|
CHACE.............3 |
'Tis vain - away I cannot |
chace |
|
Fill for me a brimming bowl, Line 13 |
|
Chace |
him away, sweet Hope, with visage bright, |
To Hope, Line 17 |
My spear aloft, as signal for the |
chace |
- |
Endymion: A Poetic Romance, Book I, Line 532 |
|
CHACED............1 |
Dian had |
chaced |
away that heaviness, |
Endymion: A Poetic Romance, Book III, Line 138 |
|
CHACING...........1 |
|
Chacing |
away all worldliness and folly; |
Sleep and Poetry, Line 26 |
|
CHAFF.............3 |
All |
chaff |
of custom, wipe away all slime |
Endymion: A Poetic Romance, Book I, Line 820 |
And sauces held he worthless as the |
chaff |
; |
Character of C.B., Line 12 |
The whole world |
chaff |
to me. Your doom is fixed. |
Otho the Great, Act IV, SCENE I, Albert, Line 157 |
|
CHAFING...........2 |
In |
chafing |
restlessness, is yet more drear |
Endymion: A Poetic Romance, Book II, Line 39 |
Robes, golden tongs, censer, and |
chafing |
dish, |
The Fall of Hyperion: A Dream, CANTO I, Line 79 |
|
CHAGRIN...........1 |
And damn'd his House of Commons, in complete |
chagrin |
. |
The Jealousies, Line 135 |
|
CHAIN.............8 |
A sun-beamy tale of a wreath, and a |
chain |
; |
On Receiving a Curious Shell..., Line 22 |
And list to the tale of the wreath, and the |
chain |
, |
On Receiving a Curious Shell..., Line 39 |
The social smile, the |
chain |
for freedom's sake: |
Addressed to the Same, Line 6 |
My |
chain |
of grief: no longer strive to find |
Endymion: A Poetic Romance, Book I, Line 979 |
A |
chain |
-droop'd lamp was flickering by each door; |
The Eve of St. Agnes, Line 357 |
From |
chain |
-swung censer teeming; |
Ode to Psyche, Line 33 |
I'll |
chain |
up myself. |
Otho the Great, Act III, SCENE II, Ludolph, Line 110b |
Her soft look growing coy, she saw his |
chain |
so sure: |
Lamia, Part I, Line 256 |
|
CHAIN'D...........3 |
In harmless tendril they each other |
chain'd |
, |
Endymion: A Poetic Romance, Book III, Line 935 |
Some |
chain'd |
in torture, and some wandering. |
Hyperion: A Fragment, Book II, Line 18 |
If by dull rhymes our English must be |
chain'd |
, |
If by dull rhymes our English must be chain'd, Line 1 |
|
CHAINS............7 |
Keep thy |
chains |
burst, and boldly say thou art free; |
On Peace, Line 12 |
The |
chains |
lie silent on the footworn stones;- |
The Eve of St. Agnes, Line 368 |
On land, on seas, in pagan- |
chains |
, |
The Eve of St. Mark, Line 91 |
Enter GERSA, in |
chains |
, and guarded. |
Otho the Great, Act I, SCENE II, S.D. to Line 93 |
In |
chains |
, as just now stood that noble prince: |
Otho the Great, Act I, SCENE II, Otho, Line 168 |
And |
chains |
too heavy for your life; |
Otho the Great, Act II, SCENE I, Otho, Line 90b |
Girdles, and |
chains |
, and holy jewelries. |
The Fall of Hyperion: A Dream, CANTO I, Line 80 |
|
CHAIR.............8 |
Left my soft cushion |
chair |
and caudle pot? |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 16 |
We're safe enough; here in this arm- |
chair |
sit, |
The Eve of St. Agnes, Line 106 |
On ceiling beam and old oak |
chair |
, |
The Eve of St. Mark, Line 75 |
Ne with sly lemans in the scorner's |
chair |
; |
Character of C.B., Line 15 |
By Peter's |
chair |
! I have upon my tongue |
Otho the Great, Act II, SCENE I, Otho, Line 67 |
QUEEN MAUD in a |
chair |
of state. The EARLS OF GLOCESTER and |
King Stephen Act I, SCENE IV, S.D. to Line 1 |
It was too much. He shrunk back in his |
chair |
, |
The Jealousies, Line 456 |
While that fair Princess, from her winged |
chair |
, |
The Jealousies, Line 740 |
|
CHAIRMEN..........1 |
It swallows |
chairmen |
, damns, and hackney coaches. |
Fragment of Castle-builder, CASTLE BUILDER, Line 15 |
|
CHALDEAN..........1 |
Begone!- for you, |
Chaldean |
! here remain; |
The Jealousies, Line 357 |
|
CHALDEANS.........1 |
And set those old |
Chaldeans |
to their tasks.- |
Endymion: A Poetic Romance, Book III, Line 21 |
|
CHALDEE...........1 |
Built by a banish'd santon of |
Chaldee |
: |
Dear Reynolds, as last night I lay in bed, Line 42 |
|
CHALK.............1 |
For |
chalk |
, I hear, stands at a pretty price; |
The Jealousies, Line 290 |
|
CHAM..............2 |
"Upon my honour!" said the son of |
Cham |
, |
The Jealousies, Line 403 |
|
Cham |
is said to have been the inventor of magic. |
The Jealousies, Keats's Note to Line 403 |
|
CHAMBER...........16 |
Now Morning from her orient |
chamber |
came, |
Imitation of Spenser, Line 1 |
Soon in a pleasant |
chamber |
they are seated; |
Calidore: A Fragment, Line 134 |
A |
chamber |
, myrtle wall'd, embowered high, |
Endymion: A Poetic Romance, Book II, Line 389 |
And from her |
chamber |
-window he would catch |
Isabella; or, The Pot of Basil, Line 19 |
She, to her |
chamber |
gone, a ditty fair |
Isabella; or, The Pot of Basil, Line 77 |
Even to Madeline's |
chamber |
, and there hide |
The Eve of St. Agnes, Line 164 |
The maiden's |
chamber |
, silken, hush'd, and chaste; |
The Eve of St. Agnes, Line 187 |
A window to her |
chamber |
neighbour'd near, |
Otho the Great, Act III, SCENE II, Ethelbert, Line 142 |
Cannot be done; for see, this |
chamber |
-floor |
Otho the Great, Act IV, SCENE I, Auranthe, Line 45 |
At seeing me in this |
chamber |
. |
Otho the Great, Act IV, SCENE I, Albert, Line 161a |
E'en to her |
chamber |
-door, and there, fair boy,- |
Otho the Great, Act IV, SCENE II, Ludolph, Line 9 |
Above the lintel of their |
chamber |
door, |
Lamia, Part II, Line 14 |
And shut the |
chamber |
up, close, hush'd and still, |
Lamia, Part II, Line 143 |
The awed presence |
chamber |
may be bold |
King Stephen Act I, SCENE III, Stephen, Line 30 |
A Presence |
Chamber |
. |
King Stephen Act I, SCENE IV, Setting |
And breathe themselves at th' Emperor's |
chamber |
door, |
The Jealousies, Line 323 |
|
CHAMBER'S.........1 |
The |
chamber's |
empty! |
Otho the Great, Act IV, SCENE II, Page, Line 127b |
|
CHAMBERLAIN.......1 |
First wily Crafticant, the |
chamberlain |
, |
The Jealousies, Line 580 |
|
CHAMBERS..........4 |
The level |
chambers |
, ready with their pride, |
The Eve of St. Agnes, Line 32 |
For him, those |
chambers |
held barbarian hordes, |
The Eve of St. Agnes, Line 85 |
In all the unknown |
chambers |
of the dead, |
Otho the Great, Act V, SCENE II, Albert, Line 18 |
In the dark secret |
chambers |
of her skull |
The Fall of Hyperion: A Dream, CANTO I, Line 278 |
|
CHAMPAGNE.........1 |
Sherry in silver, hock in gold, or glass'd |
champagne |
?" |
The Jealousies, Line 360 |
|
CHAMPAIGN.........2 |
Their fellow huntsmen o'er the wide |
champaign |
|
Endymion: A Poetic Romance, Book I, Line 386 |
And, after looking round the |
champaign |
wide, |
Isabella; or, The Pot of Basil, Line 347 |
|
CHAMPION..........1 |
What when a stout unbending |
champion |
awes |
Addressed to Haydon, Line 11 |
|
CHANC'D...........1 |
And so it |
chanc'd |
, for many a door was wide, |
The Eve of St. Agnes, Line 29 |
|
CHANCE............20 |
She said with trembling |
chance |
: "Is this the cause? |
Endymion: A Poetic Romance, Book I, Line 721 |
The happy |
chance |
: so happy, I was fain |
Endymion: A Poetic Romance, Book I, Line 891 |
From place to place, and following at |
chance |
, |
Endymion: A Poetic Romance, Book I, Line 930 |
By this the sun is setting; we may |
chance |
|
Endymion: A Poetic Romance, Book I, Line 988 |
How a restoring |
chance |
came down to quell |
Endymion: A Poetic Romance, Book III, Line 644 |
Or height, or depth, or width, or any |
chance |
|
Endymion: A Poetic Romance, Book IV, Line 357 |
Their shadows, with the magic hand of |
chance |
; |
When I have fears that I may cease to be, Line 8 |
It came like a fierce potion, drunk by |
chance |
, |
Isabella; or, The Pot of Basil, Line 267 |
He reads it on the mountain's height, where |
chance |
he may sit down |
There is a joy in footing slow across a silent plain, Line 43 |
Ah, happy |
chance |
! the aged creature came, |
The Eve of St. Agnes, Line 91 |
And they had had it, but, O happy |
chance |
, |
When they were come unto the Faery's court, Line 47 |
Advantage of your |
chance |
discoveries |
Otho the Great, Act I, SCENE I, Auranthe, Line 116 |
It was my |
chance |
to meet his olive brow, |
Otho the Great, Act I, SCENE II, Albert, Line 54 |
Prythee, fair lady, what |
chance |
brought you here? |
Otho the Great, Act II, SCENE II, Gersa, Line 96 |
That I, by happy |
chance |
, hit the right man |
Otho the Great, Act III, SCENE II, Erminia, Line 252 |
And wonder that 'tis so,- the magic |
chance |
! |
Otho the Great, Act V, SCENE V, Ludolph, Line 69 |
For by some freakful |
chance |
he made retire |
Lamia, Part I, Line 230 |
How long I slumber'd 'tis a |
chance |
to guess. |
The Fall of Hyperion: A Dream, CANTO I, Line 57 |
If by a |
chance |
into this fane they come, |
The Fall of Hyperion: A Dream, CANTO I, Line 152 |
The strangest sight - the most unlook'd-for |
chance |
- |
The Jealousies, Line 755 |
|
CHANCED...........1 |
And listen'd to her breathing, if it |
chanced |
|
The Eve of St. Agnes, Line 246 |
|
CHANCEL...........1 |
In dull November, and their |
chancel |
vault, |
Hyperion: A Fragment, Book II, Line 37 |
|
CHANCELLOR........2 |
And as for the |
Chancellor |
- dominat. |
The Gothic looks solemn, Line 12 |
"I'll trounce 'em!- there's the square-cut |
chancellor |
, |
The Jealousies, Line 145 |
|
CHANCES...........1 |
Of all the |
chances |
in their earthly walk; |
Endymion: A Poetic Romance, Book I, Line 388 |
|
CHANDELIERS.......1 |
These pendent lamps and |
chandeliers |
are bright |
Otho the Great, Act V, SCENE V, Ludolph, Line 40 |
|
CHANG'D...........7 |
Apollo |
chang'd |
thee; how thou next didst seem |
To George Felton Mathew, Line 86 |
You |
chang'd |
the footpath for the grassy plain. |
To Charles Cowden Clarke, Line 126 |
Stood silent round the shrine: each look was |
chang'd |
|
Endymion: A Poetic Romance, Book I, Line 186 |
How |
chang'd |
, how full of ache, how gone in woe! |
Endymion: A Poetic Romance, Book III, Line 80 |
How |
chang'd |
thou art! how pallid, chill, and drear! |
The Eve of St. Agnes, Line 311 |
What more than I know of could so have |
chang'd |
|
Otho the Great, Act II, SCENE I, Ludolph, Line 142 |
Have |
chang'd |
a God into a shaking palsy. |
The Fall of Hyperion: A Dream, CANTO I, Line 426 |
|
CHANGE............14 |
Nor e'er will the notes from their tenderness |
change |
; |
On Receiving a Curious Shell..., Line 35 |
Ah! thou hast been uphappy at the |
change |
|
Endymion: A Poetic Romance, Book I, Line 520 |
Vexing conceptions of some sudden |
change |
; |
Endymion: A Poetic Romance, Book II, Line 236 |
The solitary felt a hurried |
change |
|
Endymion: A Poetic Romance, Book II, Line 633 |
How lightning-swift the |
change |
! a youthful wight |
Endymion: A Poetic Romance, Book III, Line 775 |
Thou shouldst, my love, by some unlook'd for |
change |
|
Endymion: A Poetic Romance, Book IV, Line 992 |
There was a painful |
change |
, that nigh expell'd |
The Eve of St. Agnes, Line 300 |
And bid the day begin, if but for |
change |
. |
Hyperion: A Fragment, Book I, Line 291 |
That I may never know how |
change |
the moons, |
Ode on Indolence, Line 39 |
May |
change |
you to a spider, so to crawl |
Otho the Great, Act V, SCENE II, Ludolph, Line 39 |
To |
change |
; her elfin blood in madness ran, |
Lamia, Part I, Line 147 |
To |
change |
his purpose. He thereat was stung, |
Lamia, Part II, Line 69 |
It works a constant |
change |
, which happy death |
The Fall of Hyperion: A Dream, CANTO I, Line 259 |
Of |
change |
, hour after hour I curs'd myself: |
The Fall of Hyperion: A Dream, CANTO I, Line 399 |
|
CHANGE'S..........1 |
A pigeon's somerset, for sport or |
change's |
sake. |
The Jealousies, Line 45 |
|
CHANGED...........3 |
Are |
changed |
to harmonies, for ever stealing |
To Kosciusko, Line 7 |
The streams with |
changed |
magic interlace: |
Endymion: A Poetic Romance, Book II, Line 613 |
How specious heaven was |
changed |
to real hell. |
Endymion: A Poetic Romance, Book III, Line 476 |
|
CHANGEFUL.........1 |
Were clogg'd in some thick cloud? O, |
changeful |
Love, |
Otho the Great, Act IV, SCENE II, Ludolph, Line 32 |
|
CHANGELING........2 |
She is a |
changeling |
of my management; |
The Jealousies, Line 389 |
"She is my dainty |
changeling |
, near and dear, |
The Jealousies, Line 404 |
|
CHANGES...........1 |
Of happy |
changes |
in emphatic dreams, |
Endymion: A Poetic Romance, Book I, Line 414 |
|
CHANGING..........3 |
The reading of an ever- |
changing |
tale; |
Sleep and Poetry, Line 91 |
Hither and thither all the |
changing |
thoughts |
Sleep and Poetry, Line 287 |
With an electral |
changing |
misery |
The Fall of Hyperion: A Dream, CANTO I, Line 246 |
|
CHANNEL...........2 |
To its old |
channel |
, or a swollen tide |
Endymion: A Poetic Romance, Book II, Line 340 |
Had made a miry |
channel |
for his tears. |
Isabella; or, The Pot of Basil, Line 280 |
|
CHANNELS..........2 |
Into its airy |
channels |
with so subtle, |
Endymion: A Poetic Romance, Book I, Line 750 |
The |
channels |
where my coolest waters flow |
Endymion: A Poetic Romance, Book II, Line 991 |
|
CHANT.............1 |
Alone: I |
chant |
alone the holy mass, |
Isabella; or, The Pot of Basil, Line 307 |
|
CHANTED...........1 |
And as he went she |
chanted |
merrily. |
Isabella; or, The Pot of Basil, Line 208 |
|
CHANTRY...........1 |
The |
chantry |
boy sings, |
The Gothic looks solemn, Line 10 |
|
CHAOS.............7 |
Uprisen o'er |
chaos |
: and with such a stun |
Endymion: A Poetic Romance, Book II, Line 247 |
Dark as the parentage of |
chaos |
. Hark! |
Endymion: A Poetic Romance, Book II, Line 912 |
Where is another |
Chaos |
? Where?"- That word |
Hyperion: A Fragment, Book I, Line 145 |
From |
Chaos |
and parental Darkness came |
Hyperion: A Fragment, Book II, Line 191 |
Than |
Chaos |
and blank Darkness, though once chiefs; |
Hyperion: A Fragment, Book II, Line 207 |
Of shapeless |
Chaos |
. Say, doth the dull soil |
Hyperion: A Fragment, Book II, Line 217 |
Intrigue with the specious |
chaos |
, and dispart |
Lamia, Part I, Line 195 |
|
CHAPEL............4 |
The little |
chapel |
with the cross above |
Calidore: A Fragment, Line 42 |
And many a |
chapel |
bell the hour is telling, |
Isabella; or, The Pot of Basil, Line 310 |
For seldom did she go to |
chapel |
-shrift, |
Isabella; or, The Pot of Basil, Line 467 |
Along the |
chapel |
aisle by slow degrees: |
The Eve of St. Agnes, Line 13 |
|
CHAPLAIN..........1 |
And next a |
chaplain |
in a cassock new; |
The Jealousies, Line 590 |
|
CHAPLETS..........1 |
Of laurel |
chaplets |
, and Apollo's glories; |
To Charles Cowden Clarke, Line 45 |
|
CHAPMAN...........1 |
Till I heard |
Chapman |
speak out loud and bold: |
On First Looking into Chapman's Homer, Line 8 |
|
CHAPMEN...........1 |
Of loggerheads and |
chapmen |
;- we are told |
Before he went to live with owls and bats, Line 11 |
|
CHAPP'D...........1 |
Who waits for thee, as the |
chapp'd |
earth for rain. |
Otho the Great, Act II, SCENE I, Conrad, Line 33 |
|
CHAPTER...........2 |
Well, let us see,- tenth book and |
chapter |
nine,- |
The Jealousies, Line 640 |
To the second |
chapter |
of my fortieth book, |
The Jealousies, Line 706 |
|
CHARACTER.........1 |
the |
character |
undecided, the way of life uncertain, the ambition thick-sighted: |
Endymion: A Poetic Romance, Preface, paragraph4 |
|
CHARACTER'D.......2 |
So plainly |
character'd |
, no breeze would shiver |
Endymion: A Poetic Romance, Book I, Line 890 |
There must be surely |
character'd |
strange things, |
Endymion: A Poetic Romance, Book II, Line 62 |
|
CHARACTERS........1 |
On this scroll thou seest written in |
characters |
fair |
On Receiving a Curious Shell..., Line 21 |
|
CHARACTERY........2 |
Nor mark'd with any sign or |
charactery |
- |
Endymion: A Poetic Romance, Book III, Line 762 |
Had swollen and green'd the pious |
charactery |
, |
Endymion: A Poetic Romance, Book IV, Line 790 |
|
CHARACTRY.........1 |
Before high piled books, in |
charactry |
, |
When I have fears that I may cease to be, Line 3 |
|
CHARGE............3 |
O ye whose |
charge |
|
Sleep and Poetry, Line 206b |
Buds lavish gold; or ye, whose precious |
charge |
|
Endymion: A Poetic Romance, Book I, Line 203 |
At one pernicious |
charge |
of the enemy, |
Otho the Great, Act I, SCENE I, Conrad, Line 66 |
|
CHARIOT...........10 |
The thought of that same |
chariot |
, and the strange |
Sleep and Poetry, Line 161 |
Of Bacchus from his |
chariot |
, when his eye |
Sleep and Poetry, Line 335 |
His snorting four. Now when his |
chariot |
last |
Endymion: A Poetic Romance, Book I, Line 552 |
How lithe! When this thy |
chariot |
attains |
Endymion: A Poetic Romance, Book II, Line 191 |
In sombre |
chariot |
; dark foldings thrown |
Endymion: A Poetic Romance, Book II, Line 641 |
Apollo singeth, while his |
chariot |
|
Endymion: A Poetic Romance, Book III, Line 958 |
With wings or |
chariot |
fierce to repossess |
Hyperion: A Fragment, Book I, Line 123 |
Have ye beheld his |
chariot |
, foam'd along |
Hyperion: A Fragment, Book II, Line 234 |
So wearily, as if night's |
chariot |
-wheels |
Otho the Great, Act IV, SCENE II, Ludolph, Line 31 |
Veil'd, in a |
chariot |
, heralded along |
Lamia, Part II, Line 108 |
|
CHARIOTED.........1 |
Not |
charioted |
by Bacchus and his pards, |
Ode to a Nightingale, Line 32 |
|
CHARIOTEER........3 |
And steeds with streamy manes - the |
charioteer |
|
Sleep and Poetry, Line 127 |
The |
charioteer |
with wond'rous gesture talks |
Sleep and Poetry, Line 136 |
|
Charioteer |
|
God of the golden bow, Line 5 |
|
CHARIOTING........1 |
|
Charioting |
foremost in the envious race, |
Lamia, Part I, Line 217 |
|
CHARITABLE........3 |
O |
charitable |
Echo! hear, and sing |
Endymion: A Poetic Romance, Book I, Line 958 |
Of life from |
charitable |
voice? No sweet saying |
Endymion: A Poetic Romance, Book IV, Line 45 |
Those |
charitable |
eyes will thaw my heart, |
Otho the Great, Act V, SCENE V, Ludolph, Line 144 |
|
CHARITIES.........1 |
Around my bed its lulling |
charities |
. |
Sonnet to Sleep, Line 8 |
|
CHARITY...........2 |
Much |
charity |
, and ne'er neglect |
O Some Skulls in Beauley Abbey, near Inverness, Line 38 |
O save, in |
charity |
, |
To Fanny, Line 23 |
|
CHARLES...........2 |
By this, friend |
Charles |
, you may full plainly see |
To Charles Cowden Clarke, Line 21 |
Again I shake your hand,- friend |
Charles |
, good night. |
To Charles Cowden Clarke, Line 132 |
|
CHARLES'S.........1 |
the Anniversary of |
Charles's |
Restoration, on Hearing the Bells |
Lines Written on 29 May, Extended Title |
|
CHARM.............25 |
Thy notes the blossoms |
charm |
to blow, |
Stay, ruby breasted warbler, stay, Line 11 |
From my despairing breast to |
charm |
|
Fill for me a brimming bowl, Line 9 |
And |
charm |
the ear of evening fair, |
Ode to Apollo, Line 46 |
Could |
charm |
them into such an attitude. |
Specimen of an Induction to a Poem, Line 7 |
That my soft verse will |
charm |
thy daughters fair, |
To My Brother George (epistle), Line 108 |
With him," said I, "will take a pleasant |
charm |
; |
To Charles Cowden Clarke, Line 129 |
The very archings of her eye-lids |
charm |
|
Sleep and Poetry, Line 238 |
As plainly in his ear, as the faint |
charm |
|
Endymion: A Poetic Romance, Book II, Line 356 |
Between her kissing breasts, and every |
charm |
|
Endymion: A Poetic Romance, Book II, Line 947 |
Against his pallid face: he felt the |
charm |
|
Endymion: A Poetic Romance, Book III, Line 105 |
Thou wast the |
charm |
of women, lovely Moon! |
Endymion: A Poetic Romance, Book III, Line 169 |
She lifted up the |
charm |
: appealing groans |
Endymion: A Poetic Romance, Book III, Line 518 |
Endymion, with quick hand, the |
charm |
applied- |
Endymion: A Poetic Romance, Book III, Line 781 |
He flapp'd towards the sound. Alas, no |
charm |
|
Endymion: A Poetic Romance, Book IV, Line 556 |
Och the |
charm |
|
There was a naughty boy, Line 53 |
O Stranger, thou my nerves from pipe didst |
charm |
; |
Of late two dainties were before me plac'd, Line 10 |
For a song and for a |
charm |
- |
'Tis the "witching time of night", Line 6 |
But dares not look behind, or all the |
charm |
is fled. |
The Eve of St. Agnes, Line 234 |
By the dusk curtains:- 'twas a midnight |
charm |
|
The Eve of St. Agnes, Line 282 |
Yet stay,- perhaps a |
charm |
may call you back, |
Otho the Great, Act I, SCENE I, Conrad, Line 84 |
Delicate, put to the proof the lythe Caducean |
charm |
. |
Lamia, Part I, Line 133 |
What canst thou say or do of |
charm |
enough |
Lamia, Part I, Line 274 |
Throughout, as fearful the whole |
charm |
might fade. |
Lamia, Part II, Line 124 |
Imagination from the sable |
charm |
|
The Fall of Hyperion: A Dream, CANTO I, Line 10 |
This is the magic, this the potent |
charm |
, |
The Jealousies, Line 518 |
|
CHARM'D...........6 |
Of all that ever |
charm'd |
romantic eye: |
Imitation of Spenser, Line 24 |
Her shadow fell upon his breast, and |
charm'd |
|
Endymion: A Poetic Romance, Book II, Line 527 |
And underneath their shadow |
charm'd |
her eyes |
Nature withheld Cassandra in the skies, Line 6 |
So play'd, so |
charm'd |
, so conquer'd, so bereft |
As Hermes once took to his feathers light, Line 4 |
|
Charm'd |
magic casements, opening on the foam |
Ode to a Nightingale, Line 69 |
|
Charm'd |
into ever freezing, lay an old |
The Jealousies, Line 512 |
|
CHARMED...........6 |
Methought I fainted at the |
charmed |
touch, |
Endymion: A Poetic Romance, Book I, Line 637 |
|
Charmed |
to death by the drone of the humming may fly. |
Hush, hush, tread softly, hush, hush, my dear, Line 12 |
When Madeline, St. Agnes' |
charmed |
maid, |
The Eve of St. Agnes, Line 192 |
Tall oaks, branch- |
charmed |
by the earnest stars, |
Hyperion: A Fragment, Book I, Line 74 |
Then, once again, the |
charmed |
God began |
Lamia, Part I, Line 112 |
Forests, branch- |
charmed |
by the earnest stars, |
The Fall of Hyperion: A Dream, CANTO I, Line 373 |
|
CHARMING..........5 |
Of |
charming |
my mind from the trammels of pain. |
On Receiving a Curious Shell..., Line 24 |
My |
charming |
rod, my potent river spells; |
Endymion: A Poetic Romance, Book II, Line 116 |
Her |
charming |
syllables, till indistinct |
Endymion: A Poetic Romance, Book III, Line 444 |
And |
charming |
Mister Lovels? |
All gentle folks who owe a grudge, Line 40 |
A woman's shape, and |
charming |
as before. |
Lamia, Part I, Line 118 |
|
CHARMINGLY........1 |
Of dulcet instruments came |
charmingly |
; |
Endymion: A Poetic Romance, Book III, Line 942 |
|
CHARMS............6 |
Such |
charms |
with mild intelligences shine, |
Woman! when I behold thee flippant, vain, Line 26 |
|
Charms |
us at once away from all our troubles: |
I stood tip-toe upon a little hill, Line 138 |
Into the deadening ether that still |
charms |
|
Endymion: A Poetic Romance, Book II, Line 209 |
See not her |
charms |
! Is Phoebe passionless? |
Endymion: A Poetic Romance, Book IV, Line 56 |
War on his temples. Do not all |
charms |
fly |
Lamia, Part II, Line 229 |
Faded the flower and all its budded |
charms |
, |
The day is gone, and all its sweets are gone, Line 5 |
|
CHARNEL...........1 |
Death fell a weeping in his |
charnel |
-house. |
Endymion: A Poetic Romance, Book III, Line 788 |
|
CHARON'S..........1 |
O such deformities! Old |
Charon's |
self, |
Endymion: A Poetic Romance, Book III, Line 503 |
|
CHARTER...........1 |
Who dares take such large |
charter |
from our smiles! |
Otho the Great, Act II, SCENE I, Otho, Line 70 |
|
CHARTERS..........1 |
The |
charters |
of man's greatness, at this hour |
Otho the Great, Act I, SCENE III, Sigifred, Line 15 |
|
CHASE.............3 |
Made by some mighty oaks: as they would |
chase |
|
Sleep and Poetry, Line 140 |
Among his brothers of the mountain |
chase |
. |
Endymion: A Poetic Romance, Book I, Line 192 |
But such a love is mine, that here I |
chase |
|
Endymion: A Poetic Romance, Book III, Line 590 |
|
CHASM.............1 |
And every gulf, and every |
chasm |
old, |
Hyperion: A Fragment, Book II, Line 360 |
|
CHASMS............2 |
Enormous |
chasms |
, where, all foam and roar, |
Endymion: A Poetic Romance, Book II, Line 601 |
I look into the |
chasms |
, and a shroud |
Read me a lesson, Muse, and speak it loud, Line 3 |
|
CHASTE............3 |
Came |
chaste |
Diana from her shady bower, |
To George Felton Mathew, Line 79 |
Moving more near the while. "O Haunter |
chaste |
|
Endymion: A Poetic Romance, Book II, Line 302 |
The maiden's chamber, silken, hush'd, and |
chaste |
; |
The Eve of St. Agnes, Line 187 |
|
CHASTENED.........1 |
Down-looking - aye, and with a |
chastened |
light |
On a Leander Which Miss Reynolds, My Kind Friend, Gave Me, Line 2 |
|
CHASTER...........1 |
|
Chaster |
than a nun's, who singeth |
You say you love; but with a voice, Line 2 |
|
CHASTITY..........3 |
A hymn in praise of spotless |
chastity |
. |
Ode to Apollo, Line 33 |
In |
chastity |
: yes, Pallas has been sighing, |
Endymion: A Poetic Romance, Book II, Line 802 |
In that same void white |
Chastity |
shall sit, |
Endymion: A Poetic Romance, Book IV, Line 883 |
|
CHAT..............1 |
And revel'd in a |
chat |
that ceased not |
To Charles Cowden Clarke, Line 117 |
|
CHATS.............1 |
With him who elegantly |
chats |
, and talks- |
To Charles Cowden Clarke, Line 43 |
|
CHATTED...........1 |
|
Chatted |
with thee, and many days exil'd |
Endymion: A Poetic Romance, Book I, Line 926 |
|
CHATTELS..........1 |
And so is my revenge, my lawful |
chattels |
! |
Otho the Great, Act IV, SCENE II, Ludolph, Line 137 |
|
CHATTER...........1 |
And |
chatter |
with dack'd hair'd critics, |
For there's Bishop's Teign, Line 39 |
|
CHATTERING........1 |
To |
chattering |
pigmies? I would have you know |
Otho the Great, Act II, SCENE I, Otho, Line 61 |
|
CHATTERTON........3 |
Oh |
Chatterton |
! how very sad thy fate! |
Oh Chatterton! how very sad thy fate, Line 1 |
And sit, and rhyme and think on |
Chatterton |
; |
To George Felton Mathew, Line 56 |
INSCRIBED TO THE MEMORY OF THOMAS |
CHATTERTON |
|
Endymion: A Poetic Romance, Dedication |
|
CHAUCER...........2 |
Than I, for I n'ad sicknesse nor disese." |
Chaucer |
|
Sleep and Poetry, Epigraph |
To stammer where old |
Chaucer |
used to sing. |
Endymion: A Poetic Romance, Book I, Line 134 |
|
CHAUNT............2 |
That I must |
chaunt |
thy lady's dirge, |
Ah! woe is me! poor Silver-wing, Line 2 |
Who shall delay her flight? And she must |
chaunt |
|
Hyperion: A Fragment, Book II, Line 83 |
|
CHAUNTING.........2 |
Where the fairies are |
chaunting |
their evening hymns, |
O come, dearest Emma!, Line 7 |
The soft, lute-finger'd Muses |
chaunting |
clear, |
Lamia, Part I, Line 73 |
|
CHEAT.............4 |
Hence, pageant history! hence, gilded |
cheat |
! |
Endymion: A Poetic Romance, Book II, Line 14 |
Shall airy voices |
cheat |
me to the shore |
Endymion: A Poetic Romance, Book IV, Line 654 |
Adieu! the fancy cannot |
cheat |
so well |
Ode to a Nightingale, Line 73 |
Do not |
cheat |
yourself |
Otho the Great, Act IV, SCENE I, Albert, Line 127b |
|
CHEATED...........5 |
|
Cheated |
by shadowy wooer from the clouds, |
Endymion: A Poetic Romance, Book IV, Line 190 |
And catch the |
cheated |
eye in wide surprise, |
Endymion: A Poetic Romance, Book IV, Line 341 |
Down she sat, poor |
cheated |
soul, |
The Eve of St. Mark, Line 69 |
Poor |
cheated |
Ludolph! Make the forest hiss |
Otho the Great, Act V, SCENE II, Ludolph, Line 34 |
Men shall confess,- this prince was gull'd and |
cheated |
, |
Otho the Great, Act V, SCENE V, Ludolph, Line 133 |
|
CHEATER...........2 |
She was the |
cheater |
! Who's the cheater now, |
Otho the Great, Act V, SCENE V, Ludolph, Line 105 |
She was the cheater! Who's the |
cheater |
now, |
Otho the Great, Act V, SCENE V, Ludolph, Line 105 |
|
CHEATS............2 |
Such innocence to ruin, - who vilely |
cheats |
|
Woman! when I behold thee flippant, vain, Line 35 |
|
Cheats |
us into a swamp, into a fire, |
Endymion: A Poetic Romance, Book II, Line 279 |
|
CHECK.............1 |
Philosophising thus, he pull'd the |
check |
, |
The Jealousies, Line 253 |
|
CHECK'D...........1 |
Predestin'd for his ear, scape as half |
check'd |
|
King Stephen Act I, SCENE IV, Chester, Line 54 |
|
CHECKING..........1 |
Till, |
checking |
his love trance, a cup he took |
Lamia, Part II, Line 241 |
|
CHEEK.............32 |
He feels a moisture on his |
cheek |
, and blesses |
Calidore: A Fragment, Line 90 |
And this he fondled with his happy |
cheek |
|
Calidore: A Fragment, Line 97 |
Made Ariadne's |
cheek |
look blushingly. |
Sleep and Poetry, Line 336 |
Sweet Sappho's |
cheek |
- a sleeping infant's breath- |
After dark vapours have oppressed our plains, Line 12 |
For Hero's |
cheek |
and smiles against her smile. |
On a Leander Which Miss Reynolds, My Kind Friend, Gave Me, Line 11 |
With half-shut eyes and comfortable |
cheek |
, |
On The Story of Rimini, Line 2 |
Beckon'd their sons to silence; while each |
cheek |
|
Endymion: A Poetic Romance, Book I, Line 188 |
To tint her pallid |
cheek |
with bloom, who cons |
Endymion: A Poetic Romance, Book I, Line 368 |
Her very |
cheek |
against my crowned lip, |
Endymion: A Poetic Romance, Book I, Line 662 |
Left his young |
cheek |
; and how he used to stray |
Endymion: A Poetic Romance, Book I, Line 728 |
Upon his |
cheek |
, while thus he lifeful spake. |
Endymion: A Poetic Romance, Book I, Line 768 |
Of this in heaven: I have mark'd each |
cheek |
, |
Endymion: A Poetic Romance, Book II, Line 570 |
For one as sorrowful: thy |
cheek |
is pale |
Endymion: A Poetic Romance, Book III, Line 75 |
For one whose |
cheek |
is pale: thou dost bewail |
Endymion: A Poetic Romance, Book III, Line 76 |
With dry |
cheek |
who can tell? While thus my might |
Endymion: A Poetic Romance, Book III, Line 616 |
She kist the sea-nymph's |
cheek |
,- who sat her down |
Endymion: A Poetic Romance, Book III, Line 896 |
I'm giddy at that |
cheek |
so fair and smooth; |
Endymion: A Poetic Romance, Book IV, Line 311 |
Laws to my footsteps, colour to my |
cheek |
, |
Endymion: A Poetic Romance, Book IV, Line 714 |
But to thy |
cheek |
my soul doth take its flight: |
Time's sea hath been five years at its slow ebb, Line 8 |
More soft, more white, and her fair |
cheek |
more fair; |
Extracts from an Opera, [first section] Line 6 |
The flush of welcome ever on the |
cheek |
. |
To J.R., Line 4 |
Until sweet Isabella's untouch'd |
cheek |
|
Isabella; or, The Pot of Basil, Line 33 |
Her |
cheek |
was flush wi' timid blood |
Ah! ken ye what I met the day, Line 27 |
With reddened |
cheek |
- |
Ah! ken ye what I met the day, Line 34 |
Where's the |
cheek |
that doth not fade, |
Fancy, Line 69 |
No care had touch'd his |
cheek |
with mortal doom, |
Character of C.B., Line 8 |
Ne with lewd ribbalds sat he |
cheek |
by jowl, |
Character of C.B., Line 14 |
By many a damsel hoarse and rouge of |
cheek |
; |
Character of C.B., Line 23 |
The second was Ambition, pale of |
cheek |
, |
Ode on Indolence, Line 26 |
Concerning what will make that sin-worn |
cheek |
|
Otho the Great, Act I, SCENE I, Conrad, Line 27 |
Wheels round its dazzling spokes."- The lady's |
cheek |
|
Lamia, Part II, Line 64 |
Misted the |
cheek |
; no passion to illume |
Lamia, Part II, Line 274 |
|
CHEEKS............10 |
They gave each other's |
cheeks |
; with all their sighs, |
I stood tip-toe upon a little hill, Line 145 |
Her motherly |
cheeks |
. Arous'd from this sad mood |
Endymion: A Poetic Romance, Book I, Line 343 |
Blush-tinted |
cheeks |
, half smiles, and faintest sighs, |
Endymion: A Poetic Romance, Book I, Line 619 |
Till thou hadst cool'd their |
cheeks |
deliciously: |
Endymion: A Poetic Romance, Book III, Line 148 |
Will trespass down those |
cheeks |
. Companion fair! |
Endymion: A Poetic Romance, Book IV, Line 870 |
Made their |
cheeks |
paler by the break of June: |
Isabella; or, The Pot of Basil, Line 26 |
Show'd her pale |
cheeks |
, and all her forehead wan, |
Hyperion: A Fragment, Book II, Line 114 |
And on thy |
cheeks |
a fading rose |
La Belle Dame sans Merci: A Ballad, Line 11 |
|
Cheeks |
fashion'd tenderly on either side, |
Otho the Great, Act V, SCENE V, Ludolph, Line 66 |
Flush'd were their |
cheeks |
, and bright eyes double bright: |
Lamia, Part II, Line 214 |
|
CHEER.............10 |
O bright-eyed Hope, my morbid fancy |
cheer |
; |
To Hope, Line 21 |
That men of health were of unusual |
cheer |
; |
I stood tip-toe upon a little hill, Line 216 |
To |
cheer |
itself to Delphi. Still his feet |
Endymion: A Poetic Romance, Book II, Line 82 |
Might seem unholy, be of happy |
cheer |
! |
Endymion: A Poetic Romance, Book II, Line 435 |
Striving their ghastly malady to |
cheer |
, |
Endymion: A Poetic Romance, Book IV, Line 897 |
To |
cheer |
the brave remainder of your host |
Otho the Great, Act I, SCENE II, Otho, Line 131 |
Console my poor boy, |
cheer |
him, heal his spirits? |
Otho the Great, Act V, SCENE IV, Otho, Line 14 |
This should |
cheer |
up your Highness; the weariness |
Otho the Great, Act V, SCENE IV, Physician, Line 57 |
The roof of awful richness, nectarous |
cheer |
, |
Lamia, Part II, Line 207 |
She does not mean it really. |
Cheer |
up, hearty - there! |
The Jealousies, Line 459 |
|
CHEERED...........2 |
Our idle sheep. So be thou |
cheered |
, sweet, |
Endymion: A Poetic Romance, Book I, Line 486 |
He might have died: but now, with |
cheered |
feel, |
Endymion: A Poetic Romance, Book III, Line 139 |
|
CHEERFUL..........3 |
Thee for enlivening all the |
cheerful |
eyes |
Sleep and Poetry, Line 17 |
Too |
cheerful |
for these foul pernicious days. |
Otho the Great, Act II, SCENE II, Ethelbert, Line 121 |
"At half-past three arose the |
cheerful |
moon- |
The Jealousies, Line 685 |
|
CHEERFULNESS......1 |
And frown, to drive fair |
Cheerfulness |
away, |
To Hope, Line 10 |
|
CHEERILY..........1 |
And buzzes |
cheerily |
from bower to bower? |
Sleep and Poetry, Line 4 |
|
CHEERING..........3 |
And, smiles with his star- |
cheering |
voice sweetly blending, |
To Some Ladies, Line 19 |
Haunt us till they become a |
cheering |
light |
Endymion: A Poetic Romance, Book I, Line 30 |
Came gold around me, |
cheering |
me to cope |
Endymion: A Poetic Romance, Book III, Line 686 |
|
CHEERLY...........2 |
But |
cheerly |
, cheerly, |
Endymion: A Poetic Romance, Book IV, Line 176 |
But cheerly, |
cheerly |
, |
Endymion: A Poetic Romance, Book IV, Line 176 |
|
CHEERS............3 |
Whose tips are glowing hot. The legend |
cheers |
|
Endymion: A Poetic Romance, Book II, Line 841 |
"This |
cheers |
our fallen house: come to our friends, |
Hyperion: A Fragment, Book I, Line 150 |
hearing the |
cheers |
of the soldiery). |
Otho the Great, Act I, SCENE II, S.D. to Line 85 |
|
CHEESE............1 |
And the |
cheese |
is overtoasted, |
Extracts from an Opera, FOLLY'S SONG Line 15 |
|
CHEQUER...........3 |
|
Chequer |
my tablet with their quivering shades. |
To My Brother George (epistle), Line 126 |
The frequent |
chequer |
of a youngling tree, |
I stood tip-toe upon a little hill, Line 38 |
In pink and purple |
chequer |
, nor, up-pil'd, |
Endymion: A Poetic Romance, Book II, Line 287 |
|
CHEQUER'D.........1 |
Slowly across the |
chequer'd |
shadows pass. |
I stood tip-toe upon a little hill, Line 68 |
|
CHEQUERED.........1 |
Or a green hill o'erspread with |
chequered |
dress |
Sleep and Poetry, Line 77 |
|
CHERISH...........1 |
Beneath the |
cherish |
of a star |
Song of Four Fairies: Fire, Air, Earth, and Water, ZEPHYR, Line 51 |
|
CHERISHINGLY......1 |
|
Cherishingly |
Diana's timorous limbs;- |
Sleep and Poetry, Line 373 |
|
CHERRY............3 |
He kiss'd my lady's |
cherry |
lips, |
Extracts from an Opera, SONG Line 7 |
That a |
cherry |
|
There was a naughty boy, Line 103 |
Or nantz, or |
cherry |
brandy, drank full meek |
Character of C.B., Line 22 |
|
CHERUB............1 |
If a |
cherub |
, on pinions of silver descending, |
To Some Ladies, Line 17 |
|
CHERUB'S..........1 |
Two witch's eyes above a |
cherub's |
mouth, |
Dear Reynolds, as last night I lay in bed, Line 6 |
|
CHERUBIM..........2 |
|
Cherubim |
and golden mice. |
The Eve of St. Mark, Line 38 |
As in old pictures tender |
cherubim |
|
The Jealousies, Line 37 |
|
CHESS.............2 |
Or if it please him play an hour at |
chess |
- |
King Stephen Act I, SCENE IV, Chester, Line 45 |
"She cried for |
chess |
- I play'd a game with her- |
The Jealousies, Line 703 |
|
CHESTER...........6 |
EARL OF |
CHESTER |
|
King Stephen 3 |
Of boisterous |
Chester |
, whose fell truncheon now |
King Stephen Act I, SCENE I, Baldwin, Line 22 |
Not twenty Earls of |
Chester |
shall brow-beat |
King Stephen Act I, SCENE I, Stephen, Line 35 |
[Trumpets. Enter the EARL OF |
CHESTER |
and Knights. |
King Stephen Act I, SCENE III, S.D. to Line 47 |
|
CHESTER |
, Lords, Attendants. |
King Stephen Act I, SCENE IV, S.D. to Line 1 |
My Lord of |
Chester |
, is't true what I hear |
King Stephen Act I, SCENE IV, Maud, Line 24 |
|
CHESTER'S.........1 |
It paunch'd the Earl of |
Chester's |
horse, who then |
King Stephen Act I, SCENE II, Second Knight, Line 42 |
|
CHESTNUTS.........2 |
Tall |
chestnuts |
keep away the sun and moon:- |
Endymion: A Poetic Romance, Book IV, Line 207 |
Around me beeches and high |
chestnuts |
shed |
Isabella; or, The Pot of Basil, Line 300 |
|
CHEW..............1 |
Albert! he cannot stickle, |
chew |
the cud |
Otho the Great, Act IV, SCENE I, Auranthe, Line 103 |
|
CHEWS.............1 |
He |
chews |
the honied cud of fair spring thoughts, |
Four seasons fill the measure of the year, Line 6 |
|
CHICK.............2 |
Of fish and mice and rats and tender |
chick |
. |
To Mrs. Reynold's Cat, Line 8 |
Braw Tam was daffed like a |
chick |
, |
Ah! ken ye what I met the day, Line 35 |
|
CHIDDEN...........2 |
Had |
chidden |
herald Hesperus away, |
Endymion: A Poetic Romance, Book I, Line 685 |
Indeed I am - thwarted, affrighted, |
chidden |
, |
Endymion: A Poetic Romance, Book IV, Line 753 |
|
CHIDE.............3 |
How to frown and how to |
chide |
; |
Fancy, Line 83 |
The silver, snarling trumpets 'gan to |
chide |
: |
The Eve of St. Agnes, Line 31 |
To |
chide |
, and to reproach that solitude |
Hyperion: A Fragment, Book II, Line 268 |
|
CHIEF.............12 |
Some mountain breeze had turned its |
chief |
delight, |
Specimen of an Induction to a Poem, Line 9 |
To the |
chief |
intensity: the crown of these |
Endymion: A Poetic Romance, Book I, Line 800 |
His paces back into the temple's |
chief |
; |
Endymion: A Poetic Romance, Book II, Line 298 |
In human accent: ' Potent goddess! |
chief |
|
Endymion: A Poetic Romance, Book III, Line 539 |
He shall not die. Moreover, and in |
chief |
, |
Endymion: A Poetic Romance, Book III, Line 701 |
|
Chief |
of organic numbers! |
Lines on Seeing a Lock of Milton's Hair, Line 1 |
|
Chief |
Poet! and ye clouds of Albion, |
On Sitting Down to Read King Lear Once Again, Line 9 |
|
Chief |
of the pyramid and crocodile! |
To the Nile, Line 2 |
|
Chief |
isle of the embowered Cyclades, |
Hyperion: A Fragment, Book III, Line 23 |
She is the world's |
chief |
jewel, and, by heaven, |
Otho the Great, Act V, SCENE V, Ludolph, Line 73 |
By her glad Lycius sitting, in |
chief |
place, |
Lamia, Part II, Line 239 |
Where the |
Chief |
Justice on his knees and hands doth crawl. |
The Jealousies, Line 765 |
|
CHIEFDOM..........1 |
Can it deny the |
chiefdom |
of green groves? |
Hyperion: A Fragment, Book II, Line 220 |
|
CHIEFLIE..........1 |
And |
chieflie |
whate he auctorethe |
The Eve of St. Mark, Line 113 |
|
CHIEFLY...........3 |
|
Chiefly |
by shifting to this lady's room |
Otho the Great, Act III, SCENE II, Ethelbert, Line 146 |
I was a mad conspirator, |
chiefly |
too |
Otho the Great, Act V, SCENE V, Ludolph, Line 141 |
And |
chiefly |
of the veils, that from her brow |
The Fall of Hyperion: A Dream, CANTO I, Line 252 |
|
CHIEFS............5 |
Than Chaos and blank Darkness, though once |
chiefs |
; |
Hyperion: A Fragment, Book II, Line 207 |
That even the homage of his ranged |
chiefs |
|
Otho the Great, Act II, SCENE II, Captain, Line 11 |
[Enter |
Chiefs |
. |
Otho the Great, Act II, SCENE II, S.D. to Line 147b |
[Exeunt |
Chiefs |
. |
Otho the Great, Act II, SCENE II, S.D. to Line 151 |
Sits in the banquet-room among his |
chiefs |
; |
Otho the Great, Act IV, SCENE II, Gersa, Line 62 |
|
CHIEFTAIN.........2 |
A |
chieftain |
king's: beneath his breast, half bare, |
Endymion: A Poetic Romance, Book I, Line 172 |
And now, O winged |
Chieftain |
! thou hast sent |
Endymion: A Poetic Romance, Book III, Line 100 |
|
CHILD.............42 |
Dear |
child |
of sorrow! son of misery! |
Oh Chatterton! how very sad thy fate, Line 2 |
Over the trippings of a little |
child |
: |
Sleep and Poetry, Line 369 |
To meet his rosy |
child |
, with feathery sails, |
Endymion: A Poetic Romance, Book I, Line 379 |
Than Dryope's lone lulling of her |
child |
; |
Endymion: A Poetic Romance, Book I, Line 495 |
When love-lorn hours had left me less a |
child |
, |
Endymion: A Poetic Romance, Book I, Line 885 |
But woe is me, I am but as a |
child |
|
Endymion: A Poetic Romance, Book II, Line 120 |
But Venus, bending forward, said: "My |
child |
, |
Endymion: A Poetic Romance, Book II, Line 548 |
My heart so potently? When yet a |
child |
|
Endymion: A Poetic Romance, Book III, Line 143 |
She took me like a |
child |
of suckling time, |
Endymion: A Poetic Romance, Book III, Line 456 |
"Bright-winged |
Child |
! |
Endymion: A Poetic Romance, Book III, Line 978 |
Before the first of Druids was a |
child |
;- |
Endymion: A Poetic Romance, Book IV, Line 7 |
When yet a |
child |
, I heard that kisses drew |
Endymion: A Poetic Romance, Book IV, Line 738 |
When her young infant |
child |
|
God of the meridian, Line 14 |
Yet brought him to the meekness of a |
child |
: |
Isabella; or, The Pot of Basil, Line 47 |
Burns in thee, |
child |
?- What good can thee betide, |
Isabella; or, The Pot of Basil, Line 349 |
At such a time the soul's a |
child |
, in childhood is the brain; |
There is a joy in footing slow across a silent plain, Line 23 |
|
Child |
, I see thee! Child, I've found thee, |
'Tis the "witching time of night", Line 27 |
Child, I see thee! |
Child |
, I've found thee, |
'Tis the "witching time of night", Line 27 |
|
Child |
, I see thee! Child, I spy thee, |
'Tis the "witching time of night", Line 29 |
Child, I see thee! |
Child |
, I spy thee, |
'Tis the "witching time of night", Line 29 |
|
Child |
, I know thee! Child no more, |
'Tis the "witching time of night", Line 31 |
Child, I know thee! |
Child |
no more, |
'Tis the "witching time of night", Line 31 |
Little |
child |
|
'Tis the "witching time of night", Line 49 |
Little |
child |
|
'Tis the "witching time of night", Line 54 |
Follow me, |
child |
, or else these stones will be thy bier." |
The Eve of St. Agnes, Line 108 |
Wait here, my |
child |
, with patience; kneel in prayer |
The Eve of St. Agnes, Line 178 |
And how a litling |
child |
mote be |
The Eve of St. Mark, Line 103 |
Of these new-form'd art thou, oh brightest |
child |
! |
Hyperion: A Fragment, Book I, Line 319 |
Full beautiful, a fairy's |
child |
; |
La Belle Dame sans Merci: A Ballad, Line 14 |
And mid-May's eldest |
child |
, |
Ode to a Nightingale, Line 48 |
Thou foster- |
child |
of silence and slow time, |
Ode on a Grecian Urn, Line 2 |
Is now your infant;- I am a weak |
child |
. |
Otho the Great, Act I, SCENE II, Gersa, Line 120 |
His deep heart-sickness for a rebel |
child |
. |
Otho the Great, Act I, SCENE III, Ludolph, Line 39 |
Not a word more. Let me embrace my |
child |
. |
Otho the Great, Act II, SCENE I, Otho, Line 98 |
Of my great love for thee, my supreme |
child |
! |
Otho the Great, Act II, SCENE I, Otho, Line 125 |
Nonsense! |
Child |
! |
Otho the Great, Act IV, SCENE I, Conrad, Line 28b |
Well? What ails thee, |
child |
? |
Otho the Great, Act IV, SCENE II, Ludolph, Line 115a |
Why will ye keep me from my darling |
child |
? |
Otho the Great, Act V, SCENE IV, Otho, Line 10 |
My miserable |
child |
! |
Otho the Great, Act V, SCENE IV, Otho, Line 38 |
Gersa, watch him like a |
child |
; |
Otho the Great, Act V, SCENE IV, Otho, Line 50b |
By great Apollo, thy dear foster |
child |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 286 |
"Good! good!" cried Hum, "I've known her from a |
child |
! |
The Jealousies, Line 388 |
|
CHILD'S...........2 |
Is beating with a |
child's |
anxiety, |
Otho the Great, Act I, SCENE I, Conrad, Line 23 |
A |
child's |
soul through the sapphired canvas bear, |
The Jealousies, Line 38 |
|
CHILDHOOD.........2 |
At such a time the soul's a child, in |
childhood |
is the brain; |
There is a joy in footing slow across a silent plain, Line 23 |
Remember'd it from |
childhood |
all complete |
Lamia, Part II, Line 153 |
|
CHILDISH..........3 |
Inconstant, |
childish |
, proud, and full of fancies; |
Woman! when I behold thee flippant, vain, Line 2 |
When every |
childish |
fashion |
Lines on Seeing a Lock of Milton's Hair, Line 22 |
For all his calming of my |
childish |
griefs, |
Otho the Great, Act I, SCENE III, Ludolph, Line 42 |
|
CHILDREN..........9 |
A troop of little |
children |
garlanded; |
Endymion: A Poetic Romance, Book I, Line 110 |
Fair creatures! whose young children's |
children |
bred |
Endymion: A Poetic Romance, Book I, Line 317 |
Old Atlas' |
children |
? Art a maid of the waters, |
Endymion: A Poetic Romance, Book II, Line 690 |
My |
children |
fair, my lovely girls and boys! |
Endymion: A Poetic Romance, Book III, Line 547 |
Will I to |
children |
utter, and repent. |
Endymion: A Poetic Romance, Book IV, Line 645 |
Of the sky- |
children |
; I will give command: |
Hyperion: A Fragment, Book I, Line 133 |
"O brightest of my |
children |
dear, earth-born |
Hyperion: A Fragment, Book I, Line 309 |
To these fair |
children |
, stars of a new age? |
Otho the Great, Act III, SCENE II, Otho, Line 22 |
Of the sky |
children |
."- So he feebly ceas'd, |
The Fall of Hyperion: A Dream, CANTO I, Line 438 |
|
CHILDREN'S........1 |
Fair creatures! whose young |
children's |
children bred |
Endymion: A Poetic Romance, Book I, Line 317 |
|
CHILL.............14 |
A |
chill |
as from a tomb, did I not know |
Written in Disgust of Vulgar Superstition, Line 10 |
Spun off a drizzling dew,- which falling |
chill |
|
Endymion: A Poetic Romance, Book II, Line 520 |
His spreaded feathers to the morrow |
chill |
, |
Endymion: A Poetic Romance, Book III, Line 389 |
The storm, and through |
chill |
aguish gloom outburst |
Endymion: A Poetic Romance, Book III, Line 675 |
She kiss'd it with a lip more |
chill |
than stone, |
Isabella; or, The Pot of Basil, Line 371 |
Let not quick Winter |
chill |
its dying hour!- |
Isabella; or, The Pot of Basil, Line 450 |
St. Agnes' Eve - Ah, bitter |
chill |
it was! |
The Eve of St. Agnes, Line 1 |
Pale, lattic'd, |
chill |
, and silent as a tomb. |
The Eve of St. Agnes, Line 113 |
How chang'd thou art! how pallid, |
chill |
, and drear! |
The Eve of St. Agnes, Line 311 |
When the |
chill |
rain begins at shut of eve, |
Hyperion: A Fragment, Book II, Line 36 |
As hot as death's is |
chill |
, with fierce convulse |
Hyperion: A Fragment, Book III, Line 129 |
You |
chill |
me with astonishment! How's this? |
Otho the Great, Act III, SCENE II, Albert, Line 215 |
Burning,- when suddenly a palsied |
chill |
|
The Fall of Hyperion: A Dream, CANTO I, Line 122 |
So haunt thy days and |
chill |
thy dreaming nights |
This living hand, now warm and capable, Line 4 |
|
CHILLED...........1 |
But the God fostering her |
chilled |
hand, |
Lamia, Part I, Line 140 |
|
CHILLIEST.........1 |
To warm their |
chilliest |
bubbles in the grass; |
Endymion: A Poetic Romance, Book I, Line 103 |
|
CHILLING..........1 |
Frozen north, and |
chilling |
east, |
Robin Hood, Line 7 |
|
CHILLY............11 |
A little lower than the |
chilly |
sheen |
Endymion: A Poetic Romance, Book II, Line 207 |
But as the murmuring surge. |
Chilly |
and numb |
Endymion: A Poetic Romance, Book II, Line 243 |
By |
chilly |
finger'd spring. "Unhappy wight! |
Endymion: A Poetic Romance, Book IV, Line 971 |
With tears, as |
chilly |
as a dripping well, |
Isabella; or, The Pot of Basil, Line 406 |
And she forgot the |
chilly |
autumn breeze; |
Isabella; or, The Pot of Basil, Line 420 |
Soon, trembling in her soft and |
chilly |
nest, |
The Eve of St. Agnes, Line 235 |
Filling the |
chilly |
room with perfume light.- |
The Eve of St. Agnes, Line 275 |
The |
chilly |
sunset faintly told |
The Eve of St. Mark, Line 7 |
Suddenly on the ocean's |
chilly |
streams. |
Hyperion: A Fragment, Book I, Line 268 |
Of |
chilly |
rain, and shivering air. |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 22 |
|
Chilly |
lovers, what a rout |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 64 |
|
CHIME.............3 |
Do they occasion; 'tis a pleasing |
chime |
. |
How many bards gild the lapses of time, Line 8 |
While the |
chime |
-bell ringeth- |
You say you love; but with a voice, Line 4 |
Funeral and steeple- |
chime |
; |
Welcome joy, and welcome sorrow, Line 11 |
|
CHIMES............2 |
I partly owe to him: and thus, the |
chimes |
|
Sleep and Poetry, Line 350 |
To music of the drowsy |
chimes |
. |
The Eve of St. Mark, Line 66 |
|
CHIMNEY...........1 |
As spectacled she sits in |
chimney |
nook. |
The Eve of St. Agnes, Line 131 |
|
CHIN..............5 |
Pillow my |
chin |
for ever? ever press |
Endymion: A Poetic Romance, Book II, Line 742 |
No reveller had ever dipp'd a |
chin |
|
Endymion: A Poetic Romance, Book III, Line 128 |
She lifted up her soft warm |
chin |
, |
The Eve of St. Mark, Line 54 |
No brush had touch'd his |
chin |
or razor sheer; |
Character of C.B., Line 7 |
Next Cottus: prone he lay, |
chin |
uppermost, |
Hyperion: A Fragment, Book II, Line 49 |
|
CHINA.............2 |
My |
china |
closet too - with wretched nerves |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 14 |
A Faery Tale, by Lucy Vaughan Lloyd of |
China |
Walk, Lambeth |
The Jealousies, Subtitle |
|
CHINK.............1 |
We are dead if that latchet gives one little |
chink |
. |
Hush, hush, tread softly, hush, hush, my dear, Line 18 |
|
CHIP..............2 |
And Miss |
Chip |
has kiss'd the sawyer, |
Extracts from an Opera, FOLLY'S SONG Line 19 |
A |
chip |
hat had she on. |
Old Meg she was a gipsey, Line 28 |
|
CHIPS.............1 |
Of moulted feathers, touchwood, alder |
chips |
, |
Endymion: A Poetic Romance, Book I, Line 882 |
|
CHIRPING..........1 |
Great God of breathless cups and |
chirping |
mirth!- |
Endymion: A Poetic Romance, Book IV, Line 236 |
|
CHIVALROUS........2 |
Of troops |
chivalrous |
prancing through a city, |
To Charles Cowden Clarke, Line 46 |
Their wings |
chivalrous |
into the clear air, |
Endymion: A Poetic Romance, Book IV, Line 482 |
|
CHIVALRY..........5 |
Hadst thou liv'd when |
chivalry |
|
Hadst thou liv'd in days of old, Line 41 |
Lo! I must tell a tale of |
chivalry |
; |
Specimen of an Induction to a Poem, Line 1 |
Lo! I must tell a tale of |
chivalry |
; |
Specimen of an Induction to a Poem, Line 11 |
Yet must I tell a tale of |
chivalry |
: |
Specimen of an Induction to a Poem, Line 45 |
Yonder my |
chivalry |
, my pride of war, |
King Stephen Act I, SCENE I, Stephen, Line 4 |