BALE..............2 |
Of young Narcissus, and sad Echo's |
bale |
. |
I stood tip-toe upon a little hill, Line 180 |
We miscal grief, |
bale |
, sorrow, heartbreak, woe, |
Endymion: A Poetic Romance, Book IV, Line 942 |
|
BALK..............2 |
The city of |
Balk |
- 'twas Balk beyond all doubt: |
The Jealousies, Line 679 |
The city of Balk- 'twas |
Balk |
beyond all doubt: |
The Jealousies, Line 679 |
|
BALK'D............1 |
They ne'er were |
balk'd |
of; |
O Some Skulls in Beauley Abbey, near Inverness, Line 88 |
|
BALL..............4 |
He fell a snoring at a faery |
ball |
. |
When they were come unto the Faery's court, Line 35 |
My soul for foot- |
ball |
at hell's holiday! |
Otho the Great, Act III, SCENE I, Albert, Line 30 |
This little |
ball |
of earth, and chuck it them |
Otho the Great, Act III, SCENE II, Otho, Line 24 |
As blow- |
ball |
from the mead? |
To Fanny, Line 40 |
|
BALLAD............1 |
And then the |
ballad |
of his sad life closes |
Endymion: A Poetic Romance, Book I, Line 735 |
|
BALLANCING........1 |
Stare at the grandeur of the |
ballancing |
? |
Specimen of an Induction to a Poem, Line 30 |
|
BALLOONS..........1 |
Its light |
balloons |
into the summer air; |
Character of C.B., Line 5 |
|
BALM..............8 |
Sweet Hope, ethereal |
balm |
upon me shed, |
To Hope, Line 5 |
Sweet Hope, ethereal |
balm |
upon me shed, |
To Hope, Line 29 |
O sovereign power of love! O grief! O |
balm |
! |
Endymion: A Poetic Romance, Book II, Line 1 |
A dewy |
balm |
upon them!- fear no more, |
Endymion: A Poetic Romance, Book II, Line 983 |
With fennel green, and |
balm |
, and golden pines, |
Endymion: A Poetic Romance, Book IV, Line 575 |
Cut by an Indian for its juicy |
balm |
. |
Isabella; or, The Pot of Basil, Line 448 |
Receive the truth, and let it be your |
balm |
." |
Hyperion: A Fragment, Book II, Line 243 |
The one pours out a |
balm |
upon the world, |
The Fall of Hyperion: A Dream, CANTO I, Line 201 |
|
BALMIEST..........1 |
And with the |
balmiest |
leaves his temples bind; |
Endymion: A Poetic Romance, Book I, Line 382 |
|
BALMY.............6 |
And on the |
balmy |
zephyrs tranquil rest |
Oh! how I love, on a fair summer's eve, Line 3 |
Full of sweet desolation - |
balmy |
pain. |
I stood tip-toe upon a little hill, Line 162 |
Heal'd up the wound, and, with a |
balmy |
power, |
Endymion: A Poetic Romance, Book II, Line 483 |
Shed |
balmy |
consciousness within that bower. |
Endymion: A Poetic Romance, Book III, Line 466 |
So that it smelt more |
balmy |
than its peers |
Isabella; or, The Pot of Basil, Line 427 |
Paining with eloquence her |
balmy |
side; |
The Eve of St. Agnes, Line 205 |
|
BALUSTRADE........4 |
And, at the last, a diamond |
balustrade |
, |
Endymion: A Poetic Romance, Book II, Line 597 |
Into the sun-rise, o'er the |
balustrade |
|
Isabella; or, The Pot of Basil, Line 178 |
Her falt'ring hand upon the |
balustrade |
, |
The Eve of St. Agnes, Line 190 |
And marble |
balustrade |
, and patient travail |
The Fall of Hyperion: A Dream, CANTO I, Line 91 |
|
BAM...............1 |
Just as it happen'd, true or else a |
bam |
! |
The Jealousies, Line 398 |
|
BAN...............1 |
Turn them aside, wretch! or the righteous |
ban |
|
Lamia, Part II, Line 278 |
|
BAND..............4 |
The Passions - a terrific |
band |
- |
Ode to Apollo, Line 26 |
On abject Caesars - not the stoutest |
band |
|
To a Young Lady Who Sent Me a Laurel Crown, Line 12 |
A flowery |
band |
to bind us to the earth, |
Endymion: A Poetic Romance, Book I, Line 7 |
He blows a bugle,- an ethereal |
band |
|
Endymion: A Poetic Romance, Book IV, Line 420 |
|
BANDIT'S..........1 |
Fair Pastorella in the |
bandit's |
den, |
Endymion: A Poetic Romance, Book II, Line 32 |
|
BANDS.............4 |
Thus spake he: "Men of Latmos! shepherd |
bands |
! |
Endymion: A Poetic Romance, Book I, Line 196 |
Onward it flies. From languor's sullen |
bands |
|
Endymion: A Poetic Romance, Book II, Line 66 |
"Endymion! Ah! still wandering in the |
bands |
|
Endymion: A Poetic Romance, Book III, Line 903 |
And 'scape at once from Hope's accursed |
bands |
; |
Isabella; or, The Pot of Basil, Line 230 |
|
BANE..............5 |
|
Bane |
of every wicked spell; |
Hadst thou liv'd in days of old, Line 63 |
But off, Despondence! miserable |
bane |
! |
Sleep and Poetry, Line 281 |
My own dear will, 'twould be a deadly |
bane |
. |
Endymion: A Poetic Romance, Book II, Line 960 |
That love should be my |
bane |
! Ah, Scylla fair! |
Endymion: A Poetic Romance, Book III, Line 399 |
Wolf's- |
bane |
, tight-rooted, for its poisonous wine; |
Ode on Melancholy, Line 2 |
|
BANISH............3 |
To |
banish |
Woman from my mind. |
Fill for me a brimming bowl, Line 4 |
To |
banish |
Even from her sky. |
Fancy, Line 24 |
To |
banish |
thoughts of that most hateful land, |
What can I do to drive away, Line 31 |
|
BANISH'D..........2 |
Yet there was not a breath of wind: she |
banish'd |
|
Endymion: A Poetic Romance, Book III, Line 532 |
Built by a |
banish'd |
santon of Chaldee: |
Dear Reynolds, as last night I lay in bed, Line 42 |
|
BANISHMENT........4 |
And soon, returning from love's |
banishment |
, |
Endymion: A Poetic Romance, Book II, Line 525 |
With blood upon their heads, to |
banishment |
. |
Isabella; or, The Pot of Basil, Line 480 |
And cloud him in such utter |
banishment |
, |
Otho the Great, Act I, SCENE I, Conrad, Line 72 |
A lenient |
banishment |
; |
Otho the Great, Act II, SCENE I, Ludolph, Line 82b |
|
BANK..............4 |
And on the |
bank |
a lonely flower he spied, |
I stood tip-toe upon a little hill, Line 171 |
Pointed its beak over the fringed |
bank |
; |
Endymion: A Poetic Romance, Book I, Line 424 |
And a |
bank |
for the wasp to hive in. |
For there's Bishop's Teign, Line 30 |
Cast on sunny |
bank |
its skin; |
Fancy, Line 58 |
|
BANKRUPT..........1 |
A poor court- |
bankrupt |
, outwitted and lost, |
Otho the Great, Act I, SCENE I, Conrad, Line 34 |
|
BANKS.............3 |
That lean against a streamlet's rushy |
banks |
, |
I stood tip-toe upon a little hill, Line 62 |
And ivy |
banks |
; all leading pleasantly |
Endymion: A Poetic Romance, Book I, Line 81 |
Gurgles through straiten'd |
banks |
, and still doth fan |
Isabella; or, The Pot of Basil, Line 211 |
|
BANNER............1 |
I by the |
banner |
of Saint Maurice swear |
Otho the Great, Act II, SCENE II, Albert, Line 51 |
|
BANNERAL..........1 |
Beneath the shade of stately |
banneral |
, |
Specimen of an Induction to a Poem, Line 38 |
|
BANNERS...........2 |
and Attendants. The Soldiers halt at the gate, with |
banners |
in sight. |
Otho the Great, Act I, SCENE II, S.D. to Line 1a |
Lest our rent |
banners |
, too o' the sudden shown, |
Otho the Great, Act I, SCENE II, Otho, Line 3 |
|
BANQUET...........6 |
The |
banquet |
of my arms, my arbour queen, |
Endymion: A Poetic Romance, Book III, Line 498 |
Just fresh from the |
banquet |
of Comus! |
Spirit here that reignest, Line 20 |
Sits in the |
banquet |
-room among his chiefs; |
Otho the Great, Act IV, SCENE II, Gersa, Line 62 |
The glowing |
banquet |
-room shone with wide-arched grace. |
Lamia, Part II, Line 121 |
Of wealthy lustre was the |
banquet |
-room, |
Lamia, Part II, Line 173 |
To grace a |
banquet |
. The high city gates |
King Stephen Act I, SCENE II, Second Captain, Line 26 |
|
BANQUETING........1 |
Thrice emptied could pour forth, at |
banqueting |
|
The Fall of Hyperion: A Dream, CANTO I, Line 36 |
|
BANQUETS..........1 |
This coming night of |
banquets |
must not light |
Otho the Great, Act I, SCENE II, Otho, Line 46 |
|
BANQUETTING.......2 |
Will you return, Prince, to our |
banquetting |
? |
Otho the Great, Act I, SCENE II, Otho, Line 152 |
A |
Banquetting |
Hall, brilliantly illuminated, and set forth with all |
Otho the Great, Act V, SCENE V, Setting |
|
BANTER............1 |
You well may laugh and |
banter |
. What a fool |
Otho the Great, Act III, SCENE I, Albert, Line 40 |
|
BAPTIS'D..........1 |
|
Baptis'd |
her in the bosom of the church, |
Otho the Great, Act II, SCENE II, Ethelbert, Line 132 |
|
BAR...............4 |
There they discours'd upon the fragile |
bar |
|
Endymion: A Poetic Romance, Book I, Line 360 |
In other regions, past the scanty |
bar |
|
Endymion: A Poetic Romance, Book II, Line 124 |
Would |
bar |
return and make a man forget his mortal way. |
There is a joy in footing slow across a silent plain, Line 32 |
Say you are very sick, and |
bar |
the way |
The Jealousies, Line 535 |
|
BAR'D.............1 |
Though now 'tis tatter'd; leaving my bark |
bar'd |
|
Endymion: A Poetic Romance, Book I, Line 773 |
|
BARB..............1 |
Of circumstance; yea, seize the arrow's |
barb |
|
Hyperion: A Fragment, Book I, Line 344 |
|
BARBARIAN.........2 |
For him, those chambers held |
barbarian |
hordes, |
The Eve of St. Agnes, Line 85 |
Foul |
barbarian |
, cease; |
Otho the Great, Act III, SCENE II, Conrad, Line 72b |
|
BARBARISM.........1 |
Nurtured by foppery and |
barbarism |
, |
Sleep and Poetry, Line 182 |
|
BARBED............2 |
But she was gone. Whereat the |
barbed |
shafts |
Endymion: A Poetic Romance, Book III, Line 480 |
A serpent's plashy neck; its |
barbed |
tongue |
Hyperion: A Fragment, Book II, Line 45 |
|
BARBER............1 |
Our |
barber |
tells me too are on the rise,- |
The Jealousies, Line 293 |
|
BARD..............6 |
Therefore, great |
bard |
, I not so fearfully |
Specimen of an Induction to a Poem, Line 55 |
These are the living pleasures of the |
bard |
: |
To My Brother George (epistle), Line 67 |
What first inspired a |
bard |
of old to sing |
I stood tip-toe upon a little hill, Line 163 |
No higher |
bard |
than simple maidenhood, |
Endymion: A Poetic Romance, Book I, Line 726 |
|
Bard |
art thou completely! |
'Tis the "witching time of night", Line 48 |
|
Bard |
art thou completely!- |
'Tis the "witching time of night", Line 51 |
|
BARD'S............1 |
To find a |
bard's |
low cradle place about the silent north. |
There is a joy in footing slow across a silent plain, Line 28 |
|
BARDS.............10 |
|
Bards |
, that erst sublimely told |
Ode to Apollo, Line 3 |
From thee, great God of |
Bards |
, receive their heavenly birth. |
Ode to Apollo, Line 47 |
How many |
bards |
gild the lapses of time! |
How many bards gild the lapses of time, Line 1 |
Which |
bards |
in fealty to Apollo hold. |
On First Looking into Chapman's Homer, Line 4 |
The glorious features of the |
bards |
who sung |
Sleep and Poetry, Line 356 |
Of the old |
bards |
to mighty deeds: his plans |
Endymion: A Poetic Romance, Book II, Line 895 |
By |
bards |
who died content in pleasant sward, |
Mother of Hermes! and still youthful Maia, Line 7 |
|
Bards |
of passion and of mirth, |
Bards of passion and of mirth, Line 1 |
|
Bards |
of passion and of mirth, |
Bards of passion and of mirth, Line 37 |
Ye love-sick |
bards |
, repay her scorn for scorn; |
On Fame ("Fame, like a wayward girl"), Line 11 |
|
BARE..............18 |
And the |
bare |
heath of life presents no bloom; |
To Hope, Line 4 |
With forehead to the soothing breezes |
bare |
, |
To My Brother George (epistle), Line 56 |
To take him to a desert rude, and |
bare |
, |
To Charles Cowden Clarke, Line 28 |
O may no wintry season, |
bare |
and hoary, |
Endymion: A Poetic Romance, Book I, Line 54 |
A chieftain king's: beneath his breast, half |
bare |
, |
Endymion: A Poetic Romance, Book I, Line 172 |
And panting bosoms |
bare |
! |
Endymion: A Poetic Romance, Book III, Line 985 |
Let thy white shoulders silvery and |
bare |
|
Endymion: A Poetic Romance, Book IV, Line 587 |
|
Bare |
your faces of the veil, |
Welcome joy, and welcome sorrow, Line 25 |
To make all |
bare |
before he dares to stray |
Isabella; or, The Pot of Basil, Line 254 |
O put it to her buttocks |
bare |
|
All gentle folks who owe a grudge, Line 11 |
That man may never lose his mind on mountains bleak and |
bare |
; |
There is a joy in footing slow across a silent plain, Line 46 |
On the marble cold and |
bare |
, |
Not Aladdin magian, Line 12 |
Naked and |
bare |
of its great diadem, |
Hyperion: A Fragment, Book I, Line 101 |
With my |
bare |
unlidded eyes. |
Song of Four Fairies: Fire, Air, Earth, and Water, DUSKETHA, Line 85 |
Thy song, nor ever can those trees be |
bare |
; |
Ode on a Grecian Urn, Line 16 |
Fallen in jealous curls about his shoulders |
bare |
. |
Lamia, Part I, Line 26 |
But |
bare |
of laurel they live, dream, and die; |
The Fall of Hyperion: A Dream, CANTO I, Line 7 |
And grape stalks but half |
bare |
, and remnants more, |
The Fall of Hyperion: A Dream, CANTO I, Line 33 |
|
BARED.............2 |
|
Bared |
its eternal bosom, and the dew |
Sleep and Poetry, Line 190 |
Have |
bared |
their operations to this globe- |
Endymion: A Poetic Romance, Book III, Line 35 |
|
BAREFOOT..........1 |
And back returneth, meagre, |
barefoot |
, wan, |
The Eve of St. Agnes, Line 12 |
|
BARES.............1 |
He |
bares |
his forehead to the cool blue sky, |
Calidore: A Fragment, Line 6 |
|
BARK..............6 |
Though now 'tis tatter'd; leaving my |
bark |
bar'd |
Endymion: A Poetic Romance, Book I, Line 773 |
Some holy |
bark |
let forth an anthem sweet, |
Endymion: A Poetic Romance, Book II, Line 81 |
And on the very |
bark |
'gainst which he leant |
Endymion: A Poetic Romance, Book IV, Line 787 |
The seal on the cold ice with piteous |
bark |
|
Isabella; or, The Pot of Basil, Line 116 |
And rubb'd his sides against the mossed |
bark |
|
When they were come unto the Faery's court, Line 85 |
He will be cur enough to |
bark |
at me; |
Otho the Great, Act IV, SCENE I, Auranthe, Line 41 |
|
BARLEY............2 |
All spread upon |
barley |
bread |
For there's Bishop's Teign, Line 6 |
My pulse is warm with thine old |
barley |
-bree, |
This mortal body of a thousand days, Line 5 |
|
BARN..............1 |
And thou shalt feed them from the squirrel's |
barn |
. |
Endymion: A Poetic Romance, Book IV, Line 694 |
|
BAROMETER.........1 |
For, by my choicest best |
barometer |
, |
The Jealousies, Line 435 |
|
BARON.............1 |
That night the |
Baron |
dreamt of many a woe, |
The Eve of St. Agnes, Line 372 |
|
BARR'D............1 |
Eyed like a peacock, and all crimson |
barr'd |
; |
Lamia, Part I, Line 50 |
|
BARRED............1 |
While |
barred |
clouds bloom the soft-dying day, |
To Autumn, Line 25 |
|
BARREL............1 |
With my new double- |
barrel |
- stew'd the thighs, |
The Jealousies, Line 650 |
|
BARREL'S..........1 |
When the |
barrel's |
set abroach, |
Extracts from an Opera, FOLLY'S SONG Line 9 |
|
BARREN............11 |
And wither drearily on |
barren |
moors: |
Endymion: A Poetic Romance, Book I, Line 287 |
Not native in such |
barren |
vaults. Give ear! |
Endymion: A Poetic Romance, Book II, Line 935 |
On |
barren |
souls. Great Muse, thou know'st what prison, |
Endymion: A Poetic Romance, Book IV, Line 20 |
Let me not wander in a |
barren |
dream: |
On Sitting Down to Read King Lear Once Again, Line 12 |
'Tis ignorance that makes a |
barren |
waste |
To the Nile, Line 10 |
In silent |
barren |
synod met |
O Some Skulls in Beauley Abbey, near Inverness, Line 1 |
Space region'd with life-air; and |
barren |
void; |
Hyperion: A Fragment, Book I, Line 119 |
Untun'd, and harsh, and |
barren |
of all love. |
Otho the Great, Act IV, SCENE I, Auranthe, Line 132 |
Peers with disrelish, grey, |
barren |
, and cold! |
Otho the Great, Act IV, SCENE II, Ludolph, Line 41 |
And of that other ridge whose |
barren |
back |
Lamia, Part I, Line 177 |
Whose language is to thee a |
barren |
noise, |
The Fall of Hyperion: A Dream, CANTO II, Line 5 |
|
BARRIER...........2 |
Behind a |
barrier |
of engender'd guilt! |
Otho the Great, Act V, SCENE V, Ludolph, Line 95 |
A |
barrier |
of guilt! I was the fool, |
Otho the Great, Act V, SCENE V, Ludolph, Line 104 |
|
BARS..............4 |
On earth the good man base detraction |
bars |
|
Oh Chatterton! how very sad thy fate, Line 13 |
Ah! surely he had burst our mortal |
bars |
; |
I stood tip-toe upon a little hill, Line 190 |
That tend thy bidding, I do think the |
bars |
|
Endymion: A Poetic Romance, Book II, Line 185 |
Made gloom of all her frecklings, streaks and |
bars |
, |
Lamia, Part I, Line 159 |
|
BARTER'D..........1 |
Now all my empire, |
barter'd |
for one feast, |
Otho the Great, Act III, SCENE II, Otho, Line 31 |
|
BARTHOLOMEW.......1 |
Coming down stairs,- by St. |
Bartholomew |
! |
The Jealousies, Line 301 |
|
BARTON............1 |
There's the |
barton |
rich |
For there's Bishop's Teign, Line 25 |
|
BASE..............4 |
On earth the good man |
base |
detraction bars |
Oh Chatterton! how very sad thy fate, Line 13 |
With the |
base |
purple of a court oppress'd, |
To Hope, Line 39 |
My thirst for the world's praises: nothing |
base |
, |
Endymion: A Poetic Romance, Book I, Line 770 |
Because I hold those |
base |
weeds with tight hand |
Otho the Great, Act III, SCENE II, Ethelbert, Line 135 |
|
BASED.............1 |
For my firm- |
based |
footstool:- Ah, infirm! |
Hyperion: A Fragment, Book II, Line 138 |
|
BASEMENT..........1 |
I know how the great |
basement |
of all power |
Otho the Great, Act I, SCENE II, Otho, Line 175 |
|
BASEMENTS.........1 |
And from the |
basements |
deep to the high towers |
Hyperion: A Fragment, Book I, Line 223 |
|
BASHFUL...........1 |
And turned to smile upon thy |
bashful |
eyes, |
I stood tip-toe upon a little hill, Line 213 |
|
BASIL.............13 |
Cool parsley, |
basil |
sweet, and sunny thyme; |
Endymion: A Poetic Romance, Book IV, Line 577 |
Sweet |
basil |
, which her tears kept ever wet. |
Isabella; or, The Pot of Basil, Line 416 |
Hung over her sweet |
basil |
evermore, |
Isabella; or, The Pot of Basil, Line 423 |
Of |
basil |
-tufts in Florence; for it drew |
Isabella; or, The Pot of Basil, Line 428 |
Why she sat drooping by the |
basil |
green, |
Isabella; or, The Pot of Basil, Line 458 |
Beside her |
basil |
, weeping through her hair. |
Isabella; or, The Pot of Basil, Line 472 |
Yet they contriv'd to steal the |
basil |
-pot, |
Isabella; or, The Pot of Basil, Line 473 |
Now they have ta'en away her |
basil |
sweet. |
Isabella; or, The Pot of Basil, Line 488 |
Asking for her lost |
basil |
amorously; |
Isabella; or, The Pot of Basil, Line 490 |
To ask him where her |
basil |
was; and why |
Isabella; or, The Pot of Basil, Line 494 |
"To steal my |
basil |
-pot away from me." |
Isabella; or, The Pot of Basil, Line 496 |
Imploring for her |
basil |
to the last. |
Isabella; or, The Pot of Basil, Line 498 |
To steal my |
basil |
-pot away from me!" |
Isabella; or, The Pot of Basil, Line 504 |
|
BASILIC...........1 |
Of our Imperial |
Basilic |
; a row |
The Jealousies, Line 751 |
|
BASKET............4 |
And in his left he held a |
basket |
full |
Endymion: A Poetic Romance, Book I, Line 155 |
And from a |
basket |
emptied to the rout |
Endymion: A Poetic Romance, Book III, Line 510 |
And what have ye there i' the |
basket |
? |
Where be ye going, you Devon maid, Line 2 |
I'll put your |
basket |
all safe in a nook |
Where be ye going, you Devon maid, Line 13 |
|
BASKETS...........5 |
In woven |
baskets |
bringing ears of corn, |
To Leigh Hunt, Esq., Line 6 |
Your |
baskets |
high |
Endymion: A Poetic Romance, Book IV, Line 574 |
On golden dishes and in |
baskets |
bright |
The Eve of St. Agnes, Line 272 |
At Venus' temple porch, 'mid |
baskets |
heap'd |
Lamia, Part I, Line 317 |
In |
baskets |
of bright osier'd gold were brought |
Lamia, Part II, Line 217 |
|
BASTION'D.........2 |
|
Bastion'd |
with pyramids of glowing gold, |
Hyperion: A Fragment, Book I, Line 177 |
|
Bastion'd |
with pyramids of glowing gold, |
The Fall of Hyperion: A Dream, CANTO II, Line 25 |
|
BAT...............2 |
Ere a lean |
bat |
could plump its wintery skin, |
Endymion: A Poetic Romance, Book IV, Line 377 |
Some strange Imaian custom. A large |
bat |
|
The Jealousies, Line 674 |
|
BAT'S.............1 |
Like a |
bat's |
, still wandering, |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 8 |
|
BATE..............1 |
And now am sitting on you just to |
bate |
, |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 4 |
|
BATES.............2 |
My shoemaker was always Mr. |
Bates |
. |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 18 |
And if not Mr. |
Bates |
, why I'm not old! |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 19 |
|
BATH'S............1 |
At the |
bath's |
edge, and keeps a gentle motion |
Sleep and Poetry, Line 375 |
|
BATHE.............3 |
Thou wouldst |
bathe |
once again. Innocent maid! |
Endymion: A Poetic Romance, Book II, Line 978 |
I will |
bathe |
myself with thee, |
Song of Four Fairies: Fire, Air, Earth, and Water, ZEPHYR, Line 43 |
Fast by the springs where she to |
bathe |
was wont, |
Lamia, Part I, Line 17 |
|
BATHES............1 |
She plucks the fruit unseen, she |
bathes |
unseen: |
Lamia, Part I, Line 99 |
|
BATHING...........2 |
|
Bathing |
my spirit in a new delight. |
Endymion: A Poetic Romance, Book I, Line 902 |
His weary limbs, |
bathing |
an hour's space, |
Endymion: A Poetic Romance, Book II, Line 836 |
|
BATS..............1 |
Before he went to live with owls and |
bats |
, |
Before he went to live with owls and bats, Line 1 |
|
BATTAILOUS........1 |
Of honour |
battailous |
! I could not turn |
Otho the Great, Act IV, SCENE II, Gersa, Line 90 |
|
BATTALIONS........1 |
Of all our slain |
battalions |
. Sire, reflect, |
Otho the Great, Act I, SCENE II, Gersa, Line 125 |
|
BATTER'D..........1 |
O'erwhelm'd, and spurn'd, and |
batter'd |
, ye are here! |
Hyperion: A Fragment, Book II, Line 156 |
|
BATTLE............12 |
Where long ago a giant |
battle |
was; |
Endymion: A Poetic Romance, Book I, Line 792 |
|
Battle |
to the swollen billow-ridge, and drave |
Endymion: A Poetic Romance, Book III, Line 612 |
Has legion'd all his |
battle |
; and behold |
Endymion: A Poetic Romance, Book III, Line 729 |
"Under the flag/ Of each his faction, they to |
battle |
bring/ Their |
Welcome joy, and welcome sorrow, Epigraph |
Where patriot |
battle |
has been fought, when glory had the gain; |
There is a joy in footing slow across a silent plain, Line 2 |
What tidings of the |
battle |
? Albert? Ludolph? |
Otho the Great, Act I, SCENE I, Auranthe, Line 19 |
That, after such a merry |
battle |
fought, |
Otho the Great, Act I, SCENE II, Otho, Line 14 |
Field of |
Battle |
. |
King Stephen Act I, SCENE I, Setting |
While the wide din of |
battle |
dies away |
King Stephen Act I, SCENE II, Glocester, Line 3 |
His gleaming |
battle |
axe being slaughter sick, |
King Stephen Act I, SCENE II, Second Knight, Line 38 |
The field of |
Battle |
. |
King Stephen Act I, SCENE III, Setting |
Nor till fit time against her fame wage |
battle |
. |
The Jealousies, Line 120 |
|
BATTLE'S..........1 |
Spread deeper crimson than the |
battle's |
toil, |
King Stephen Act I, SCENE I, Stephen, Line 2 |
|
BATTLEMENT........1 |
From the worn top of some old |
battlement |
|
Specimen of an Induction to a Poem, Line 15 |
|
BATTLEMENTS.......3 |
Love's standard on the |
battlements |
of song. |
Endymion: A Poetic Romance, Book II, Line 41 |
When earthquakes jar their |
battlements |
and towers. |
Hyperion: A Fragment, Book I, Line 200 |
When earthquakes jar their |
battlements |
and towers. |
The Fall of Hyperion: A Dream, CANTO II, Line 44 |
|
BAY...............5 |
But there are times, when those that love the |
bay |
, |
To My Brother George (epistle), Line 19 |
More lovely than a wreath from the |
bay |
tree? |
To the Ladies Who Saw Me Crown'd, Line 2 |
|
Bay |
leaves were crackling in the fragrant pile, |
Endymion: A Poetic Romance, Book I, Line 228 |
And my boat danc'd in every creek and |
bay |
; |
Endymion: A Poetic Romance, Book III, Line 319 |
Jealous of dead leaves in the |
bay |
wreath crown; |
If by dull rhymes our English must be chain'd, Line 12 |
|
BAYLE'S...........1 |
from |
Bayle's |
Dictionary, and had copied a long Latin note from that work. |
The Jealousies, Keats's Note to Line 403 |
|
BAYS..............2 |
Of flowering |
bays |
, that I may die a death |
Sleep and Poetry, Line 58 |
Where thou didst dream alone on budded |
bays |
, |
This mortal body of a thousand days, Line 3 |
|
BE'T..............1 |
This is a brag,- |
be't |
so,- but if I fall, |
King Stephen Act I, SCENE I, Stephen, Line 32 |
|
BEACH.............1 |
Would strew sweet flowers on a sterile |
beach |
. |
Endymion: A Poetic Romance, Book III, Line 371 |
|
BEACON............1 |
A heavenly |
beacon |
in their dreary woe. |
Endymion: A Poetic Romance, Book I, Line 354 |
|
BEAD..............3 |
Free from the smallest pebble- |
bead |
of doubt |
Endymion: A Poetic Romance, Book II, Line 149 |
'Mid |
bead |
and spangle, |
O Some Skulls in Beauley Abbey, near Inverness, Line 46 |
And, ere one lively |
bead |
could burst and flit, |
The Jealousies, Line 419 |
|
BEADED............1 |
With |
beaded |
bubbles winking at the brim, |
Ode to a Nightingale, Line 17 |
|
BEADING...........1 |
A clammy dew is |
beading |
on my brow, |
Endymion: A Poetic Romance, Book III, Line 568 |
|
BEADS.............4 |
To taste the gentle moon, and freshening |
beads |
, |
Endymion: A Poetic Romance, Book III, Line 110 |
Like pearl |
beads |
dropping sudden from their string: |
Hyperion: A Fragment, Book II, Line 284 |
To girth my saddle! And those devil's |
beads |
|
Otho the Great, Act III, SCENE II, Ludolph, Line 96 |
Fetch me a missal, and a string of |
beads |
,- |
Otho the Great, Act IV, SCENE I, Auranthe, Line 97 |
|
BEADSMAN..........2 |
That ancient |
Beadsman |
heard the prelude soft; |
The Eve of St. Agnes, Line 28 |
The |
Beadsman |
, after thousand aves told, |
The Eve of St. Agnes, Line 377 |
|
BEADSMAN'S........1 |
Numb were the |
Beadsman's |
fingers, while he told |
The Eve of St. Agnes, Line 5 |
|
BEAGLES...........1 |
He flies, for the Welch |
beagles |
to hunt down. |
King Stephen Act I, SCENE II, First Captain, Line 18 |
|
BEAK..............1 |
Pointed its |
beak |
over the fringed bank; |
Endymion: A Poetic Romance, Book I, Line 424 |
|
BEAKER............1 |
O for a |
beaker |
full of the warm South, |
Ode to a Nightingale, Line 15 |
|
BEAKS.............1 |
Of gone sea-warriors; brazen |
beaks |
and targe; |
Endymion: A Poetic Romance, Book III, Line 124 |
|
BEAM..............15 |
Of starry |
beam |
, and gloriously bedight, |
As from the darkening gloom a silver dove, Line 7 |
And in the last sun- |
beam |
the sylph lightly swims. |
O come, dearest Emma!, Line 8 |
Just when the sun his farewell |
beam |
has darted: |
To George Felton Mathew, Line 16 |
Or a rapt seraph in a moonlight |
beam |
; |
To George Felton Mathew, Line 24 |
To meet her glorious brother's greeting |
beam |
. |
To George Felton Mathew, Line 83 |
So silently, it seems a |
beam |
of light |
To Charles Cowden Clarke, Line 4 |
Young Daniel, who did straightway pluck the |
beam |
|
Before he went to live with owls and bats, Line 6 |
That needs must die, although its little |
beam |
|
Endymion: A Poetic Romance, Book I, Line 676 |
Glance but one little |
beam |
of temper'd light |
Endymion: A Poetic Romance, Book II, Line 172 |
And if I guess'd not so, the sunny |
beam |
|
Endymion: A Poetic Romance, Book II, Line 577 |
Hurry distracted from Sol's temperate |
beam |
, |
Endymion: A Poetic Romance, Book II, Line 1003 |
A moon- |
beam |
to the deep, deep water-world, |
Endymion: A Poetic Romance, Book III, Line 101 |
Though saphire warm, their stars do never |
beam |
; |
On Visiting the Tomb of Burns, Line 7 |
On ceiling |
beam |
and old oak chair, |
The Eve of St. Mark, Line 75 |
At half-past four the morn essay'd to |
beam |
- |
The Jealousies, Line 708 |
|
BEAM'D............2 |
|
Beam'd |
upward from the vallies of the east: |
Endymion: A Poetic Romance, Book IV, Line 727 |
But in blank splendor |
beam'd |
like the mild moon, |
The Fall of Hyperion: A Dream, CANTO I, Line 269 |
|
BEAMILY...........1 |
With a bright halo, shining |
beamily |
; |
To Lord Byron, Line 8 |
|
BEAMINESS.........1 |
The |
beaminess |
of those bright eyes- |
Fill for me a brimming bowl, Line 15 |
|
BEAMING...........1 |
I see in thy mute beauty |
beaming |
forth! |
Otho the Great, Act III, SCENE II, Ludolph, Line 10 |
|
BEAMS.............10 |
Peep with the moon- |
beams |
through the leafy roof, |
To Hope, Line 11 |
When it flutters in sun- |
beams |
that shine through a fountain? |
On Receiving a Curious Shell..., Line 4 |
And the west is resplendently cloathed in |
beams |
. |
O come, dearest Emma!, Line 4 |
The morning sun- |
beams |
to the great Apollo |
Sleep and Poetry, Line 60 |
To taste the luxury of sunny |
beams |
|
I stood tip-toe upon a little hill, Line 74 |
Its |
beams |
against the zodiac-lion cast, |
Endymion: A Poetic Romance, Book I, Line 553 |
Collecting, mimick'd the wrought oaken |
beams |
, |
Endymion: A Poetic Romance, Book II, Line 623 |
And the |
beams |
of still Vesper, when winds are all whist, |
Song of Four Fairies: Fire, Air, Earth, and Water, BREAMA, Line 98 |
With flowers, and stirring shades, and baffled |
beams |
: |
Ode on Indolence, Line 44 |
Yet could my eyes drink up intenser |
beams |
|
Otho the Great, Act V, SCENE V, Ludolph, Line 42 |
|
BEAMY.............2 |
Responsive to sylphs, in the moon |
beamy |
air. |
To Some Ladies, Line 12 |
A sun- |
beamy |
tale of a wreath, and a chain; |
On Receiving a Curious Shell..., Line 22 |
|
BEAN..............1 |
Of |
bean |
blossoms, in heaven freshly shed. |
To Charles Cowden Clarke, Line 96 |
|
BEANS.............1 |
Their fairest blossom'd |
beans |
and poppied corn; |
Endymion: A Poetic Romance, Book I, Line 255 |
|
BEAR..............27 |
Like a fresh sacrifice; or, if I can |
bear |
|
Sleep and Poetry, Line 61 |
And, like a muddy stream, would |
bear |
along |
Sleep and Poetry, Line 158 |
No - none of these can from my favorite |
bear |
|
To the Ladies Who Saw Me Crown'd, Line 12 |
|
Bear |
up against it: so farewel, sad sigh; |
Endymion: A Poetic Romance, Book I, Line 974 |
No sight can |
bear |
the lightning of his bow; |
Endymion: A Poetic Romance, Book II, Line 538 |
Thou madest Pluto |
bear |
thin element; |
Endymion: A Poetic Romance, Book III, Line 99 |
Until 'twas too fierce agony to |
bear |
; |
Endymion: A Poetic Romance, Book III, Line 410 |
He could not |
bear |
it - shut his eyes in vain; |
Endymion: A Poetic Romance, Book III, Line 1008 |
Warm mountaineer! for canst thou only |
bear |
|
Endymion: A Poetic Romance, Book IV, Line 54 |
And of the |
Bear |
has Pollux mastery: |
Endymion: A Poetic Romance, Book IV, Line 592 |
The Lion's mane's on end: the |
Bear |
how fierce! |
Endymion: A Poetic Romance, Book IV, Line 596 |
Thou surely canst not |
bear |
a mind in pain, |
Endymion: A Poetic Romance, Book IV, Line 811 |
What ails thee?" He could |
bear |
no more, and so |
Endymion: A Poetic Romance, Book IV, Line 846 |
And a sigh for I can't |
bear |
it! |
O blush not so! O blush not so, Line 18 |
Through sights I scarce can |
bear |
; |
God of the meridian, Line 19 |
O folly! for to |
bear |
all naked truths, |
Hyperion: A Fragment, Book II, Line 203 |
Albert, go thou and |
bear |
him company. |
Otho the Great, Act I, SCENE II, Otho, Line 156 |
[Attendants |
bear |
off AURANTHE. |
Otho the Great, Act III, SCENE II, S.D. to Line 74a |
Silence! Gag up their mouths! I cannot |
bear |
|
Otho the Great, Act III, SCENE II, Conrad, Line 261 |
Conrad, hold! I would not |
bear |
|
Otho the Great, Act IV, SCENE I, Auranthe, Line 59b |
How shall I |
bear |
my life till Albert comes? |
Otho the Great, Act IV, SCENE I, Auranthe, Line 91 |
I will see more. |
Bear |
you so stout a heart? |
Otho the Great, Act V, SCENE III, Gonfrid, Line 17 |
|
Bear |
a soft message for me; for the hour |
Otho the Great, Act V, SCENE V, Ludolph, Line 129 |
That soldiers may |
bear |
witness how my arm |
King Stephen Act I, SCENE I, Stephen, Line 28 |
With clamourous trumpets. To the Empress |
bear |
|
King Stephen Act I, SCENE II, Glocester, Line 53 |
A child's soul through the sapphired canvas |
bear |
, |
The Jealousies, Line 38 |
Quiet and plodding, thou dost |
bear |
no grudge |
The Jealousies, Line 250 |
|
BEARD.............11 |
For, bless my |
beard |
, they aye shall be |
Give me women, wine, and snuff, Line 5 |
Immortal tear-drops down the thunderer's |
beard |
; |
Endymion: A Poetic Romance, Book II, Line 476 |
And |
beard |
them, though they be more fang'd than wolves and bears." |
The Eve of St. Agnes, Line 153 |
Thereto his |
beard |
had not begun to bloom, |
Character of C.B., Line 6 |
As with a palsied tongue, and while his |
beard |
|
Hyperion: A Fragment, Book I, Line 93 |
To |
beard |
us for no cause; he's not the man |
Otho the Great, Act III, SCENE II, Otho, Line 108 |
With curl'd gray |
beard |
, sharp eyes, and smooth bald crown, |
Lamia, Part I, Line 364 |
Corinthians! look upon that gray- |
beard |
wretch! |
Lamia, Part II, Line 287 |
Trembled amid the white curls of his |
beard |
. |
The Fall of Hyperion: A Dream, CANTO I, Line 451 |
To rule in Pylos with a Nestor's |
beard |
. |
King Stephen Act I, SCENE III, Stephen, Line 12 |
With his best |
beard |
and brimstone, to explore |
The Jealousies, Line 287 |
|
BEAREST...........1 |
Thou |
bearest |
me along |
God of the meridian, Line 18 |
|
BEARING...........13 |
|
Bearing |
the burden of a shepherd song; |
Endymion: A Poetic Romance, Book I, Line 136 |
All human; |
bearing |
in themselves this good, |
Endymion: A Poetic Romance, Book II, Line 156 |
|
Bearing |
upon their scaly backs, in files, |
Endymion: A Poetic Romance, Book IV, Line 246 |
Past the eyesight's |
bearing |
- |
'Tis the "witching time of night", Line 37 |
And in her |
bearing |
was a sort of hope, |
Hyperion: A Fragment, Book I, Line 148 |
If I may judge by his so tragic |
bearing |
, |
Otho the Great, Act I, SCENE II, Albert, Line 89 |
|
Bearing |
with me a weight of benefits |
Otho the Great, Act I, SCENE II, Gersa, Line 138 |
Methinks by his stout |
bearing |
he should be- |
Otho the Great, Act II, SCENE II, Captain, Line 15 |
|
Bearing |
a fruit more precious! graceful thing, |
Otho the Great, Act IV, SCENE I, Auranthe, Line 83 |
|
Bearing |
more woe than all his sins deserve. |
The Fall of Hyperion: A Dream, CANTO I, Line 176 |
"By thy ungallant |
bearing |
and sad mien, |
The Jealousies, Line 244 |
While the torch- |
bearing |
slaves a halloo sent |
The Jealousies, Line 392 |
Then slaves, as presents |
bearing |
many a gem; |
The Jealousies, Line 588 |
|
BEARS.............5 |
When pleasure's tree no longer |
bears |
, |
Stay, ruby breasted warbler, stay, Line 22 |
That bone, fie on't, |
bears |
just the shape |
O Some Skulls in Beauley Abbey, near Inverness, Line 81 |
And beard them, though they be more fang'd than wolves and |
bears |
." |
The Eve of St. Agnes, Line 153 |
In feud with wolves and |
bears |
, when no eye saw |
Otho the Great, Act III, SCENE I, Albert, Line 10 |
|
Bears |
his flaunt standard close upon their rear. |
King Stephen Act I, SCENE I, First Knight, Line 13 |
|
BEAST.............3 |
Of |
beast |
, behemoth, and leviathon, |
Endymion: A Poetic Romance, Book III, Line 134 |
Sir, Convent Garden is a monstrous |
beast |
; |
Fragment of Castle-builder, CASTLE BUILDER, Line 9 |
To hide themselves in forms of |
beast |
and bird. |
Hyperion: A Fragment, Book II, Line 72 |
|
BEASTS............2 |
His |
beasts |
to trouble the enchanted spring: |
Dear Reynolds, as last night I lay in bed, Line 64 |
Of men, and |
beasts |
, and fish, and apes, |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 14 |
|
BEAT..............17 |
Had she but known how |
beat |
my heart |
Fill for me a brimming bowl, Line 21 |
Would often |
beat |
its wings, and often too |
Endymion: A Poetic Romance, Book I, Line 87 |
How he does love me! His poor temples |
beat |
|
Endymion: A Poetic Romance, Book II, Line 764 |
The lady's heart |
beat |
quick, and he could see |
Endymion: A Poetic Romance, Book IV, Line 99 |
Shall we away?" He rous'd the steeds: they |
beat |
|
Endymion: A Poetic Romance, Book IV, Line 481 |
Woe-hurricanes |
beat |
ever at the gate, |
Endymion: A Poetic Romance, Book IV, Line 527 |
His heart |
beat |
awfully against his side; |
Isabella; or, The Pot of Basil, Line 42 |
And his garments white did |
beat |
|
Not Aladdin magian, Line 14 |
'Tis dark: the iced gusts still rave and |
beat |
: |
The Eve of St. Agnes, Line 327 |
Nor did he know each aged watchman's |
beat |
, |
Character of C.B., Line 24 |
Just at the self-same |
beat |
of Time's wide wings |
Hyperion: A Fragment, Book II, Line 1 |
I must be there, while her young pulses |
beat |
|
Otho the Great, Act I, SCENE III, Ludolph, Line 110 |
The eagle Otho to |
beat |
off assault. |
Otho the Great, Act II, SCENE II, Ethelbert, Line 126 |
Loves to |
beat |
up against a tyrannous blast, |
King Stephen Act I, SCENE I, Stephen, Line 30 |
Not twenty Earls of Chester shall brow- |
beat |
|
King Stephen Act I, SCENE I, Stephen, Line 35 |
"Don't |
beat |
him!" return'd Hum, and on the floor came pat. |
The Jealousies, Line 315 |
"Those wings to Canterbury you must |
beat |
, |
The Jealousies, Line 498 |
|
BEATING...........4 |
With both our hearts a |
beating |
. |
Where be ye going, you Devon maid, Line 12 |
Try'd to look unconcern'd with |
beating |
heart. |
When they were come unto the Faery's court, Line 44 |
Is |
beating |
with a child's anxiety, |
Otho the Great, Act I, SCENE I, Conrad, Line 23 |
Brow- |
beating |
her fair form, and troubling her sweet pride. |
Lamia, Part II, Line 248 |
|
BEATS.............5 |
Onward he goes - he stops - his bosom |
beats |
|
Endymion: A Poetic Romance, Book II, Line 355 |
Forgotten is the worldly heart - alone, it |
beats |
in vain. |
There is a joy in footing slow across a silent plain, Line 24 |
Where |
beats |
the human heart, as if just there, |
Hyperion: A Fragment, Book I, Line 43 |
Where |
beats |
the human heart; as if just there, |
The Fall of Hyperion: A Dream, CANTO I, Line 345 |
Where the heart |
beats |
: confess - 'tis nothing new- |
To Fanny, Line 35 |
|
BEAUTEOUS.........12 |
There, |
beauteous |
Emma, I'll sit at thy feet, |
O come, dearest Emma!, Line 11 |
In |
beauteous |
vassalage, look up and wait. |
Endymion: A Poetic Romance, Book III, Line 212 |
Appear'd, and, stepping to a |
beauteous |
corse, |
Endymion: A Poetic Romance, Book III, Line 778 |
So fond, so |
beauteous |
was his bed-fellow, |
Endymion: A Poetic Romance, Book IV, Line 448 |
Or like a |
beauteous |
woman's large blue eyes |
Dear Reynolds, as last night I lay in bed, Line 53 |
She smil'd at her own |
beauteous |
face again. |
When they were come unto the Faery's court, Line 54 |
Manifestations of that |
beauteous |
life |
Hyperion: A Fragment, Book I, Line 317 |
Found ourselves ruling new and |
beauteous |
realms. |
Hyperion: A Fragment, Book II, Line 201 |
To any one particular |
beauteous |
star, |
Hyperion: A Fragment, Book III, Line 100 |
Of such a |
beauteous |
vestal. |
Otho the Great, Act II, SCENE II, Gersa, Line 89a |
Thou |
beauteous |
wreath, with melancholy eyes, |
Lamia, Part I, Line 84 |
"Ah, |
beauteous |
mortal!" "Hush!" quoth Coralline, |
The Jealousies, Line 64 |
|
BEAUTIES..........6 |
With those |
beauties |
, scarce discern'd, |
Hadst thou liv'd in days of old, Line 26 |
|
Beauties |
of deeper glance, and hear their singing, |
Happy is England! I could be content, Line 13 |
Over their |
beauties |
, earthly, or sublime: |
How many bards gild the lapses of time, Line 4 |
|
Beauties |
that the earth hath lost; |
Fancy, Line 30 |
And couch supine their |
beauties |
, lily white; |
The Eve of St. Agnes, Line 52 |
A splendid company! rare |
beauties |
here! |
Otho the Great, Act V, SCENE V, Ludolph, Line 22 |
|
BEAUTIFUL.........18 |
More strange, more |
beautiful |
, more smooth, more regal, |
Sleep and Poetry, Line 21 |
I hope I have not in too late a day touched the |
beautiful |
|
Endymion: A Poetic Romance, Preface, paragraph5 |
But in old marbles ever |
beautiful |
. |
Endymion: A Poetic Romance, Book I, Line 319 |
How |
beautiful |
thou art! The world how deep! |
Endymion: A Poetic Romance, Book II, Line 188 |
And more of |
beautiful |
and strange beside: |
Endymion: A Poetic Romance, Book II, Line 391 |
My spirit struck from all the |
beautiful |
! |
Endymion: A Poetic Romance, Book III, Line 171 |
Thus went that |
beautiful |
multitude, nor far, |
Endymion: A Poetic Romance, Book III, Line 818 |
Come hand in hand with one so |
beautiful |
. |
Endymion: A Poetic Romance, Book IV, Line 812 |
Whence thick, and green, and |
beautiful |
it grew, |
Isabella; or, The Pot of Basil, Line 426 |
Though |
beautiful |
, cold - strange - as in a dream |
On Visiting the Tomb of Burns, Line 3 |
How |
beautiful |
, if sorrow had not made |
Hyperion: A Fragment, Book I, Line 35 |
Sorrow more |
beautiful |
than Beauty's self. |
Hyperion: A Fragment, Book I, Line 36 |
|
Beautiful |
things made new, for the surprise |
Hyperion: A Fragment, Book I, Line 132 |
In form and shape compact and |
beautiful |
, |
Hyperion: A Fragment, Book II, Line 209 |
Full |
beautiful |
, a fairy's child; |
La Belle Dame sans Merci: A Ballad, Line 14 |
More |
beautiful |
than ever twisted braid, |
Lamia, Part I, Line 186 |
|
Beautiful |
slaves, and Lamia's self, appear, |
Lamia, Part II, Line 208 |
|
Beautiful |
things made new for the surprize |
The Fall of Hyperion: A Dream, CANTO I, Line 437 |
|
BEAUTIFULLEST.....1 |
Say, |
beautifullest |
, shall I never think? |
Endymion: A Poetic Romance, Book IV, Line 305 |
|
BEAUTIFULLY.......1 |
And when a tale is |
beautifully |
staid, |
I stood tip-toe upon a little hill, Line 129 |
|
BEAUTY............68 |
"What wondrous |
beauty |
! From this moment I efface from my mind all |
Fill for me a brimming bowl, Epigraph |
One's thoughts from such a |
beauty |
; when I hear |
Woman! when I behold thee flippant, vain, Line 37 |
To feel the |
beauty |
of a silent eve, |
Calidore: A Fragment, Line 3 |
Nature's clear |
beauty |
, could pass lightly by |
Calidore: A Fragment, Line 30 |
And scales upon the |
beauty |
of its wings. |
Calidore: A Fragment, Line 37 |
A fragrant wild, with Nature's |
beauty |
drest, |
Oh! how I love, on a fair summer's eve, Line 7 |
Of whitest clouds she does her |
beauty |
dress, |
To My Brother George (epistle), Line 60 |
You too upheld the veil from Clio's |
beauty |
, |
To Charles Cowden Clarke, Line 68 |
Vistas of solemn |
beauty |
, where I'd wander |
Sleep and Poetry, Line 73 |
The morning precious: |
beauty |
was awake! |
Sleep and Poetry, Line 192 |
Drooping its |
beauty |
o'er the watery clearness, |
I stood tip-toe upon a little hill, Line 173 |
Wept that such |
beauty |
should be desolate: |
I stood tip-toe upon a little hill, Line 202 |
Untouch'd, a victim of your |
beauty |
bright- |
On a Leander Which Miss Reynolds, My Kind Friend, Gave Me, Line 6 |
A thing of |
beauty |
is a joy for ever: |
Endymion: A Poetic Romance, Book I, Line 1 |
Some shape of |
beauty |
moves away the pall |
Endymion: A Poetic Romance, Book I, Line 12 |
Vesper, the |
beauty |
-crest of summer weather; |
Endymion: A Poetic Romance, Book I, Line 363 |
Too keen in |
beauty |
, for thy silver prow |
Endymion: A Poetic Romance, Book II, Line 181 |
Of fondest |
beauty |
; fonder, in fair sooth, |
Endymion: A Poetic Romance, Book II, Line 394 |
Where all that |
beauty |
snar'd me."- Cruel god, |
Endymion: A Poetic Romance, Book II, Line 952 |
Such utmost |
beauty |
? Alas, thou dost pine |
Endymion: A Poetic Romance, Book III, Line 74 |
Strange journeyings! Wherever |
beauty |
dwells, |
Endymion: A Poetic Romance, Book III, Line 93 |
Yet deign, white Queen of |
Beauty |
, thy fair eyes |
Endymion: A Poetic Romance, Book III, Line 976 |
And so he groan'd, as one by |
beauty |
slain. |
Endymion: A Poetic Romance, Book IV, Line 98 |
Awhile forgetful of all |
beauty |
save |
Endymion: A Poetic Romance, Book IV, Line 450 |
This |
beauty |
in its birth - Despair! despair! |
Endymion: A Poetic Romance, Book IV, Line 506 |
But with thy |
beauty |
will I deaden it. |
Endymion: A Poetic Romance, Book IV, Line 631 |
That I may see thy |
beauty |
through the night; |
Endymion: A Poetic Romance, Book IV, Line 705 |
|
Beauty |
, in things on earth and things above; |
Lines on Seeing a Lock of Milton's Hair, Line 21 |
After some |
beauty |
veiled far-away, |
Extracts from an Opera, [first section] Line 4 |
Takes in all |
beauty |
with an easy span: |
Four seasons fill the measure of the year, Line 4 |
Her |
beauty |
farther than the falcon spies; |
Isabella; or, The Pot of Basil, Line 20 |
By gradual decay from |
beauty |
fell, |
Isabella; or, The Pot of Basil, Line 256 |
Thy |
beauty |
grows upon me, and I feel |
Isabella; or, The Pot of Basil, Line 319 |
Of youth and |
beauty |
should be thrown aside |
Isabella; or, The Pot of Basil, Line 455 |
All is cold |
beauty |
; pain is never done |
On Visiting the Tomb of Burns, Line 8 |
The real of |
beauty |
, free from that dead hue |
On Visiting the Tomb of Burns, Line 10 |
She took their cream of |
beauty |
, fairest dyes, |
Nature withheld Cassandra in the skies, Line 3 |
Love pour'd her |
beauty |
into my warm veins. |
Nature withheld Cassandra in the skies, Line 12 |
That he might see her |
beauty |
unespied, |
The Eve of St. Agnes, Line 166 |
Verse, fame, and |
beauty |
are intense indeed, |
Why did I laugh tonight? No voice will tell, Line 13 |
The more the |
beauty |
, the more fortune too: |
When they were come unto the Faery's court, Line 59 |
|
Beauty |
before the wide world never knew- |
When they were come unto the Faery's court, Line 60 |
A power more strong in |
beauty |
, born of us |
Hyperion: A Fragment, Book II, Line 213 |
Above us in their |
beauty |
, and must reign |
Hyperion: A Fragment, Book II, Line 227 |
That first in |
beauty |
should be first in might: |
Hyperion: A Fragment, Book II, Line 229 |
With such a glow of |
beauty |
in his eyes, |
Hyperion: A Fragment, Book II, Line 237 |
Where |
Beauty |
cannot keep her lustrous eyes, |
Ode to a Nightingale, Line 29 |
" |
Beauty |
is truth, truth beauty," - that is all |
Ode on a Grecian Urn, Line 49 |
"Beauty is truth, truth |
beauty |
," - that is all |
Ode on a Grecian Urn, Line 49 |
She dwells with |
Beauty |
- Beauty that must die; |
Ode on Melancholy, Line 21 |
She dwells with Beauty - |
Beauty |
that must die; |
Ode on Melancholy, Line 21 |
Such |
beauty |
once again.- What ails you, lady? |
Otho the Great, Act II, SCENE II, Captain, Line 13 |
I see in thy mute |
beauty |
beaming forth! |
Otho the Great, Act III, SCENE II, Ludolph, Line 10 |
Soft |
beauty |
! by to-morrow I should die, |
Otho the Great, Act III, SCENE II, Ludolph, Line 13 |
Comes from the pillow'd |
beauty |
of that fair |
Otho the Great, Act IV, SCENE II, Ludolph, Line 35 |
"Of personal |
beauty |
and untainted soul"? |
Otho the Great, Act V, SCENE II, Ludolph, Line 22 |
That the extremest |
beauty |
of the world |
Otho the Great, Act V, SCENE V, Ludolph, Line 93 |
And by my power is her |
beauty |
veil'd |
Lamia, Part I, Line 100 |
Dash'd by the wood-nymph's |
beauty |
, so he burn'd; |
Lamia, Part I, Line 130 |
A full-born |
beauty |
new and exquisite? |
Lamia, Part I, Line 172 |
And soon his eyes had drunk her |
beauty |
up, |
Lamia, Part I, Line 251 |
Happy in |
beauty |
, life, and love, and every thing, |
Lamia, Part I, Line 298 |
With no more awe than what her |
beauty |
gave, |
Lamia, Part I, Line 338 |
Full on the alarmed |
beauty |
of the bride, |
Lamia, Part II, Line 247 |
Faded the sight of |
beauty |
from my eyes, |
The day is gone, and all its sweets are gone, Line 6 |
Faded the shape of |
beauty |
from my arms, |
The day is gone, and all its sweets are gone, Line 7 |
To-night, if I may guess, thy |
beauty |
wears |
To Fanny, Line 11 |
Of a fit mould and |
beauty |
, ripe and rare, |
The Jealousies, Line 7 |
|
BEAUTY'S..........8 |
That the bright glance from |
beauty's |
eyelids slanting |
To My Brother George (epistle), Line 15 |
From silv'ry ripple, up to |
beauty's |
queen; |
To Charles Cowden Clarke, Line 39 |
Silent entangler of a |
beauty's |
tresses! |
Sleep and Poetry, Line 15 |
His left sat smiling |
Beauty's |
paragon. |
Endymion: A Poetic Romance, Book III, Line 865 |
Yet if thou wilt behold all |
beauty's |
store, |
Endymion: A Poetic Romance, Book IV, Line 58 |
Since I was tangled in thy |
beauty's |
web, |
Time's sea hath been five years at its slow ebb, Line 3 |
Thy |
beauty's |
shield, heart-shap'd and vermeil dyed? |
The Eve of St. Agnes, Line 336 |
Sorrow more beautiful than |
Beauty's |
self. |
Hyperion: A Fragment, Book I, Line 36 |
|
BEAVER............1 |
That ye may love in spite of |
beaver |
hats. |
And what is Love?- It is a doll dress'd up, Line 17 |
|
BECAME............5 |
For wrath |
became |
stiffened; the sound |
God of the golden bow, Line 16 |
The which |
became |
more strange, and strange, and dim, |
Endymion: A Poetic Romance, Book I, Line 570 |
I |
became |
loth and fearful to alight |
Endymion: A Poetic Romance, Book I, Line 583 |
Met palsy half way: soon these limbs |
became |
|
Endymion: A Poetic Romance, Book III, Line 637 |
Was't to this end I louted and |
became |
|
Otho the Great, Act III, SCENE I, Albert, Line 17 |
|
BECAUSE...........24 |
|
Because |
my thoughts were never free, and clear, |
To Charles Cowden Clarke, Line 23 |
|
Because |
my wine was of too poor a savour |
To Charles Cowden Clarke, Line 25 |
And so remain, |
because |
thou listenest: |
To G.A.W., Line 10 |
My pleasant days, |
because |
I could not mount |
Endymion: A Poetic Romance, Book I, Line 746 |
My hunting cap, |
because |
I laugh'd and smil'd, |
Endymion: A Poetic Romance, Book I, Line 925 |
|
Because |
I lov'd her?- Cold, O cold indeed |
Endymion: A Poetic Romance, Book III, Line 623 |
|
Because |
into his depth Cimmerian |
Endymion: A Poetic Romance, Book IV, Line 375 |
|
Because |
he knew not whither he was going. |
Endymion: A Poetic Romance, Book IV, Line 551 |
|
Because |
I feel my forehead hot and flush'd- |
Lines on Seeing a Lock of Milton's Hair, Line 34 |
|
Because |
her face was turn'd to the same skies; |
Isabella; or, The Pot of Basil, Line 22 |
Why were they proud? |
Because |
their marble founts |
Isabella; or, The Pot of Basil, Line 121 |
Why were they proud? |
Because |
fair orange-mounts |
Isabella; or, The Pot of Basil, Line 123 |
Why were they proud? |
Because |
red-lin'd accounts |
Isabella; or, The Pot of Basil, Line 125 |
|
Because |
of some great urgency and need |
Isabella; or, The Pot of Basil, Line 227 |
|
Because |
Lorenzo came not, Oftentimes |
Isabella; or, The Pot of Basil, Line 257 |
Scanty the hour and few the steps, |
because |
a longer stay |
There is a joy in footing slow across a silent plain, Line 31 |
Dead; and |
because |
the creature could not spit |
Hyperion: A Fragment, Book II, Line 47 |
|
Because |
it cooeth, and hath snowy wings |
Hyperion: A Fragment, Book II, Line 222 |
And ached for wings, |
because |
I knew the three: |
Ode on Indolence, Line 24 |
|
Because |
I cannot flatter with bent knees |
Otho the Great, Act I, SCENE II, Gersa, Line 106 |
|
Because |
some dozen vassals cry'd - my lord! |
Otho the Great, Act I, SCENE III, Ludolph, Line 78 |
|
Because |
I hold those base weeds with tight hand |
Otho the Great, Act III, SCENE II, Ethelbert, Line 135 |
|
Because |
he mused beyond her, knowing well |
Lamia, Part II, Line 38 |
|
Because |
I think, my lord, he is no man, |
King Stephen Act I, SCENE II, Second Knight, Line 31 |
|
BECK..............1 |
When, lackeying my counsel at a |
beck |
, |
Otho the Great, Act I, SCENE I, Conrad, Line 99 |
|
BECKON............3 |
|
Beckon |
me sternly from soft "Lydian airs," |
To George Felton Mathew, Line 18 |
|
Beckon |
me out into the wintry air. |
To Fanny, Line 8 |
School'd in a |
beckon |
, learned in a nudge, |
The Jealousies, Line 248 |
|
BECKON'D..........1 |
|
Beckon'd |
their sons to silence; while each cheek |
Endymion: A Poetic Romance, Book I, Line 188 |
|
BECKONED..........1 |
The ooze-born Goddess |
beckoned |
and drew |
Endymion: A Poetic Romance, Book III, Line 893 |
|
BECKS.............2 |
Wherein lies happiness? In that which |
becks |
|
Endymion: A Poetic Romance, Book I, Line 777 |
Nods, |
becks |
, and hints, should be obey'd with care, |
Otho the Great, Act V, SCENE IV, Ethelbert, Line 32 |
|
BECOME............7 |
That whisper round a temple |
become |
soon |
Endymion: A Poetic Romance, Book I, Line 27 |
Haunt us till they |
become |
a cheering light |
Endymion: A Poetic Romance, Book I, Line 30 |
Mingle, and so |
become |
a part of it,- |
Endymion: A Poetic Romance, Book I, Line 811 |
Have |
become |
indolent; but touching thine, |
Endymion: A Poetic Romance, Book II, Line 5 |
And so |
become |
immortal."- Thus the God, |
Hyperion: A Fragment, Book III, Line 120 |
To thy high requiem |
become |
a sod. |
Ode to a Nightingale, Line 60 |
and papers of yours I have |
become |
possessed of. His life is no |
Otho the Great, Act II, SCENE II, Albert, Line 57 |
|
BECOMES...........1 |
Dark paradise! where pale |
becomes |
the bloom |
Endymion: A Poetic Romance, Book IV, Line 538 |