|
C.................1 |
Old Jonah went to |
C |
. |
O grant that like to Peter I, Line 4 |
|
|
CABBAGES..........1 |
It swallows |
cabbages |
without a spoon, |
Fragment of Castle-builder, CASTLE BUILDER, Line 11 |
|
|
CABINET...........2 |
A |
Cabinet |
, opening towards a Terrace. |
Otho the Great, Act V, SCENE IV, Setting |
Into his |
cabinet |
, and there did fling |
The Jealousies, Line 133 |
|
|
CABLE'S...........1 |
No, no, that horror cannot be - for at the |
cable's |
length |
There is a joy in footing slow across a silent plain, Line 39 |
|
|
CADENCE...........1 |
Still brooding o'er the |
cadence |
of his lyre; |
Endymion: A Poetic Romance, Book II, Line 456 |
|
|
CADENCED..........1 |
More subtle |
cadenced |
, more forest wild |
Endymion: A Poetic Romance, Book I, Line 494 |
|
|
CADENCES..........1 |
Saving, perhaps, some snow-light |
cadences |
|
Endymion: A Poetic Romance, Book II, Line 79 |
|
|
CADUCEAN..........1 |
Delicate, put to the proof the lythe |
Caducean |
charm. |
Lamia, Part I, Line 133 |
|
|
CAESAR............1 |
At this great |
Caesar |
started on his feet, |
The Jealousies, Line 496 |
|
|
CAESARS...........1 |
On abject |
Caesars |
- not the stoutest band |
To a Young Lady Who Sent Me a Laurel Crown, Line 12 |
|
|
CAF...............1 |
Asia, born of most enormous |
Caf |
, |
Hyperion: A Fragment, Book II, Line 53 |
|
|
CAG'D.............2 |
No, obstinate boy, you shall be kept |
cag'd |
up, |
Otho the Great, Act II, SCENE I, Otho, Line 88 |
We are |
cag'd |
in; you need not pester that |
Otho the Great, Act IV, SCENE I, Conrad, Line 2 |
|
|
CAGE..............2 |
Open wide the mind's |
cage |
-door, |
Fancy, Line 7 |
The parrot's |
cage |
and pannel square, |
The Eve of St. Mark, Line 76 |
|
|
CAGED.............1 |
And who the fool? The entrapp'd, the |
caged |
fool, |
Otho the Great, Act V, SCENE V, Ludolph, Line 106 |
|
|
CAIN..............2 |
O that the earth were empty, as when |
Cain |
|
Otho the Great, Act III, SCENE I, Albert, Line 1 |
With brawny vengeance, like the labourer |
Cain |
. |
King Stephen Act I, SCENE III, Stephen, Line 8 |
|
|
CAIRO.............1 |
Rest for a space 'twixt |
Cairo |
and Decan? |
To the Nile, Line 8 |
|
|
CAITIFF...........2 |
And his letter. |
Caitiff |
, he shall feel- |
Otho the Great, Act II, SCENE II, Albert, Line 70 |
The |
caitiff |
of the cold steel at his back. |
Otho the Great, Act V, SCENE I, Conrad, Line 15 |
|
|
CAIUS.............1 |
Then follow, my |
Caius |
, then follow! |
Hence burgundy, claret, and port, Line 11 |
|
|
CAKE..............2 |
"You cannot eat your |
cake |
and have it too." Proverb |
On Fame ("How fever'd is the man"), Epigraph |
The sacramental |
cake |
: |
To Fanny, Line 53 |
|
|
CAKED.............1 |
And the |
caked |
snow is shuffled |
Fancy, Line 20 |
|
|
CALABRIAN.........1 |
Or pale |
Calabrian |
? or the Tuscan grape? |
Otho the Great, Act V, SCENE V, Ludolph, Line 122 |
|
|
CALAMITY..........2 |
As if |
calamity |
had but begun; |
Hyperion: A Fragment, Book I, Line 38 |
As if |
calamity |
had but begun; |
The Fall of Hyperion: A Dream, CANTO I, Line 340 |
|
|
CALF..............1 |
'Stead of one fatted |
calf |
, |
Otho the Great, Act II, SCENE I, Ludolph, Line 129b |
|
|
CALIDORE..........7 |
I hotly burn - to be a |
Calidore |
- |
Woman! when I behold thee flippant, vain, Line 12 |
Young |
Calidore |
is paddling o'er the lake; |
Calidore: A Fragment, Line 1 |
Whence |
Calidore |
might have the goodliest view |
Calidore: A Fragment, Line 25 |
On either side. These, gentle |
Calidore |
|
Calidore: A Fragment, Line 32 |
Had lifted |
Calidore |
for deeds of glory. |
Calidore: A Fragment, Line 108 |
Said the good man to |
Calidore |
alert; |
Calidore: A Fragment, Line 123 |
And placid eye, young |
Calidore |
is burning |
Calidore: A Fragment, Line 142 |
|
|
CALIPHAT..........1 |
Of the soon fading jealous |
caliphat |
; |
The Fall of Hyperion: A Dream, CANTO I, Line 48 |
|
|
CALL..............23 |
Yet must I dote upon thee, - |
call |
thee sweet, |
Had I a man's fair form, then might my sighs, Line 9 |
Will I |
call |
the Graces four. |
Hadst thou liv'd in days of old, Line 40 |
|
Call |
on thy gentle spirit to hover nigh |
Specimen of an Induction to a Poem, Line 56 |
And what we, ignorantly, sheet-lightning |
call |
, |
To My Brother George (epistle), Line 29 |
That nought less sweet might |
call |
my thoughts away, |
I stood tip-toe upon a little hill, Line 94 |
Stepping like Homer at the trumpet's |
call |
, |
I stood tip-toe upon a little hill, Line 217 |
Lo! who dares say, "Do this"?- Who dares |
call |
down |
To a Young Lady Who Sent Me a Laurel Crown, Line 9 |
And what our duties there: to nightly |
call |
|
Endymion: A Poetic Romance, Book I, Line 362 |
Unto what awful power shall I |
call |
? |
Endymion: A Poetic Romance, Book I, Line 623 |
Hush! no exclaim - yet, justly mightst thou |
call |
|
Endymion: A Poetic Romance, Book II, Line 471 |
To laugh, and play, and sing, and loudly |
call |
|
Endymion: A Poetic Romance, Book II, Line 515 |
|
Call |
ardently! He was indeed wayworn; |
Endymion: A Poetic Romance, Book II, Line 655 |
And |
call |
it love? Alas, 'twas cruelty. |
Endymion: A Poetic Romance, Book II, Line 972 |
Swallows obeying the south summer's |
call |
, |
Endymion: A Poetic Romance, Book III, Line 816 |
|
Call |
me his queen, his second life's fair crown! |
Endymion: A Poetic Romance, Book IV, Line 70 |
Didst thou not after other climates |
call |
, |
Endymion: A Poetic Romance, Book IV, Line 142 |
We |
call |
thee fruitful, and, that very while, |
To the Nile, Line 3 |
And let me |
call |
heaven's blessing on thine eyes, |
Extracts from an Opera, [sixth section] Line 3 |
In spirit sure I had a |
call |
- |
All gentle folks who owe a grudge, Line 35 |
Hubbub increases more they |
call |
out "Hush!" |
Hyperion: A Fragment, Book I, Line 254 |
Ye would not |
call |
this too indulged tongue |
Hyperion: A Fragment, Book II, Line 298 |
Yet stay,- perhaps a charm may |
call |
you back, |
Otho the Great, Act I, SCENE I, Conrad, Line 84 |
A summoner,- she will obey my |
call |
, |
Otho the Great, Act V, SCENE V, Ludolph, Line 76 |
|
|
CALL'D............12 |
|
Call'd |
up a thousand thoughts to envelope |
Endymion: A Poetic Romance, Book I, Line 336 |
Cathedrals |
call'd |
. He bade a loth farewel |
Endymion: A Poetic Romance, Book II, Line 626 |
Joyous all follow'd, as the leader |
call'd |
, |
Endymion: A Poetic Romance, Book III, Line 813 |
In Provence |
call'd |
, "La belle dame sans mercy": |
The Eve of St. Agnes, Line 292 |
That |
call'd |
the folk to evening prayer. |
The Eve of St. Mark, Line 3 |
|
Call'd |
doves of Siam, Lima mice, |
The Eve of St. Mark, Line 79 |
|
Call'd |
Vesper, who with silver veil |
Song of Four Fairies: Fire, Air, Earth, and Water, ZEPHYR, Line 52 |
|
Call'd |
him soft names in many a mused rhyme, |
Ode to a Nightingale, Line 53 |
You |
call'd |
! |
Otho the Great, Act III, SCENE II, Ludolph, Line 49c |
Otho! thou father of the people |
call'd |
, |
Otho the Great, Act III, SCENE II, Ethelbert, Line 118 |
Therefore he |
call'd |
a coach, and bade it drive amain. |
The Jealousies, Line 225 |
|
Call'd |
for an extra shawl, and gave her nurse a bite. |
The Jealousies, Line 648 |
|
|
CALLING...........4 |
|
Calling |
youth from idle slumbers, |
Ode to Apollo, Line 38 |
|
Calling |
the people to some other prayers, |
Written in Disgust of Vulgar Superstition, Line 2 |
Has wept for thee, |
calling |
to Jove aloud. |
Endymion: A Poetic Romance, Book IV, Line 607 |
But, |
calling |
interest loyalty, swore faith |
Otho the Great, Act I, SCENE I, Conrad, Line 51 |
|
|
CALLOW............1 |
Like |
callow |
eagles at the first sunrise. |
Endymion: A Poetic Romance, Book III, Line 859 |
|
|
CALLS.............6 |
Or anxious |
calls |
, or close of trembling palms, |
Endymion: A Poetic Romance, Book I, Line 401 |
Pan's holy priest for young Endymion |
calls |
; |
Endymion: A Poetic Romance, Book IV, Line 815 |
Who |
calls |
on Otho? |
Otho the Great, Act III, SCENE II, Otho, Line 56b |
Otho |
calls |
me his lion,- should I blush |
Otho the Great, Act IV, SCENE II, Ludolph, Line 42 |
Hear him! He |
calls |
you - sweet Auranthe, come! |
Otho the Great, Act V, SCENE II, Ludolph, Line 50 |
Which |
calls |
them Highland pebble-stones not worth a fly. |
The Jealousies, Line 747 |
|
|
CALM..............32 |
Or when his spirit, with more |
calm |
intent, |
Specimen of an Induction to a Poem, Line 27 |
Of late, too, I have had much |
calm |
enjoyment, |
To My Brother George (epistle), Line 119 |
Of conscience bids me be more |
calm |
awhile. |
Sleep and Poetry, Line 305 |
In the |
calm |
grandeur of a sober line, |
I stood tip-toe upon a little hill, Line 127 |
What a |
calm |
round of hours shall make my days. |
Endymion: A Poetic Romance, Book I, Line 983 |
All records, saving thine, come cool, and |
calm |
, |
Endymion: A Poetic Romance, Book II, Line 2 |
An old man sitting |
calm |
and peacefully. |
Endymion: A Poetic Romance, Book III, Line 192 |
And |
calm |
, and whispering, and hideous roar, |
Endymion: A Poetic Romance, Book III, Line 201 |
These uttering lips, while I in |
calm |
speech tell |
Endymion: A Poetic Romance, Book III, Line 475 |
Upon a |
calm |
sea drifting: and meanwhile |
Endymion: A Poetic Romance, Book IV, Line 406 |
But few have ever felt how |
calm |
and well |
Endymion: A Poetic Romance, Book IV, Line 524 |
|
Calm |
speculation; but if you are wise, |
Isabella; or, The Pot of Basil, Line 183 |
Pray thee be |
calm |
and do not quake nor stir, |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 38 |
Such |
calm |
favonian burial! |
Ah! woe is me! poor Silver-wing, Line 11 |
Of triumph |
calm |
, and hymns of festival |
Hyperion: A Fragment, Book I, Line 128 |
This |
calm |
luxuriance of blissful light, |
Hyperion: A Fragment, Book I, Line 237 |
And to envisage circumstance, all |
calm |
, |
Hyperion: A Fragment, Book II, Line 204 |
Full of |
calm |
joy it was, as I of grief; |
Hyperion: A Fragment, Book II, Line 265 |
The days of peace and slumberous |
calm |
are fled; |
Hyperion: A Fragment, Book II, Line 335 |
Began |
calm |
-throated. Throughout all the isle |
Hyperion: A Fragment, Book III, Line 38 |
And their eternal |
calm |
, and all that face, |
Hyperion: A Fragment, Book III, Line 60 |
They lay |
calm |
-breathing on the bedded grass; |
Ode to Psyche, Line 15 |
He will be |
calm |
anon. |
Otho the Great, Act III, SCENE II, Conrad, Line 49b |
Let us be |
calm |
, and hear the abbot's plea |
Otho the Great, Act III, SCENE II, Otho, Line 100 |
Ludolph, be |
calm |
. Ethelbert, peace awhile. |
Otho the Great, Act III, SCENE II, Otho, Line 103 |
Be |
calm |
in this. |
Otho the Great, Act IV, SCENE II, Gersa, Line 129b |
Suck'd to my grave amid a dreary |
calm |
! |
Otho the Great, Act V, SCENE I, Ludolph, Line 27 |
More |
calm |
; his features are less wild and flush'd; |
Otho the Great, Act V, SCENE IV, Gersa, Line 47 |
Like a young Jove with |
calm |
uneager face, |
Lamia, Part I, Line 218 |
And with |
calm |
-planted steps walk'd in austere; |
Lamia, Part II, Line 158 |
Of triumph |
calm |
, and hymns of festival |
The Fall of Hyperion: A Dream, CANTO I, Line 433 |
Whereat, to |
calm |
their fears, he promised soon |
The Jealousies, Line 24 |
|
|
CALM'D............4 |
Endymion was |
calm'd |
to life again. |
Endymion: A Poetic Romance, Book I, Line 464 |
She |
calm'd |
its wild hair with a golden comb, |
Isabella; or, The Pot of Basil, Line 403 |
In the |
calm'd |
twilight of Platonic shades. |
Lamia, Part I, Line 236 |
And thou be conscience- |
calm'd |
. See, here it is- |
This living hand, now warm and capable, Line 7 |
|
|
CALMED............2 |
Can see all round upon the |
calmed |
vast, |
Endymion: A Poetic Romance, Book III, Line 867 |
I saw him on the |
calmed |
waters scud, |
Hyperion: A Fragment, Book II, Line 236 |
|
|
CALMEST...........1 |
And |
calmest |
thoughts come round us - as, of leaves |
After dark vapours have oppressed our plains, Line 9 |
|
|
CALMING...........1 |
For all his |
calming |
of my childish griefs, |
Otho the Great, Act I, SCENE III, Ludolph, Line 42 |
|
|
CALMLY............4 |
May we together pass, and |
calmly |
try |
To My Brothers, Line 12 |
Heaves |
calmly |
its broad swelling smoothness o'er |
Sleep and Poetry, Line 377 |
And twang'd it inwardly, and |
calmly |
said: |
Endymion: A Poetic Romance, Book IV, Line 848 |
And therefore fit to |
calmly |
put a close |
Otho the Great, Act III, SCENE II, Otho, Line 211 |
|
|
CALMNESS..........1 |
And turns for |
calmness |
to the pleasant green |
Calidore: A Fragment, Line 9 |
|
|
CALUMNY...........3 |
Is blighted by the touch of |
calumny |
; |
Otho the Great, Act II, SCENE II, Ethelbert, Line 137 |
An article made up of |
calumny |
|
The Jealousies, Line 104 |
Against that ugly piece of |
calumny |
, |
The Jealousies, Line 746 |
|
|
CAM'ST............1 |
"How |
cam'st |
thou over the unfooted sea? |
Hyperion: A Fragment, Book III, Line 50 |
|
|
CAMEL.............1 |
My greedy thirst with nectarous |
camel |
-draughts; |
Endymion: A Poetic Romance, Book III, Line 479 |
|
|
CAMEL'S...........1 |
Give him his proof! A |
camel's |
load of proofs! |
Otho the Great, Act III, SCENE II, Ludolph, Line 208 |
|
|
CAMP..............13 |
The Castle of Friedburg, its vicinity, and the Hungarian |
Camp |
|
Otho the Great, Dramatis Personae, SCENE |
That |
camp |
-mushroom, dishonour of our house; |
Otho the Great, Act I, SCENE I, Conrad, Line 80 |
Among the midnight rumours from the |
camp |
. |
Otho the Great, Act I, SCENE I, Auranthe, Line 107 |
The bruised remnants of our stricken |
camp |
|
Otho the Great, Act I, SCENE II, Gersa, Line 127 |
The Prince a regal escort to his |
camp |
; |
Otho the Great, Act I, SCENE II, Otho, Line 155 |
Still weep amid the wild Hungarian |
camp |
, |
Otho the Great, Act I, SCENE II, Ethelbert, Line 196 |
Amid a |
camp |
, whose steeled swarms I dar'd |
Otho the Great, Act I, SCENE III, Ludolph, Line 67 |
The entrance of GERSA'S Tent in the Hungarian |
Camp |
. |
Otho the Great, Act II, SCENE II, Setting |
A trusty soul? A good man in the |
camp |
? |
Otho the Great, Act II, SCENE II, Erminia, Line 2 |
[Shouts in the |
Camp |
. |
Otho the Great, Act II, SCENE II, S.D.a to Line 7 |
In this beleaguer'd |
camp |
? Or are you here |
Otho the Great, Act II, SCENE II, Albert, Line 28 |
If men, in court and |
camp |
, lie not outright, |
Otho the Great, Act II, SCENE II, Erminia, Line 35 |
Here in this |
camp |
, where all the sisterhood, |
Otho the Great, Act II, SCENE II, Erminia, Line 75 |
|
|
CAN'T.............5 |
And a sigh for I |
can't |
bear it! |
O blush not so! O blush not so, Line 18 |
|
Can't |
be got without hard money! |
Robin Hood, Line 48 |
You |
can't |
deny it. |
Otho the Great, Act II, SCENE I, Otho, Line 128a |
"I |
can't |
say," said the monarch, "that may be |
The Jealousies, Line 397 |
Bad omen - this new match |
can't |
be a happy one. |
The Jealousies, Line 657 |
|
|
CANARY............1 |
Than mine host's |
Canary |
wine? |
Lines on the Mermaid Tavern, Line 6 |
|
|
CANCEL............1 |
Poor |
cancel |
for his kindness to my youth, |
Otho the Great, Act I, SCENE III, Ludolph, Line 41 |
|
|
CANDIED...........1 |
Of |
candied |
apple, quince, and plum, and gourd; |
The Eve of St. Agnes, Line 265 |
|
|
CANDLE............1 |
There's a large cauliflower in each |
candle |
, |
Pensive they sit, and roll their languid eyes, Line 15 |
|
|
CANDLES...........1 |
Shall I put out the |
candles |
, please your Grace?" |
The Jealousies, Line 482 |
|
|
CANDLESTICKS......1 |
|
Candlesticks |
John saw in heaven, |
The Eve of St. Mark, Line 34 |
|
|
CANDY.............1 |
Some lady's fingers nice in |
Candy |
wine; |
The Jealousies, Line 429 |
|
|
CANKERING.........1 |
To hide the |
cankering |
venom, that had riven |
Endymion: A Poetic Romance, Book I, Line 396 |
|
|
CANNON............1 |
And sudden |
cannon |
. Ah! how all this hums, |
Endymion: A Poetic Romance, Book III, Line 18 |
|
|
CANNOT............78 |
'Tis vain - away I |
cannot |
chace |
Fill for me a brimming bowl, Line 13 |
I |
cannot |
your light, mazy footsteps attend; |
To Some Ladies, Line 2 |
From such fine pictures, heavens! I |
cannot |
dare |
Woman! when I behold thee flippant, vain, Line 19 |
Who |
cannot |
feel for cold her tender feet, |
Specimen of an Induction to a Poem, Line 14 |
It |
cannot |
be that ought will work him harm." |
To Charles Cowden Clarke, Line 130 |
Imagination |
cannot |
freely fly |
Sleep and Poetry, Line 164 |
My boundly reverence, that I |
cannot |
trace |
Sleep and Poetry, Line 209 |
Cynthia! I |
cannot |
tell the greater blisses, |
I stood tip-toe upon a little hill, Line 239 |
Forgive me, Haydon, that I |
cannot |
speak |
To Haydon with a Sonnet Written on Seeing the Elgin Marbles, Line 1 |
Now while I |
cannot |
hear the city's din; |
Endymion: A Poetic Romance, Book I, Line 40 |
He |
cannot |
see the heavens, nor the flow |
Endymion: A Poetic Romance, Book II, Line 285 |
Its powerless self: I know this |
cannot |
be. |
Endymion: A Poetic Romance, Book II, Line 702 |
Affright this lethargy! I |
cannot |
quell |
Endymion: A Poetic Romance, Book II, Line 769 |
He leant, wretched. He surely |
cannot |
now |
Endymion: A Poetic Romance, Book IV, Line 86 |
I |
cannot |
choose but kneel here and adore. |
Endymion: A Poetic Romance, Book IV, Line 302 |
This |
cannot |
be thy hand, and yet it is; |
Endymion: A Poetic Romance, Book IV, Line 315 |
The north |
cannot |
undo them |
In drear nighted December, Line 5 |
I |
cannot |
look upon the rose's dye, |
Time's sea hath been five years at its slow ebb, Line 7 |
I |
cannot |
look on any budding flower, |
Time's sea hath been five years at its slow ebb, Line 9 |
At thought of idleness |
cannot |
be idle, |
O thou whose face hath felt the winter's wind, Line 13 |
Be my award. Things |
cannot |
to the will |
Dear Reynolds, as last night I lay in bed, Line 76 |
|
Cannot |
refer to any standard law |
Dear Reynolds, as last night I lay in bed, Line 81 |
And |
cannot |
speak it. The first page I read |
Dear Reynolds, as last night I lay in bed, Line 87 |
Thine eyes by gazing; but I |
cannot |
live |
Isabella; or, The Pot of Basil, Line 63 |
Were they unhappy then?- It |
cannot |
be- |
Isabella; or, The Pot of Basil, Line 89 |
Another |
cannot |
wake thy giant size! |
To Ailsa Rock, Line 14 |
My eyes are wandering, and I |
cannot |
see, |
This mortal body of a thousand days, Line 7 |
No, no, that horror |
cannot |
be - for at the cable's length |
There is a joy in footing slow across a silent plain, Line 39 |
It |
cannot |
be! My old eyes are not true! |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 28 |
Pray pardon me, I |
cannot |
help but smile- |
Fragment of Castle-builder, BERNADINE, Line 8 |
I |
cannot |
say, ' O wherefore sleepest thou?' |
Hyperion: A Fragment, Book I, Line 54 |
Utterance thus.- "But |
cannot |
I create? |
Hyperion: A Fragment, Book I, Line 141 |
|
Cannot |
I form? Cannot I fashion forth |
Hyperion: A Fragment, Book I, Line 142 |
Cannot I form? |
Cannot |
I fashion forth |
Hyperion: A Fragment, Book I, Line 142 |
I |
cannot |
see - but darkness, death and darkness. |
Hyperion: A Fragment, Book I, Line 242 |
So art thou not the last; it |
cannot |
be: |
Hyperion: A Fragment, Book II, Line 189 |
"You |
cannot |
eat your cake and have it too." Proverb |
On Fame ("How fever'd is the man"), Epigraph |
How fever'd is the man who |
cannot |
look |
On Fame ("How fever'd is the man"), Line 1 |
Where Beauty |
cannot |
keep her lustrous eyes, |
Ode to a Nightingale, Line 29 |
I |
cannot |
see what flowers are at my feet, |
Ode to a Nightingale, Line 41 |
Adieu! the fancy |
cannot |
cheat so well |
Ode to a Nightingale, Line 73 |
She |
cannot |
fade, though thou hast not thy bliss, |
Ode on a Grecian Urn, Line 19 |
Ah, happy, happy boughs! that |
cannot |
shed |
Ode on a Grecian Urn, Line 21 |
So, ye three ghosts, adieu! Ye |
cannot |
raise |
Ode on Indolence, Line 51 |
Because I |
cannot |
flatter with bent knees |
Otho the Great, Act I, SCENE II, Gersa, Line 106 |
My lord, forgive me that I |
cannot |
see |
Otho the Great, Act I, SCENE III, Sigifred, Line 30 |
That |
cannot |
trample on the fallen. But his |
Otho the Great, Act I, SCENE III, Ludolph, Line 56 |
I |
cannot |
square my conduct to time, place, |
Otho the Great, Act II, SCENE I, Ludolph, Line 3 |
No, my good lord, I |
cannot |
say I did. |
Otho the Great, Act II, SCENE I, Ludolph, Line 121 |
Peace! peace, old man! I |
cannot |
think she is. |
Otho the Great, Act II, SCENE II, Gersa, Line 130 |
You |
cannot |
credit such a monstrous tale. |
Otho the Great, Act II, SCENE II, Ethelbert, Line 138 |
I |
cannot |
. Take her. Fair Erminia, |
Otho the Great, Act II, SCENE II, Gersa, Line 139 |
I |
cannot |
guess. |
Otho the Great, Act III, SCENE II, Conrad, Line 70a |
A minute first. It |
cannot |
be - but may |
Otho the Great, Act III, SCENE II, Ethelbert, Line 156 |
My evidence |
cannot |
be far away; |
Otho the Great, Act III, SCENE II, Ethelbert, Line 161 |
I |
cannot |
doubt - I will not - no - to doubt |
Otho the Great, Act III, SCENE II, Ludolph, Line 193 |
Silence! Gag up their mouths! I |
cannot |
bear |
Otho the Great, Act III, SCENE II, Conrad, Line 261 |
You |
cannot |
doubt but 'tis in Albert's power |
Otho the Great, Act IV, SCENE I, Conrad, Line 6 |
No, I |
cannot |
doubt. |
Otho the Great, Act IV, SCENE I, Auranthe, Line 7b |
A glue upon my wings, that |
cannot |
spread, |
Otho the Great, Act IV, SCENE I, Auranthe, Line 13 |
|
Cannot |
be done; for see, this chamber-floor |
Otho the Great, Act IV, SCENE I, Auranthe, Line 45 |
Albert! he |
cannot |
stickle, chew the cud |
Otho the Great, Act IV, SCENE I, Auranthe, Line 103 |
But, be it what it may, I |
cannot |
fail |
Otho the Great, Act IV, SCENE II, Ludolph, Line 52 |
I |
cannot |
, in plain terms, grossly assault |
Otho the Great, Act IV, SCENE II, Gersa, Line 57 |
Indeed, indeed I |
cannot |
trace them further. |
Otho the Great, Act V, SCENE I, Page, Line 17 |
She's gone! I |
cannot |
clutch her! no revenge! |
Otho the Great, Act V, SCENE I, Ludolph, Line 25 |
Upon me sudden! for I |
cannot |
meet, |
Otho the Great, Act V, SCENE II, Albert, Line 17 |
I |
cannot |
catch you! You should laugh at me, |
Otho the Great, Act V, SCENE II, Ludolph, Line 33 |
Let, let me hear his voice; this |
cannot |
last; |
Otho the Great, Act V, SCENE IV, Otho, Line 41 |
Though my own knell they be! This |
cannot |
last! |
Otho the Great, Act V, SCENE IV, Otho, Line 43 |
That pestilence brought in,- that |
cannot |
be, |
Otho the Great, Act V, SCENE V, Sigifred, Line 101 |
Alas! My lord, my lord! they |
cannot |
move her! |
Otho the Great, Act V, SCENE V, Page, Line 187 |
That finer spirits |
cannot |
breathe below |
Lamia, Part I, Line 280 |
It |
cannot |
be - adieu!" So said, she rose |
Lamia, Part I, Line 286 |
Is that old man? I |
cannot |
bring to mind |
Lamia, Part I, Line 372 |
I |
cannot |
tell. Let me no more be teas'd- |
Pensive they sit, and roll their languid eyes, Line 22 |
What image this, whose face I |
cannot |
see, |
The Fall of Hyperion: A Dream, CANTO I, Line 213 |
I |
cannot |
cry, Wherefore thus sleepest thou? |
The Fall of Hyperion: A Dream, CANTO I, Line 356 |
|
|
CANOE.............1 |
As breezeless lake, on which the slim |
canoe |
|
Endymion: A Poetic Romance, Book III, Line 880 |
|
|
CANON.............1 |
Foisted into the |
canon |
law of love;- |
What can I do to drive away, Line 26 |
|
|
CANOPIED..........2 |
Conducting to the throne high |
canopied |
. |
Otho the Great, Act IV, SCENE I, Auranthe, Line 16 |
So |
canopied |
, lay an untasted feast |
Lamia, Part II, Line 132 |
|
|
CANOPIES..........2 |
Broad leav'd are they and their white |
canopies |
|
Calidore: A Fragment, Line 22 |
Pour'd into shapes of curtain'd |
canopies |
, |
Endymion: A Poetic Romance, Book II, Line 618 |
|
|
CANOPY............2 |
Beneath thy pinions |
canopy |
my head! |
To Hope, Line 36 |
This |
canopy |
mark: 'tis the work of a fay; |
On Receiving a Curious Shell..., Line 25 |
|
|
CANST.............23 |
To mortal steps, before thou |
canst |
be ta'en |
Endymion: A Poetic Romance, Book II, Line 125 |
Art thou wayworn, or |
canst |
not further trace |
Endymion: A Poetic Romance, Book II, Line 651 |
Who, that thou |
canst |
not be for ever here, |
Endymion: A Poetic Romance, Book II, Line 754 |
For these I know thou |
canst |
not feel a drouth, |
Endymion: A Poetic Romance, Book III, Line 395 |
|
Canst |
thou read aught? O read for pity's sake! |
Endymion: A Poetic Romance, Book III, Line 763 |
Warm mountaineer! for |
canst |
thou only bear |
Endymion: A Poetic Romance, Book IV, Line 54 |
Thou surely |
canst |
not bear a mind in pain, |
Endymion: A Poetic Romance, Book IV, Line 811 |
Thou |
canst |
not surely be the same that thou didst seem." |
The Eve of St. Agnes, Line 144 |
As thou |
canst |
move about, an evident God; |
Hyperion: A Fragment, Book I, Line 338 |
And |
canst |
oppose to each malignant hour |
Hyperion: A Fragment, Book I, Line 339 |
But thou |
canst |
.- Be thou therefore in the van |
Hyperion: A Fragment, Book I, Line 343 |
What sorrow thou |
canst |
feel; for I am sad |
Hyperion: A Fragment, Book III, Line 69 |
Sylvan historian, who |
canst |
thus express |
Ode on a Grecian Urn, Line 3 |
Fair youth, beneath the trees, thou |
canst |
not leave |
Ode on a Grecian Urn, Line 15 |
Bold lover, never, never |
canst |
thou kiss, |
Ode on a Grecian Urn, Line 17 |
Thou mak'st me boil as hot as thou |
canst |
flame! |
Otho the Great, Act IV, SCENE II, Gersa, Line 103 |
Will you? Ah, wretch, thou |
canst |
not, for I have |
Otho the Great, Act V, SCENE II, Ludolph, Line 58 |
Possess whatever bliss thou |
canst |
devise, |
Lamia, Part I, Line 85 |
What |
canst |
thou say or do of charm enough |
Lamia, Part I, Line 274 |
Thou |
canst |
not ask me with thee here to roam |
Lamia, Part I, Line 276 |
Language pronounc'd. "If thou |
canst |
not ascend |
The Fall of Hyperion: A Dream, CANTO I, Line 107 |
Ere thou |
canst |
mount up these immortal steps." |
The Fall of Hyperion: A Dream, CANTO I, Line 117 |
What benefit |
canst |
thou do, or all thy tribe, |
The Fall of Hyperion: A Dream, CANTO I, Line 167 |
|
|
CANTERBURY........3 |
Live!- O! at |
Canterbury |
, with her old grand-dame." |
The Jealousies, Line 387 |
"In |
Canterbury |
doth your lady shine? |
The Jealousies, Line 413 |
"Those wings to |
Canterbury |
you must beat, |
The Jealousies, Line 498 |
|
|
CANTING...........1 |
At |
canting |
gallop- |
Ah! ken ye what I met the day, Line 18 |
|
|
CANTO.............2 |
End of |
Canto |
xii / Canto the xiii |
When they were come unto the Faery's court, Bet. 74 and 75 |
End of Canto xii / |
Canto |
the xiii |
When they were come unto the Faery's court, Bet. 74 and 75 |
|
|
CANVAS............2 |
The stubborn |
canvas |
for my voyage prepar'd- |
Endymion: A Poetic Romance, Book I, Line 772 |
A child's soul through the sapphired |
canvas |
bear, |
The Jealousies, Line 38 |
|
|
CANVASS...........1 |
With shatter'd boat, oar snapt, and |
canvass |
rent, |
To Charles Cowden Clarke, Line 17 |
|
|
CANVASS'D.........1 |
Now 'tis I see a |
canvass'd |
ship, and now |
To My Brother George (epistle), Line 133 |
|
|
CAP...............10 |
Or as the winged |
cap |
of Mercury. |
Calidore: A Fragment, Line 115 |
My hunting |
cap |
, because I laugh'd and smil'd, |
Endymion: A Poetic Romance, Book I, Line 925 |
And Alexander with his night- |
cap |
on- |
Dear Reynolds, as last night I lay in bed, Line 8 |
A slight |
cap |
|
There was a naughty boy, Line 11 |
For night |
cap |
- |
There was a naughty boy, Line 12 |
By my old night |
cap |
, night cap night and day, |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 42 |
By my old night cap, night |
cap |
night and day, |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 42 |
This skull- |
cap |
wore the cowl from sloth, |
O Some Skulls in Beauley Abbey, near Inverness, Line 19 |
Though you've padded his night- |
cap |
, O sweet Isabel. |
Hush, hush, tread softly, hush, hush, my dear, Line 4 |
With mad- |
cap |
pleasure, or hand-clasp'd amaze: |
The Jealousies, Line 724 |
|
|
CAPABLE...........3 |
Was Hesperean; to his |
capable |
ears |
Endymion: A Poetic Romance, Book II, Line 674 |
Yet do thou strive; as thou art |
capable |
, |
Hyperion: A Fragment, Book I, Line 337 |
This living hand, now warm and |
capable |
|
This living hand, now warm and capable, Line 1 |
|
|
CAPACIOUS.........2 |
Still downward with |
capacious |
whirl they glide; |
Sleep and Poetry, Line 133 |
Of thy |
capacious |
bosom ever flow. |
Endymion: A Poetic Romance, Book III, Line 950 |
|
|
CAPE..............3 |
Of love-spangles, just off yon |
cape |
of trees, |
Endymion: A Poetic Romance, Book III, Line 83 |
That skims, or dives, or sleeps, 'twixt |
cape |
and cape. |
Endymion: A Poetic Romance, Book III, Line 204 |
That skims, or dives, or sleeps, 'twixt cape and |
cape |
. |
Endymion: A Poetic Romance, Book III, Line 204 |
|
|
CAPITAL...........1 |
Or round white columns wreath'd from |
capital |
to plinth. |
The Jealousies, Line 729 |
|
|
CAPITALS..........1 |
Exact in |
capitals |
your golden name: |
Give me your patience, sister, while I frame, Line 2 |
|
|
CAPP'D............1 |
Many as bees about a straw- |
capp'd |
hive, |
The Jealousies, Line 260 |
|
|
CAPTAIN...........2 |
An Hungarian |
Captain |
|
Otho the Great, Dramatis Personae, 10 |
Enter an Hungarian |
Captain |
. |
Otho the Great, Act II, SCENE II, S.D.b to Line 7 |
|
|
CAPTAINS..........4 |
Among his fallen |
captains |
on yon plains. |
Otho the Great, Act I, SCENE II, Albert, Line 92 |
Brave |
captains |
, thanks! Enough |
Otho the Great, Act II, SCENE II, Gersa, Line 80b |
Enter two |
Captains |
, severally. |
King Stephen Act I, SCENE II, S.D. to Line 9 |
Intreating him, his |
captains |
, and brave knights |
King Stephen Act I, SCENE II, Second Captain, Line 25 |
|
|
CAPTIOUS..........1 |
Thy thunder, |
captious |
at the new command, |
The Fall of Hyperion: A Dream, CANTO I, Line 362 |
|
|
CAPTIVE...........2 |
Had taken |
captive |
her two eyes |
The Eve of St. Mark, Line 27 |
The restoration of some |
captive |
maids, |
Otho the Great, Act I, SCENE II, Ethelbert, Line 191 |
|
|
CAPTIVITY.........2 |
My long |
captivity |
and moanings all |
Endymion: A Poetic Romance, Book III, Line 334 |
Young Gersa, from a short |
captivity |
|
Otho the Great, Act II, SCENE II, Captain, Line 9 |
|
|
CAR...............10 |
And let there glide by many a pearly |
car |
, |
On Leaving Some Friends at an Early Hour, Line 6 |
O'er sailing the blue cragginess, a |
car |
|
Sleep and Poetry, Line 126 |
The visions all are fled - the |
car |
is fled |
Sleep and Poetry, Line 155 |
Their voices to the clouds, a fair wrought |
car |
, |
Endymion: A Poetic Romance, Book I, Line 165 |
Meet some of our near-dwellers with my |
car |
." |
Endymion: A Poetic Romance, Book I, Line 989 |
Blue heaven, and a silver |
car |
, air-borne, |
Endymion: A Poetic Romance, Book II, Line 518 |
The impatient doves, up rose the floating |
car |
, |
Endymion: A Poetic Romance, Book II, Line 580 |
"Within his |
car |
, aloft, young Bacchus stood, |
Endymion: A Poetic Romance, Book IV, Line 209 |
Though bright Apollo's |
car |
stood burning here, |
Otho the Great, Act III, SCENE II, Ludolph, Line 41 |
While through the thronged streets your bridal |
car |
|
Lamia, Part II, Line 63 |
|
|
CARCASE...........1 |
Doom'd with enfeebled |
carcase |
to outstretch |
Endymion: A Poetic Romance, Book III, Line 690 |
|
|
CARDING...........1 |
I have, by many yards at least, been |
carding |
|
Fragment of Castle-builder, CASTLE BUILDER, Line 3 |
|
|
CARE..............34 |
My daring steps: or if thy tender |
care |
, |
Specimen of an Induction to a Poem, Line 57 |
That aye at fall of night our |
care |
condoles. |
To My Brothers, Line 8 |
A laughing school-boy, without grief or |
care |
, |
Sleep and Poetry, Line 94 |
With honors; nor had any other |
care |
|
Sleep and Poetry, Line 179 |
Whose |
care |
it is to guard a thousand flocks: |
Endymion: A Poetic Romance, Book I, Line 197 |
A yielding up, a cradling on her |
care |
. |
Endymion: A Poetic Romance, Book I, Line 411 |
But wherefore this? What |
care |
, though owl did fly |
Endymion: A Poetic Romance, Book II, Line 22 |
What |
care |
, though striding Alexander past |
Endymion: A Poetic Romance, Book II, Line 24 |
The glutted Cyclops, what |
care |
? - Juliet leaning |
Endymion: A Poetic Romance, Book II, Line 27 |
Thy soul of |
care |
, by heavens, I would offer |
Endymion: A Poetic Romance, Book II, Line 107 |
Than be - I |
care |
not what. O meekest dove |
Endymion: A Poetic Romance, Book II, Line 169 |
I |
care |
not for this old mysterious man!" |
Endymion: A Poetic Romance, Book III, Line 280 |
Before that |
care |
-worn sage, who trembling felt |
Endymion: A Poetic Romance, Book III, Line 290 |
Parted its dripping leaves with eager |
care |
. |
Endymion: A Poetic Romance, Book III, Line 678 |
Put sleekly on one side with nicest |
care |
; |
Endymion: A Poetic Romance, Book III, Line 742 |
Who has another |
care |
when thou hast smil'd? |
Endymion: A Poetic Romance, Book III, Line 979 |
Nor |
care |
for wind and tide. |
Endymion: A Poetic Romance, Book IV, Line 250 |
Of recollection! make my watchful |
care |
|
Endymion: A Poetic Romance, Book IV, Line 307 |
And air, and pains, and |
care |
, and suffering; |
Endymion: A Poetic Romance, Book IV, Line 432 |
Tender soever, but is Jove's own |
care |
. |
Endymion: A Poetic Romance, Book IV, Line 878 |
Then 'gan she work again; nor stay'd her |
care |
, |
Isabella; or, The Pot of Basil, Line 375 |
Too apt to fall in love with |
care |
|
All gentle folks who owe a grudge, Line 39 |
Scanty the hour and few the steps beyond the bourn of |
care |
, |
There is a joy in footing slow across a silent plain, Line 29 |
Closes up, and forgets all its Lethean |
care |
, |
Hush, hush, tread softly, hush, hush, my dear, Line 11 |
On love, and wing'd St. Agnes' saintly |
care |
, |
The Eve of St. Agnes, Line 44 |
With silver taper's light, and pious |
care |
, |
The Eve of St. Agnes, Line 194 |
No |
care |
had touch'd his cheek with mortal doom, |
Character of C.B., Line 8 |
Free from cold and every |
care |
|
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 21 |
I |
care |
not for cold or heat; |
Song of Four Fairies: Fire, Air, Earth, and Water, DUSKETHA, Line 75 |
His gentlemen conduct me with all |
care |
|
Otho the Great, Act I, SCENE II, Gersa, Line 97 |
The saints will bless you for this pious |
care |
. |
Otho the Great, Act I, SCENE II, Ethelbert, Line 200 |
In |
care |
of the physicians. |
Otho the Great, Act III, SCENE II, Otho, Line 244 |
Nods, becks, and hints, should be obey'd with |
care |
, |
Otho the Great, Act V, SCENE IV, Ethelbert, Line 32 |
Not in your heart while |
care |
weighs on your brow: |
Lamia, Part II, Line 43 |
|
|
CARED.............2 |
Ne |
cared |
he for wine, or half and half, |
Character of C.B., Line 10 |
Ne |
cared |
he for fish, or flesh, or fowl, |
Character of C.B., Line 11 |
|
|
CAREER............2 |
Watching the sailing cloudlet's bright |
career |
, |
To one who has been long in city pent, Line 11 |
Spleen-hearted came in full |
career |
at him. |
King Stephen Act I, SCENE II, Second Knight, Line 43 |
|
|
CAREFUL...........9 |
A |
careful |
moving, caught my waking ears, |
Endymion: A Poetic Romance, Book I, Line 680 |
Broke through the |
careful |
silence; for they heard |
Endymion: A Poetic Romance, Book II, Line 495 |
Be |
careful |
, ere ye enter in, to fill |
Endymion: A Poetic Romance, Book IV, Line 573 |
|
Careful |
and soft, that not a leaf may fall |
Endymion: A Poetic Romance, Book IV, Line 928 |
And of thy seasons be a |
careful |
nurse."- |
Hyperion: A Fragment, Book I, Line 348 |
Shutting with |
careful |
fingers and benign |
Sonnet to Sleep, Line 2 |
Moved 'twas with |
careful |
steps, and hush'd as death: |
Otho the Great, Act IV, SCENE II, Page, Line 4 |
Feeling, with |
careful |
toe, for every stair, |
The Jealousies, Line 308 |
And retrograding |
careful |
as he can, |
The Jealousies, Line 309 |
|
|
CAREFULLY.........1 |
Dried |
carefully |
on the cooler side of sheaves |
Endymion: A Poetic Romance, Book I, Line 439 |
|
|
CARELESS..........9 |
Strive for her son to seize my |
careless |
heart; |
To Hope, Line 14 |
With |
careless |
robe, to meet the morning ray, |
To G.A.W., Line 7 |
|
Careless |
, and grand - fingers soft and round |
Sleep and Poetry, Line 333 |
Of |
careless |
butterflies: amid his pains |
Endymion: A Poetic Romance, Book I, Line 765 |
Faint through his |
careless |
arms; content to see |
Endymion: A Poetic Romance, Book II, Line 463 |
And freckles many; ah! a |
careless |
nurse, |
Extracts from an Opera, [fourth section] Line 7 |
Thee sitting |
careless |
on a granary floor, |
To Autumn, Line 14 |
And |
careless |
hectorers in proud bad verse. |
The Fall of Hyperion: A Dream, CANTO I, Line 208 |
His woven periods into |
careless |
rhyme; |
The Jealousies, Line 636 |
|
|
CARES.............7 |
But 'tis impossible; far different |
cares |
|
To George Felton Mathew, Line 17 |
From little |
cares |
:- to find, with easy quest, |
Oh! how I love, on a fair summer's eve, Line 6 |
To sooth the |
cares |
, and lift the thoughts of man. |
Sleep and Poetry, Line 247 |
Some other gloominess, more dreadful |
cares |
, |
Written in Disgust of Vulgar Superstition, Line 3 |
And at the least 'twill startle off her |
cares |
." |
Isabella; or, The Pot of Basil, Line 40 |
Leaving your |
cares |
to one whose diligence |
Otho the Great, Act I, SCENE II, Conrad, Line 79 |
More dismal |
cares |
|
What can I do to drive away, Line 28 |
|
|
CARESS............1 |
Grew, like a lusty flower in June's |
caress |
. |
Isabella; or, The Pot of Basil, Line 72 |
|
|
CARESSING.........2 |
Were dead and gone, and her |
caressing |
tongue |
Endymion: A Poetic Romance, Book I, Line 340 |
Long time ere soft |
caressing |
sobs began |
Endymion: A Poetic Romance, Book II, Line 736 |
|
|
CARIA.............1 |
The youth of |
Caria |
plac'd the lovely dame |
Endymion: A Poetic Romance, Book IV, Line 345 |
|
|
CARIAN............6 |
Went forward with the |
Carian |
side by side: |
Endymion: A Poetic Romance, Book III, Line 311 |
Olympus! we are safe! Now, |
Carian |
, break |
Endymion: A Poetic Romance, Book III, Line 764 |
Thou, |
Carian |
lord, hadst better have been tost |
Endymion: A Poetic Romance, Book IV, Line 52 |
While to his lady meek the |
Carian |
turn'd, |
Endymion: A Poetic Romance, Book IV, Line 504 |
In thine own depth. Hail, gentle |
Carian |
! |
Endymion: A Poetic Romance, Book IV, Line 545 |
The |
Carian |
|
Endymion: A Poetic Romance, Book IV, Line 763b |
|
|
CARIAN'S..........1 |
Dew-dropping melody, in the |
Carian's |
ear; |
Endymion: A Poetic Romance, Book II, Line 373 |
|
|
CARICATURE........1 |
|
Caricature |
was vain, and vain the tart lampoon. |
The Jealousies, Line 18 |
|
|
CARLE.............1 |
He was to weet a melancholy |
carle |
, |
Character of C.B., Line 1 |
|
|
CARNAL............1 |
Of |
carnal |
passion; |
O Some Skulls in Beauley Abbey, near Inverness, Line 82 |
|
|
CAROLS............2 |
Therefore for her these vesper- |
carols |
are. |
Endymion: A Poetic Romance, Book IV, Line 834 |
Distant harvest- |
carols |
clear; |
Fancy, Line 40 |
|
|
CAROUSING.........1 |
What gipsies have you been |
carousing |
with? |
Otho the Great, Act III, SCENE I, Sigifred, Line 38 |
|
|
CARPET............3 |
And over the hush'd |
carpet |
, silent, stept, |
The Eve of St. Agnes, Line 251 |
Broad golden fringe upon the |
carpet |
lies: |
The Eve of St. Agnes, Line 285 |
Both, prostrate on the |
carpet |
, ear by ear, |
The Jealousies, Line 336 |
|
|
CARPET'S..........1 |
They kiss'd nine times the |
carpet's |
velvet face |
The Jealousies, Line 343 |
|
|
CARPETS...........2 |
And the long |
carpets |
rose along the gusty floor. |
The Eve of St. Agnes, Line 360 |
Wool-woofed |
carpets |
: fifty wreaths of smoke |
Lamia, Part II, Line 179 |
|
|
CARRIED...........2 |
Lo! while slow |
carried |
through the pitying crowd, |
Endymion: A Poetic Romance, Book III, Line 1019 |
habit of a fair gentlewoman, which taking him by the hand, |
carried |
him home to |
Lamia, Keats's Footnote from Burton, |
|
|
CARRY.............2 |
You needs must be. |
Carry |
it swift to Otho; |
Otho the Great, Act II, SCENE II, Erminia, Line 73 |
May |
carry |
that with him shall make him die |
Otho the Great, Act IV, SCENE I, Conrad, Line 52 |
|
|
CARV'D............2 |
The quaintly |
carv'd |
seats, and freshening shades; |
O come, dearest Emma!, Line 6 |
A crescent he had |
carv'd |
, and round it spent |
Endymion: A Poetic Romance, Book IV, Line 788 |
|
|
CARVE.............2 |
|
Carve |
it on my tomb, that, when I rest beneath, |
Otho the Great, Act V, SCENE V, Ludolph, Line 132 |
|
Carve |
it upon my 'scutcheon'd sepulchre. |
King Stephen Act I, SCENE I, Stephen, Line 33 |
|
|
CARVED............5 |
The shafted arch and |
carved |
fret |
O Some Skulls in Beauley Abbey, near Inverness, Line 3 |
The |
carved |
angels, ever eager-eyed, |
The Eve of St. Agnes, Line 34 |
Fresh |
carved |
cedar, mimicking a glade |
Lamia, Part II, Line 125 |
I look'd around upon the |
carved |
sides |
The Fall of Hyperion: A Dream, CANTO I, Line 61 |
Whose |
carved |
features wrinkled as he fell, |
The Fall of Hyperion: A Dream, CANTO I, Line 225 |
|
|
CARVEN............1 |
All garlanded with |
carven |
imag'ries |
The Eve of St. Agnes, Line 209 |
|
|
CASE..............1 |
Gave mighty pulses: in this tottering |
case |
|
Endymion: A Poetic Romance, Book III, Line 305 |
|
|
CASEMENT..........4 |
A |
casement |
high and triple-arch'd there was, |
The Eve of St. Agnes, Line 208 |
Full on this |
casement |
shone the wintry moon, |
The Eve of St. Agnes, Line 217 |
A bright torch, and a |
casement |
ope at night, |
Ode to Psyche, Line 66 |
The open |
casement |
press'd a new-leaved vine, |
Ode on Indolence, Line 47 |
|
|
CASEMENTS.........2 |
Charm'd magic |
casements |
, opening on the foam |
Ode to a Nightingale, Line 69 |
Should fright her silken |
casements |
, and dismay |
Otho the Great, Act I, SCENE II, Otho, Line 4 |
|
|
CASES.............1 |
Which never should be used but in alarming |
cases |
." |
The Jealousies, Line 540 |
|
|
CASING............1 |
Blush in your |
casing |
helmets!- for see, see! |
King Stephen Act I, SCENE I, Stephen, Line 3 |
|
|
CASKET............5 |
Serenely sleep:- she from a |
casket |
takes |
To My Brother George (epistle), Line 93 |
And seal the hushed |
casket |
of my soul. |
Sonnet to Sleep, Line 14 |
Like to a jealous |
casket |
, hold my pearl- |
Otho the Great, Act I, SCENE III, Ludolph, Line 103 |
Though Fancy's |
casket |
were unlock'd to choose. |
Lamia, Part I, Line 20 |
He lifted a bright |
casket |
of pure gold, |
The Jealousies, Line 510 |
|
|
CASKETED..........1 |
So that the jewel, safely |
casketed |
, |
Isabella; or, The Pot of Basil, Line 431 |
|
|
CASKETS...........1 |
With emptied |
caskets |
, and her train upheld |
Otho the Great, Act V, SCENE V, Ludolph, Line 86 |
|
|
CASQUE............2 |
Thy locks in a knightly |
casque |
are rested: |
Hadst thou liv'd in days of old, Line 52 |
Voltaire with |
casque |
and shield and habergeon, |
Dear Reynolds, as last night I lay in bed, Line 7 |
|
|
CASSANDRA.........1 |
Nature withheld |
Cassandra |
in the skies |
Nature withheld Cassandra in the skies, Line 1 |
|
|
CASSIA............1 |
Of whitest |
cassia |
, fresh from summer showers: |
Calidore: A Fragment, Line 96 |
|
|
CASSIA'S..........1 |
And intertwined the |
cassia's |
arms unite, |
To George Felton Mathew, Line 43 |
|
|
CASSOCK...........1 |
And next a chaplain in a |
cassock |
new; |
The Jealousies, Line 590 |
|
|
CAST..............14 |
|
Cast |
upward, through the waves, a ruby glow: |
Imitation of Spenser, Line 13 |
Beheld thee, pluck'd thee, |
cast |
thee in the stream |
To George Felton Mathew, Line 82 |
Its beams against the zodiac-lion |
cast |
, |
Endymion: A Poetic Romance, Book I, Line 553 |
When I have |
cast |
this serpent-skin of woe?- |
Endymion: A Poetic Romance, Book III, Line 240 |
Endymion said: "Are not our fates all |
cast |
? |
Endymion: A Poetic Romance, Book IV, Line 901 |
And thus to be |
cast |
out, thus lorn to die, |
Endymion: A Poetic Romance, Book IV, Line 959 |
And if Robin should be |
cast |
|
Robin Hood, Line 38 |
|
Cast |
wan upon it! Burns! with honour due |
On Visiting the Tomb of Burns, Line 12 |
|
Cast |
on sunny bank its skin; |
Fancy, Line 58 |
When simplest things put on a sombre |
cast |
; |
Otho the Great, Act IV, SCENE I, Auranthe, Line 123 |
And down the passage |
cast |
a glow upon the floor. |
Lamia, Part II, Line 15 |
What eyes are upward |
cast |
. As I had found |
The Fall of Hyperion: A Dream, CANTO I, Line 271 |
And |
cast |
a quiet figure in his second floor. |
The Jealousies, Line 288 |
The city all her unhived swarms had |
cast |
, |
The Jealousies, Line 719 |
|
|
CASTIGATION.......1 |
they if I thought a year's |
castigation |
would do them any good;- it will not: the |
Endymion: A Poetic Romance, Preface, paragraph2 |
|
|
CASTING...........1 |
Green tufted islands |
casting |
their soft shades |
Calidore: A Fragment, Line 46 |
|
|
CASTLE............20 |
Whence may be seen the |
castle |
gloomy, and grand: |
Calidore: A Fragment, Line 65 |
You know the Enchanted |
Castle |
- it doth stand |
Dear Reynolds, as last night I lay in bed, Line 26 |
To shew this |
castle |
in fair dreaming wise |
Dear Reynolds, as last night I lay in bed, Line 31 |
Towards the shade under the |
castle |
wall |
Dear Reynolds, as last night I lay in bed, Line 59 |
Toward the |
castle |
or the cot where long ago was born |
There is a joy in footing slow across a silent plain, Line 11 |
The |
Castle |
of Friedburg, its vicinity, and the Hungarian Camp |
Otho the Great, Dramatis Personae, SCENE |
An Apartment in the |
Castle |
. |
Otho the Great, Act I, SCENE I, Setting |
The Court-yard of the |
Castle |
. |
Otho the Great, Act I, SCENE II, Setting |
[Enter CONRAD, from the |
Castle |
, attended by two Knights and |
Otho the Great, Act I, SCENE II, S.D. to Line 1b |
[Enter, from the |
Castle |
, AURANTHE, followed by Pages holding |
Otho the Great, Act I, SCENE II, S.D. to Line 12 |
The Country, with the |
Castle |
in the distance. |
Otho the Great, Act I, SCENE III, Setting |
He would be watching round the |
castle |
-walls, |
Otho the Great, Act I, SCENE III, Sigifred, Line 16 |
Let us to Friedburg |
castle |
. |
Otho the Great, Act I, SCENE III, Ludolph, Line 132 |
An Antichamber in the |
Castle |
. |
Otho the Great, Act II, SCENE I, Setting |
An Apartment in the |
Castle |
. |
Otho the Great, Act III, SCENE II, Setting |
Be what they may, and send him from the |
castle |
|
Otho the Great, Act IV, SCENE I, Conrad, Line 55 |
Will leave this busy |
castle |
. You had best |
Otho the Great, Act IV, SCENE I, Albert, Line 172 |
An Apartment in the |
Castle |
. |
Otho the Great, Act IV, SCENE II, Setting |
An inner Court of the |
Castle |
. |
Otho the Great, Act V, SCENE III, Setting |
[Exeunt into the |
Castle |
. |
Otho the Great, Act V, SCENE III, S.D. to Line 17 |
|
|
CASTLED...........1 |
|
Castled |
her king with such a vixen look, |
The Jealousies, Line 704 |
|
|
CASTOR............1 |
|
Castor |
has tamed the planet Lion, see! |
Endymion: A Poetic Romance, Book IV, Line 591 |
|
|
CASTS.............2 |
New sudden thoughts, nor |
casts |
his mental slough? |
Endymion: A Poetic Romance, Book II, Line 638 |
When the bee-hive |
casts |
its swarm; |
Fancy, Line 64 |
|
|
CAT...............3 |
|
Cat |
! who hast past thy grand climacteric, |
To Mrs. Reynold's Cat, Line 1 |
And Hazlitt playing with Miss Edgeworth's |
cat |
; |
Dear Reynolds, as last night I lay in bed, Line 10 |
And silken furr'd Angora |
cat |
. |
The Eve of St. Mark, Line 82 |
|
|
CAT'S.............2 |
Of the wild |
cat's |
eyes, or the silvery stems |
Calidore: A Fragment, Line 50 |
Quick |
cat's |
-paws on the generous stray-away,- |
Isabella; or, The Pot of Basil, Line 135 |
|
|
CATALOGUE.........1 |
In the dull |
catalogue |
of common things. |
Lamia, Part II, Line 233 |
|
|
CATARACT..........1 |
He of the cloud, the |
cataract |
, the lake, |
Addressed to the Same, Line 2 |
|
|
CATARACTS.........1 |
And all the everlasting |
cataracts |
, |
Hyperion: A Fragment, Book II, Line 363 |
|
|
CATCH.............16 |
To |
catch |
the tunings of a voice divine. |
Woman! when I behold thee flippant, vain, Line 28 |
Are upward turn'd to |
catch |
the heavens' dew. |
Calidore: A Fragment, Line 23 |
And |
catch |
soft floatings from a faint-heard hymning; |
Sleep and Poetry, Line 34 |
|
Catch |
the white-handed nymphs in shady places, |
Sleep and Poetry, Line 105 |
To |
catch |
a glimpse of Fauns, and Dryades |
I stood tip-toe upon a little hill, Line 153 |
|
Catch |
an immortal thought to pay the debt |
On Receiving a Laurel Crown from Leigh Hunt, Line 4 |
And |
catch |
the cheated eye in wide surprise, |
Endymion: A Poetic Romance, Book IV, Line 341 |
To |
catch |
a glance at silver throated eels,- |
Endymion: A Poetic Romance, Book IV, Line 393 |
Doth |
catch |
at the maiden's gown. |
For there's Bishop's Teign, Line 18 |
And from her chamber-window he would |
catch |
|
Isabella; or, The Pot of Basil, Line 19 |
I cannot |
catch |
you! You should laugh at me, |
Otho the Great, Act V, SCENE II, Ludolph, Line 33 |
And fain would I |
catch |
up his dying words, |
Otho the Great, Act V, SCENE IV, Otho, Line 42 |
O let me |
catch |
his voice - for lo! I hear |
Otho the Great, Act V, SCENE IV, Otho, Line 44 |
For should he |
catch |
a glimpse of my dull garb, |
Otho the Great, Act V, SCENE IV, Physician, Line 53 |
Enough to |
catch |
me in but half a snare, |
What can I do to drive away, Line 8 |
To |
catch |
the treasure: "Best in all the town!" |
The Jealousies, Line 422 |
|
|
CATCHES...........1 |
|
Catches |
his freshness from archangel's wing: |
Addressed to the Same, Line 4 |
|
|
CATCHING..........2 |
|
Catching |
the notes of Philomel,- an eye |
To one who has been long in city pent, Line 10 |
And taper fingers |
catching |
at all things, |
I stood tip-toe upon a little hill, Line 59 |
|
|
CATERING..........1 |
On such a |
catering |
trust my dizzy head. |
The Eve of St. Agnes, Line 177 |
|
|
CATES.............2 |
"All |
cates |
and dainties shall be stored there |
The Eve of St. Agnes, Line 173 |
An old lion sugar- |
cates |
of mild reprieve? |
Otho the Great, Act I, SCENE II, Otho, Line 172 |
|
|
CATHEDRAL.........2 |
This |
cathedral |
of the sea. |
Not Aladdin magian, Line 38 |
Like natural sculpture in |
cathedral |
cavern; |
Hyperion: A Fragment, Book I, Line 86 |
|
|
CATHEDRAL'S.......1 |
As a large cross, some old |
cathedral's |
crest, |
Sleep and Poetry, Line 296 |
|
|
CATHEDRALS........2 |
|
Cathedrals |
call'd. He bade a loth farewel |
Endymion: A Poetic Romance, Book II, Line 626 |
Of grey |
cathedrals |
, buttress'd walls, rent towers, |
The Fall of Hyperion: A Dream, CANTO I, Line 67 |
|
|
CATS..............2 |
So scared, he sent for that "good king of |
cats |
," |
Before he went to live with owls and bats, Line 5 |
Two or three |
cats |
|
Two or three posies, Line 13 |
|
|
CAUDLE............1 |
Left my soft cushion chair and |
caudle |
pot? |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 16 |
|
|
CAUGHT............21 |
Hadst |
caught |
the tones, nor suffered them to die. |
To Lord Byron, Line 5 |
The mountain flowers, when his glad senses |
caught |
|
Calidore: A Fragment, Line 54 |
No spherey strains by me could e'er be |
caught |
|
To My Brother George (epistle), Line 4 |
While, in my face, the freshest breeze I |
caught |
. |
To My Brother George (epistle), Line 122 |
When first my senses |
caught |
their tender falling. |
Sleep and Poetry, Line 330 |
|
Caught |
from the early sobbing of the morn. |
I stood tip-toe upon a little hill, Line 7 |
How she would start, and blush, thus to be |
caught |
|
I stood tip-toe upon a little hill, Line 99 |
The hillock turf, and |
caught |
the latter end |
Endymion: A Poetic Romance, Book I, Line 323 |
Offensive to the heavenly powers? |
Caught |
|
Endymion: A Poetic Romance, Book I, Line 509 |
A careful moving, |
caught |
my waking ears, |
Endymion: A Poetic Romance, Book I, Line 680 |
And here I bid it die. Have not I |
caught |
, |
Endymion: A Poetic Romance, Book I, Line 986 |
He |
caught |
her airy form, thus did he plain, |
Endymion: A Poetic Romance, Book II, Line 301 |
And, when all were clear vanish'd, still he |
caught |
|
Endymion: A Poetic Romance, Book II, Line 583 |
A poet |
caught |
as he was journeying |
Endymion: A Poetic Romance, Book II, Line 834 |
It ceased - I |
caught |
light footsteps; and anon |
Endymion: A Poetic Romance, Book III, Line 423 |
I |
caught |
a finger: but the downward weight |
Endymion: A Poetic Romance, Book III, Line 673 |
And scarcely for one moment could be |
caught |
|
Endymion: A Poetic Romance, Book IV, Line 388 |
Enlarge not to my hunger, or I'm |
caught |
|
Endymion: A Poetic Romance, Book IV, Line 760 |
And I was startled, when I |
caught |
thy name |
Lines on Seeing a Lock of Milton's Hair, Line 38 |
|
Caught |
infant-like from the far-foamed sands. |
Hyperion: A Fragment, Book II, Line 172 |
|
Caught |
up his little legs, and, in a fret, |
The Jealousies, Line 201 |
|
|
CAULIFLOWER.......1 |
There's a large |
cauliflower |
in each candle, |
Pensive they sit, and roll their languid eyes, Line 15 |
|
|
CAUSE.............11 |
Of those who in the |
cause |
of freedom fell; |
To George Felton Mathew, Line 66 |
How glorious this affection for the |
cause |
|
Addressed to Haydon, Line 9 |
She said with trembling chance: "Is this the |
cause |
? |
Endymion: A Poetic Romance, Book I, Line 721 |
And is not this the |
cause |
|
God of the meridian, Line 16 |
Be |
cause |
of feud between us. See! he comes! |
Otho the Great, Act I, SCENE I, Conrad, Line 119 |
To beard us for no |
cause |
; he's not the man |
Otho the Great, Act III, SCENE II, Otho, Line 108 |
The |
cause |
for which you have disturb'd us here, |
Otho the Great, Act III, SCENE II, Otho, Line 115 |
For what |
cause |
|
Otho the Great, Act IV, SCENE II, Ludolph, Line 48b |
And for your absence may I guess the |
cause |
? |
Otho the Great, Act IV, SCENE II, Gersa, Line 67 |
And suffer'd in these temples; for that |
cause |
|
The Fall of Hyperion: A Dream, CANTO I, Line 180 |
But not for this |
cause |
;- alas! she had more |
The Jealousies, Line 84 |
|
|
CAUSES............1 |
Contented fools |
causes |
for discontent, |
Otho the Great, Act I, SCENE I, Conrad, Line 40 |
|
|
CAUTIONING........1 |
No more advices, no more |
cautioning |
; |
Otho the Great, Act II, SCENE I, Ludolph, Line 1 |
|
|
CAVALIER..........1 |
Came many a tiptoe, amorous |
cavalier |
, |
The Eve of St. Agnes, Line 60 |
|
|
CAVE..............10 |
Tracing along, it brought me to a |
cave |
, |
Endymion: A Poetic Romance, Book I, Line 935 |
' Endymion! the |
cave |
is secreter |
Endymion: A Poetic Romance, Book I, Line 965 |
And stirr'd them faintly. Verdant |
cave |
and cell |
Endymion: A Poetic Romance, Book II, Line 678 |
Before he went into his quiet |
cave |
|
Endymion: A Poetic Romance, Book III, Line 996 |
From the old womb of night, his |
cave |
forlorn |
Endymion: A Poetic Romance, Book IV, Line 372 |
Sink downward to his dusky |
cave |
again. |
Endymion: A Poetic Romance, Book IV, Line 384 |
Hath led thee to this |
Cave |
of Quietude. |
Endymion: A Poetic Romance, Book IV, Line 548 |
A hermit young, I'll live in mossy |
cave |
, |
Endymion: A Poetic Romance, Book IV, Line 860 |
A |
cave |
of young earth dragons - well, my boy, |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 55 |
There was no covert, no retired |
cave |
|
Hyperion: A Fragment, Book III, Line 39 |
|
|
CAVERN............10 |
With mellow utterance, like a |
cavern |
spring, |
Endymion: A Poetic Romance, Book I, Line 576 |
And, but from the deep |
cavern |
there was borne |
Endymion: A Poetic Romance, Book II, Line 199 |
By a |
cavern |
wind unto a forest old; |
Endymion: A Poetic Romance, Book II, Line 831 |
More did I love to lie in |
cavern |
rude, |
Endymion: A Poetic Romance, Book III, Line 354 |
Skulks to his |
cavern |
, 'mid the gruff complaint |
Endymion: A Poetic Romance, Book III, Line 952 |
Happy field or mossy |
cavern |
, |
Lines on the Mermaid Tavern, Line 3 |
Happy field or mossy |
cavern |
, |
Lines on the Mermaid Tavern, Line 25 |
From his north |
cavern |
. So sweet Isabel |
Isabella; or, The Pot of Basil, Line 255 |
Like natural sculpture in cathedral |
cavern |
; |
Hyperion: A Fragment, Book I, Line 86 |
Haunters of |
cavern |
, lake, and waterfall, |
Lamia, Part I, Line 331 |
|
|
CAVERN'D..........1 |
Outblackens Erebus, and the full- |
cavern'd |
earth |
Endymion: A Poetic Romance, Book IV, Line 121 |
|
|
CAVERN'S..........2 |
Sit ye near some old |
cavern's |
mouth and brood |
On the Sea, Line 13 |
That, near a |
cavern's |
mouth, for ever pour'd |
Endymion: A Poetic Romance, Book II, Line 85 |
|
|
CAVERNS...........4 |
Gluts twice ten thousand |
caverns |
; till the spell |
On the Sea, Line 3 |
Huge dens and |
caverns |
in a mountain's side: |
Endymion: A Poetic Romance, Book I, Line 650 |
These dreary |
caverns |
for the open sky. |
Endymion: A Poetic Romance, Book II, Line 987 |
Are cloudy phantasms. |
Caverns |
lone, farewel! |
Endymion: A Poetic Romance, Book IV, Line 651 |
|
|
CAVES.............7 |
Hast thou from the |
caves |
of Golconda, a gem |
On Receiving a Curious Shell..., Line 1 |
Its ships, its rocks, its |
caves |
, its hopes, its fears,- |
To My Brother George (sonnet), Line 6 |
When he upswimmeth from the coral |
caves |
, |
To My Brother George (epistle), Line 51 |
Fountains grotesque, new trees, bespangled |
caves |
, |
Endymion: A Poetic Romance, Book I, Line 458 |
Through |
caves |
, and palaces of mottled ore, |
Endymion: A Poetic Romance, Book II, Line 594 |
Came swelling forth where little |
caves |
were wreath'd |
Endymion: A Poetic Romance, Book II, Line 665 |
Blue tides may sluice and drench their time in |
caves |
and weedy |
There is a joy in footing slow across a silent plain, Line 18 |
|
|
CAW...............1 |
Or the rooks, with busy |
caw |
, |
Fancy, Line 45 |
|
|
CEAS'D............10 |
There, when new wonders |
ceas'd |
to float before, |
Endymion: A Poetic Romance, Book II, Line 274 |
I clung about her waist, nor |
ceas'd |
to pass |
Endymion: A Poetic Romance, Book III, Line 626 |
"O that the flutter of this heart had |
ceas'd |
, |
Endymion: A Poetic Romance, Book IV, Line 728 |
"Lorenzo!"- here she |
ceas'd |
her timid quest, |
Isabella; or, The Pot of Basil, Line 55 |
The bells had |
ceas'd |
, the prayers begun, |
The Eve of St. Mark, Line 23 |
The quavering thunder thereupon had |
ceas'd |
, |
Hyperion: A Fragment, Book I, Line 225 |
He spake, and |
ceas'd |
, the while a heavier threat |
Hyperion: A Fragment, Book I, Line 251 |
Until it |
ceas'd |
; and still he kept them wide: |
Hyperion: A Fragment, Book I, Line 352 |
The nightingale had |
ceas'd |
, and a few stars |
Hyperion: A Fragment, Book III, Line 36 |
Of the sky children."- So he feebly |
ceas'd |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 438 |
|
|
CEASE.............10 |
Nor move till Milton's tuneful thunders |
cease |
, |
Ode to Apollo, Line 22 |
When I have fears that I may |
cease |
to be |
When I have fears that I may cease to be, Line 1 |
There in that forest did his great love |
cease |
; |
Isabella; or, The Pot of Basil, Line 218 |
With prayers that heaven would |
cease |
to bless |
O Some Skulls in Beauley Abbey, near Inverness, Line 35 |
Yet could I on this very midnight |
cease |
, |
Why did I laugh tonight? No voice will tell, Line 11 |
His eyes to fever out, his voice to |
cease |
. |
Hyperion: A Fragment, Book I, Line 138 |
To |
cease |
upon the midnight with no pain, |
Ode to a Nightingale, Line 56 |
Foul barbarian, |
cease |
; |
Otho the Great, Act III, SCENE II, Conrad, Line 72b |
Until they think warm days will never |
cease |
, |
To Autumn, Line 10 |
Return'd the Princess, "my tongue shall not |
cease |
|
The Jealousies, Line 62 |
|
|
CEASED............5 |
And revel'd in a chat that |
ceased |
not |
To Charles Cowden Clarke, Line 117 |
It |
ceased |
- I caught light footsteps; and anon |
Endymion: A Poetic Romance, Book III, Line 423 |
He |
ceased |
- she panted quick - and suddenly |
The Eve of St. Agnes, Line 295 |
By faint degrees, voice, lute, and pleasure |
ceased |
; |
Lamia, Part II, Line 265 |
Sudden the music |
ceased |
, sudden the hand |
The Jealousies, Line 348 |
|
|
CEASELESS.........2 |
Mingled with |
ceaseless |
bleatings of his sheep: |
Endymion: A Poetic Romance, Book III, Line 360 |
The |
ceaseless |
wonders of this ocean-bed. |
Endymion: A Poetic Romance, Book III, Line 392 |
|
|
CEASES............1 |
Which, when it |
ceases |
in this mountain'd world, |
Hyperion: A Fragment, Book II, Line 123 |
|
|
CEASING...........2 |
The poetry of earth is |
ceasing |
never: |
On the Grasshopper and Cricket, Line 9 |
No other sound succeeds; but |
ceasing |
here, |
Hyperion: A Fragment, Book II, Line 124 |
|
|
CEDAR.............2 |
Wandering about in pine and |
cedar |
gloom |
Endymion: A Poetic Romance, Book III, Line 483 |
Fresh carved |
cedar |
, mimicking a glade |
Lamia, Part II, Line 125 |
|
|
CEDAR'D...........2 |
Ring-doves may fly convuls'd across to some high |
cedar'd |
lair; |
There is a joy in footing slow across a silent plain, Line 20 |
From silken Samarcand to |
cedar'd |
Lebanon. |
The Eve of St. Agnes, Line 270 |
|
|
CEDARS............1 |
Beneath the green-fan'd |
cedars |
, some did shroud |
The Jealousies, Line 691 |
|
|
CEILING...........1 |
On |
ceiling |
beam and old oak chair, |
The Eve of St. Mark, Line 75 |
|
|
CEILING'S.........1 |
Down from the |
ceiling's |
height, pouring a noise |
Endymion: A Poetic Romance, Book II, Line 923 |
|
|
CELESTIAL.........4 |
Sweet Hope, |
celestial |
influence round me shed, |
To Hope, Line 47 |
Up went the hum |
celestial |
. High afar |
Endymion: A Poetic Romance, Book II, Line 581 |
|
Celestial |
|
Hyperion: A Fragment, Book III, Line 136 |
So Hermes thought, and a |
celestial |
heat |
Lamia, Part I, Line 22 |
|
|
CELL..............7 |
Some moulder'd steps lead into this cool |
cell |
, |
Endymion: A Poetic Romance, Book I, Line 869 |
Or 'tis the |
cell |
of Echo, where she sits, |
Endymion: A Poetic Romance, Book I, Line 947 |
I have a ditty for my hollow |
cell |
." |
Endymion: A Poetic Romance, Book II, Line 130 |
And stirr'd them faintly. Verdant cave and |
cell |
|
Endymion: A Poetic Romance, Book II, Line 678 |
Dovelike in the dim |
cell |
lying beyond |
Endymion: A Poetic Romance, Book IV, Line 65 |
And all around each eye's sepulchral |
cell |
|
Isabella; or, The Pot of Basil, Line 404 |
No poison gender'd in close monkish |
cell |
|
The Fall of Hyperion: A Dream, CANTO I, Line 49 |
|
|
CELLED............1 |
Meagre from its |
celled |
sleep; |
Fancy, Line 56 |
|
|
CELLS.............6 |
For thee to tumble into Naiads' |
cells |
, |
Endymion: A Poetic Romance, Book I, Line 272 |
Loiter'd around us; then of honey |
cells |
, |
Endymion: A Poetic Romance, Book I, Line 668 |
As bees gorge full their |
cells |
. And, by the feud |
Endymion: A Poetic Romance, Book III, Line 40 |
Who, driven forth from their religious |
cells |
, |
Otho the Great, Act I, SCENE II, Ethelbert, Line 193 |
Forc'd from their quiet |
cells |
, are parcell'd out |
Otho the Great, Act II, SCENE II, Erminia, Line 76 |
For summer has o'er-brimm'd their clammy |
cells |
. |
To Autumn, Line 11 |
|
|
CENCHREAS.........2 |
In port |
Cenchreas |
, from Egina isle |
Lamia, Part I, Line 225 |
twenty-five years of age, that going betwixt |
Cenchreas |
and Corinth, met such a |
Lamia, Keats's Footnote from Burton, |
|
|
CENCHREAS'........1 |
Who go on to Corinth from |
Cenchreas' |
shore; |
Lamia, Part I, Line 174 |
|
|
CENSER............8 |
From the |
censer |
to the skies |
Hadst thou liv'd in days of old, Line 22 |
Like pious incense from a |
censer |
old, |
The Eve of St. Agnes, Line 7 |
From chain-swung |
censer |
teeming; |
Ode to Psyche, Line 33 |
From swinged |
censer |
teeming; |
Ode to Psyche, Line 47 |
A |
censer |
fed with myrrh and spiced wood, |
Lamia, Part II, Line 176 |
Robes, golden tongs, |
censer |
, and chafing dish, |
The Fall of Hyperion: A Dream, CANTO I, Line 79 |
About a golden |
censer |
from the hand |
The Fall of Hyperion: A Dream, CANTO I, Line 197 |
About a golden |
censer |
from her hand |
The Fall of Hyperion: A Dream, CANTO I, Line 219 |
|
|
CENSERS...........2 |
From fifty |
censers |
their light voyage took |
Lamia, Part II, Line 180 |
Like floral- |
censers |
swinging light in air; |
The Fall of Hyperion: A Dream, CANTO I, Line 27 |
|
|
CENSORIOUS........1 |
My vein is not |
censorious |
- |
Otho the Great, Act II, SCENE II, Gersa, Line 99a |
|
|
CENTAINE..........1 |
Take refuge.- Of bad lines a |
centaine |
dose |
Dear Reynolds, as last night I lay in bed, Line 112 |
|
|
CENTAUR...........1 |
The ramping |
Centaur |
! |
Endymion: A Poetic Romance, Book IV, Line 595 |
|
|
CENTAUR'S.........1 |
The |
Centaur's |
arrow ready seems to pierce |
Endymion: A Poetic Romance, Book IV, Line 597 |
|
|
CENTAURS..........1 |
Swifter than |
centaurs |
after rapine bent.- |
Endymion: A Poetic Romance, Book III, Line 536 |
|
|
CENTINEL..........1 |
Yon |
centinel |
stars; and he who listens to it |
Endymion: A Poetic Romance, Book II, Line 842 |
|
|
CENTRE............2 |
Puzzled those eyes that for the |
centre |
sought; |
Endymion: A Poetic Romance, Book IV, Line 387 |
Even here, into my |
centre |
of repose, |
Hyperion: A Fragment, Book I, Line 243 |
|
|
CENTRED...........1 |
When the whole kingdom, |
centred |
in ourself, |
Otho the Great, Act II, SCENE I, Otho, Line 65 |
|
|
CENTURIES.........2 |
His loath'd existence through ten |
centuries |
, |
Endymion: A Poetic Romance, Book III, Line 691 |
Won from the gaze of many |
centuries |
: |
Hyperion: A Fragment, Book I, Line 280 |
|
|
CENTURION.........1 |
But as a son. The bronz'd |
centurion |
, |
Otho the Great, Act I, SCENE III, Ludolph, Line 25 |
|
|
CEREMONIES........1 |
If |
ceremonies |
due they did aright; |
The Eve of St. Agnes, Line 50 |
|
|
CEREMONIOUS.......1 |
Lie!- but begone all |
ceremonious |
points |
Otho the Great, Act IV, SCENE II, Gersa, Line 89b |
|
|
CEREMONY..........3 |
Conrad, with all due |
ceremony |
, give |
Otho the Great, Act I, SCENE II, Otho, Line 154 |
In times of delicate brilliant |
ceremony |
: |
Otho the Great, Act V, SCENE II, Ludolph, Line 55 |
And fragrant oils with |
ceremony |
meet |
Lamia, Part II, Line 194 |
|
|
CERES.............1 |
Shakes hand with our own |
Ceres |
; every sense |
Endymion: A Poetic Romance, Book III, Line 38 |
|
|
CERES'............2 |
Dulcet-eyed as |
Ceres' |
daughter, |
Fancy, Line 81 |
Of |
Ceres' |
horn, and, in huge vessels, wine |
Lamia, Part II, Line 187 |
|
|
CERTAIN...........7 |
Till, like the |
certain |
wands of Jacob's wit, |
Sleep and Poetry, Line 198 |
The message |
certain |
to be done to-morrow- |
Sleep and Poetry, Line 323 |
One felt heart- |
certain |
that he could not miss |
Endymion: A Poetic Romance, Book I, Line 374 |
Whence, from a |
certain |
spot, its winding flood |
Endymion: A Poetic Romance, Book I, Line 543 |
A |
certain |
shape or shadow, making way |
Hyperion: A Fragment, Book I, Line 122 |
A |
certain |
Arab haunting in these parts. |
Otho the Great, Act II, SCENE I, Otho, Line 120 |
Generously, without more |
certain |
guarantee, |
Otho the Great, Act II, SCENE II, Erminia, Line 109 |
|
|
CERTAINTY.........2 |
Felt a high |
certainty |
of being blest. |
Endymion: A Poetic Romance, Book III, Line 795 |
We met could answer any |
certainty |
. |
Otho the Great, Act III, SCENE II, Sigifred, Line 275 |
|
|
CERTES............4 |
|
Certes |
, a father's smile should, like sunlight, |
Otho the Great, Act V, SCENE V, Ludolph, Line 117 |
The serpent - Ha, the serpent! |
certes |
, she |
Lamia, Part II, Line 80 |
Stephen - me - prisoner. |
Certes |
, De Kaims, |
King Stephen Act I, SCENE III, Stephen, Line 32 |
" |
Certes |
, monsieur were best take to his feet, |
The Jealousies, Line 257 |
|
|
CEYLON............1 |
For them the |
Ceylon |
diver held his breath, |
Isabella; or, The Pot of Basil, Line 113 |