|
CO................2 |
Brother of Jove, and |
co |
-inheritor |
Endymion: A Poetic Romance, Book III, Line 944 |
By Parpaglion and |
Co |
., (those sly compeers |
The Jealousies, Line 88 |
|
COACH.............2 |
When Kate Eyebrow keeps a |
coach |
, |
Extracts from an Opera, FOLLY'S SONG Line 11 |
Therefore he call'd a |
coach |
, and bade it drive amain. |
The Jealousies, Line 225 |
|
COACHES...........3 |
It swallows chairmen, damns, and hackney |
coaches |
. |
Fragment of Castle-builder, CASTLE BUILDER, Line 15 |
Curricles, or mail- |
coaches |
, swift beyond compare." |
The Jealousies, Line 252 |
For press of |
coaches |
, that to-night here meet, |
The Jealousies, Line 259 |
|
COACHMAN..........1 |
And bade the |
coachman |
wheel to such a street, |
The Jealousies, Line 254 |
|
COAL..............1 |
And struck a lamp from the dismal |
coal |
, |
The Eve of St. Mark, Line 70 |
|
COALS.............3 |
Small, busy flames play through the fresh laid |
coals |
, |
To My Brothers, Line 1 |
For |
coals |
, and therefore no coals Betty brings. |
Pensive they sit, and roll their languid eyes, Line 7 |
For coals, and therefore no |
coals |
Betty brings. |
Pensive they sit, and roll their languid eyes, Line 7 |
|
COAST.............2 |
That, lingering along a pebbled |
coast |
, |
Hyperion: A Fragment, Book II, Line 301 |
See the |
coast |
clear then. |
Otho the Great, Act IV, SCENE I, Albert, Line 176c |
|
COASTS............1 |
My skiff along green shelving |
coasts |
, to hear |
Endymion: A Poetic Romance, Book III, Line 358 |
|
COAT..............2 |
In his |
coat |
|
There was a naughty boy, Line 46 |
"Alas, my friend! your |
coat |
sits very well: |
Pensive they sit, and roll their languid eyes, Line 18 |
|
COATS.............2 |
Through which the poppies show their scarlet |
coats |
; |
To My Brother George (epistle), Line 128 |
The scarlet |
coats |
that pester human-kind. |
To My Brother George (epistle), Line 130 |
|
COAX..............2 |
When 'twas their plan to |
coax |
her by degrees |
Isabella; or, The Pot of Basil, Line 167 |
To scrape a little favour, 'gan to |
coax |
|
The Jealousies, Line 698 |
|
COBWEBS...........1 |
Brushing the |
cobwebs |
with his lofty plume, |
The Eve of St. Agnes, Line 110 |
|
COCKATRICE........1 |
You will come to again. O |
cockatrice |
, |
Otho the Great, Act V, SCENE II, Ludolph, Line 36 |
|
COELUS............2 |
Of |
Coelus |
, from the universal space, |
Hyperion: A Fragment, Book I, Line 307 |
I, |
Coelus |
, wonder, how they came and whence; |
Hyperion: A Fragment, Book I, Line 314 |
|
COERULEAN.........1 |
Through clouds of fleecy white, laughs the |
coerulean |
sky. |
Imitation of Spenser, Line 27 |
|
COEUS.............1 |
|
Coeus |
, and Gyges, and Briareus, |
Hyperion: A Fragment, Book II, Line 19 |
|
COFFEE............1 |
"Mr. Nisby is of opinion that laced |
coffee |
is bad |
The Jealousies, Keats's Note to Line 365 |
|
COFFEE'S..........1 |
Have nantz, with which my morning- |
coffee's |
laced." |
The Jealousies, Line 365 |
|
COFFER............1 |
All the bright riches of my crystal |
coffer |
|
Endymion: A Poetic Romance, Book II, Line 108 |
|
COFFIN............1 |
Of witch, and demon, and large |
coffin |
-worm, |
The Eve of St. Agnes, Line 374 |
|
COFFIN'D..........1 |
To see scull, |
coffin'd |
bones, and funeral stole; |
Isabella; or, The Pot of Basil, Line 356 |
|
COGITATION........1 |
But |
cogitation |
in his watery shades, |
Hyperion: A Fragment, Book II, Line 169 |
|
COIL..............3 |
Plump infant laughers mimicking the |
coil |
|
Endymion: A Poetic Romance, Book IV, Line 247 |
In |
coil |
and wrangle. |
O Some Skulls in Beauley Abbey, near Inverness, Line 48 |
Good Hum, and let me view this mighty |
coil |
." |
The Jealousies, Line 565 |
|
COIN..............2 |
Even as a miser balances his |
coin |
; |
Otho the Great, Act III, SCENE II, Ethelbert, Line 187 |
Days happy as the gold |
coin |
could invent |
Lamia, Part I, Line 313 |
|
COINAGE...........1 |
Than Midas of his |
coinage |
, let us be |
If by dull rhymes our English must be chain'd, Line 11 |
|
COLD..............76 |
A half-blown flower, which |
cold |
blasts amate. |
Oh Chatterton! how very sad thy fate, Line 8 |
Who cannot feel for |
cold |
her tender feet, |
Specimen of an Induction to a Poem, Line 14 |
The stars look very |
cold |
about the sky, |
Keen, fitful gusts are whisp'ring here and there, Line 3 |
In other ages - |
cold |
and sacred busts |
Sleep and Poetry, Line 357 |
|
Cold |
as sunrise in September, |
You say you love; but with a voice, Line 7 |
The lark was lost in him; |
cold |
springs had run |
Endymion: A Poetic Romance, Book I, Line 102 |
Benighted, close they huddled from the |
cold |
, |
Endymion: A Poetic Romance, Book I, Line 391 |
Stems the upbursting |
cold |
: a wild rose tree |
Endymion: A Poetic Romance, Book II, Line 55 |
And when, more near against the marble |
cold |
|
Endymion: A Poetic Romance, Book II, Line 265 |
Desponding, o'er the marble floor's |
cold |
thrill. |
Endymion: A Poetic Romance, Book II, Line 338 |
Content, O fool! to make a |
cold |
retreat, |
Endymion: A Poetic Romance, Book II, Line 465 |
Of nameless monster. A |
cold |
leaden awe |
Endymion: A Poetic Romance, Book III, Line 136 |
Of weeds were |
cold |
beneath his cold thin feet; |
Endymion: A Poetic Romance, Book III, Line 195 |
Of weeds were cold beneath his |
cold |
thin feet; |
Endymion: A Poetic Romance, Book III, Line 195 |
In this |
cold |
region? Will he let me freeze, |
Endymion: A Poetic Romance, Book III, Line 259 |
I saw thee, and my blood no longer |
cold |
|
Endymion: A Poetic Romance, Book III, Line 304 |
An urn of tears, as though thou wert |
cold |
dead; |
Endymion: A Poetic Romance, Book III, Line 432 |
And merely given to the |
cold |
bleak air. |
Endymion: A Poetic Romance, Book III, Line 553 |
Because I lov'd her?- |
Cold |
, O cold indeed |
Endymion: A Poetic Romance, Book III, Line 623 |
Because I lov'd her?- Cold, O |
cold |
indeed |
Endymion: A Poetic Romance, Book III, Line 623 |
'Twas vast, and desolate, and icy- |
cold |
; |
Endymion: A Poetic Romance, Book III, Line 632 |
Press'd its |
cold |
hand, and wept,- and Scylla sigh'd! |
Endymion: A Poetic Romance, Book III, Line 780 |
Speak not of grief, young stranger, or |
cold |
snails |
Endymion: A Poetic Romance, Book IV, Line 132 |
That thou mayst listen the |
cold |
dews among? |
Endymion: A Poetic Romance, Book IV, Line 163 |
|
Cold |
as my fears. |
Endymion: A Poetic Romance, Book IV, Line 187 |
And |
cold |
mushrooms; |
Endymion: A Poetic Romance, Book IV, Line 234 |
In the |
cold |
moonshine. Straight he seiz'd her wrist; |
Endymion: A Poetic Romance, Book IV, Line 508 |
Shew |
cold |
through watery pinions; make more bright |
Endymion: A Poetic Romance, Book IV, Line 588 |
To die, when summer dies on the |
cold |
sward. |
Endymion: A Poetic Romance, Book IV, Line 936 |
The mountains blue, and |
cold |
near neighbour rills- |
Dear Reynolds, as last night I lay in bed, Line 36 |
"Love! thou art leading me from wintry |
cold |
, |
Isabella; or, The Pot of Basil, Line 65 |
The seal on the |
cold |
ice with piteous bark |
Isabella; or, The Pot of Basil, Line 116 |
Bestride your steed while |
cold |
is in the skies. |
Isabella; or, The Pot of Basil, Line 184 |
Lustre into the sun, and put |
cold |
doom |
Isabella; or, The Pot of Basil, Line 277 |
'Twas love; |
cold |
,- dead indeed, but not dethroned. |
Isabella; or, The Pot of Basil, Line 400 |
Through the |
cold |
serpent-pipe refreshfully,- |
Isabella; or, The Pot of Basil, Line 412 |
Though beautiful, |
cold |
- strange - as in a dream |
On Visiting the Tomb of Burns, Line 3 |
All is |
cold |
beauty; pain is never done |
On Visiting the Tomb of Burns, Line 8 |
Or when grey clouds are thy |
cold |
coverlid? |
To Ailsa Rock, Line 8 |
On the marble |
cold |
and bare, |
Not Aladdin magian, Line 12 |
Still dumb, ungrateful Nevis - still so |
cold |
! |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 20 |
The owl, for all his feathers, was a- |
cold |
; |
The Eve of St. Agnes, Line 2 |
Tears, at the thought of those enchantments |
cold |
, |
The Eve of St. Agnes, Line 134 |
For aye unsought for slept among his ashes |
cold |
. |
The Eve of St. Agnes, Line 378 |
Of unmatur'd green vallies |
cold |
, |
The Eve of St. Mark, Line 8 |
Not to pure Ida with its snow- |
cold |
skies, |
As Hermes once took to his feathers light, Line 7 |
Press'd her |
cold |
finger closer to her lips. |
Hyperion: A Fragment, Book I, Line 14 |
O spectres busy in a |
cold |
, cold gloom! |
Hyperion: A Fragment, Book I, Line 229 |
O spectres busy in a cold, |
cold |
gloom! |
Hyperion: A Fragment, Book I, Line 229 |
Bestirr'd themselves, thrice horrible and |
cold |
; |
Hyperion: A Fragment, Book I, Line 256 |
|
Cold |
as a bubbling well; let faint-lipp'd shells, |
Hyperion: A Fragment, Book III, Line 19 |
On the |
cold |
hill's side. |
La Belle Dame sans Merci: A Ballad, Line 36 |
On the |
cold |
hill's side. |
La Belle Dame sans Merci: A Ballad, Line 44 |
Free from |
cold |
and every care |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 21 |
Couches warm as theirs is |
cold |
? |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 70 |
I care not for |
cold |
or heat; |
Song of Four Fairies: Fire, Air, Earth, and Water, DUSKETHA, Line 75 |
As doth eternity: |
Cold |
Pastoral! |
Ode on a Grecian Urn, Line 45 |
To some securest lodging - |
cold |
perhaps! |
Otho the Great, Act I, SCENE II, Gersa, Line 98 |
Peers with disrelish, grey, barren, and |
cold |
! |
Otho the Great, Act IV, SCENE II, Ludolph, Line 41 |
The caitiff of the |
cold |
steel at his back. |
Otho the Great, Act V, SCENE I, Conrad, Line 15 |
His most uneasy moments, when |
cold |
death |
Otho the Great, Act V, SCENE II, Ludolph, Line 14 |
Her arms are stiff,- her fingers clench'd and |
cold |
! |
Otho the Great, Act V, SCENE V, Page, Line 188 |
He did; not with |
cold |
wonder fearingly, |
Lamia, Part I, Line 247 |
Had felt the |
cold |
full sponge to pleasure press'd, |
Lamia, Part II, Line 192 |
At the mere touch of |
cold |
philosophy? |
Lamia, Part II, Line 230 |
'Twas icy, and the |
cold |
ran through his veins; |
Lamia, Part II, Line 251 |
Of what thou now art on that pavement |
cold |
. |
The Fall of Hyperion: A Dream, CANTO I, Line 113 |
And was ascending quick to put |
cold |
grasp |
The Fall of Hyperion: A Dream, CANTO I, Line 124 |
Slow, heavy, deadly was my pace: the |
cold |
|
The Fall of Hyperion: A Dream, CANTO I, Line 129 |
To her |
cold |
lips, and fill with such a light |
The Fall of Hyperion: A Dream, CANTO I, Line 280 |
Press'd her |
cold |
finger closer to her lips. |
The Fall of Hyperion: A Dream, CANTO I, Line 318 |
Degraded, |
cold |
, upon the sodden ground |
The Fall of Hyperion: A Dream, CANTO I, Line 322 |
Smiling and |
cold |
and gay, |
To Fanny, Line 29 |
Of earnest grasping, would, if it were |
cold |
|
This living hand, now warm and capable, Line 2 |
To a |
cold |
dullard fay,- ah, woe betide! |
The Jealousies, Line 167 |
You do not like |
cold |
pig with Latin phrases, |
The Jealousies, Line 539 |
|
COLDER............1 |
|
Colder |
than the mortal death. |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 66 |
|
COLLECTED.........2 |
Of summer nights |
collected |
still to make |
Sleep and Poetry, Line 191 |
|
Collected |
silently in holes and corners, |
Otho the Great, Act I, SCENE I, Conrad, Line 48 |
|
COLLECTEDLY.......1 |
To any one, answer, |
collectedly |
, |
Otho the Great, Act V, SCENE V, Gersa, Line 17 |
|
COLLECTING........1 |
|
Collecting |
, mimick'd the wrought oaken beams, |
Endymion: A Poetic Romance, Book II, Line 623 |
|
COLLEGE...........1 |
As though in Cupid's |
college |
she had spent |
Lamia, Part I, Line 197 |
|
COLONELCY.........1 |
And give the |
colonelcy |
to Phalaric; |
The Jealousies, Line 149 |
|
COLONNADE.........1 |
Of some arch'd temple door, or dusky |
colonnade |
. |
Lamia, Part I, Line 361 |
|
COLOSSAL..........2 |
With stride |
colossal |
, on from hall to hall; |
Hyperion: A Fragment, Book I, Line 195 |
With strides |
colossal |
, on from hall to hall; |
The Fall of Hyperion: A Dream, CANTO II, Line 39 |
|
COLOUR............4 |
Full palatable; and a |
colour |
grew |
Endymion: A Poetic Romance, Book I, Line 767 |
Laws to my footsteps, |
colour |
to my cheek, |
Endymion: A Poetic Romance, Book IV, Line 714 |
We have no eloquence to |
colour |
justly |
Otho the Great, Act I, SCENE III, Gonfrid, Line 128 |
A fay of |
colour |
, slave from top to toe, |
The Jealousies, Line 182 |
|
COLOUR'D..........3 |
Of |
colour'd |
phantasy; for I fear 'twould trouble |
Endymion: A Poetic Romance, Book III, Line 642 |
As large, as bright, as |
colour'd |
as the bow |
Endymion: A Poetic Romance, Book III, Line 850 |
This lily |
colour'd |
skull, with all |
O Some Skulls in Beauley Abbey, near Inverness, Line 55 |
|
COLOURED..........1 |
Of eye-sight on cinque |
coloured |
potter's clay |
Fragment of Castle-builder, CASTLE BUILDER, Line 60 |
|
COLOURS...........4 |
Of |
colours |
, wings, and bursts of spangly light; |
Endymion: A Poetic Romance, Book I, Line 569 |
Some, Titian |
colours |
touch'd into real life. |
Dear Reynolds, as last night I lay in bed, Line 19 |
Would all their |
colours |
from the sunset take: |
Dear Reynolds, as last night I lay in bed, Line 68 |
The |
colours |
all inflam'd throughout her train, |
Lamia, Part I, Line 153 |
|
COLUMBINES........1 |
Savory, latter-mint, and |
columbines |
, |
Endymion: A Poetic Romance, Book IV, Line 576 |
|
COLUMN............4 |
The plain Doric |
column |
|
The Gothic looks solemn, Line 2 |
And thus a marble |
column |
do I build |
Otho the Great, Act I, SCENE II, Otho, Line 160 |
Where 'gainst a |
column |
he leant thoughtfully |
Lamia, Part I, Line 316 |
Somewhere in the |
column |
headed letter B |
The Jealousies, Line 101 |
|
COLUMNS...........6 |
Of sapphire |
columns |
, or fantastic bridge |
Endymion: A Poetic Romance, Book II, Line 238 |
Done heedlessly, those spouting |
columns |
rose |
Endymion: A Poetic Romance, Book II, Line 606 |
Through portal |
columns |
of a giant size, |
Endymion: A Poetic Romance, Book III, Line 811 |
Mulciber's |
columns |
gleam in far piazzian line. |
Lamia, Part I, Line 212 |
Of |
columns |
north and south, ending in mist |
The Fall of Hyperion: A Dream, CANTO I, Line 84 |
Or round white |
columns |
wreath'd from capital to plinth. |
The Jealousies, Line 729 |
|
COLURE............1 |
Circles, and arcs, and broad-belting |
colure |
, |
Hyperion: A Fragment, Book I, Line 274 |
|
COM'ST............1 |
Break through her weeping servants, till thou |
com'st |
|
Otho the Great, Act IV, SCENE II, Ludolph, Line 8 |
|
COMB..............3 |
She calm'd its wild hair with a golden |
comb |
, |
Isabella; or, The Pot of Basil, Line 403 |
|
Comb |
ditto |
There was a naughty boy, Line 14 |
Till Miss's |
comb |
is made a pearl tiara, |
And what is Love?- It is a doll dress'd up, Line 7 |
|
COMB'D............1 |
She drench'd away:- and still she |
comb'd |
, and kept |
Isabella; or, The Pot of Basil, Line 407 |
|
COMBINE...........2 |
And all the powers of song |
combine |
, |
Ode to Apollo, Line 43 |
So wingedly: when we |
combine |
therewith, |
Endymion: A Poetic Romance, Book I, Line 813 |
|
COMBINED..........1 |
Who with |
combined |
powers, their wits employ'd |
To George Felton Mathew, Line 6 |
|
COMBING...........1 |
Of thy |
combing |
hand, the while it travelling cloys |
Endymion: A Poetic Romance, Book I, Line 968 |
|
COMBS.............2 |
That he will seize on trickling honey- |
combs |
: |
Endymion: A Poetic Romance, Book II, Line 150 |
Large honey- |
combs |
of green, and freshly teem'd |
Endymion: A Poetic Romance, Book II, Line 667 |
|
COME..............98 |
O |
come |
, dearest Emma! the rose is full blown, |
O come, dearest Emma!, Line 1 |
Which every elf and fay had |
come |
to see: |
To George Felton Mathew, Line 28 |
And |
come |
like a clear sun-rise to my mind; |
Specimen of an Induction to a Poem, Line 50 |
|
Come |
to the earth; with an incline so sweet |
Calidore: A Fragment, Line 86 |
In which a spirit new |
come |
from the skies |
Calidore: A Fragment, Line 120 |
|
Come |
from the Galaxy: anon he sports,- |
To Charles Cowden Clarke, Line 5 |
These thoughts now |
come |
o'er me with all their might:- |
To Charles Cowden Clarke, Line 131 |
Upon the forehead of the age to |
come |
; |
Addressed to the Same, Line 10 |
Wheel downward |
come |
they into fresher skies, |
Sleep and Poetry, Line 131 |
And when they're |
come |
, the very pleasant rout: |
Sleep and Poetry, Line 322 |
And with these airs |
come |
forms of elegance |
Sleep and Poetry, Line 331 |
His mighty voice may |
come |
upon the gale. |
I stood tip-toe upon a little hill, Line 56 |
And calmest thoughts |
come |
round us - as, of leaves |
After dark vapours have oppressed our plains, Line 9 |
|
Come |
cool and suddenly against his face, |
This pleasant tale is like a little copse, Line 6 |
|
Come |
hither all sweet maidens, soberly |
On a Leander Which Miss Reynolds, My Kind Friend, Gave Me, Line 1 |
That overtop your mountains; whether |
come |
|
Endymion: A Poetic Romance, Book I, Line 199 |
That |
come |
a swooning over hollow grounds, |
Endymion: A Poetic Romance, Book I, Line 286 |
The many that are |
come |
to pay their vows |
Endymion: A Poetic Romance, Book I, Line 291 |
And |
come |
instead demurest meditation, |
Endymion: A Poetic Romance, Book I, Line 975 |
All records, saving thine, |
come |
cool, and calm, |
Endymion: A Poetic Romance, Book II, Line 2 |
Must such conviction |
come |
upon his head, |
Endymion: A Poetic Romance, Book II, Line 35 |
|
Come |
with the constant dawn upon thy morrows? |
Endymion: A Poetic Romance, Book II, Line 46 |
A hundred waterfalls, whose voices |
come |
|
Endymion: A Poetic Romance, Book II, Line 242 |
Of sudden voices, echoing, " |
Come |
! come! |
Endymion: A Poetic Romance, Book II, Line 501 |
Of sudden voices, echoing, "Come! |
come |
! |
Endymion: A Poetic Romance, Book II, Line 501 |
Death had |
come |
sudden; for no jot he mov'd, |
Endymion: A Poetic Romance, Book II, Line 566 |
For quenchless burnings |
come |
upon the heart, |
Endymion: A Poetic Romance, Book II, Line 844 |
Sleep will |
come |
smoothly to my weary brow. |
Endymion: A Poetic Romance, Book III, Line 236 |
The which I breathe away, and thronging |
come |
|
Endymion: A Poetic Romance, Book III, Line 336 |
The shepherd's pipe |
come |
clear from airy steep, |
Endymion: A Poetic Romance, Book III, Line 359 |
Upon my wild conjecturing: truth had |
come |
|
Endymion: A Poetic Romance, Book III, Line 556 |
As newly |
come |
of heaven, dost thou sit |
Endymion: A Poetic Romance, Book III, Line 962 |
" |
Come |
hither, Sister of the Island!" Plain |
Endymion: A Poetic Romance, Book IV, Line 14 |
|
Come |
hither, lady fair, and joined be |
Endymion: A Poetic Romance, Book IV, Line 226 |
|
Come |
hither, lady fair, and joined be |
Endymion: A Poetic Romance, Book IV, Line 237 |
" |
Come |
then, Sorrow! |
Endymion: A Poetic Romance, Book IV, Line 279 |
Of every ill: the man is yet to |
come |
|
Endymion: A Poetic Romance, Book IV, Line 522 |
So timidly among the stars: |
come |
hither! |
Endymion: A Poetic Romance, Book IV, Line 603 |
My love is still for thee. The hour may |
come |
|
Endymion: A Poetic Romance, Book IV, Line 657 |
|
Come |
hand in hand with one so beautiful. |
Endymion: A Poetic Romance, Book IV, Line 812 |
No tongue shall ask, whence |
come |
ye? but ye shall |
Endymion: A Poetic Romance, Book IV, Line 822 |
Where thou alone shalt |
come |
to me, and lave |
Endymion: A Poetic Romance, Book IV, Line 861 |
|
Come |
to-day, and come to-morrow, |
Welcome joy, and welcome sorrow, Line 3 |
Come to-day, and |
come |
to-morrow, |
Welcome joy, and welcome sorrow, Line 3 |
Till, in his soul dissolv'd, they |
come |
to be |
Four seasons fill the measure of the year, Line 7 |
Things all disjointed |
come |
from north and south, |
Dear Reynolds, as last night I lay in bed, Line 5 |
|
Come |
down, we pray thee, ere the hot sun count |
Isabella; or, The Pot of Basil, Line 187 |
And divine liquids |
come |
with odorous ooze |
Isabella; or, The Pot of Basil, Line 411 |
But their low voices are not heard, though |
come |
on travels drear; |
There is a joy in footing slow across a silent plain, Line 16 |
When shapes of old |
come |
striding by and visages of old, |
There is a joy in footing slow across a silent plain, Line 37 |
|
Come |
to pay devotion due- |
Not Aladdin magian, Line 33 |
|
Come |
to confession, |
O Some Skulls in Beauley Abbey, near Inverness, Line 28 |
Had |
come |
young Porphyro, with heart on fire |
The Eve of St. Agnes, Line 75 |
Had |
come |
to mock behind her back, |
The Eve of St. Mark, Line 87 |
At length her constant eyelids |
come |
|
The Eve of St. Mark, Line 115 |
When they were |
come |
unto the Faery's court |
When they were come unto the Faery's court, Line 1 |
Would |
come |
in these like accents; O how frail |
Hyperion: A Fragment, Book I, Line 50 |
"This cheers our fallen house: |
come |
to our friends, |
Hyperion: A Fragment, Book I, Line 150 |
O Saturn! |
come |
away, and give them heart; |
Hyperion: A Fragment, Book I, Line 151 |
The shady visions |
come |
to domineer, |
Hyperion: A Fragment, Book I, Line 244 |
Ere half this region-whisper had |
come |
down, |
Hyperion: A Fragment, Book I, Line 349 |
Which by just right should |
come |
of mighty Gods; |
Hyperion: A Fragment, Book II, Line 258 |
Would |
come |
no mystery? For me, dark, dark, |
Hyperion: A Fragment, Book III, Line 86 |
|
Come |
with me, o'er tops of trees, |
Song of Four Fairies: Fire, Air, Earth, and Water, ZEPHYR, Line 48 |
For shade to shade will |
come |
too drowsily, |
Ode on Melancholy, Line 9 |
Beyond all pleasures past, and all to |
come |
: |
Otho the Great, Act I, SCENE I, Albert, Line 139 |
|
Come |
, fair Auranthe, try if your soft hands |
Otho the Great, Act I, SCENE II, Otho, Line 114 |
Why should he be so earnest? |
Come |
, my friend, |
Otho the Great, Act I, SCENE III, Ludolph, Line 131 |
I |
come |
to greet you as a loving son, |
Otho the Great, Act II, SCENE I, Ludolph, Line 78 |
|
Come |
close, and let me breathe into thine ear |
Otho the Great, Act II, SCENE I, Otho, Line 126 |
No more of her. Auranthe - Ludolph, |
come |
! |
Otho the Great, Act II, SCENE I, Otho, Line 152 |
|
Come |
in, and see. |
Otho the Great, Act II, SCENE II, Erminia, Line 68a |
As to my poor deserts. |
Come |
, come, be plain. |
Otho the Great, Act II, SCENE II, Gersa, Line 86 |
As to my poor deserts. Come, |
come |
, be plain. |
Otho the Great, Act II, SCENE II, Gersa, Line 86 |
Let him |
come |
in. |
Otho the Great, Act III, SCENE II, Otho, Line 57a |
And, though it never |
come |
, be on my head |
Otho the Great, Act III, SCENE II, Ethelbert, Line 162 |
Juggler! May I |
come |
near you! On my soul |
Otho the Great, Act III, SCENE II, Ludolph, Line 205 |
You will |
come |
to again. O cockatrice, |
Otho the Great, Act V, SCENE II, Ludolph, Line 36 |
Hear him! He calls you - sweet Auranthe, |
come |
! |
Otho the Great, Act V, SCENE II, Ludolph, Line 50 |
|
Come |
, let me lead you to our halls again! |
Otho the Great, Act V, SCENE II, Ludolph, Line 56 |
Now - one adieu for Albert!- |
Come |
away! |
Otho the Great, Act V, SCENE II, Ludolph, Line 60 |
A kind forbearance, holy abbot. |
Come |
, |
Otho the Great, Act V, SCENE IV, Otho, Line 6 |
When dreadful guests would |
come |
to spoil her solitude. |
Lamia, Part II, Line 145 |
|
Come |
from the gloomy tun with merry shine. |
Lamia, Part II, Line 188 |
Louder they talk, and louder |
come |
the strains |
Lamia, Part II, Line 204 |
What am I that another death |
come |
not |
The Fall of Hyperion: A Dream, CANTO I, Line 139 |
If by a chance into this fane they |
come |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 152 |
They |
come |
not here, they have no thought to come- |
The Fall of Hyperion: A Dream, CANTO I, Line 165 |
They come not here, they have no thought to |
come |
- |
The Fall of Hyperion: A Dream, CANTO I, Line 165 |
Would |
come |
in this-like accenting; how frail |
The Fall of Hyperion: A Dream, CANTO I, Line 352 |
With such remorseless speed still |
come |
new woes |
The Fall of Hyperion: A Dream, CANTO I, Line 366 |
I |
come |
- I see thee, as thou standest there, |
To Fanny, Line 7 |
Whence |
come |
you? |
King Stephen Act I, SCENE II, Glocester, Line 28b |
|
Come |
, lead me to this Mars - and let us move |
King Stephen Act I, SCENE II, Glocester, Line 51 |
|
Come |
on! Farewell my kingdom, and all hail |
King Stephen Act I, SCENE III, Stephen, Line 9 |
|
Come |
on! |
King Stephen Act I, SCENE III, Stephen, Line 13 |
|
Come |
not near me, De Kaims, for by the price |
King Stephen Act I, SCENE III, Stephen, Line 22 |
Named Bertha; but her surname will not |
come |
, |
The Jealousies, Line 381 |
|
COMELINESS........1 |
Leaving, in naked |
comeliness |
, unshaded, |
Endymion: A Poetic Romance, Book I, Line 615 |
|
COMELY............2 |
And feedeth still, more |
comely |
than itself? |
Hyperion: A Fragment, Book II, Line 219 |
Now, while I speak to you, their |
comely |
heads |
Otho the Great, Act III, SCENE I, Sigifred, Line 60 |
|
COMES.............36 |
And then, thou wilt know that the sigh |
comes |
from me. |
O come, dearest Emma!, Line 16 |
|
Comes |
thine alabaster steed; |
Hadst thou liv'd in days of old, Line 57 |
Or wherefore |
comes |
that steed so proudly by? |
Specimen of an Induction to a Poem, Line 46 |
|
Comes |
up with ripple, and with easy float, |
Calidore: A Fragment, Line 20 |
A sudden glow |
comes |
on them, nought they see |
To My Brother George (epistle), Line 21 |
It |
comes |
upon us like the glorious pealing |
To Kosciusko, Line 3 |
A sense of real things |
comes |
doubly strong, |
Sleep and Poetry, Line 157 |
How silent |
comes |
the water round that bend; |
I stood tip-toe upon a little hill, Line 65 |
For a long dreary season, |
comes |
a day |
After dark vapours have oppressed our plains, Line 2 |
A resting place, thus much |
comes |
clear and plain; |
Endymion: A Poetic Romance, Book II, Line 848 |
And yet my song |
comes |
native with the warmth; |
O thou whose face hath felt the winter's wind, Line 10 |
And from them |
comes |
a silver flash of light |
Dear Reynolds, as last night I lay in bed, Line 51 |
It |
comes |
in silence - now 'tis hidden all. |
Dear Reynolds, as last night I lay in bed, Line 60 |
The breath of Winter |
comes |
from far away, |
Isabella; or, The Pot of Basil, Line 250 |
|
Comes |
from beyond the river to my bed: |
Isabella; or, The Pot of Basil, Line 302 |
|
Comes |
articulate, and presseth |
Where's the Poet? Show him! show him, Line 14 |
She |
comes |
, she comes again, like ring-dove fray'd and fled. |
The Eve of St. Agnes, Line 198 |
She comes, she |
comes |
again, like ring-dove fray'd and fled. |
The Eve of St. Agnes, Line 198 |
Which |
comes |
upon the silence, and dies off, |
Hyperion: A Fragment, Book I, Line 77 |
Which |
comes |
of thought and musing: give us help!" |
Hyperion: A Fragment, Book II, Line 166 |
Now |
comes |
the pain of truth, to whom 'tis pain; |
Hyperion: A Fragment, Book II, Line 202 |
Be cause of feud between us. See! he |
comes |
! |
Otho the Great, Act I, SCENE I, Conrad, Line 119 |
Your hand - I go! Ha! here the thunder |
comes |
|
Otho the Great, Act II, SCENE I, Ludolph, Line 57 |
Ludolph, old Ethelbert, be sure, |
comes |
not |
Otho the Great, Act III, SCENE II, Otho, Line 107 |
|
Comes |
through the panes with persecuting glare. |
Otho the Great, Act IV, SCENE I, Auranthe, Line 25 |
How shall I bear my life till Albert |
comes |
? |
Otho the Great, Act IV, SCENE I, Auranthe, Line 91 |
Be speedy, darkness! Till that |
comes |
, |
Otho the Great, Act IV, SCENE I, Conrad, Line 182b |
|
Comes |
from the pillow'd beauty of that fair |
Otho the Great, Act IV, SCENE II, Ludolph, Line 35 |
Seeing no Ludolph |
comes |
. |
Otho the Great, Act IV, SCENE II, Gersa, Line 66a |
The remedy grows hopeless! Here he |
comes |
,- |
Otho the Great, Act V, SCENE V, Gersa, Line 20 |
This way he |
comes |
, and if you would maintain |
King Stephen Act I, SCENE I, Baldwin, Line 24 |
Here |
comes |
the testy brood. O for a sword! |
King Stephen Act I, SCENE III, Stephen, Line 5 |
Can make his June December - here he |
comes |
. |
King Stephen Act I, SCENE IV, Chester, Line 58 |
"He always |
comes |
down backward, with one shoe"- |
The Jealousies, Line 304 |
|
Comes |
from a play-thing of the Emperor's choice, |
The Jealousies, Line 332 |
When the time |
comes |
, don't feel the least alarm; |
The Jealousies, Line 520 |
|
COMET.............1 |
How like a |
comet |
he goes streaming on. |
King Stephen Act I, SCENE I, Stephen, Line 17 |
|
COMFORT...........12 |
But thee to |
comfort |
a poor lonely maid; |
Endymion: A Poetic Romance, Book IV, Line 287 |
And it shall |
comfort |
me within the tomb. |
Isabella; or, The Pot of Basil, Line 304 |
His ancient mother, for some |
comfort |
yet. |
Hyperion: A Fragment, Book I, Line 21 |
I have no |
comfort |
for thee, no not one: |
Hyperion: A Fragment, Book I, Line 53 |
And in the proof much |
comfort |
will I give, |
Hyperion: A Fragment, Book II, Line 179 |
If ye will take that |
comfort |
in its truth. |
Hyperion: A Fragment, Book II, Line 180 |
Shrive him and |
comfort |
him at his last gasp, |
Otho the Great, Act V, SCENE II, Ludolph, Line 10 |
Have ye no |
comfort |
for me, ye physicians |
Otho the Great, Act V, SCENE IV, Otho, Line 2 |
Hath it not |
comfort |
in it? Would it not |
Otho the Great, Act V, SCENE IV, Otho, Line 13 |
His antient mother, for some |
comfort |
yet. |
The Fall of Hyperion: A Dream, CANTO I, Line 326 |
I have no |
comfort |
for thee, no - not one: |
The Fall of Hyperion: A Dream, CANTO I, Line 355 |
For it may |
comfort |
and console him much, |
The Jealousies, Line 123 |
|
COMFORTABLE.......5 |
With half-shut eyes and |
comfortable |
cheek, |
On The Story of Rimini, Line 2 |
O magic sleep! O |
comfortable |
bird, |
Endymion: A Poetic Romance, Book I, Line 453 |
The |
comfortable |
green and juicy hay |
Endymion: A Poetic Romance, Book III, Line 4 |
The |
comfortable |
sun. I was athirst |
Endymion: A Poetic Romance, Book III, Line 676 |
O bless'd asylum! |
Comfortable |
home! |
Otho the Great, Act IV, SCENE II, Ludolph, Line 100 |
|
COMFORTED.........1 |
And let us be thus |
comforted |
; unless |
Endymion: A Poetic Romance, Book II, Line 1001 |
|
COMFORTING........1 |
But for her |
comforting |
! unhappy sight, |
Endymion: A Poetic Romance, Book II, Line 530 |
|
COMFORTINGS.......1 |
These things, with all their |
comfortings |
, are given |
Endymion: A Poetic Romance, Book I, Line 707 |
|
COMFORTS..........3 |
Nought |
comforts |
then the leafless grove |
Stay, ruby breasted warbler, stay, Line 19 |
Let me awhile thy sweetest |
comforts |
borrow: |
To Hope, Line 22 |
Who |
comforts |
those she sees not, who knows not |
The Fall of Hyperion: A Dream, CANTO I, Line 270 |
|
COMING............23 |
We hear around when Hesperus is |
coming |
. |
Calidore: A Fragment, Line 161 |
|
Coming |
sometimes like fearful claps of thunder, |
Sleep and Poetry, Line 27 |
The silence when some rhymes are |
coming |
out; |
Sleep and Poetry, Line 321 |
|
Coming |
into the blue with all her light. |
I stood tip-toe upon a little hill, Line 115 |
|
Coming |
with softest rustle through the trees; |
I stood tip-toe upon a little hill, Line 154 |
|
Coming |
ever to bless |
I stood tip-toe upon a little hill, Line 184 |
Now |
coming |
from beneath the forest trees, |
Endymion: A Poetic Romance, Book I, Line 148 |
And winnow from the |
coming |
step of time |
Endymion: A Poetic Romance, Book I, Line 819 |
Salt tears were |
coming |
, when I heard my name |
Endymion: A Poetic Romance, Book I, Line 963 |
From the clear moon, the trees, and |
coming |
madness. |
Endymion: A Poetic Romance, Book II, Line 218 |
For some few hours the |
coming |
solitude." |
Endymion: A Poetic Romance, Book II, Line 706 |
Is |
coming |
fresh upon me: O be kind, |
Endymion: A Poetic Romance, Book III, Line 181 |
Here's somebody |
coming |
, here's somebody coming! |
Over the hill and over the dale, Line 9 |
Here's somebody coming, here's somebody |
coming |
! |
Over the hill and over the dale, Line 9 |
See what is |
coming |
from the distance dim! |
Dear Reynolds, as last night I lay in bed, Line 55 |
A |
coming |
down by craggis grey |
Ah! ken ye what I met the day, Line 3 |
The |
coming |
musk-rose, full of dewy wine, |
Ode to a Nightingale, Line 49 |
Who are these |
coming |
to the sacrifice? |
Ode on a Grecian Urn, Line 31 |
This |
coming |
night of banquets must not light |
Otho the Great, Act I, SCENE II, Otho, Line 46 |
Lamia beheld him |
coming |
, near, more near- |
Lamia, Part I, Line 237 |
And, |
coming |
nearer, saw beside the shrine |
The Fall of Hyperion: A Dream, CANTO I, Line 95 |
|
Coming |
down stairs,- by St. Bartholomew! |
The Jealousies, Line 301 |
April the twenty-fourth,- this |
coming |
day, |
The Jealousies, Line 501 |
|
COMMAND...........11 |
Press'd, saying: "Sister, I would have |
command |
, |
Endymion: A Poetic Romance, Book IV, Line 975 |
Thy thunder, conscious of the new |
command |
, |
Hyperion: A Fragment, Book I, Line 60 |
Of the sky-children; I will give |
command |
: |
Hyperion: A Fragment, Book I, Line 133 |
Awaiting for Hyperion's |
command |
. |
Hyperion: A Fragment, Book I, Line 289 |
Of all these eyes; pr'ythee |
command |
me hence! |
Otho the Great, Act I, SCENE II, Gersa, Line 112 |
|
Command |
an escort to the Friedburg lines. |
Otho the Great, Act II, SCENE II, Gersa, Line 150 |
Sway'd by |
command |
, as corn is by the wind? |
Otho the Great, Act III, SCENE I, Albert, Line 19 |
And, in the name of mercy, give |
command |
|
Otho the Great, Act III, SCENE II, Ethelbert, Line 188 |
I |
command |
! |
Otho the Great, Act V, SCENE IV, Otho, Line 36c |
Thy thunder, captious at the new |
command |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 362 |
About you,- feel your pockets, I |
command |
,- |
The Jealousies, Line 601 |
|
COMMANDED.........2 |
Fain would he have |
commanded |
, fain took throne |
Hyperion: A Fragment, Book I, Line 290 |
Sway'd here and there, |
commanded |
to and fro, |
Otho the Great, Act V, SCENE V, First Knight, Line 2 |
|
COMMANDER.........1 |
" |
Commander |
of the faithful!" answer'd Hum, |
The Jealousies, Line 361 |
|
COMMANDS..........1 |
Sent forth with my |
commands |
? |
Otho the Great, Act I, SCENE II, Otho, Line 73a |
|
COMMENCE..........1 |
"Let us |
commence |
," |
Endymion: A Poetic Romance, Book III, Line 744b |
|
COMMENTED.........1 |
High |
commented |
with smiles. |
Otho the Great, Act I, SCENE I, Albert, Line 128a |
|
COMMENTS..........1 |
I have mine own particular |
comments |
on't; |
Otho the Great, Act II, SCENE I, Ludolph, Line 43 |
|
COMMINGLING.......3 |
Gently |
commingling |
, gives tremendous birth |
To Kosciusko, Line 12 |
|
Commingling |
with her argent spheres did roll |
Endymion: A Poetic Romance, Book I, Line 595 |
The mere |
commingling |
of passionate breath, |
Endymion: A Poetic Romance, Book I, Line 833 |
|
COMMISSION'D......2 |
Thou art |
commission'd |
to this fated spot |
Endymion: A Poetic Romance, Book III, Line 298 |
Fancy, high- |
commission'd |
:- send her! |
Fancy, Line 27 |
|
COMMIT............1 |
Nor may I be thy love. We might |
commit |
|
Endymion: A Poetic Romance, Book IV, Line 757 |
|
COMMITMENT........1 |
In self- |
commitment |
, thus that meek unknown: |
Endymion: A Poetic Romance, Book IV, Line 874 |
|
COMMITTED.........1 |
|
Committed |
to the darkness and the gloom: |
Endymion: A Poetic Romance, Book II, Line 660 |
|
COMMON............24 |
So near those |
common |
folk; did not their shames |
Sleep and Poetry, Line 211 |
The black tassell'd trencher and |
common |
hat; |
The Gothic looks solemn, Line 9 |
To |
common |
lookers on, like one who dream'd |
Endymion: A Poetic Romance, Book I, Line 176 |
Came not by |
common |
growth. Thus on I thought, |
Endymion: A Poetic Romance, Book I, Line 564 |
Were her fair limbs, and like a |
common |
weed |
Endymion: A Poetic Romance, Book III, Line 624 |
Even for |
common |
bulk, those olden three, |
Endymion: A Poetic Romance, Book III, Line 848 |
O feel as if it were a |
common |
day; |
Endymion: A Poetic Romance, Book IV, Line 820 |
Towards |
common |
thoughts and things for very fear; |
Endymion: A Poetic Romance, Book IV, Line 896 |
That noises are a |
common |
thing |
All gentle folks who owe a grudge, Line 51 |
And |
common |
Wellingtons turn Romeo boots; |
And what is Love?- It is a doll dress'd up, Line 8 |
Should be more |
common |
than the growth of weeds. |
And what is Love?- It is a doll dress'd up, Line 14 |
Or hear the voice of busy |
common |
-sense! |
Ode on Indolence, Line 40 |
With |
common |
thousands, into shallow graves. |
Otho the Great, Act I, SCENE II, Gersa, Line 129 |
Lifted you from the crowd of |
common |
men |
Otho the Great, Act II, SCENE II, Erminia, Line 48 |
'Twas with some people out of |
common |
reach; |
Otho the Great, Act III, SCENE I, Albert, Line 43 |
Nay open speech, rude mockery grown |
common |
, |
Otho the Great, Act III, SCENE II, Ethelbert, Line 131 |
Ere, by one grasp, this |
common |
hand is made |
Otho the Great, Act IV, SCENE I, Auranthe, Line 86 |
To listen with no |
common |
interest; |
Otho the Great, Act IV, SCENE II, Ludolph, Line 53 |
And show to |
common |
eyes these secret bowers? |
Lamia, Part II, Line 149 |
His young disciple. "'Tis no |
common |
rule, |
Lamia, Part II, Line 164 |
In the dull catalogue of |
common |
things. |
Lamia, Part II, Line 233 |
Thy flesh, near cousin to the |
common |
dust, |
The Fall of Hyperion: A Dream, CANTO I, Line 109 |
Doubled into a |
common |
fist, went grand, |
The Jealousies, Line 350 |
The |
Common |
Council and my fool Lord Mayor |
The Jealousies, Line 768 |
|
COMMONER..........1 |
That vulgar |
commoner |
, Esquire Biancopany? |
The Jealousies, Line 162 |
|
COMMONS...........1 |
And damn'd his House of |
Commons |
, in complete chagrin. |
The Jealousies, Line 135 |
|
COMMOTIONS........1 |
Soon wild |
commotions |
shook him, and made flush |
Hyperion: A Fragment, Book III, Line 124 |
|
COMMUN'D..........1 |
Forgot all violence, and but |
commun'd |
|
Endymion: A Poetic Romance, Book II, Line 867 |
|
COMMUNE...........2 |
To |
commune |
with those orbs, once more I rais'd |
Endymion: A Poetic Romance, Book I, Line 600 |
Yes, and those of heaven |
commune |
|
Bards of passion and of mirth, Line 5 |
|
COMPACT...........2 |
In form and shape |
compact |
and beautiful, |
Hyperion: A Fragment, Book II, Line 209 |
|
Compact |
in steeled squares, and speared files, |
Otho the Great, Act V, SCENE V, Ludolph, Line 162 |
|
COMPANIES.........2 |
Young |
companies |
nimbly began dancing |
Endymion: A Poetic Romance, Book I, Line 313 |
With staid and pious |
companies |
, |
The Eve of St. Mark, Line 15 |
|
COMPANION.........2 |
Not to |
companion |
thee, and sigh away |
Endymion: A Poetic Romance, Book IV, Line 135 |
Will trespass down those cheeks. |
Companion |
fair! |
Endymion: A Poetic Romance, Book IV, Line 870 |
|
COMPANION'D.......1 |
|
Companion'd |
or alone; while many a light |
Lamia, Part I, Line 357 |
|
COMPANIONS........2 |
The sweet |
companions |
that await on thee; |
On Peace, Line 6 |
From his |
companions |
, and set forth to walk, |
Lamia, Part I, Line 231 |
|
COMPANIONSHIP.....2 |
But far from such |
companionship |
to wear |
Endymion: A Poetic Romance, Book II, Line 291 |
In will, in action free, |
companionship |
, |
Hyperion: A Fragment, Book II, Line 210 |
|
COMPANY...........7 |
In telling of this goodly |
company |
, |
Endymion: A Poetic Romance, Book I, Line 129 |
The next is snoring in their |
company |
; |
When they were come unto the Faery's court, Line 27 |
Albert, go thou and bear him |
company |
. |
Otho the Great, Act I, SCENE II, Otho, Line 156 |
Fiends keep you |
company |
! |
Otho the Great, Act IV, SCENE I, Conrad, Line 183a |
A splendid |
company |
! rare beauties here! |
Otho the Great, Act V, SCENE V, Ludolph, Line 22 |
She shall be brought before this |
company |
, |
Otho the Great, Act V, SCENE V, Ludolph, Line 97 |
In husband's |
company |
, but still employ'd |
The Jealousies, Line 113 |
|
COMPARE...........2 |
What is it? And to what shall I |
compare |
it? |
Sleep and Poetry, Line 23 |
Curricles, or mail-coaches, swift beyond |
compare |
." |
The Jealousies, Line 252 |
|
COMPARING.........1 |
|
Comparing |
, joyfully, their plenteous stores |
Endymion: A Poetic Romance, Book I, Line 389 |
|
COMPARISON........2 |
Half-happy, by |
comparison |
of bliss, |
Endymion: A Poetic Romance, Book II, Line 371 |
Should cower beneath what, in |
comparison |
, |
Hyperion: A Fragment, Book II, Line 154 |
|
COMPARISONS.......2 |
But these |
comparisons |
are nothing worth. |
To the Ladies Who Saw Me Crown'd, Line 8 |
Making |
comparisons |
of earthly things; |
The Fall of Hyperion: A Dream, CANTO II, Line 3 |
|
COMPASS...........3 |
And |
compass |
vile: so that ye taught a school |
Sleep and Poetry, Line 196 |
When one can |
compass |
it. Auranthe, try |
Otho the Great, Act V, SCENE II, Ludolph, Line 46 |
And, Stephen, I must |
compass |
it- |
King Stephen Act I, SCENE III, De Kaims, Line 34a |
|
COMPASSING........1 |
Nought earthly worth my |
compassing |
; so stand |
Endymion: A Poetic Romance, Book II, Line 162 |
|
COMPASSION........2 |
Any |
compassion |
for that Emperor's niece, |
Otho the Great, Act II, SCENE II, Erminia, Line 46 |
I took |
compassion |
on her, bade her steep |
Lamia, Part I, Line 106 |
|
COMPEERS..........1 |
By Parpaglion and Co., (those sly |
compeers |
|
The Jealousies, Line 88 |
|
COMPEL............1 |
A hand was at my shoulder to |
compel |
|
Endymion: A Poetic Romance, Book III, Line 604 |
|
COMPETENT.........1 |
I have to conciliate men who are |
competent |
to look, and who do look with a |
Endymion: A Poetic Romance, Preface, paragraph3 |
|
COMPLAIN..........3 |
That fierce |
complain |
to silence: where I stumbled |
Endymion: A Poetic Romance, Book III, Line 488 |
The amorous promise of her lone |
complain |
, |
Lamia, Part I, Line 288 |
Continued to lament and to |
complain |
, |
The Jealousies, Line 75 |
|
COMPLAIN'D........2 |
And yet she answer'd not, only |
complain'd |
, |
Hyperion: A Fragment, Book II, Line 249 |
Once he |
complain'd |
of weariness. |
Otho the Great, Act V, SCENE IV, Gersa, Line 48a |
|
COMPLAININGS......1 |
Those looks immortal, those |
complainings |
dear! |
The Eve of St. Agnes, Line 313 |
|
COMPLAINT.........1 |
Skulks to his cavern, 'mid the gruff |
complaint |
|
Endymion: A Poetic Romance, Book III, Line 952 |
|
COMPLAISANT.......1 |
And the moon, whether prudish or |
complaisant |
, |
Hush, hush, tread softly, hush, hush, my dear, Line 13 |
|
COMPLETE..........12 |
|
Complete |
my joy - let not my first wish fail, |
On Peace, Line 7 |
Or more |
complete |
to overwhelm surmise? |
Endymion: A Poetic Romance, Book I, Line 522 |
A mimic temple, so |
complete |
and true |
Endymion: A Poetic Romance, Book II, Line 257 |
Go thither quick and so |
complete |
my joy. |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 56 |
The teeth |
complete |
, so white and small, |
O Some Skulls in Beauley Abbey, near Inverness, Line 56 |
Sandals more interwoven and |
complete |
|
If by dull rhymes our English must be chain'd, Line 5 |
I spring |
complete |
Minerva! But the Prince- |
Otho the Great, Act I, SCENE I, Auranthe, Line 97 |
She had a woman's mouth with all its pearls |
complete |
: |
Lamia, Part I, Line 60 |
Love, jealous grown of so |
complete |
a pair, |
Lamia, Part II, Line 12 |
|
Complete |
and ready for the revels rude, |
Lamia, Part II, Line 144 |
Remember'd it from childhood all |
complete |
|
Lamia, Part II, Line 153 |
And damn'd his House of Commons, in |
complete |
chagrin. |
The Jealousies, Line 135 |
|
COMPLETED.........2 |
Whence that |
completed |
form of all completeness? |
Endymion: A Poetic Romance, Book I, Line 606 |
|
Completed |
by her twin-arch'd ebon-brows; |
Otho the Great, Act V, SCENE V, Ludolph, Line 63 |
|
COMPLETELY........4 |
His spirit flies before him so |
completely |
. |
Calidore: A Fragment, Line 63 |
But thou to please wert nurtured so |
completely |
|
To G.A.W., Line 11 |
Bard art thou |
completely |
! |
'Tis the "witching time of night", Line 48 |
Bard art thou |
completely |
!- |
'Tis the "witching time of night", Line 51 |
|
COMPLETENESS......1 |
Whence that completed form of all |
completeness |
? |
Endymion: A Poetic Romance, Book I, Line 606 |
|
COMPLETION........5 |
feel sensible are not of such |
completion |
as to warrant their passing the press; |
Endymion: A Poetic Romance, Preface, paragraph2 |
By the most soft |
completion |
of thy face, |
Endymion: A Poetic Romance, Book II, Line 757 |
After the full |
completion |
of fair day,- |
Hyperion: A Fragment, Book I, Line 191 |
|
Completion |
of all delicate nature's wit! |
Otho the Great, Act IV, SCENE II, Ludolph, Line 36 |
After the full |
completion |
of fair day, |
The Fall of Hyperion: A Dream, CANTO II, Line 35 |
|
COMPLETIONS.......1 |
All its |
completions |
- be quickly near, |
Endymion: A Poetic Romance, Book I, Line 260 |
|
COMPLIMENT........1 |
Without your paying me one |
compliment |
. |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 5 |
|
COMPLYING.........1 |
There is for madness - cruel or |
complying |
? |
Unfelt, unheard, unseen, Line 6 |
|
COMPRIZED.........1 |
By blinded Lycius, so in her |
comprized |
. |
Lamia, Part I, Line 347 |
|
COMPULSION........1 |
Unus'd to bend, by hard |
compulsion |
bent |
Hyperion: A Fragment, Book I, Line 300 |
|
COMUS.............1 |
Just fresh from the banquet of |
Comus |
! |
Spirit here that reignest, Line 20 |
|
CONCAVE...........1 |
He saw far in the |
concave |
green of the sea |
Endymion: A Poetic Romance, Book III, Line 191 |
|
CONCEAL'D.........1 |
Will sharpen more the longer 'tis |
conceal'd |
. |
Otho the Great, Act IV, SCENE II, Gersa, Line 73 |
|
CONCEALING........1 |
The names of heroes, burst from clouds |
concealing |
, |
To Kosciusko, Line 6 |
|
CONCEALMENT.......1 |
'Tis a |
concealment |
needful in extreme; |
Endymion: A Poetic Romance, Book II, Line 576 |
|
CONCEALS..........1 |
Or from old Skiddaw's top, when fog |
conceals |
|
Endymion: A Poetic Romance, Book IV, Line 394 |
|
CONCEIT...........1 |
Fever'd his high |
conceit |
of such a bride, |
Isabella; or, The Pot of Basil, Line 46 |
|
CONCEITS..........1 |
Gentle and tender, full of soft |
conceits |
, |
The Jealousies, Line 633 |
|
CONCEIVE..........3 |
I love thee, youth, more than I can |
conceive |
; |
Endymion: A Poetic Romance, Book II, Line 774 |
And she would not |
conceive |
it. Timid thing! |
Endymion: A Poetic Romance, Book III, Line 403 |
Could not |
conceive |
what Coralline was at- |
The Jealousies, Line 672 |
|
CONCEIVED.........1 |
Such dim- |
conceived |
glories of the brain |
On Seeing the Elgin Marbles, Line 9 |
|
CONCEIVES.........1 |
She sings but to her love, nor e'er |
conceives |
|
Endymion: A Poetic Romance, Book I, Line 830 |
|
CONCEIVING........1 |
To clear |
conceiving |
: yet there ever rolls |
Sleep and Poetry, Line 290 |
|
CONCEPTION........2 |
|
Conception |
to the very bourne of heaven, |
Endymion: A Poetic Romance, Book I, Line 295 |
Could figure out and to |
conception |
bring |
Endymion: A Poetic Romance, Book I, Line 577 |
|
CONCEPTIONS.......1 |
Vexing |
conceptions |
of some sudden change; |
Endymion: A Poetic Romance, Book II, Line 236 |
|
CONCERNING........3 |
Ink'd purple with a song |
concerning |
dying; |
Fragment of Castle-builder, CASTLE BUILDER, Line 43 |
|
Concerning |
what will make that sin-worn cheek |
Otho the Great, Act I, SCENE I, Conrad, Line 27 |
|
Concerning |
whom or what? |
Otho the Great, Act I, SCENE I, Auranthe, Line 60b |
|
CONCHED...........1 |
Even into thine own soft- |
conched |
ear: |
Ode to Psyche, Line 4 |
|
CONCHS............1 |
Among the |
conchs |
and shells of the lofty grot, |
Endymion: A Poetic Romance, Book II, Line 921 |
|
CONCILIATE........1 |
I have to |
conciliate |
men who are competent to look, and who do look with a |
Endymion: A Poetic Romance, Preface, paragraph3 |
|
CONCLAVE..........1 |
To thin the scarlet |
conclave |
of old men, |
The Fall of Hyperion: A Dream, CANTO I, Line 50 |
|
CONDEMN'D.........2 |
And cradled me in roses. Thus |
condemn'd |
|
Endymion: A Poetic Romance, Book III, Line 457 |
How in the Council you |
condemn'd |
this war, |
Otho the Great, Act I, SCENE II, Otho, Line 147 |
|
CONDESCEND........2 |
In this dark city, nor would |
condescend |
|
To George Felton Mathew, Line 33 |
To hear you |
condescend |
to ribbald-phrase. |
Otho the Great, Act II, SCENE II, Erminia, Line 90 |
|
CONDOLES..........2 |
That aye at fall of night our care |
condoles |
. |
To My Brothers, Line 8 |
The generous Earl |
condoles |
in his mishaps, |
King Stephen Act I, SCENE IV, Chester, Line 41 |
|
CONDOLING.........2 |
Ah! you list to the nightingale's tender |
condoling |
, |
To Some Ladies, Line 11 |
|
Condoling |
with Prince Ludolph. In fit time |
Otho the Great, Act IV, SCENE I, Auranthe, Line 72 |
|
CONDUCT...........4 |
His gentlemen |
conduct |
me with all care |
Otho the Great, Act I, SCENE II, Gersa, Line 97 |
I cannot square my |
conduct |
to time, place, |
Otho the Great, Act II, SCENE I, Ludolph, Line 3 |
Unseen |
conduct |
him to me: but I fear |
Otho the Great, Act IV, SCENE I, Auranthe, Line 23 |
Vile strictures on the |
conduct |
of a prince |
The Jealousies, Line 470 |
|
CONDUCTING........1 |
|
Conducting |
to the throne high canopied. |
Otho the Great, Act IV, SCENE I, Auranthe, Line 16 |
|
CONE..............1 |
To alleys where the fir-tree drops its |
cone |
, |
On The Story of Rimini, Line 13 |
|
CONES.............1 |
With silvery oak apples, and fir |
cones |
brown- |
Endymion: A Poetic Romance, Book I, Line 276 |
|
CONFER............2 |
We meet again to-day, and can |
confer |
|
Otho the Great, Act III, SCENE I, Sigifred, Line 45 |
You would |
confer |
with;- me? |
Otho the Great, Act IV, SCENE II, Ludolph, Line 46a |
|
CONFERENCE........2 |
Fair Scylla and her guides to |
conference |
; |
Endymion: A Poetic Romance, Book III, Line 894 |
And many a jealous |
conference |
had they, |
Isabella; or, The Pot of Basil, Line 169 |
|
CONFESS...........9 |
Our by-gone quarrels, I |
confess |
my heart |
Otho the Great, Act I, SCENE I, Conrad, Line 22 |
I |
confess |
|
Otho the Great, Act I, SCENE I, Auranthe, Line 44b |
I must |
confess |
,- and cut my throat,- to-day? |
Otho the Great, Act III, SCENE I, Albert, Line 31 |
|
Confess |
, or by the wheel- |
Otho the Great, Act III, SCENE II, Otho, Line 160b |
I will |
confess |
, O holy abbot!- How! |
Otho the Great, Act IV, SCENE I, Auranthe, Line 99 |
Tell me,- the league of devils? |
Confess |
- confess- |
Otho the Great, Act IV, SCENE II, Ludolph, Line 88 |
Tell me,- the league of devils? Confess - |
confess |
- |
Otho the Great, Act IV, SCENE II, Ludolph, Line 88 |
Men shall |
confess |
,- this prince was gull'd and cheated, |
Otho the Great, Act V, SCENE V, Ludolph, Line 133 |
Where the heart beats: |
confess |
- 'tis nothing new- |
To Fanny, Line 35 |
|
CONFESSION........2 |
Come to |
confession |
, |
O Some Skulls in Beauley Abbey, near Inverness, Line 28 |
Not to thine ear alone I make |
confession |
, |
Otho the Great, Act I, SCENE II, Otho, Line 173 |
|
CONFESSIONAL......1 |
Put to the torture for |
confessional |
? |
Otho the Great, Act III, SCENE I, Albert, Line 24 |
|
CONFIDANT.........1 |
Quoth Corallina, nurse and |
confidant |
, |
The Jealousies, Line 47 |
|
CONFIDE...........2 |
For to thy tongue will I all health |
confide |
. |
Endymion: A Poetic Romance, Book IV, Line 864 |
To do an honest deed. Shall I |
confide |
-? |
Otho the Great, Act II, SCENE II, Erminia, Line 37 |
|
CONFIDING.........1 |
'Tis not |
confiding |
in a broken reed, |
Otho the Great, Act I, SCENE I, Conrad, Line 33 |
|
CONFINED..........1 |
Beyond its proper bound, yet still |
confined |
,- |
Dear Reynolds, as last night I lay in bed, Line 79 |
|
CONFINES..........2 |
Of flesh and bone, curbs, and |
confines |
, and frets |
Endymion: A Poetic Romance, Book IV, Line 21 |
Beyond the seeming |
confines |
of the space |
Endymion: A Poetic Romance, Book IV, Line 513 |
|
CONFLICTING.......1 |
Look'd up: a |
conflicting |
of shame and ruth |
Endymion: A Poetic Romance, Book I, Line 761 |
|
CONFOUND..........1 |
Melodious howsoever, can |
confound |
|
Endymion: A Poetic Romance, Book IV, Line 80 |
|
CONFOUNDED........2 |
I've had a damn'd |
confounded |
ugly dream, |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 26 |
May be |
confounded |
and abash'd withal, |
Lamia, Part II, Line 58 |
|
CONFOUNDS.........1 |
Thick night |
confounds |
the pine-tops with the clouds: |
Hyperion: A Fragment, Book II, Line 80 |
|
CONFUS'D..........1 |
All in a mingled heap |
confus'd |
there lay |
The Fall of Hyperion: A Dream, CANTO I, Line 78 |
|
CONFUSION.........1 |
But no |
confusion |
, no disturbance rude |
How many bards gild the lapses of time, Line 7 |
|
CONGEES...........1 |
|
Congees |
and scape-graces of every sort, |
The Jealousies, Line 759 |
|
CONGRATULATE......1 |
To thank thee; here |
congratulate |
each other; |
Otho the Great, Act III, SCENE II, Erminia, Line 250 |
|
CONGREGATED.......2 |
Whose |
congregated |
majesty so fills |
Sleep and Poetry, Line 208 |
Of all the |
congregated |
world, to fan |
Endymion: A Poetic Romance, Book I, Line 818 |
|
CONJECTURE........1 |
We are without |
conjecture |
; not a soul |
Otho the Great, Act III, SCENE II, Sigifred, Line 274 |
|
CONJECTURED.......1 |
|
Conjectured |
, on the instant, it might be |
The Jealousies, Line 678 |
|
CONJECTURES.......1 |
|
conjectures |
, found her out to be a serpent, a lamia; and that all her furniture |
Lamia, Keats's Footnote from Burton, |
|
CONJECTURING......1 |
Upon my wild |
conjecturing |
: truth had come |
Endymion: A Poetic Romance, Book III, Line 556 |
|
CONJURATION.......1 |
No sooner had this |
conjuration |
pass'd |
The Fall of Hyperion: A Dream, CANTO I, Line 291 |
|
CONJURE...........1 |
|
Conjure |
thee to receive our humble paean, |
Endymion: A Poetic Romance, Book I, Line 305 |
|
CONJURER'S........1 |
A |
conjurer's |
spirits, what cup will you drain? |
The Jealousies, Line 359 |
|
CONJURING.........1 |
Without a little |
conjuring |
." "'Tis Pearl, |
The Jealousies, Line 382 |
|
CONJUROR..........1 |
God's help! my lady fair the |
conjuror |
plays |
The Eve of St. Agnes, Line 124 |
|
CONN'D............1 |
And in his lap a book, the which he |
conn'd |
|
Endymion: A Poetic Romance, Book III, Line 214 |
|
CONNOISSEURING....1 |
Admired it with a |
connoisseuring |
look, |
The Jealousies, Line 417 |
|
CONQUER...........2 |
Go! |
conquer |
Italy! |
Otho the Great, Act IV, SCENE I, Auranthe, Line 156a |
|
Conquer |
all mysteries by rule and line, |
Lamia, Part II, Line 235 |
|
CONQUER'D.........3 |
So play'd, so charm'd, so |
conquer'd |
, so bereft |
As Hermes once took to his feathers light, Line 4 |
Thereby more |
conquer'd |
, than by us the rule |
Hyperion: A Fragment, Book II, Line 216 |
For when the |
conquer'd |
lion is once dungeoned, |
Otho the Great, Act I, SCENE II, Otho, Line 170 |
|
CONQUERING........6 |
With the |
conquering |
sun of spring, and left the skies |
Endymion: A Poetic Romance, Book I, Line 921 |
Then came a |
conquering |
earth-thunder, and rumbled |
Endymion: A Poetic Romance, Book III, Line 487 |
A |
conquering |
! |
Endymion: A Poetic Romance, Book IV, Line 223 |
For my own sullen |
conquering |
: to him |
Endymion: A Poetic Romance, Book IV, Line 619 |
Num of all |
conquering |
, |
All gentle folks who owe a grudge, Line 54 |
Its poison in the eyes of |
conquering |
Jove. |
Hyperion: A Fragment, Book II, Line 48 |
|
CONQUEROR.........2 |
My |
conqueror |
! |
Otho the Great, Act I, SCENE II, Gersa, Line 107a |
Pause but one moment, mighty |
conqueror |
, |
Otho the Great, Act I, SCENE II, Ethelbert, Line 187 |
|
CONQUERORS........1 |
Our |
conquerors |
to mourn as we do now. |
Hyperion: A Fragment, Book II, Line 231 |
|
CONRAD............38 |
|
CONRAD |
, Duke of Franconia |
Otho the Great, Dramatis Personae, 3 |
Enter |
CONRAD |
. |
Otho the Great, Act I, SCENE I, S.D. to Line 1 |
|
Conrad |
! what tidings? Good, if I may guess |
Otho the Great, Act I, SCENE I, Auranthe, Line 17 |
I pr'ythee, |
Conrad |
, do not overact |
Otho the Great, Act I, SCENE I, Auranthe, Line 30 |
His right hand, his brave |
Conrad |
! |
Otho the Great, Act I, SCENE I, Conrad, Line 44a |
[Exeunt |
CONRAD |
and AURANTHE. |
Otho the Great, Act I, SCENE I, S.D. to Line 144 |
[Enter |
CONRAD |
, from the Castle, attended by two Knights and |
Otho the Great, Act I, SCENE II, S.D. to Line 1b |
Aye, |
Conrad |
, it will pluck out all grey hairs; |
Otho the Great, Act I, SCENE II, Otho, Line 7 |
More thanks, good |
Conrad |
; for, except my son's, |
Otho the Great, Act I, SCENE II, Otho, Line 43 |
Not so tedious, |
Conrad |
. No, no, no, no,- |
Otho the Great, Act I, SCENE II, Otho, Line 81 |
|
Conrad |
, with all due ceremony, give |
Otho the Great, Act I, SCENE II, Otho, Line 154 |
To prop my empire's dome. |
Conrad |
, in thee |
Otho the Great, Act I, SCENE II, Otho, Line 161 |
|
Conrad |
, I owe thee much. |
Otho the Great, Act I, SCENE II, Otho, Line 179a |
stage, bowing with respect to LUDOLPH, he frowning on them. |
CONRAD |
follows. |
Otho the Great, Act II, SCENE I, S.D. to Line 22 |
[Exit |
CONRAD |
. |
Otho the Great, Act II, SCENE I, S.D. to Line 56 |
Enter OTHO and |
CONRAD |
. |
Otho the Great, Act II, SCENE I, S.D. to Line 60 |
|
Conrad |
, we would be private! Sigifred! |
Otho the Great, Act II, SCENE I, Otho, Line 71 |
[Exeunt |
CONRAD |
and SIGIFRED. |
Otho the Great, Act II, SCENE I, S.D. to Line 73 |
O cursed |
Conrad |
! devilish Auranthe! |
Otho the Great, Act II, SCENE II, Erminia, Line 4 |
"To the Duke |
Conrad |
. Forget the threat you |
Otho the Great, Act II, SCENE II, Albert, Line 55 |
|
CONRAD |
, Nobles, Knights, Ladies, etc., etc., etc. Music. |
Otho the Great, Act III, SCENE II, S.D. to Line 1 |
(to |
Conrad |
) |
Otho the Great, Act III, SCENE II, S.D. to Line 26b |
|
Conrad |
, if he flames longer in this wise |
Otho the Great, Act III, SCENE II, Otho, Line 46 |
|
Conrad |
, see all depart not wanted here. |
Otho the Great, Act III, SCENE II, Otho, Line 102 |
|
Conrad |
, be they in your safe custody, |
Otho the Great, Act III, SCENE II, Otho, Line 238 |
AURANTHE and |
CONRAD |
discovered. |
Otho the Great, Act IV, SCENE I, S.D. to Line 1 |
|
Conrad |
, hold! I would not bear |
Otho the Great, Act IV, SCENE I, Auranthe, Line 59b |
But, |
Conrad |
, now be gone; the host is look'd for; |
Otho the Great, Act IV, SCENE I, Auranthe, Line 68 |
|
Conrad |
! Albert! help! help! What can I do? |
Otho the Great, Act IV, SCENE I, Auranthe, Line 76 |
|
Conrad |
,- traitor! |
Otho the Great, Act IV, SCENE I, Auranthe, Line 159b |
[Enter |
CONRAD |
. |
Otho the Great, Act IV, SCENE I, S.D. to Line 160 |
For loving |
Conrad |
, see you fawn on him. |
Otho the Great, Act IV, SCENE I, Albert, Line 175 |
Enter |
CONRAD |
and AURANTHE. |
Otho the Great, Act V, SCENE I, S.D. to Line 1 |
To pray thee far away! |
Conrad |
, go! go!- |
Otho the Great, Act V, SCENE I, Auranthe, Line 6 |
Go, go,- no blood! no blood!- go, gentle |
Conrad |
! |
Otho the Great, Act V, SCENE I, Auranthe, Line 9 |
[Exit |
CONRAD |
. |
Otho the Great, Act V, SCENE I, S.D.a to Line 16 |
Done to another,- |
Conrad |
has it home! |
Otho the Great, Act V, SCENE II, Albert, Line 6 |
Of Albert and Duke |
Conrad |
? |
Otho the Great, Act V, SCENE III, Gonfrid, Line 5a |
|
CONRAD'S..........6 |
AURANTHE, |
Conrad's |
Sister |
Otho the Great, Dramatis Personae, 15 |
To-day, at the Duke |
Conrad's |
, where he keeps |
Otho the Great, Act I, SCENE III, Ludolph, Line 92 |
By heavens, I'd rather kiss Duke |
Conrad's |
slipper, |
Otho the Great, Act II, SCENE I, Sigifred, Line 13 |
This |
Conrad's |
gates, to the wide air again. |
Otho the Great, Act II, SCENE I, Ludolph, Line 84 |
|
Conrad's |
sword, his corslet, and his helm, |
Otho the Great, Act II, SCENE II, Albert, Line 69 |
For the Duke |
Conrad's |
. Close I follow'd them |
Otho the Great, Act IV, SCENE II, Page, Line 124 |
|
CONS..............1 |
To tint her pallid cheek with bloom, who |
cons |
|
Endymion: A Poetic Romance, Book I, Line 368 |
|
CONSCIENCE........8 |
Of |
conscience |
bids me be more calm awhile. |
Sleep and Poetry, Line 305 |
But sickness smites the |
conscience |
sore; |
O Some Skulls in Beauley Abbey, near Inverness, Line 50 |
Save me from curious |
conscience |
, that still hoards |
Sonnet to Sleep, Line 11 |
And opiate for the |
conscience |
have I none! |
Otho the Great, Act I, SCENE I, Albert, Line 158 |
Of |
conscience |
, for their long offended might, |
Lamia, Part II, Line 284 |
And thou be |
conscience |
-calm'd. See, here it is- |
This living hand, now warm and capable, Line 7 |
It goes against your |
conscience |
- good! Well, don't. |
The Jealousies, Line 462 |
(I've got a |
conscience |
, maugre people's jokes:) |
The Jealousies, Line 697 |
|
CONSCIOUS.........2 |
To be |
conscious |
of such a coronet. |
On Receiving a Laurel Crown from Leigh Hunt, Line 8 |
Thy thunder, |
conscious |
of the new command, |
Hyperion: A Fragment, Book I, Line 60 |
|
CONSCIOUSNESS.....2 |
The goal of |
consciousness |
? Ah, 'tis the thought, |
Endymion: A Poetic Romance, Book II, Line 283 |
Shed balmy |
consciousness |
within that bower. |
Endymion: A Poetic Romance, Book III, Line 466 |
|
CONSECRATE........1 |
My future days to her fane |
consecrate |
." |
Endymion: A Poetic Romance, Book IV, Line 888 |
|
CONSECRATED.......1 |
And, silent as a |
consecrated |
urn, |
Endymion: A Poetic Romance, Book III, Line 32 |
|
CONSENT...........1 |
Hath given |
consent |
that you should marry Ludolph! |
Otho the Great, Act I, SCENE I, Conrad, Line 87 |
|
CONSENTED.........1 |
And, all subdued, |
consented |
to the hour |
Lamia, Part II, Line 82 |
|
CONSIDER..........1 |
Stop and |
consider |
! life is but a day; |
Sleep and Poetry, Line 85 |
|
CONSOLATION.......1 |
Give |
consolation |
in this woe extreme. |
Hyperion: A Fragment, Book II, Line 242 |
|
CONSOLE...........2 |
|
Console |
my poor boy, cheer him, heal his spirits? |
Otho the Great, Act V, SCENE IV, Otho, Line 14 |
For it may comfort and |
console |
him much, |
The Jealousies, Line 123 |
|
CONSPIRACY........1 |
In a dark |
conspiracy |
|
Fancy, Line 23 |
|
CONSPIRATOR.......1 |
I was a mad |
conspirator |
, chiefly too |
Otho the Great, Act V, SCENE V, Ludolph, Line 141 |
|
CONSPIRED.........1 |
Has my own soul |
conspired |
: so my story |
Endymion: A Poetic Romance, Book IV, Line 644 |
|
CONSPIRING........1 |
|
Conspiring |
with him how to load and bless |
To Autumn, Line 3 |
|
CONSTANT..........11 |
Come with the |
constant |
dawn upon thy morrows? |
Endymion: A Poetic Romance, Book II, Line 46 |
Those same full fringed lids a |
constant |
blind |
Endymion: A Poetic Romance, Book II, Line 563 |
But by a patient wing, a |
constant |
spell, |
Endymion: A Poetic Romance, Book III, Line 24 |
The sea-gulls not more |
constant |
; for I had |
Endymion: A Poetic Romance, Book III, Line 321 |
She is so |
constant |
to me, and so kind: |
Endymion: A Poetic Romance, Book IV, Line 178 |
But ah! she is so |
constant |
and so kind. |
Endymion: A Poetic Romance, Book IV, Line 181 |
And |
constant |
as her vespers would he watch, |
Isabella; or, The Pot of Basil, Line 21 |
Of brother's eyes, of sister's brow, |
constant |
to every place; |
There is a joy in footing slow across a silent plain, Line 34 |
At length her |
constant |
eyelids come |
The Eve of St. Mark, Line 115 |
Pouring a |
constant |
bulk, uncertain where. |
Hyperion: A Fragment, Book II, Line 9 |
It works a |
constant |
change, which happy death |
The Fall of Hyperion: A Dream, CANTO I, Line 259 |
|
CONSTANTLY........1 |
Wide o'er the swelling streams: and |
constantly |
|
Endymion: A Poetic Romance, Book III, Line 365 |
|
CONSTRAIN'D.......1 |
Let us find out, if we must be |
constrain'd |
, |
If by dull rhymes our English must be chain'd, Line 4 |
|
CONSULT...........1 |
We must |
consult |
upon our terms of peace. |
Otho the Great, Act I, SCENE II, Otho, Line 159 |
|
CONSUMED..........1 |
But, when I am |
consumed |
in the fire, |
On Sitting Down to Read King Lear Once Again, Line 13 |
|
CONSUMES..........1 |
"O ye, whom wrath |
consumes |
! who, passion-stung, |
Hyperion: A Fragment, Book II, Line 173 |
|
CONSUMING.........1 |
By one |
consuming |
flame: it doth immerse |
Endymion: A Poetic Romance, Book II, Line 369 |
|
CONSUMMATE........1 |
How to |
consummate |
all. The youth elect |
Endymion: A Poetic Romance, Book III, Line 710 |
|
CONSUMMATION......2 |
Of a peculiar sort,- a |
consummation |
;- |
To Charles Cowden Clarke, Line 106 |
This mighty |
consummation |
made, the host |
Endymion: A Poetic Romance, Book III, Line 828 |
|
CONTACT...........1 |
Their points of |
contact |
, and swift counterchange; |
Lamia, Part I, Line 194 |
|
CONTAIN...........1 |
His heart is full, it can |
contain |
no more, |
Otho the Great, Act V, SCENE IV, Physician, Line 23 |
|
CONTAIN'D.........1 |
Endymion: woe! woe! is grief |
contain'd |
|
Endymion: A Poetic Romance, Book II, Line 823 |
|
CONTAINETH........1 |
For it |
containeth |
twenty thousand punks, |
Fragment of Castle-builder, CASTLE BUILDER, Line 17 |
|
CONTEMPLATING.....2 |
Who thus were ripe for high |
contemplating |
|
Endymion: A Poetic Romance, Book I, Line 355 |
I sat |
contemplating |
the figures wild |
Endymion: A Poetic Romance, Book I, Line 886 |
|
CONTEMPLATIVE.....1 |
He utter'd, while his hands |
contemplative |
|
Hyperion: A Fragment, Book II, Line 377 |
|
CONTEMPT..........2 |
He lean'd; not rising, from supreme |
contempt |
. |
Hyperion: A Fragment, Book II, Line 308 |
Gruff with |
contempt |
; which a death-nighing moan |
Lamia, Part II, Line 292 |
|
CONTEND...........1 |
He heard but the last words, nor could |
contend |
|
Endymion: A Poetic Romance, Book II, Line 215 |
|
CONTENDING........1 |
For what a height my spirit is |
contending |
! |
On Leaving Some Friends at an Early Hour, Line 13 |
|
CONTENT...........33 |
Who is more happy, when, with heart's |
content |
, |
To one who has been long in city pent, Line 5 |
Happy is England! I could be |
content |
|
Happy is England! I could be content, Line 1 |
Should it e'er be so, what a rich |
content |
! |
To Charles Cowden Clarke, Line 83 |
'Tis not |
content |
so soon to be alone. |
On Leaving Some Friends at an Early Hour, Line 14 |
Than the proud laurel shall |
content |
my bier. |
To a Young Lady Who Sent Me a Laurel Crown, Line 4 |
Could at this moment be |
content |
to lie |
This pleasant tale is like a little copse, Line 12 |
I shall die |
content |
. |
Hither, hither, love, Line 24 |
Whither his brethren, bleating with |
content |
, |
Endymion: A Poetic Romance, Book I, Line 71 |
Have been |
content |
to let occasion die, |
Endymion: A Poetic Romance, Book I, Line 822 |
Their measure of |
content |
; what merest whim, |
Endymion: A Poetic Romance, Book I, Line 846 |
He was |
content |
to let her amorous plea |
Endymion: A Poetic Romance, Book II, Line 462 |
Faint through his careless arms; |
content |
to see |
Endymion: A Poetic Romance, Book II, Line 463 |
|
Content |
, O fool! to make a cold retreat, |
Endymion: A Poetic Romance, Book II, Line 465 |
Where will the splendour be |
content |
to reach? |
Endymion: A Poetic Romance, Book III, Line 91 |
Could not thy harshest vengeance be |
content |
, |
Endymion: A Poetic Romance, Book III, Line 621 |
Dost weep for me? Then should I be |
content |
. |
Endymion: A Poetic Romance, Book IV, Line 119 |
Hast thou felt so |
content |
: a grievous feud |
Endymion: A Poetic Romance, Book IV, Line 547 |
Far wandering, they were perforce |
content |
|
Endymion: A Poetic Romance, Book IV, Line 766 |
Let it |
content |
thee, sister, seeing me |
Endymion: A Poetic Romance, Book IV, Line 858 |
Wilt be |
content |
to dwell with her, to share |
Endymion: A Poetic Romance, Book IV, Line 871 |
Are folded up, and he |
content |
to look |
Four seasons fill the measure of the year, Line 10 |
"You seem there in the quiet of |
content |
, |
Isabella; or, The Pot of Basil, Line 181 |
By bards who died |
content |
in pleasant sward, |
Mother of Hermes! and still youthful Maia, Line 7 |
|
Content |
as theirs, |
Mother of Hermes! and still youthful Maia, Line 13 |
Hot to their Councils, scarce |
content |
|
O Some Skulls in Beauley Abbey, near Inverness, Line 9 |
I see, astonied, that severe |
content |
|
Hyperion: A Fragment, Book II, Line 165 |
How ye, perforce, must be |
content |
to stoop: |
Hyperion: A Fragment, Book II, Line 178 |
Who have not learnt to be |
content |
without her; |
On Fame ("Fame, like a wayward girl"), Line 6 |
Ye have none better? No, I am |
content |
; |
Otho the Great, Act V, SCENE V, Ludolph, Line 81 |
She's gone! I am |
content |
- nobles, good night! |
Otho the Great, Act V, SCENE V, Ludolph, Line 192 |
Without the aid of love; yet in |
content |
|
Lamia, Part I, Line 314 |
|
content |
, and at last married |
Lamia, Keats's Footnote from Burton, |
Praying his royal senses to |
content |
|
The Jealousies, Line 21 |
|
CONTENTED.........5 |
"Why was I not |
contented |
? Wherefore reach |
Endymion: A Poetic Romance, Book III, Line 372 |
This murky phantasm! thou |
contented |
seem'st |
Endymion: A Poetic Romance, Book IV, Line 466 |
And pledging with |
contented |
smack |
Lines on the Mermaid Tavern, Line 21 |
|
Contented |
fools causes for discontent, |
Otho the Great, Act I, SCENE I, Conrad, Line 40 |
In pale |
contented |
sort of discontent, |
Lamia, Part II, Line 135 |
|
CONTENTMENT.......3 |
Sluggishly by, ere more |
contentment |
swept |
Endymion: A Poetic Romance, Book I, Line 916 |
Than sighs could fathom, or |
contentment |
reach: |
Endymion: A Poetic Romance, Book II, Line 395 |
Ripe fruits, and lonely couch, |
contentment |
gave; |
Endymion: A Poetic Romance, Book II, Line 968 |
|
CONTENTS..........1 |
But, finding in our green earth sweet |
contents |
, |
Endymion: A Poetic Romance, Book II, Line 313 |
|
CONTINUAL.........2 |
And his |
continual |
voice was pleasanter |
Isabella; or, The Pot of Basil, Line 13 |
Her brethren, noted the |
continual |
shower |
Isabella; or, The Pot of Basil, Line 452 |
|
CONTINUALLY.......2 |
In long perspective, and |
continually |
|
Sleep and Poetry, Line 100 |
And the sick west |
continually |
bereaves |
Isabella; or, The Pot of Basil, Line 251 |
|
CONTINUED.........3 |
|
continued |
for a few minutes before he thus began,) |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line S.D. |
|
Continued |
to lament and to complain, |
The Jealousies, Line 75 |
While Hum |
continued |
, shamming half a sob,- |
The Jealousies, Line 412 |
|
CONTINUING........2 |
Her lucid bow, |
continuing |
thus: "Drear, drear |
Endymion: A Poetic Romance, Book IV, Line 988 |
So answer'd I, |
continuing |
, "If it please, |
The Fall of Hyperion: A Dream, CANTO I, Line 186 |
|
CONTINUOUS........2 |
Wide sea, that one |
continuous |
murmur breeds |
Endymion: A Poetic Romance, Book II, Line 16 |
My sports were lonely, 'mid |
continuous |
roars, |
Endymion: A Poetic Romance, Book III, Line 340 |
|
CONTRADICTIONS....1 |
'Mid |
contradictions |
her delights to lend. |
To George Felton Mathew, Line 34 |
|
CONTRIV'D.........1 |
Yet they |
contriv'd |
to steal the basil-pot, |
Isabella; or, The Pot of Basil, Line 473 |
|
CONTRIVANCES......1 |
He must be sav'd by fine |
contrivances |
; |
Otho the Great, Act V, SCENE IV, Physician, Line 20 |
|
CONTRIVE..........4 |
Intreated, managed! When can you |
contrive |
|
Otho the Great, Act IV, SCENE I, Conrad, Line 20 |
Peace! nor |
contrive |
thy mistress' ire to rouse," |
The Jealousies, Line 61 |
But how in the world can I |
contrive |
to stun |
The Jealousies, Line 158 |
Sometime to-day I must |
contrive |
a minute, |
The Jealousies, Line 618 |
|
CONTROLS..........1 |
Endymion feels it, and no more |
controls |
|
Endymion: A Poetic Romance, Book II, Line 545 |
|
CONTUMELIES.......1 |
Tired out, and weary-worn with |
contumelies |
. |
Otho the Great, Act II, SCENE II, Erminia, Line 116 |
|
CONTUMELIOUS......1 |
Had he, though blindly |
contumelious |
, brought |
Endymion: A Poetic Romance, Book III, Line 285 |
|
CONVENIENCE.......1 |
For your |
convenience |
, and her dear nerves' sake; |
The Jealousies, Line 491 |
|
CONVENIENTLY......1 |
His mouth being held |
conveniently |
fit |
The Jealousies, Line 421 |
|
CONVENT...........3 |
You may have grown from |
convent |
libraries, |
Fragment of Castle-builder, CASTLE BUILDER, Line 2 |
A longer skein of wit in |
Convent |
Garden. |
Fragment of Castle-builder, CASTLE BUILDER, Line 4 |
Sir, |
Convent |
Garden is a monstrous beast; |
Fragment of Castle-builder, CASTLE BUILDER, Line 9 |
|
CONVENTS..........1 |
What, have you |
convents |
in that Gothic isle? |
Fragment of Castle-builder, BERNADINE, Line 7 |
|
CONVERSATION......1 |
In a finger |
conversation |
with my mutes,- |
The Jealousies, Line 356 |
|
CONVERSE..........6 |
Yet the sweet |
converse |
of an innocent mind, |
O Solitude! if I must with thee dwell, Line 10 |
Sweet too the |
converse |
of these happy mortals, |
Calidore: A Fragment, Line 158 |
Yet shall my spirit lofty |
converse |
hold |
To My Brother George (epistle), Line 72 |
And |
converse |
high of those with glory crown'd. |
Written in Disgust of Vulgar Superstition, Line 8 |
Anon they wander'd, by divine |
converse |
, |
Endymion: A Poetic Romance, Book I, Line 371 |
Nor did speed hinder |
converse |
soft and strange- |
Endymion: A Poetic Romance, Book IV, Line 488 |
|
CONVEY............3 |
Their cradling arms, and purpos'd to |
convey |
|
Endymion: A Poetic Romance, Book III, Line 1017 |
" |
Convey |
her to me, Hum, or by my crown, |
The Jealousies, Line 406 |
For on that eve alone can you the maid |
convey |
." |
The Jealousies, Line 504 |
|
CONVEY'D..........2 |
Truly I should not like to be |
convey'd |
|
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 35 |
|
Convey'd |
in little solder'd pipes by stealth, |
The Jealousies, Line 212 |
|
CONVICTION........3 |
the |
conviction |
that there is not a fiercer hell than the failure in a great |
Endymion: A Poetic Romance, Preface, paragraph3 |
Must such |
conviction |
come upon his head, |
Endymion: A Poetic Romance, Book II, Line 35 |
Whether through poz'd |
conviction |
, or disdain, |
Hyperion: A Fragment, Book II, Line 244 |
|
CONVINC'D.........1 |
You are |
convinc'd |
? |
Otho the Great, Act II, SCENE I, Ludolph, Line 148a |
|
CONVINCE..........2 |
In short, |
convince |
you that however wise |
Fragment of Castle-builder, CASTLE BUILDER, Line 1 |
Now I think on't, perhaps I could |
convince |
|
The Jealousies, Line 473 |
|
CONVOLUTING.......1 |
Its mighty self of |
convoluting |
sound, |
Sleep and Poetry, Line 175 |
|
CONVOLVULUS.......1 |
|
Convolvulus |
in streaked vases flush; |
Endymion: A Poetic Romance, Book II, Line 415 |
|
CONVULS'D.........8 |
|
Convuls'd |
and headlong! Stay! an inward frown |
Sleep and Poetry, Line 304 |
Nestling a rose, |
convuls'd |
as though it smarted |
Sleep and Poetry, Line 344 |
Lay dormant, mov'd |
convuls'd |
and gradually |
Endymion: A Poetic Romance, Book II, Line 499 |
With |
convuls'd |
clenches waving it abroad, |
Endymion: A Poetic Romance, Book III, Line 231 |
Ring-doves may fly |
convuls'd |
across to some high cedar'd lair; |
There is a joy in footing slow across a silent plain, Line 20 |
Making slow way, with head and neck |
convuls'd |
|
Hyperion: A Fragment, Book I, Line 262 |
Heaving in pain, and horribly |
convuls'd |
|
Hyperion: A Fragment, Book II, Line 27 |
She writh'd about, |
convuls'd |
with scarlet pain: |
Lamia, Part I, Line 154 |
|
CONVULSE..........1 |
As hot as death's is chill, with fierce |
convulse |
|
Hyperion: A Fragment, Book III, Line 129 |
|
CONVULSED.........1 |
Their horses homeward, with |
convulsed |
spur, |
Isabella; or, The Pot of Basil, Line 223 |
|
CONVULSEST........1 |
All scope of thought, |
convulsest |
my heart's blood |
Otho the Great, Act IV, SCENE II, Ludolph, Line 78 |
|
CONVULSION........1 |
|
Convulsion |
to a mouth of many years? |
Endymion: A Poetic Romance, Book III, Line 287 |