|
CHOAK.............2 |
|
Choak |
not the granary of thy noble mind |
Otho the Great, Act III, SCENE II, Ethelbert, Line 174 |
To |
choak |
my utterance sacrilegious here?" |
The Fall of Hyperion: A Dream, CANTO I, Line 140 |
|
CHOAKING..........1 |
Then let us clear away the |
choaking |
thorns |
Sleep and Poetry, Line 255 |
|
CHOICE............4 |
Will put |
choice |
honey for a favoured youth: |
Endymion: A Poetic Romance, Book I, Line 211 |
Fair Melody! kind Syren! I've no |
choice |
; |
Endymion: A Poetic Romance, Book IV, Line 300 |
And of three sweetest pleasurings the |
choice |
: |
Endymion: A Poetic Romance, Book IV, Line 716 |
Comes from a play-thing of the Emperor's |
choice |
, |
The Jealousies, Line 332 |
|
CHOICER...........2 |
|
Choicer |
than the Mermaid Tavern? |
Lines on the Mermaid Tavern, Line 4 |
|
Choicer |
than the Mermaid Tavern? |
Lines on the Mermaid Tavern, Line 26 |
|
CHOICEST..........1 |
For, by my |
choicest |
best barometer, |
The Jealousies, Line 435 |
|
CHOIR.............8 |
The fervid |
choir |
that lifted up a noise |
Sleep and Poetry, Line 173 |
Beyond the reach of music: for the |
choir |
|
Endymion: A Poetic Romance, Book IV, Line 964 |
Where a fledgy sea bird |
choir |
|
Not Aladdin magian, Line 41 |
Nor virgin- |
choir |
to make delicious moan |
Ode to Psyche, Line 30 |
So let me be thy |
choir |
, and make a moan |
Ode to Psyche, Line 44 |
Heard his loud laugh, and answer'd in full |
choir |
. |
Otho the Great, Act III, SCENE I, Sigifred, Line 51 |
Though heaven's |
choir |
|
Otho the Great, Act III, SCENE II, Ludolph, Line 38 |
Then in a wailful |
choir |
the small gnats mourn |
To Autumn, Line 27 |
|
CHOKE.............1 |
Let my foes |
choke |
, and my friends shout afar, |
Lamia, Part II, Line 62 |
|
CHOKING...........1 |
Within my breast there lives a |
choking |
flame- |
Endymion: A Poetic Romance, Book II, Line 317 |
|
CHOOSE............11 |
And |
choose |
each pleasure that my fancy sees; |
Sleep and Poetry, Line 104 |
Thyself to |
choose |
the richest, where we might |
Endymion: A Poetic Romance, Book II, Line 998 |
I cannot |
choose |
but kneel here and adore. |
Endymion: A Poetic Romance, Book IV, Line 302 |
She wrapp'd it up; and for its tomb did |
choose |
|
Isabella; or, The Pot of Basil, Line 413 |
When we |
choose |
|
There was a naughty boy, Line 54 |
Alas! I could not |
choose |
. Ah! my poor heart, |
Of late two dainties were before me plac'd, Line 13 |
I'll |
choose |
a jailor, whose swart monstrous face |
Otho the Great, Act II, SCENE I, Otho, Line 91 |
I wait for you with horses. |
Choose |
your fate. |
Otho the Great, Act IV, SCENE I, Albert, Line 149 |
Though Fancy's casket were unlock'd to |
choose |
. |
Lamia, Part I, Line 20 |
Or |
choose |
the fairest of her sheaved spears! |
King Stephen Act I, SCENE III, Stephen, Line 3 |
I've said it, sire; you only have to |
choose |
|
The Jealousies, Line 437 |
|
CHORD.............1 |
Of every |
chord |
, and see what may be gain'd |
If by dull rhymes our English must be chain'd, Line 8 |
|
CHORDS............1 |
Tumultuous,- and, in |
chords |
that tenderest be, |
The Eve of St. Agnes, Line 290 |
|
CHORUS............3 |
From a virgin |
chorus |
flows |
Ode to Apollo, Line 32 |
Spread greyly eastward, thus a |
chorus |
sang: |
Endymion: A Poetic Romance, Book I, Line 231 |
The sound of merriment and |
chorus |
bland: |
The Eve of St. Agnes, Line 95 |
|
CHOSE.............3 |
Through the dark ways they |
chose |
to the open air; |
Otho the Great, Act IV, SCENE II, Page, Line 125 |
Why this fair creature |
chose |
so fairily |
Lamia, Part I, Line 200 |
She |
chose |
to "promener a l'aile," or take |
The Jealousies, Line 44 |
|
CHOSEN............8 |
Who |
chosen |
is their queen,- with her fine head |
To My Brother George (epistle), Line 87 |
The fair-grown yew tree, for a |
chosen |
bow: |
Endymion: A Poetic Romance, Book I, Line 482 |
And keep me as a |
chosen |
food to draw |
Endymion: A Poetic Romance, Book III, Line 264 |
Part of the building was a |
chosen |
see |
Dear Reynolds, as last night I lay in bed, Line 41 |
A Seraph |
chosen |
from the bright abyss |
Isabella; or, The Pot of Basil, Line 317 |
'Tis |
chosen |
I hear from Hymen's jewelry, |
Otho the Great, Act I, SCENE I, Albert, Line 137 |
You should be, from a thousand, |
chosen |
forth |
Otho the Great, Act II, SCENE II, Erminia, Line 36 |
Fit time be |
chosen |
to administer. |
Otho the Great, Act V, SCENE IV, Ethelbert, Line 5 |
|
CHOUSE............2 |
Scolds as King David pray'd, to |
chouse |
|
All gentle folks who owe a grudge, Line 47 |
And plot, in the same minute, how to |
chouse |
|
The Jealousies, Line 59 |
|
CHRISTIAN.........2 |
And, to say truth, in any |
Christian |
arm |
Otho the Great, Act I, SCENE II, Albert, Line 56 |
And misbaptised with a |
Christian |
name. |
King Stephen Act I, SCENE II, Second Knight, Line 33 |
|
CHRONICLERS.......2 |
Now turn we to our former |
chroniclers |
.- |
Endymion: A Poetic Romance, Book II, Line 854 |
In the silent pages of our |
chroniclers |
. |
King Stephen Act I, SCENE II, Glocester, Line 5 |
|
CHRONICLES........1 |
Your |
chronicles |
no more exist, |
O Some Skulls in Beauley Abbey, near Inverness, Line 13 |
|
CHRYSTAL..........2 |
The air is all softness, and |
chrystal |
the streams, |
O come, dearest Emma!, Line 3 |
I love thee, |
chrystal |
fairy true; |
Song of Four Fairies: Fire, Air, Earth, and Water, ZEPHYR, Line 62 |
|
CHUCK.............1 |
This little ball of earth, and |
chuck |
it them |
Otho the Great, Act III, SCENE II, Otho, Line 24 |
|
CHUCKLE...........1 |
And with melodious |
chuckle |
in the strings |
Isabella; or, The Pot of Basil, Line 491 |
|
CHUCKLING.........1 |
The |
chuckling |
linnet its five young unborn, |
Endymion: A Poetic Romance, Book I, Line 256 |
|
CHURCH............4 |
The |
church |
bells toll a melancholy round, |
Written in Disgust of Vulgar Superstition, Line 1 |
To some Kamschatkan missionary |
church |
, |
Dear Reynolds, as last night I lay in bed, Line 108 |
Who hath not loiter'd in a green |
church |
-yard, |
Isabella; or, The Pot of Basil, Line 353 |
Baptis'd her in the bosom of the |
church |
, |
Otho the Great, Act II, SCENE II, Ethelbert, Line 132 |
|
CHURCHES..........2 |
When he saw the |
churches |
seven, |
Not Aladdin magian, Line 7 |
At six we heard Panthea's |
churches |
ring- |
The Jealousies, Line 718 |
|
CHURCHMAN.........1 |
Here's a true |
churchman |
! he'd affect |
O Some Skulls in Beauley Abbey, near Inverness, Line 37 |
|
CHURCHYARD........3 |
The town, the |
churchyard |
, and the setting sun, |
On Visiting the Tomb of Burns, Line 1 |
Her book a |
churchyard |
tomb. |
Old Meg she was a gipsey, Line 8 |
A poor, weak, palsy-stricken, |
churchyard |
thing, |
The Eve of St. Agnes, Line 155 |
|
CHURNING..........1 |
To deadly |
churning |
! Gersa, you are young, |
Otho the Great, Act IV, SCENE II, Ludolph, Line 79 |
|
CICILIE...........1 |
Somdel of Sainte |
Cicilie |
; |
The Eve of St. Mark, Line 112 |
|
CIMMERIAN.........1 |
Because into his depth |
Cimmerian |
|
Endymion: A Poetic Romance, Book IV, Line 375 |
|
CINDER............1 |
Of |
cinder |
wenches meet and soil each other; |
The Jealousies, Line 771 |
|
CINDERS...........1 |
Is- Love, forgive us!- |
cinders |
, ashes, dust; |
Lamia, Part II, Line 2 |
|
CINNAMON..........3 |
Through almond blossoms and rich |
cinnamon |
; |
Sleep and Poetry, Line 118 |
And lucent syrops, tinct with |
cinnamon |
; |
The Eve of St. Agnes, Line 267 |
Faggots of |
cinnamon |
, and many heaps |
The Fall of Hyperion: A Dream, CANTO I, Line 235 |
|
CINQUE............2 |
Of eye-sight on |
cinque |
coloured potter's clay |
Fragment of Castle-builder, CASTLE BUILDER, Line 60 |
|
Cinque |
-parted danced, some half asleep reposed |
The Jealousies, Line 690 |
|
CIRCE.............4 |
It flash'd, that |
Circe |
might find some relief- |
Endymion: A Poetic Romance, Book III, Line 412 |
Have mercy, Goddess! |
Circe |
, feel my prayer!' |
Endymion: A Poetic Romance, Book III, Line 554 |
I look'd - 'twas Scylla! Cursed, cursed |
Circe |
! |
Endymion: A Poetic Romance, Book III, Line 619 |
Against that hell-born |
Circe |
. The crew had gone, |
Endymion: A Poetic Romance, Book III, Line 665 |
|
CIRCEAN...........1 |
Ravish'd, she lifted her |
Circean |
head, |
Lamia, Part I, Line 115 |
|
CIRCLE............4 |
Speaks pleasure from its |
circle |
bright, |
Stay, ruby breasted warbler, stay, Line 14 |
And form'd a snowy |
circle |
on the grass, |
To My Brother George (epistle), Line 85 |
Soon the assembly, in a |
circle |
rang'd, |
Endymion: A Poetic Romance, Book I, Line 185 |
But to that second |
circle |
of sad hell, |
As Hermes once took to his feathers light, Line 9 |
|
CIRCLED...........2 |
|
Circled |
a million times within the space |
Endymion: A Poetic Romance, Book I, Line 752 |
|
Circled |
by a humane society? |
Pensive they sit, and roll their languid eyes, Line 9 |
|
CIRCLES...........3 |
The widening |
circles |
into nothing gone. |
Calidore: A Fragment, Line 18 |
And then in quiet |
circles |
did they press |
Endymion: A Poetic Romance, Book I, Line 322 |
|
Circles |
, and arcs, and broad-belting colure, |
Hyperion: A Fragment, Book I, Line 274 |
|
CIRCLET...........1 |
The pearls, that on each glist'ning |
circlet |
sleep, |
To My Brother George (epistle), Line 99 |
|
CIRCLETS..........2 |
Where happy spirits, crowned with |
circlets |
bright |
As from the darkening gloom a silver dove, Line 6 |
And make the widening |
circlets |
of your eyes |
Otho the Great, Act I, SCENE I, Conrad, Line 85 |
|
CIRCLING..........2 |
|
Circling |
from three sweet pair of lips in mirth; |
To the Ladies Who Saw Me Crown'd, Line 4 |
|
Circling |
about her waist, and striving how |
Endymion: A Poetic Romance, Book II, Line 940 |
|
CIRCLINGS.........1 |
Above the crystal |
circlings |
white and clear; |
Endymion: A Poetic Romance, Book IV, Line 340 |
|
CIRCUIT...........1 |
Trespass within the |
circuit |
of his sword:- |
King Stephen Act I, SCENE II, First Captain, Line 15 |
|
CIRCUMFERENCE.....1 |
Should in a vast |
circumference |
descend, |
Otho the Great, Act III, SCENE II, Ludolph, Line 39 |
|
CIRCUMSTANCE......5 |
And bent by |
circumstance |
, and thereby blind |
Endymion: A Poetic Romance, Book IV, Line 873 |
Ah! wherefore all this wormy |
circumstance |
? |
Isabella; or, The Pot of Basil, Line 385 |
Of |
circumstance |
; yea, seize the arrow's barb |
Hyperion: A Fragment, Book I, Line 344 |
And to envisage |
circumstance |
, all calm, |
Hyperion: A Fragment, Book II, Line 204 |
Or |
circumstance |
; to me 'tis all a mist! |
Otho the Great, Act II, SCENE I, Ludolph, Line 4 |
|
CIRCUS............1 |
To No. 7, just beyond the |
Circus |
gay. |
Pensive they sit, and roll their languid eyes, Line 17 |
|
CIRQUE............3 |
Por'd on its hazle |
cirque |
of shedded leaves. |
Endymion: A Poetic Romance, Book IV, Line 769 |
Lay vast and edgeways; like a dismal |
cirque |
|
Hyperion: A Fragment, Book II, Line 34 |
Bright, and |
cirque |
-couchant in a dusky brake. |
Lamia, Part I, Line 46 |
|
CITADEL...........2 |
Will storm his heart, Love's fev'rous |
citadel |
: |
The Eve of St. Agnes, Line 84 |
Or mountain-built with peaceful |
citadel |
, |
Ode on a Grecian Urn, Line 36 |
|
CITIED............1 |
Or friends or kinsfolk on the |
citied |
earth, |
Lamia, Part II, Line 90 |
|
CITIES............4 |
The slang of |
cities |
in no wise he knew, |
Character of C.B., Line 19 |
What are the |
cities |
'yond the Alps to me, |
Otho the Great, Act III, SCENE II, Otho, Line 18 |
Take tribute from those |
cities |
for thyself! |
Otho the Great, Act IV, SCENE I, Auranthe, Line 153 |
And sometimes into |
cities |
she would send |
Lamia, Part I, Line 213 |
|
CITRON............1 |
Of the least drop of creme de |
citron |
crystal clear." |
The Jealousies, Line 369 |
|
CITY..............14 |
In this dark |
city |
, nor would condescend |
To George Felton Mathew, Line 33 |
To one who has been long in |
city |
pent, |
To one who has been long in city pent, Line 1 |
Of troops chivalrous prancing through a |
city |
, |
To Charles Cowden Clarke, Line 46 |
To take a fancied |
city |
of delight, |
Endymion: A Poetic Romance, Book II, Line 143 |
Another |
city |
doth he set about, |
Endymion: A Poetic Romance, Book II, Line 148 |
And onward to another |
city |
speeds. |
Endymion: A Poetic Romance, Book II, Line 152 |
The |
city |
streets were clean and fair |
The Eve of St. Mark, Line 4 |
They pass'd the |
city |
gates, he knew not how, |
Lamia, Part I, Line 348 |
To grace a banquet. The high |
city |
gates |
King Stephen Act I, SCENE II, Second Captain, Line 26 |
A faery |
city |
, 'neath the potent rule |
The Jealousies, Line 3 |
And all the priesthood of his |
city |
wept, |
The Jealousies, Line 11 |
He "knew the |
city |
," as we say, of yore, |
The Jealousies, Line 206 |
The |
city |
of Balk- 'twas Balk beyond all doubt: |
The Jealousies, Line 679 |
The |
city |
all her unhived swarms had cast, |
The Jealousies, Line 719 |
|
CITY'S............2 |
Now while I cannot hear the |
city's |
din; |
Endymion: A Poetic Romance, Book I, Line 40 |
The |
city's |
delicacy, and the pride |
The Jealousies, Line 750 |
|
CLACK.............1 |
And close into her face, with rhyming |
clack |
, |
The Jealousies, Line 777 |
|
CLAD..............2 |
Through copse- |
clad |
vallies,- ere their death, o'ertaking |
Endymion: A Poetic Romance, Book I, Line 120 |
Next, on a dolphin, |
clad |
in laurel boughs, |
Endymion: A Poetic Romance, Book III, Line 1001 |
|
CLAIM.............4 |
Not as a swordsman would I pardon |
claim |
, |
Otho the Great, Act I, SCENE III, Ludolph, Line 24 |
Great Otho, I |
claim |
justice- |
Otho the Great, Act III, SCENE II, Ethelbert, Line 90a |
That I should |
claim |
your pity! Art not well? |
Otho the Great, Act IV, SCENE I, Auranthe, Line 109 |
|
Claim |
a brief while your patience. |
Otho the Great, Act IV, SCENE II, Gersa, Line 48a |
|
CLAMANT...........1 |
Stand anxious: see! behold!" - This |
clamant |
word |
Endymion: A Poetic Romance, Book II, Line 494 |
|
CLAMBER...........1 |
All the green leaves that round the window |
clamber |
, |
Calidore: A Fragment, Line 136 |
|
CLAMMY............2 |
A |
clammy |
dew is beading on my brow, |
Endymion: A Poetic Romance, Book III, Line 568 |
For summer has o'er-brimm'd their |
clammy |
cells. |
To Autumn, Line 11 |
|
CLAMOROUS.........1 |
The |
clamorous |
daws, that all the day |
The Eve of St. Mark, Line 61 |
|
CLAMOUR...........2 |
For |
clamour |
, when the golden palace door |
Endymion: A Poetic Romance, Book III, Line 991 |
A glorious |
clamour |
! Now I live again! |
Otho the Great, Act V, SCENE I, Ludolph, Line 32 |
|
CLAMOUROUS........1 |
With |
clamourous |
trumpets. To the Empress bear |
King Stephen Act I, SCENE II, Glocester, Line 53 |
|
CLAMOURS..........1 |
With rival |
clamours |
rang from every spire; |
The Jealousies, Line 569 |
|
CLAN..............4 |
Never one, of all the |
clan |
, |
Robin Hood, Line 25 |
And to all the Sherwood- |
clan |
! |
Robin Hood, Line 60 |
Leaving great verse unto a little |
clan |
? |
Mother of Hermes! and still youthful Maia, Line 8 |
Or poorest of the beggar- |
clan |
, |
Where's the Poet? Show him! show him, Line 5 |
|
CLANG.............1 |
Had been less heartfelt by him than the |
clang |
|
Calidore: A Fragment, Line 75 |
|
CLANS.............1 |
To nurse the golden age 'mong shepherd |
clans |
: |
Endymion: A Poetic Romance, Book II, Line 896 |
|
CLAPP'D...........1 |
She |
clapp'd |
her hands three times, and cried out ' Whoop!'- |
The Jealousies, Line 673 |
|
CLAPPING..........2 |
"O Hearkener to the loud |
clapping |
shears, |
Endymion: A Poetic Romance, Book I, Line 279 |
You know I'd sooner be a |
clapping |
bell |
Dear Reynolds, as last night I lay in bed, Line 107 |
|
CLAPS.............1 |
Coming sometimes like fearful |
claps |
of thunder, |
Sleep and Poetry, Line 27 |
|
CLARET............2 |
Hence burgundy, |
claret |
, and port, |
Hence burgundy, claret, and port, Line 1 |
And with the ripest |
claret |
crowned it, |
The Jealousies, Line 418 |
|
CLARION...........2 |
The |
clarion |
sounds; and from a postern grate |
Dear Reynolds, as last night I lay in bed, Line 61 |
The boisterous, midnight, festive |
clarion |
, |
The Eve of St. Agnes, Line 258 |
|
CLARION'S.........1 |
Thou wast my |
clarion's |
blast - thou wast my steed- |
Endymion: A Poetic Romance, Book III, Line 167 |
|
CLARIONET.........1 |
The kettle-drum, and far-heard |
clarionet |
, |
The Eve of St. Agnes, Line 259 |
|
CLARIONS..........1 |
Bronze |
clarions |
awake, and faintly bruit, |
Endymion: A Poetic Romance, Book I, Line 791 |
|
CLASHING..........1 |
Smooth, without |
clashing |
cymbal, tones of peace |
Otho the Great, Act I, SCENE II, Otho, Line 48 |
|
CLASP.............2 |
To have thee understand, now while I |
clasp |
|
Endymion: A Poetic Romance, Book II, Line 821 |
Slipt its golden |
clasp |
, and down |
Fancy, Line 86 |
|
CLASP'D...........4 |
|
Clasp'd |
like a missal where swart Paynims pray; |
The Eve of St. Agnes, Line 241 |
Sceptre, and mantle, |
clasp'd |
with dewy gem, |
Lamia, Part I, Line 4 |
And when I |
clasp'd |
my hands I felt them not. |
The Fall of Hyperion: A Dream, CANTO I, Line 131 |
With mad-cap pleasure, or hand- |
clasp'd |
amaze: |
The Jealousies, Line 724 |
|
CLASPED...........1 |
Follow'd by glad Endymion's |
clasped |
hands: |
Endymion: A Poetic Romance, Book II, Line 65 |
|
CLASSIC...........2 |
The |
classic |
page - the muse's lore. |
Fill for me a brimming bowl, Line 20 |
And little fit to please a |
classic |
ear; |
To Charles Cowden Clarke, Line 24 |
|
CLATTER...........1 |
And evermore thy steps go |
clatter |
-clitter; |
The Jealousies, Line 231 |
|
CLATTERING........1 |
Of |
clattering |
hoofs; into the court he sprang, |
Calidore: A Fragment, Line 76 |
|
CLAW'D............1 |
And sorrel untorn by the dew- |
claw'd |
stag: |
Endymion: A Poetic Romance, Book IV, Line 685 |
|
CLAWS.............1 |
Is in an eagle's |
claws |
. |
God of the meridian, Line 15 |
|
CLAY..............6 |
And the Promethean |
clay |
by thief endued, |
Endymion: A Poetic Romance, Book IV, Line 955 |
Betwixt damnation and impassion'd |
clay |
|
On Sitting Down to Read King Lear Once Again, Line 6 |
And at the last, these men of cruel |
clay |
|
Isabella; or, The Pot of Basil, Line 173 |
How she might find the |
clay |
, so dearly prized, |
Isabella; or, The Pot of Basil, Line 339 |
Of eye-sight on cinque coloured potter's |
clay |
|
Fragment of Castle-builder, CASTLE BUILDER, Line 60 |
Said Lamia, "here, upon this floor of |
clay |
, |
Lamia, Part I, Line 272 |
|
CLAYEY............1 |
Work through the |
clayey |
soil and gravel hard, |
Isabella; or, The Pot of Basil, Line 355 |
|
CLEAN.............3 |
And all the clouds, and felt his bosom |
clean |
|
Sleep and Poetry, Line 42 |
And shouldst thou break it - What, is it done so |
clean |
? |
Endymion: A Poetic Romance, Book III, Line 758 |
The city streets were |
clean |
and fair |
The Eve of St. Mark, Line 4 |
|
CLEANS'D..........1 |
As earthly fires from dull dross can be |
cleans'd |
; |
Otho the Great, Act V, SCENE V, Ludolph, Line 41 |
|
CLEAR.............82 |
Mark the |
clear |
tumbling crystal, its passionate gushes, |
To Some Ladies, Line 7 |
As o'er Sicilian seas, |
clear |
anthems float |
To George Felton Mathew, Line 14 |
And come like a |
clear |
sun-rise to my mind; |
Specimen of an Induction to a Poem, Line 50 |
|
Clear |
streams, smooth lakes, and overlooking towers. |
Specimen of an Induction to a Poem, Line 68 |
Scarce can his |
clear |
and nimble eye-sight follow |
Calidore: A Fragment, Line 13 |
Nature's |
clear |
beauty, could pass lightly by |
Calidore: A Fragment, Line 30 |
|
Clear |
was the song from Philomel's far bower; |
Calidore: A Fragment, Line 154 |
That falls through the |
clear |
ether silently. |
To one who has been long in city pent, Line 14 |
When the bright warder blows his trumpet |
clear |
, |
To My Brother George (epistle), Line 31 |
Is, the |
clear |
fountains' interchanging kisses, |
To My Brother George (epistle), Line 48 |
Because my thoughts were never free, and |
clear |
, |
To Charles Cowden Clarke, Line 23 |
On heap'd up flowers, in regions |
clear |
, and far; |
On Leaving Some Friends at an Early Hour, Line 2 |
Yield from thy sanctuary some |
clear |
air, |
Sleep and Poetry, Line 56 |
In happy silence, like the |
clear |
Meander |
Sleep and Poetry, Line 74 |
A pigeon tumbling in |
clear |
summer air; |
Sleep and Poetry, Line 93 |
Between their arms; some, |
clear |
in youthful bloom, |
Sleep and Poetry, Line 145 |
From the |
clear |
space of ether, to the small |
Sleep and Poetry, Line 168 |
From majesty: but in |
clear |
truth the themes |
Sleep and Poetry, Line 233 |
Then let us |
clear |
away the choaking thorns |
Sleep and Poetry, Line 255 |
To |
clear |
conceiving: yet there ever rolls |
Sleep and Poetry, Line 290 |
The end and aim of Poesy. 'Tis |
clear |
|
Sleep and Poetry, Line 293 |
To |
clear |
futurity his darling fame! |
Sleep and Poetry, Line 359 |
And fresh from the |
clear |
brook; sweetly they slept |
I stood tip-toe upon a little hill, Line 9 |
Round which is heard a spring-head of |
clear |
waters |
I stood tip-toe upon a little hill, Line 41 |
But though her face was |
clear |
as infant's eyes, |
I stood tip-toe upon a little hill, Line 199 |
The evening weather was so bright, and |
clear |
, |
I stood tip-toe upon a little hill, Line 215 |
Soon they awoke |
clear |
eyed: nor burnt with thirsting, |
I stood tip-toe upon a little hill, Line 225 |
By thy white fingers, and thy spirit |
clear |
. |
To a Young Lady Who Sent Me a Laurel Crown, Line 8 |
What manner I mean, will be quite |
clear |
to the reader, |
Endymion: A Poetic Romance, Preface, paragraph2 |
With the green world they live in; and |
clear |
rills |
Endymion: A Poetic Romance, Book I, Line 16 |
That spreads so |
clear |
o'er our solemnity." |
Endymion: A Poetic Romance, Book I, Line 222 |
Into a river, |
clear |
, brimful, and flush |
Endymion: A Poetic Romance, Book I, Line 421 |
Through |
clear |
and cloudy, even when she went |
Endymion: A Poetic Romance, Book I, Line 596 |
The |
clear |
religion of heaven! Fold |
Endymion: A Poetic Romance, Book I, Line 781 |
Smiling in the |
clear |
well. My heart did leap |
Endymion: A Poetic Romance, Book I, Line 896 |
Even with mealy gold the waters |
clear |
. |
Endymion: A Poetic Romance, Book II, Line 91 |
To Amphitrite; all my |
clear |
-eyed fish, |
Endymion: A Poetic Romance, Book II, Line 109 |
From the |
clear |
moon, the trees, and coming madness. |
Endymion: A Poetic Romance, Book II, Line 218 |
First heaven, then hell, and then forgotten |
clear |
, |
Endymion: A Poetic Romance, Book II, Line 374 |
Arise! awake! |
Clear |
summer has forth walk'd |
Endymion: A Poetic Romance, Book II, Line 502 |
And, when all were |
clear |
vanish'd, still he caught |
Endymion: A Poetic Romance, Book II, Line 583 |
Around thine aged top, and thy |
clear |
fount |
Endymion: A Poetic Romance, Book II, Line 722 |
A resting place, thus much comes |
clear |
and plain; |
Endymion: A Poetic Romance, Book II, Line 848 |
The shepherd's pipe come |
clear |
from airy steep, |
Endymion: A Poetic Romance, Book III, Line 359 |
Gleam delicately through the azure |
clear |
: |
Endymion: A Poetic Romance, Book III, Line 409 |
To one so friendless the |
clear |
freshet yields |
Endymion: A Poetic Romance, Book IV, Line 34 |
Above the crystal circlings white and |
clear |
; |
Endymion: A Poetic Romance, Book IV, Line 340 |
Their wings chivalrous into the |
clear |
air, |
Endymion: A Poetic Romance, Book IV, Line 482 |
Of trumpets at |
clear |
parley from the east |
Endymion: A Poetic Romance, Book IV, Line 553 |
And honeysuckles full of |
clear |
bee-wine. |
Endymion: A Poetic Romance, Book IV, Line 698 |
To Vesper, for a taper silver- |
clear |
, |
Endymion: A Poetic Romance, Book IV, Line 704 |
Thus strove by fancies vain and crude to |
clear |
|
Endymion: A Poetic Romance, Book IV, Line 722 |
Laughing at the |
clear |
stream and setting sun, |
Endymion: A Poetic Romance, Book IV, Line 946 |
He hath his lusty spring, when fancy |
clear |
|
Four seasons fill the measure of the year, Line 3 |
And Coomb at the |
clear |
Teign head- |
For there's Bishop's Teign, Line 3 |
You know the |
clear |
lake, and the little isles, |
Dear Reynolds, as last night I lay in bed, Line 35 |
Runnels may kiss the grass on shelves and shallows |
clear |
, |
There is a joy in footing slow across a silent plain, Line 15 |
And keep his vision |
clear |
from speck, his inward sight unblind. |
There is a joy in footing slow across a silent plain, Line 48 |
|
Clear |
, but for golden fishes in the way, |
Fragment of Castle-builder, CASTLE BUILDER, Line 29 |
Distant harvest-carols |
clear |
; |
Fancy, Line 40 |
And those sad eyes were spiritual and |
clear |
: |
The Eve of St. Agnes, Line 310 |
But now my sight is |
clear |
; forgive me, lady. |
Otho the Great, Act I, SCENE II, Otho, Line 23 |
How this proud temper with |
clear |
reason squares. |
Otho the Great, Act I, SCENE III, Sigifred, Line 31 |
I know the |
clear |
truth; so would Otho see, |
Otho the Great, Act I, SCENE III, Sigifred, Line 86 |
Who, for your bright sword and |
clear |
honesty, |
Otho the Great, Act II, SCENE II, Erminia, Line 47 |
How? Make it |
clear |
; if it be possible, |
Otho the Great, Act II, SCENE II, Albert, Line 50 |
Is this |
clear |
-headed Albert? He brain-turn'd! |
Otho the Great, Act III, SCENE I, Sigifred, Line 64 |
Against the spotless nature and |
clear |
fame |
Otho the Great, Act III, SCENE II, Ethelbert, Line 132 |
Will |
clear |
itself, and crystal turn again. |
Otho the Great, Act III, SCENE II, Ethelbert, Line 179 |
See the coast |
clear |
then. |
Otho the Great, Act IV, SCENE I, Albert, Line 176c |
And, most especially, we must keep |
clear |
|
Otho the Great, Act V, SCENE IV, Physician, Line 21 |
That from a whiteness, as the lily |
clear |
, |
Lamia, Part I, Line 24 |
The soft, lute-finger'd Muses chaunting |
clear |
, |
Lamia, Part I, Line 73 |
By a |
clear |
pool, wherein she passioned |
Lamia, Part I, Line 182 |
His drooping head, and |
clear |
his soul of doubt, |
Lamia, Part I, Line 305 |
Unveil'd the summer heaven, blue and |
clear |
, |
Lamia, Part II, Line 21 |
Thither we tend."- Now in |
clear |
light I stood, |
The Fall of Hyperion: A Dream, CANTO II, Line 49 |
Spoken to in |
clear |
, plain, and open terms, |
King Stephen Act I, SCENE IV, Maud, Line 15 |
In the |
clear |
panel, more he could adore,- |
The Jealousies, Line 277 |
Of the least drop of creme de citron crystal |
clear |
." |
The Jealousies, Line 369 |
While here and there |
clear |
trumpets blew a keen alarm. |
The Jealousies, Line 576 |
And now the fairy escort was seen |
clear |
, |
The Jealousies, Line 577 |
|
CLEAR'D...........1 |
|
Clear'd |
them of heavy vapours, burst them wide |
Hyperion: A Fragment, Book I, Line 267 |
|
CLEARER...........2 |
And in the midst of all, a |
clearer |
pool |
I stood tip-toe upon a little hill, Line 167 |
There's a beverage brighter and |
clearer |
! |
Hence burgundy, claret, and port, Line 4 |
|
CLEARLY...........2 |
It is reflected, |
clearly |
, in a lake, |
Specimen of an Induction to a Poem, Line 20 |
|
Clearly |
she saw, as other eyes would know |
Isabella; or, The Pot of Basil, Line 363 |
|
CLEARNESS.........2 |
And smiles at the far |
clearness |
all around, |
Calidore: A Fragment, Line 7 |
Drooping its beauty o'er the watery |
clearness |
, |
I stood tip-toe upon a little hill, Line 173 |
|
CLEARS............1 |
Born of the gentle south, and |
clears |
away |
After dark vapours have oppressed our plains, Line 3 |
|
CLEAVE............2 |
Full joy I feel, while thus I |
cleave |
the air, |
To My Brother George (epistle), Line 107 |
Which eagles |
cleave |
upmounting from their nest. |
Hyperion: A Fragment, Book I, Line 157 |
|
CLEAVEST..........1 |
Of the omnipotent Father, |
cleavest |
the air, |
As from the darkening gloom a silver dove, Line 12 |
|
CLEFT.............3 |
A wooded |
cleft |
, and, far away, the blue |
Endymion: A Poetic Romance, Book II, Line 75 |
Your nuts in oak-tree |
cleft |
?- |
Endymion: A Poetic Romance, Book IV, Line 231 |
We put our eyes into a pillowy |
cleft |
, |
Isabella; or, The Pot of Basil, Line 325 |
|
CLEFTS............1 |
Or by the bowery |
clefts |
, and leavy shelves, |
I stood tip-toe upon a little hill, Line 21 |
|
CLENCH'D..........4 |
|
Clench'd |
her small teeth, and held her lips apart, |
When they were come unto the Faery's court, Line 43 |
Their clenched teeth still |
clench'd |
, and all their limbs |
Hyperion: A Fragment, Book II, Line 24 |
Her arms are stiff,- her fingers |
clench'd |
and cold! |
Otho the Great, Act V, SCENE V, Page, Line 188 |
Or |
clench'd |
it quite: but too short was their bliss |
Lamia, Part II, Line 9 |
|
CLENCHED..........2 |
My |
clenched |
hands;- for lo! the poppies hung |
Endymion: A Poetic Romance, Book I, Line 682 |
Their |
clenched |
teeth still clench'd, and all their limbs |
Hyperion: A Fragment, Book II, Line 24 |
|
CLENCHES..........1 |
With convuls'd |
clenches |
waving it abroad, |
Endymion: A Poetic Romance, Book III, Line 231 |
|
CLEONE............1 |
South-westward to |
Cleone |
. There she stood |
Lamia, Part I, Line 179 |
|
CLEOPATRA.........2 |
|
Cleopatra |
, regal drest, |
Welcome joy, and welcome sorrow, Line 16 |
Till |
Cleopatra |
lives at Number Seven, |
And what is Love?- It is a doll dress'd up, Line 9 |
|
CLEOPATRA'S.......1 |
Been made for |
Cleopatra's |
winding sheet; |
Fragment of Castle-builder, CASTLE BUILDER, Line 50 |
|
CLERIMOND.........2 |
When the kind voice of good Sir |
Clerimond |
|
Calidore: A Fragment, Line 99 |
Of a light mantle; and while |
Clerimond |
|
Calidore: A Fragment, Line 140 |
|
CLIFF.............3 |
Towers like an ocean- |
cliff |
, and whence he seeth |
Endymion: A Poetic Romance, Book II, Line 241 |
A white sail shews above the green-head |
cliff |
, |
Dear Reynolds, as last night I lay in bed, Line 23 |
More horrid still. Above a sombre |
cliff |
|
Hyperion: A Fragment, Book II, Line 86 |
|
CLIFT.............1 |
That crowns a lofty |
clift |
, which proudly towers |
To My Brother George (epistle), Line 124 |
|
CLIMACTERIC.......1 |
Cat! who hast past thy grand |
climacteric |
, |
To Mrs. Reynold's Cat, Line 1 |
|
CLIMATES..........1 |
Didst thou not after other |
climates |
call, |
Endymion: A Poetic Romance, Book IV, Line 142 |
|
CLIMAX............1 |
Up to its |
climax |
and then dying proudly? |
To Charles Cowden Clarke, Line 61 |
|
CLIMB.............3 |
Of murky buildings; |
climb |
with me the steep,- |
O Solitude! if I must with thee dwell, Line 3 |
Despair forbad his soul to |
climb |
|
O Some Skulls in Beauley Abbey, near Inverness, Line 62 |
About a midnight-gallant, seen to |
climb |
|
Otho the Great, Act III, SCENE II, Ethelbert, Line 141 |
|
CLIMB'D...........1 |
Of Saturn, and his guide, who now had |
climb'd |
|
Hyperion: A Fragment, Book II, Line 84 |
|
CLIME.............7 |
My fine existence in a golden |
clime |
. |
Endymion: A Poetic Romance, Book III, Line 455 |
In search of pleasure throughout every |
clime |
: |
Endymion: A Poetic Romance, Book IV, Line 275 |
Yea, every flower and leaf of every |
clime |
, |
Endymion: A Poetic Romance, Book IV, Line 578 |
Lady! thou leadest me to summer |
clime |
, |
Isabella; or, The Pot of Basil, Line 66 |
This cradle of my glory, this soft |
clime |
, |
Hyperion: A Fragment, Book I, Line 236 |
Where a sweet |
clime |
was breathed from a land |
Hyperion: A Fragment, Book II, Line 263 |
Methought I stood where trees of every |
clime |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 19 |
|
CLIMES............2 |
Striving to be itself, what dungeon |
climes |
|
Isabella; or, The Pot of Basil, Line 259 |
In human |
climes |
, and live: Alas! poor youth, |
Lamia, Part I, Line 281 |
|
CLING.............1 |
|
Cling |
to the ruin, |
O Some Skulls in Beauley Abbey, near Inverness, Line 4 |
|
CLINGING..........1 |
Enough their whitest arms in silence |
clinging |
: |
Happy is England! I could be content, Line 11 |
|
CLINGS............2 |
That, when I think thereon, my spirit |
clings |
|
Endymion: A Poetic Romance, Book I, Line 620 |
|
Clings |
cruelly to us, like the gnawing sloth |
Endymion: A Poetic Romance, Book I, Line 907 |
|
CLIO'S............1 |
You too upheld the veil from |
Clio's |
beauty, |
To Charles Cowden Clarke, Line 68 |
|
CLIP..............2 |
Of dolts to smooth, inlay, and |
clip |
, and fit, |
Sleep and Poetry, Line 197 |
Philosophy will |
clip |
an Angel's wings, |
Lamia, Part II, Line 234 |
|
CLITTER...........1 |
And evermore thy steps go clatter- |
clitter |
; |
The Jealousies, Line 231 |
|
CLOAK.............5 |
A |
cloak |
of blue wrapp'd up his aged bones, |
Endymion: A Poetic Romance, Book III, Line 197 |
And having done it, took his dark blue |
cloak |
|
Endymion: A Poetic Romance, Book III, Line 751 |
An old red blanket |
cloak |
she wore; |
Old Meg she was a gipsey, Line 27 |
With hasty steps, wrapp'd |
cloak |
, and solemn looks, |
The Jealousies, Line 219 |
Rich from the fluttering crimson of his |
cloak |
, |
The Jealousies, Line 267 |
|
CLOATHED..........1 |
And the west is resplendently |
cloathed |
in beams. |
O come, dearest Emma!, Line 4 |
|
CLOD..............2 |
Thou |
clod |
of yesterday - 'twas not myself! |
Otho the Great, Act I, SCENE I, Auranthe, Line 91 |
Since every man whose soul is not a |
clod |
|
The Fall of Hyperion: A Dream, CANTO I, Line 13 |
|
CLODDED...........1 |
That spreading in this dull and |
clodded |
earth |
Endymion: A Poetic Romance, Book I, Line 297 |
|
CLOGG'D...........2 |
Painful, |
clogg'd |
up and stagnate. Weigh this matter |
Otho the Great, Act III, SCENE II, Ethelbert, Line 186 |
Were |
clogg'd |
in some thick cloud? O, changeful Love, |
Otho the Great, Act IV, SCENE II, Ludolph, Line 32 |
|
CLOISTER'D........2 |
And |
cloister'd |
among cool and bunched leaves- |
Endymion: A Poetic Romance, Book I, Line 829 |
The silent-blessing fate, warm |
cloister'd |
hours, |
Lamia, Part II, Line 148 |
|
CLOS'D............6 |
Were |
clos'd |
in sullen moisture, and quick sighs |
Endymion: A Poetic Romance, Book II, Line 469 |
The earth |
clos'd |
- gave a solitary moan- |
Endymion: A Poetic Romance, Book II, Line 586 |
Who keepeth |
clos'd |
a wond'rous riddle-book, |
The Eve of St. Agnes, Line 130 |
She |
clos'd |
the door, she panted, all akin |
The Eve of St. Agnes, Line 201 |
Again it |
clos'd |
and there was nothing seen |
When they were come unto the Faery's court, Line 73 |
Unsceptred; and his realmless eyes were |
clos'd |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 324 |
|
CLOSE.............50 |
|
Close |
to the source, bright, pure, and undefil'd, |
To George Felton Mathew, Line 77 |
With ebon-tipped flutes: |
close |
after these, |
Endymion: A Poetic Romance, Book I, Line 147 |
Even while they brought the burden to a |
close |
, |
Endymion: A Poetic Romance, Book I, Line 307 |
Benighted, |
close |
they huddled from the cold, |
Endymion: A Poetic Romance, Book I, Line 391 |
Or anxious calls, or |
close |
of trembling palms, |
Endymion: A Poetic Romance, Book I, Line 401 |
Who whispers him so pantingly and |
close |
? |
Endymion: A Poetic Romance, Book I, Line 407 |
And, sitting down |
close |
by, began to muse |
Endymion: A Poetic Romance, Book I, Line 558 |
The |
close |
of Troilus and Cressid sweet. |
Endymion: A Poetic Romance, Book II, Line 13 |
Who, when this planet's sphering time doth |
close |
, |
Endymion: A Poetic Romance, Book II, Line 251 |
Of our |
close |
voices marry at their birth; |
Endymion: A Poetic Romance, Book II, Line 816 |
In which whales harbour |
close |
, to brood and sulk |
Endymion: A Poetic Romance, Book II, Line 882 |
Not once more did I |
close |
my happy eye |
Endymion: A Poetic Romance, Book II, Line 973 |
|
Close |
up its bloodshot eyes, nor see despair! |
Endymion: A Poetic Romance, Book IV, Line 308 |
Where |
close |
by the stream |
For there's Bishop's Teign, Line 4 |
Only to meet again more |
close |
, and share |
Isabella; or, The Pot of Basil, Line 75 |
All |
close |
they met again, before the dusk |
Isabella; or, The Pot of Basil, Line 81 |
All |
close |
they met, all eves, before the dusk |
Isabella; or, The Pot of Basil, Line 83 |
|
Close |
in a bower of hyacinth and musk, |
Isabella; or, The Pot of Basil, Line 85 |
As two |
close |
Hebrews in that land inspired, |
Isabella; or, The Pot of Basil, Line 131 |
He rivetted |
close |
|
There was a naughty boy, Line 20 |
Red-Crag, I say! O I must have you |
close |
! |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 47 |
Which was, to lead him, in |
close |
secrecy, |
The Eve of St. Agnes, Line 163 |
|
Close |
to her ear touching the melody;- |
The Eve of St. Agnes, Line 293 |
His winged minions in |
close |
clusters stood, |
Hyperion: A Fragment, Book I, Line 197 |
Phorcus, the sire of Gorgons. Neighbour'd |
close |
|
Hyperion: A Fragment, Book II, Line 74 |
O soothest Sleep! if so it please thee, |
close |
, |
Sonnet to Sleep, Line 5 |
A jilt, whose ear was never whisper'd |
close |
, |
On Fame ("Fame, like a wayward girl"), Line 7 |
He's very |
close |
to Otho, a tight leach! |
Otho the Great, Act II, SCENE I, Ludolph, Line 56 |
Come |
close |
, and let me breathe into thine ear |
Otho the Great, Act II, SCENE I, Otho, Line 126 |
Who, by |
close |
stratagems, did save herself, |
Otho the Great, Act III, SCENE II, Ethelbert, Line 145 |
And therefore fit to calmly put a |
close |
|
Otho the Great, Act III, SCENE II, Otho, Line 211 |
Retraction follow |
close |
upon the heels |
Otho the Great, Act IV, SCENE II, Ludolph, Line 93 |
For the Duke Conrad's. |
Close |
I follow'd them |
Otho the Great, Act IV, SCENE II, Page, Line 124 |
O that that door with hollow slam would |
close |
|
Otho the Great, Act V, SCENE II, Albert, Line 16 |
O, |
close |
the door! |
Otho the Great, Act V, SCENE IV, Erminia, Line 40b |
Undazzled,- this is darkness,- when I |
close |
|
Otho the Great, Act V, SCENE V, Ludolph, Line 43 |
|
Close |
to her passing, in indifference drear, |
Lamia, Part I, Line 238 |
Made |
close |
inquiry; from whose touch she shrank, |
Lamia, Part II, Line 103 |
And shut the chamber up, |
close |
, hush'd and still, |
Lamia, Part II, Line 143 |
|
Close |
bosom-friend of the maturing sun; |
To Autumn, Line 2 |
No poison gender'd in |
close |
monkish cell |
The Fall of Hyperion: A Dream, CANTO I, Line 49 |
His winged minions in |
close |
clusters stand |
The Fall of Hyperion: A Dream, CANTO II, Line 41 |
If not - may my eyes |
close |
, |
To Fanny, Line 55 |
Bears his flaunt standard |
close |
upon their rear. |
King Stephen Act I, SCENE I, First Knight, Line 13 |
Where are my enemies? Here, |
close |
at hand, |
King Stephen Act I, SCENE III, Stephen, Line 4 |
|
Close |
at your back, that sly old Crafticant? |
The Jealousies, Line 49 |
It was the time when wholesale houses |
close |
|
The Jealousies, Line 208 |
Where the |
close |
eye in deep rich fur might trace |
The Jealousies, Line 345 |
Lay it on Bertha's table, |
close |
beside |
The Jealousies, Line 524 |
And |
close |
into her face, with rhyming clack, |
The Jealousies, Line 777 |
|
CLOSED............10 |
Of one who leans upon a |
closed |
book; |
Sleep and Poetry, Line 262 |
And crept through half |
closed |
lattices to cure |
I stood tip-toe upon a little hill, Line 222 |
Trembling its |
closed |
eyes and sleeked wings |
Endymion: A Poetic Romance, Book I, Line 468 |
Upon her |
closed |
eyes, |
Ah! woe is me! poor Silver-wing, Line 15 |
Unsceptred; and his realmless eyes were |
closed |
; |
Hyperion: A Fragment, Book I, Line 19 |
Where use had made it sweet, with eyelids |
closed |
, |
Lamia, Part II, Line 23 |
Half |
closed |
, and visionless entire they seem'd |
The Fall of Hyperion: A Dream, CANTO I, Line 267 |
And with a slave-like silence |
closed |
the door, |
The Jealousies, Line 204 |
Cried Elfinan, and |
closed |
the window-blind; |
The Jealousies, Line 597 |
Or on the open turf their soothed eyelids |
closed |
. |
The Jealousies, Line 693 |
|
CLOSELY...........2 |
To things ye knew not of,- were |
closely |
wed |
Sleep and Poetry, Line 194 |
Surely the mind of man is |
closely |
bound |
Written in Disgust of Vulgar Superstition, Line 5 |
|
CLOSER............5 |
What, but thee, Sleep? Soft |
closer |
of our eyes! |
Sleep and Poetry, Line 11 |
|
Closer |
of lovely eyes to lovely dreams, |
I stood tip-toe upon a little hill, Line 120 |
Press'd her cold finger |
closer |
to her lips. |
Hyperion: A Fragment, Book I, Line 14 |
Lycius shrank |
closer |
, as they met and past, |
Lamia, Part I, Line 366 |
Press'd her cold finger |
closer |
to her lips. |
The Fall of Hyperion: A Dream, CANTO I, Line 318 |
|
CLOSES............3 |
And then the ballad of his sad life |
closes |
|
Endymion: A Poetic Romance, Book I, Line 735 |
|
Closes |
up, and forgets all its Lethean care, |
Hush, hush, tread softly, hush, hush, my dear, Line 11 |
OTHO. Exeunt severally. The scene |
closes |
on them. |
Otho the Great, Act I, SCENE II, S.D. to Line 202 |
|
CLOSET............4 |
My china |
closet |
too - with wretched nerves |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 14 |
Him in a |
closet |
, of such privacy |
The Eve of St. Agnes, Line 165 |
And breath'd himself: then from the |
closet |
crept, |
The Eve of St. Agnes, Line 249 |
While he from forth the |
closet |
brought a heap |
The Eve of St. Agnes, Line 264 |
|
CLOSETED..........1 |
With the sad Emperor they are |
closeted |
; |
Otho the Great, Act V, SCENE III, Gonfrid, Line 10 |
|
CLOSING...........1 |
Are |
closing |
in the west; or that soft humming |
Calidore: A Fragment, Line 160 |
|
CLOTH.............1 |
A |
cloth |
of woven crimson, gold, and jet:- |
The Eve of St. Agnes, Line 256 |
|
CLOTHES...........1 |
And the |
clothes |
left in the wet, |
Extracts from an Opera, FOLLY'S SONG Line 7 |
|
CLOUD.............26 |
As when a |
cloud |
a golden moon doth veil, |
To Lord Byron, Line 9 |
When, like a |
cloud |
, he sits upon the air, |
To Hope, Line 15 |
Gilds the bright summit of some gloomy |
cloud |
; |
To Hope, Line 44 |
He of the |
cloud |
, the cataract, the lake, |
Addressed to the Same, Line 2 |
Above a |
cloud |
, and with a gradual swim |
I stood tip-toe upon a little hill, Line 114 |
A little |
cloud |
would move across the blue. |
Endymion: A Poetic Romance, Book I, Line 88 |
Made every eastern |
cloud |
a silvery pyre |
Endymion: A Poetic Romance, Book I, Line 96 |
Thy forehead, and to Jupiter |
cloud |
-borne |
Endymion: A Poetic Romance, Book II, Line 654 |
To |
cloud |
-borne Jove he bowed, and there crost |
Endymion: A Poetic Romance, Book II, Line 657 |
She dies at the thinnest |
cloud |
; her loveliness |
Endymion: A Poetic Romance, Book III, Line 81 |
To some black |
cloud |
; thence down I'll madly sweep |
Endymion: A Poetic Romance, Book III, Line 247 |
Crumbles into itself. By the |
cloud |
girth |
Endymion: A Poetic Romance, Book IV, Line 122 |
As of a thunder |
cloud |
. When arrows fly |
Endymion: A Poetic Romance, Book IV, Line 326 |
Might as well be in a |
cloud |
. |
Extracts from an Opera, DAISY'S SONG Line 4 |
A |
cloud |
across the moon,- the lights bring in! |
Fragment of Castle-builder, CASTLE BUILDER, Line 46 |
Like |
cloud |
on cloud. No stir of air was there, |
Hyperion: A Fragment, Book I, Line 7 |
Like cloud on |
cloud |
. No stir of air was there, |
Hyperion: A Fragment, Book I, Line 7 |
Far in the west where the May- |
cloud |
lowers, |
Song of Four Fairies: Fire, Air, Earth, and Water, BREAMA, Line 97 |
Sudden from heaven like a weeping |
cloud |
, |
Ode on Melancholy, Line 12 |
The blissful |
cloud |
of summer-indolence |
Ode on Indolence, Line 16 |
And |
cloud |
him in such utter banishment, |
Otho the Great, Act I, SCENE I, Conrad, Line 72 |
Were clogg'd in some thick |
cloud |
? O, changeful Love, |
Otho the Great, Act IV, SCENE II, Ludolph, Line 32 |
An image, huge of feature as a |
cloud |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 88 |
"Do not you see there, lurking in a |
cloud |
, |
The Jealousies, Line 48 |
See, past the skirts of yon white |
cloud |
they go, |
The Jealousies, Line 553 |
Bivouac'd for four minutes on a |
cloud |
- |
The Jealousies, Line 686 |
|
CLOUD'S...........1 |
Along a huge |
cloud's |
ridge; and now with sprightly |
Sleep and Poetry, Line 130 |
|
CLOUDED...........3 |
Of Ops the queen all |
clouded |
round from sight; |
Hyperion: A Fragment, Book II, Line 78 |
The morn was |
clouded |
, but no shower fell, |
Ode on Indolence, Line 45 |
And |
clouded |
all the altar with soft smoke, |
The Fall of Hyperion: A Dream, CANTO I, Line 105 |
|
CLOUDINESS........1 |
Pictur'd in western |
cloudiness |
, that takes |
Endymion: A Poetic Romance, Book I, Line 741 |
|
CLOUDLESS.........1 |
Through |
cloudless |
blue, and round each silver throne. |
To Kosciusko, Line 8 |
|
CLOUDLET..........1 |
Like sunbeams in a |
cloudlet |
nested |
Hadst thou liv'd in days of old, Line 51 |
|
CLOUDLET'S........2 |
Watching the sailing |
cloudlet's |
bright career, |
To one who has been long in city pent, Line 11 |
And peers among the |
cloudlet's |
jet and white, |
To Charles Cowden Clarke, Line 94 |
|
CLOUDLETS.........1 |
Noiseless, sub-marine |
cloudlets |
, glittering |
Endymion: A Poetic Romance, Book III, Line 874 |
|
CLOUDS............57 |
Through |
clouds |
of fleecy white, laughs the coerulean sky. |
Imitation of Spenser, Line 27 |
And seems from purple |
clouds |
to wing its flight. |
Calidore: A Fragment, Line 45 |
The silver |
clouds |
, far - far away to leave |
Oh! how I love, on a fair summer's eve, Line 4 |
Though feathery |
clouds |
were floating all along |
To My Brother George (epistle), Line 10 |
Of whitest |
clouds |
she does her beauty dress, |
To My Brother George (epistle), Line 60 |
The names of heroes, burst from |
clouds |
concealing, |
To Kosciusko, Line 6 |
And all the |
clouds |
, and felt his bosom clean |
Sleep and Poetry, Line 42 |
Upon the |
clouds |
? Has she not shewn us all? |
Sleep and Poetry, Line 167 |
Lifted to the white |
clouds |
. Therefore should I |
Sleep and Poetry, Line 297 |
The |
clouds |
were pure and white as flocks new shorn, |
I stood tip-toe upon a little hill, Line 8 |
Spangler of |
clouds |
, halo of crystal rivers, |
I stood tip-toe upon a little hill, Line 118 |
Walking upon the white |
clouds |
wreath'd and curl'd. |
I stood tip-toe upon a little hill, Line 140 |
Their voices to the |
clouds |
, a fair wrought car, |
Endymion: A Poetic Romance, Book I, Line 165 |
To summon all the downiest |
clouds |
together |
Endymion: A Poetic Romance, Book I, Line 364 |
And lo! from opening |
clouds |
, I saw emerge |
Endymion: A Poetic Romance, Book I, Line 591 |
Of o'er-head |
clouds |
melting the mirror through. |
Endymion: A Poetic Romance, Book I, Line 887 |
In nectar'd |
clouds |
and curls through water fair, |
Endymion: A Poetic Romance, Book II, Line 512 |
Whose silent wheels, fresh wet from |
clouds |
of morn, |
Endymion: A Poetic Romance, Book II, Line 519 |
Into the breezy |
clouds |
, to weep and pray |
Endymion: A Poetic Romance, Book II, Line 557 |
Like thunder |
clouds |
that spake to Babylon, |
Endymion: A Poetic Romance, Book III, Line 20 |
Dark |
clouds |
, and muttering of winds morose. |
Endymion: A Poetic Romance, Book III, Line 652 |
Toss'd up the silver spume against the |
clouds |
. |
Endymion: A Poetic Romance, Book III, Line 655 |
But for the portraiture of |
clouds |
and sky: |
Endymion: A Poetic Romance, Book III, Line 883 |
Of all his rebel tempests. Dark |
clouds |
faint |
Endymion: A Poetic Romance, Book III, Line 953 |
Cheated by shadowy wooer from the |
clouds |
, |
Endymion: A Poetic Romance, Book IV, Line 190 |
Among cool |
clouds |
and winds, but that the free, |
Endymion: A Poetic Romance, Book IV, Line 351 |
Sad Zephyr droops the |
clouds |
like weeping willow: |
Endymion: A Poetic Romance, Book IV, Line 369 |
Chief Poet! and ye |
clouds |
of Albion, |
On Sitting Down to Read King Lear Once Again, Line 9 |
The bosomer of |
clouds |
gold, grey, and dun. |
Blue!- 'Tis the life of heaven - the domain, Line 4 |
Whose eye has seen the snow |
clouds |
hung in mist, |
O thou whose face hath felt the winter's wind, Line 2 |
The |
clouds |
, the trees, the rounded hills all seem, |
On Visiting the Tomb of Burns, Line 2 |
Or when grey |
clouds |
are thy cold coverlid? |
To Ailsa Rock, Line 8 |
So pulled the |
clouds |
again about his head |
Upon my life, Sir Nevis, I am piqu'd, Line 70 |
As if the vanward |
clouds |
of evil days |
Hyperion: A Fragment, Book I, Line 39 |
Upon the gold |
clouds |
metropolitan, |
Hyperion: A Fragment, Book I, Line 129 |
And all its curtains of Aurorian |
clouds |
|
Hyperion: A Fragment, Book I, Line 181 |
Spun round in sable curtaining of |
clouds |
; |
Hyperion: A Fragment, Book I, Line 271 |
And all along a dismal rack of |
clouds |
, |
Hyperion: A Fragment, Book I, Line 302 |
Thick night confounds the pine-tops with the |
clouds |
: |
Hyperion: A Fragment, Book II, Line 80 |
And singe away the swollen |
clouds |
of Jove, |
Hyperion: A Fragment, Book II, Line 330 |
And let the |
clouds |
of even and of morn |
Hyperion: A Fragment, Book III, Line 16 |
|
Clouds |
of stored summer rains |
Song of Four Fairies: Fire, Air, Earth, and Water, ZEPHYR, Line 58 |
Into the |
clouds |
, and never more return! |
Ode on Indolence, Line 60 |
As Jove fans off the |
clouds |
. Even now they pass. |
Otho the Great, Act II, SCENE I, Gonfrid, Line 21 |
Of Nineveh new kiss'd the parted |
clouds |
! |
Otho the Great, Act II, SCENE I, Ludolph, Line 134 |
To dazzle the soft moon, when tenderest |
clouds |
|
Otho the Great, Act III, SCENE II, Ludolph, Line 228 |
Hangings of heaven's |
clouds |
, purple and gold, |
Otho the Great, Act V, SCENE V, Ludolph, Line 36 |
On this side of Jove's |
clouds |
, to escape the sight |
Lamia, Part I, Line 10 |
Break amorous through the |
clouds |
, as morning breaks, |
Lamia, Part I, Line 77 |
Along the mirror'd walls by twin- |
clouds |
odorous. |
Lamia, Part II, Line 182 |
While barred |
clouds |
bloom the soft-dying day, |
To Autumn, Line 25 |
Builded so high, it seem'd that filmed |
clouds |
|
The Fall of Hyperion: A Dream, CANTO I, Line 63 |
As if the vanward |
clouds |
of evil days |
The Fall of Hyperion: A Dream, CANTO I, Line 341 |
|
Clouds |
still with shadowy moisture haunt the earth, |
The Fall of Hyperion: A Dream, CANTO I, Line 420 |
From the gold peaks of heaven's high piled |
clouds |
; |
The Fall of Hyperion: A Dream, CANTO I, Line 434 |
A midday fleece of |
clouds |
. Thea arose |
The Fall of Hyperion: A Dream, CANTO I, Line 454 |
And all its curtains of Aurorian |
clouds |
|
The Fall of Hyperion: A Dream, CANTO II, Line 29 |
|
CLOUDWARD.........1 |
She'll dart forth, and |
cloudward |
soar. |
Fancy, Line 8 |
|
CLOUDY............13 |
That I have not the |
cloudy |
winds to keep |
On Seeing the Elgin Marbles, Line 7 |
Through clear and |
cloudy |
, even when she went |
Endymion: A Poetic Romance, Book I, Line 596 |
A |
cloudy |
Cupid, with his bow and quiver; |
Endymion: A Poetic Romance, Book I, Line 889 |
The |
cloudy |
rack slow journeying in the west; |
Endymion: A Poetic Romance, Book II, Line 288 |
And poise about in |
cloudy |
thunder-tents |
Endymion: A Poetic Romance, Book III, Line 27 |
Are |
cloudy |
phantasms. Caverns lone, farewel! |
Endymion: A Poetic Romance, Book IV, Line 651 |
Huge |
cloudy |
symbols of a high romance, |
When I have fears that I may cease to be, Line 6 |
Waking an Indian from his |
cloudy |
hall |
Isabella; or, The Pot of Basil, Line 270 |
To such a richness, that the |
cloudy |
kings |
Nature withheld Cassandra in the skies, Line 7 |
I have heard the |
cloudy |
thunder: Where is power? |
Hyperion: A Fragment, Book III, Line 103 |
And be among her |
cloudy |
trophies hung. |
Ode on Melancholy, Line 30 |
Stretches, with all its mist and |
cloudy |
rack, |
Lamia, Part I, Line 178 |
The |
cloudy |
swoon came on, and down I sunk |
The Fall of Hyperion: A Dream, CANTO I, Line 55 |
|
CLOVE.............1 |
Though young Lorenzo in warm Indian |
clove |
|
Isabella; or, The Pot of Basil, Line 101 |
|
CLOVER............3 |
From his lush |
clover |
covert; - when anew |
To a Friend Who Sent Me Some Roses, Line 3 |
Hum about globes of |
clover |
and sweet peas, |
Endymion: A Poetic Romance, Book I, Line 52 |
Unto the |
clover |
-sward, and she has talk'd |
Endymion: A Poetic Romance, Book II, Line 503 |
|
CLOWN.............1 |
In ancient days by emperor and |
clown |
: |
Ode to a Nightingale, Line 64 |
|
CLOWN'S...........1 |
"A poet, mounted on the court- |
clown's |
back, |
The Jealousies, Line 775 |
|
CLOY'D............3 |
Ay, in those days the Muses were nigh |
cloy'd |
|
Sleep and Poetry, Line 178 |
Most like with joy gone mad, with sorrow |
cloy'd |
. |
Endymion: A Poetic Romance, Book IV, Line 495 |
That leaves a heart high-sorrowful and |
cloy'd |
, |
Ode on a Grecian Urn, Line 29 |
|
CLOYING...........2 |
Or fed too much with |
cloying |
melody- |
On the Sea, Line 12 |
Never slumber'd, never |
cloying |
. |
Bards of passion and of mirth, Line 28 |
|
CLOYS.............2 |
Of thy combing hand, the while it travelling |
cloys |
|
Endymion: A Poetic Romance, Book I, Line 968 |
|
Cloys |
with tasting: What do then? |
Fancy, Line 15 |
|
CLUBS.............1 |
Are ugly |
clubs |
, the poets Polyphemes |
Sleep and Poetry, Line 234 |
|
CLUE..............2 |
This tangled thread, and wind it to a |
clue |
. |
Endymion: A Poetic Romance, Book III, Line 756 |
No |
clue |
yet! |
Otho the Great, Act III, SCENE II, Conrad, Line 128b |
|
CLUMPS............1 |
And |
clumps |
of woodbine taking the soft wind |
I stood tip-toe upon a little hill, Line 36 |
|
CLUNG.............2 |
I |
clung |
about her waist, nor ceas'd to pass |
Endymion: A Poetic Romance, Book III, Line 626 |
His forest wildernesses. I have |
clung |
|
Endymion: A Poetic Romance, Book IV, Line 636 |
|
CLUSTER...........2 |
Delight you? Did ye never |
cluster |
round |
Sleep and Poetry, Line 213 |
To |
cluster |
round it when we next shall meet. |
Sleep and Poetry, Line 326 |
|
CLUSTER'D.........3 |
Far, far around shall those dark- |
cluster'd |
trees |
Ode to Psyche, Line 54 |
|
Cluster'd |
around by all her starry Fays; |
Ode to a Nightingale, Line 37 |
Or found them |
cluster'd |
in the corniced shade |
Lamia, Part I, Line 360 |
|
CLUSTERS..........5 |
Where the dark-leav'd laburnum's drooping |
clusters |
|
To George Felton Mathew, Line 41 |
That such fair |
clusters |
should be rudely torn |
I stood tip-toe upon a little hill, Line 44 |
|
Clusters |
of grapes, the which they raven'd quick |
Endymion: A Poetic Romance, Book III, Line 511 |
His winged minions in close |
clusters |
stood, |
Hyperion: A Fragment, Book I, Line 197 |
His winged minions in close |
clusters |
stand |
The Fall of Hyperion: A Dream, CANTO II, Line 41 |
|
CLUTCH............3 |
My tenderest squeeze is but a giant's |
clutch |
. |
Endymion: A Poetic Romance, Book III, Line 574 |
Aye, |
clutch |
your scabbard; but, for prudence' sake, |
Otho the Great, Act IV, SCENE I, Albert, Line 168 |
She's gone! I cannot |
clutch |
her! no revenge! |
Otho the Great, Act V, SCENE I, Ludolph, Line 25 |
|
CLYMENE...........2 |
Sobb'd |
Clymene |
among her tangled hair. |
Hyperion: A Fragment, Book II, Line 76 |
Save one whom none regarded, |
Clymene |
; |
Hyperion: A Fragment, Book II, Line 248 |