|
COO...............1 |
The stockdove shall hatch her soft brace and shall |
coo |
, |
Hush, hush, tread softly, hush, hush, my dear, Line 23 |
|
COOETH............1 |
Because it |
cooeth |
, and hath snowy wings |
Hyperion: A Fragment, Book II, Line 222 |
|
COOINGLY..........1 |
Passion their voices |
cooingly |
'mong myrtles, |
Endymion: A Poetic Romance, Book I, Line 248 |
|
COOINGS...........1 |
They will be found softer than ring-dove's |
cooings |
. |
I stood tip-toe upon a little hill, Line 64 |
|
COOK..............1 |
Kill'd a man- |
cook |
, a page, and broke a jar, |
The Jealousies, Line 669 |
|
COOKS.............2 |
A promenade for |
cooks |
and ancient ladies; |
Fragment of Castle-builder, CASTLE BUILDER, Line 13 |
Eban, untempted by the pastry- |
cooks |
, |
The Jealousies, Line 217 |
|
COOL..............38 |
He bares his forehead to the |
cool |
blue sky, |
Calidore: A Fragment, Line 6 |
Yet feel I little of the |
cool |
bleak air, |
Keen, fitful gusts are whisp'ring here and there, Line 5 |
May fan the |
cool |
air gently o'er my rest; |
Sleep and Poetry, Line 112 |
Moist, |
cool |
and green; and shade the violets, |
I stood tip-toe upon a little hill, Line 33 |
And |
cool |
themselves among the em'rald tresses; |
I stood tip-toe upon a little hill, Line 82 |
The while they |
cool |
themselves, they freshness give, |
I stood tip-toe upon a little hill, Line 83 |
Than e'er reflected in its pleasant |
cool |
|
I stood tip-toe upon a little hill, Line 168 |
Come |
cool |
and suddenly against his face, |
This pleasant tale is like a little copse, Line 6 |
To whose |
cool |
bosom she was used to bring |
Endymion: A Poetic Romance, Book I, Line 433 |
And cloister'd among |
cool |
and bunched leaves- |
Endymion: A Poetic Romance, Book I, Line 829 |
Some moulder'd steps lead into this |
cool |
cell, |
Endymion: A Poetic Romance, Book I, Line 869 |
Through the |
cool |
depth.- It moved as if to flee- |
Endymion: A Poetic Romance, Book I, Line 897 |
She dabbles, on the |
cool |
and sluicy sands: |
Endymion: A Poetic Romance, Book I, Line 946 |
All records, saving thine, come |
cool |
, and calm, |
Endymion: A Poetic Romance, Book II, Line 2 |
Lay, half asleep, in grass and rushes |
cool |
, |
Endymion: A Poetic Romance, Book II, Line 134 |
|
Cool |
grass, nor tasted the fresh slumberous air; |
Endymion: A Poetic Romance, Book II, Line 290 |
O let me |
cool |
it the zephyr-boughs among! |
Endymion: A Poetic Romance, Book II, Line 318 |
So |
cool |
a purple: taste these juicy pears, |
Endymion: A Poetic Romance, Book II, Line 444 |
Alive, and dazzling |
cool |
, and with a sound, |
Endymion: A Poetic Romance, Book II, Line 609 |
With fingers |
cool |
as aspen leaves. Sweet love, |
Endymion: A Poetic Romance, Book II, Line 804 |
To a sleeping lake, whose |
cool |
and level gleam |
Endymion: A Poetic Romance, Book II, Line 833 |
Ready to snort their streams. In this |
cool |
wonder |
Endymion: A Poetic Romance, Book II, Line 885 |
Such |
cool |
and sorrowful offerings, thou art fond |
Endymion: A Poetic Romance, Book III, Line 438 |
Among |
cool |
clouds and winds, but that the free, |
Endymion: A Poetic Romance, Book IV, Line 351 |
|
Cool |
parsley, basil sweet, and sunny thyme; |
Endymion: A Poetic Romance, Book IV, Line 577 |
By every lull to |
cool |
her infant's pain: |
Isabella; or, The Pot of Basil, Line 36 |
Was |
cool |
|
There was a naughty boy, Line 48 |
In |
cool |
mid-forest. Surely I have traced |
Hyperion: A Fragment, Book III, Line 55 |
And see my |
cool |
sedge-buried urn, |
Song of Four Fairies: Fire, Air, Earth, and Water, BREAMA, Line 32 |
'Mid hush'd, |
cool |
-rooted flowers, fragrant-eyed, |
Ode to Psyche, Line 13 |
My head |
cool |
-bedded in the flowery grass; |
Ode on Indolence, Line 52 |
The |
cool |
wine, kiss'd off with a soldier's smack: |
Otho the Great, Act III, SCENE II, Otho, Line 30 |
Men, women, rich and poor, in the |
cool |
hours, |
Lamia, Part I, Line 355 |
Nibble their toasts, and |
cool |
their tea with sighs, |
Pensive they sit, and roll their languid eyes, Line 2 |
Stood a |
cool |
vessel of transparent juice, |
The Fall of Hyperion: A Dream, CANTO I, Line 42 |
In midmost Ind, beside Hydaspes |
cool |
, |
The Jealousies, Line 1 |
Nor rested till they stood to |
cool |
, and fan, |
The Jealousies, Line 322 |
But let me |
cool |
your brandy with a little wine." |
The Jealousies, Line 414 |
|
COOL'D............4 |
The languid sick; it |
cool'd |
their fever'd sleep, |
I stood tip-toe upon a little hill, Line 223 |
Till thou hadst |
cool'd |
their cheeks deliciously: |
Endymion: A Poetic Romance, Book III, Line 148 |
And back retir'd, not |
cool'd |
by high disdain; |
The Eve of St. Agnes, Line 61 |
|
Cool'd |
a long age in the deep-delved earth, |
Ode to a Nightingale, Line 12 |
|
COOLER............3 |
Dried carefully on the |
cooler |
side of sheaves |
Endymion: A Poetic Romance, Book I, Line 439 |
There was a |
cooler |
light; and so he kept |
Endymion: A Poetic Romance, Book II, Line 1019 |
|
Cooler |
than all the wonders he had seen, |
Endymion: A Poetic Romance, Book III, Line 1030 |
|
COOLEST...........1 |
The channels where my |
coolest |
waters flow |
Endymion: A Poetic Romance, Book II, Line 991 |
|
COOLING...........5 |
The air was |
cooling |
, and so very still, |
I stood tip-toe upon a little hill, Line 2 |
And hide in |
cooling |
trees, a voice will run |
On the Grasshopper and Cricket, Line 3 |
That for themselves a |
cooling |
covert make |
Endymion: A Poetic Romance, Book I, Line 17 |
And |
cooling |
the drouth |
For there's Bishop's Teign, Line 10 |
Flash'd phosphor and sharp sparks, without one |
cooling |
tear. |
Lamia, Part I, Line 152 |
|
COOLNESS..........7 |
In the |
coolness |
of the morn. |
Hadst thou liv'd in days of old, Line 34 |
Temper'd with |
coolness |
. How they ever wrestle |
I stood tip-toe upon a little hill, Line 75 |
The eyelids with the passing |
coolness |
play, |
After dark vapours have oppressed our plains, Line 7 |
Their summer |
coolness |
: pent up butterflies |
Endymion: A Poetic Romance, Book I, Line 258 |
Its tempering |
coolness |
, to my life akin, |
Endymion: A Poetic Romance, Book III, Line 609 |
A bitter |
coolness |
; the ripe grape is sour: |
Endymion: A Poetic Romance, Book IV, Line 35 |
In fragrance soft, and |
coolness |
to the eye, |
Hyperion: A Fragment, Book I, Line 210 |
|
COOMB.............1 |
And |
Coomb |
at the clear Teign head- |
For there's Bishop's Teign, Line 3 |
|
COOP'D............1 |
Straying about, yet |
coop'd |
up in the den |
Endymion: A Poetic Romance, Book I, Line 928 |
|
COPE..............1 |
Came gold around me, cheering me to |
cope |
|
Endymion: A Poetic Romance, Book III, Line 686 |
|
COPIED............1 |
from Bayle's Dictionary, and had |
copied |
a long Latin note from that work. |
The Jealousies, Keats's Note to Line 403 |
|
COPIOUS...........4 |
A |
copious |
spring; and both together dash'd |
Endymion: A Poetic Romance, Book II, Line 919 |
A blush of coral. |
Copious |
wonder-draughts |
Endymion: A Poetic Romance, Book III, Line 843 |
Behold!"- Two |
copious |
tear-drops instant fell |
Endymion: A Poetic Romance, Book III, Line 900 |
Turn to the |
copious |
index, you will find |
The Jealousies, Line 100 |
|
COPSE.............2 |
This pleasant tale is like a little |
copse |
: |
This pleasant tale is like a little copse, Line 1 |
Through |
copse |
-clad vallies,- ere their death, o'ertaking |
Endymion: A Poetic Romance, Book I, Line 120 |
|
COPY..............1 |
Whence I may |
copy |
many a lovely saying |
Sleep and Poetry, Line 65 |
|
CORAL.............8 |
When he upswimmeth from the |
coral |
caves, |
To My Brother George (epistle), Line 51 |
|
Coral |
tinted teach no blisses, |
You say you love; but with a voice, Line 12 |
More than |
coral |
in the sea- |
You say you love; but with a voice, Line 13 |
Gurgling in beds of |
coral |
: for anon, |
Endymion: A Poetic Romance, Book I, Line 640 |
Ribb'd and inlaid with |
coral |
, pebble, and pearl. |
Endymion: A Poetic Romance, Book III, Line 629 |
Smiling beneath a |
coral |
diadem, |
Endymion: A Poetic Romance, Book III, Line 776 |
A blush of |
coral |
. Copious wonder-draughts |
Endymion: A Poetic Romance, Book III, Line 843 |
To visit dolphin- |
coral |
in deep seas. |
To Homer, Line 4 |
|
CORALLINA.........1 |
Quoth |
Corallina |
, nurse and confidant, |
The Jealousies, Line 47 |
|
CORALLINE.........2 |
"Ah, beauteous mortal!" "Hush!" quoth |
Coralline |
, |
The Jealousies, Line 64 |
Could not conceive what |
Coralline |
was at- |
The Jealousies, Line 672 |
|
CORDELIA'S........1 |
More serene than |
Cordelia's |
countenance? |
Sleep and Poetry, Line 9 |
|
CORDIAL...........1 |
Who let me taste that more than |
cordial |
dram, |
To Charles Cowden Clarke, Line 64 |
|
CORDIALLY.........1 |
No, nor till |
cordially |
you shook my hand |
To Charles Cowden Clarke, Line 121 |
|
CORDS.............2 |
Whose |
cords |
are solid rays, and twinkle radiant fires. |
Ode to Apollo, Line 6 |
Loop'd up with |
cords |
of twisted wreathed light, |
Otho the Great, Act V, SCENE V, Ludolph, Line 38 |
|
CORE..............9 |
Now I have tasted her sweet soul to the |
core |
|
Endymion: A Poetic Romance, Book II, Line 904 |
Into the dungeon |
core |
of that wild wood: |
Endymion: A Poetic Romance, Book III, Line 565 |
Will you play once more, at nice cut- |
core |
, |
O blush not so! O blush not so, Line 13 |
But I saw too distinct into the |
core |
|
Dear Reynolds, as last night I lay in bed, Line 96 |
Until her heart felt pity to the |
core |
|
Isabella; or, The Pot of Basil, Line 378 |
And moisten'd it with tears unto the |
core |
. |
Isabella; or, The Pot of Basil, Line 424 |
Young buds sleep in the root's white |
core |
. |
Shed no tear - O shed no tear, Line 4 |
Of love deep learned to the red heart's |
core |
: |
Lamia, Part I, Line 190 |
And fill all fruit with ripeness to the |
core |
; |
To Autumn, Line 6 |
|
CORINTH...........10 |
I love a youth of |
Corinth |
- O the bliss! |
Lamia, Part I, Line 119 |
Who go on to |
Corinth |
from Cenchreas' shore; |
Lamia, Part I, Line 174 |
To |
Corinth |
from the shore; for freshly blew |
Lamia, Part I, Line 222 |
Perhaps grown wearied of their |
Corinth |
talk: |
Lamia, Part I, Line 232 |
Her face so long in |
Corinth |
, where, she said, |
Lamia, Part I, Line 311 |
And last, pointing to |
Corinth |
, ask'd her sweet, |
Lamia, Part I, Line 342 |
As men talk in a dream, so |
Corinth |
all, |
Lamia, Part I, Line 350 |
My presence in wide |
Corinth |
hardly known: |
Lamia, Part II, Line 93 |
twenty-five years of age, that going betwixt Cenchreas and |
Corinth |
, met such a |
Lamia, Keats's Footnote from Burton, |
suburbs of |
Corinth |
, and told him she was a Phoenician by birth, and if he would |
Lamia, Keats's Footnote from Burton, |
|
CORINTH'S.........1 |
Amid the hoarse alarm of |
Corinth's |
voice. |
Lamia, Part II, Line 61 |
|
CORINTHIAN........1 |
She saw the young |
Corinthian |
Lycius |
Lamia, Part I, Line 216 |
|
CORINTHIANS.......2 |
|
Corinthians |
! look upon that gray-beard wretch! |
Lamia, Part II, Line 287 |
Around his demon eyes! |
Corinthians |
, see! |
Lamia, Part II, Line 289 |
|
CORN..............9 |
To see high, golden |
corn |
wave in the light |
To Charles Cowden Clarke, Line 92 |
In woven baskets bringing ears of |
corn |
, |
To Leigh Hunt, Esq., Line 6 |
Their fairest blossom'd beans and poppied |
corn |
; |
Endymion: A Poetic Romance, Book I, Line 255 |
When snouted wild-boars routing tender |
corn |
|
Endymion: A Poetic Romance, Book I, Line 282 |
Across the gold autumn's whole kingdoms of |
corn |
? |
Apollo to the Graces, Line 6 |
Rustle of the reaped |
corn |
; |
Fancy, Line 41 |
She stood in tears amid the alien |
corn |
; |
Ode to a Nightingale, Line 67 |
Sway'd by command, as |
corn |
is by the wind? |
Otho the Great, Act III, SCENE I, Albert, Line 19 |
For all |
corn |
! thou snail-creeper to and fro, |
The Jealousies, Line 236 |
|
CORNER............2 |
Into some backward |
corner |
of the brain; |
Endymion: A Poetic Romance, Book II, Line 11 |
This |
corner |
holds at least a score, |
O Some Skulls in Beauley Abbey, near Inverness, Line 92 |
|
CORNERS...........2 |
By the melancholy |
corners |
of that mouth. |
Endymion: A Poetic Romance, Book III, Line 396 |
Collected silently in holes and |
corners |
, |
Otho the Great, Act I, SCENE I, Conrad, Line 48 |
|
CORNICE...........1 |
Star'd, where upon their heads the |
cornice |
rests, |
The Eve of St. Agnes, Line 35 |
|
CORNICED..........1 |
Or found them cluster'd in the |
corniced |
shade |
Lamia, Part I, Line 360 |
|
CORNS.............1 |
'Tis true I had no |
corns |
- no! thank the fates, |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 17 |
|
CORONAL...........2 |
To make a |
coronal |
; and round him grew |
Endymion: A Poetic Romance, Book II, Line 409 |
Weaving a |
coronal |
of tender scions |
Endymion: A Poetic Romance, Book II, Line 693 |
|
CORONALS..........1 |
The flowers of autumn for your |
coronals |
. |
Endymion: A Poetic Romance, Book IV, Line 814 |
|
CORONET...........2 |
Sleep, quiet with his poppy |
coronet |
: |
Sleep and Poetry, Line 348 |
To be conscious of such a |
coronet |
. |
On Receiving a Laurel Crown from Leigh Hunt, Line 8 |
|
CORPSE............1 |
And so remain'd as he a |
corpse |
had been |
Endymion: A Poetic Romance, Book IV, Line 919 |
|
CORRIDOR..........1 |
The |
corridor |
, and scarce upright could reach |
The Jealousies, Line 625 |
|
CORRIDORS.........1 |
Of halls and |
corridors |
. |
Calidore: A Fragment, Line 72 |
|
CORRUPT...........1 |
Or in that place the moth could not |
corrupt |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 75 |
|
CORSE.............2 |
Over his waned |
corse |
, the tremulous shower |
Endymion: A Poetic Romance, Book II, Line 482 |
Appear'd, and, stepping to a beauteous |
corse |
, |
Endymion: A Poetic Romance, Book III, Line 778 |
|
CORSLET...........1 |
Conrad's sword, his |
corslet |
, and his helm, |
Otho the Great, Act II, SCENE II, Albert, Line 69 |
|
CORTEZ............1 |
Or like stout |
Cortez |
when with eagle eyes |
On First Looking into Chapman's Homer, Line 11 |
|
COSSET............1 |
For idleness to |
cosset |
, nurse, and dandle; |
And what is Love?- It is a doll dress'd up, Line 2 |
|
COST..............2 |
Who |
cost |
her mother Tellus keener pangs, |
Hyperion: A Fragment, Book II, Line 54 |
Whence all this mighty |
cost |
and blaze of wealth could spring. |
Lamia, Part II, Line 198 |
|
COSTLINESS........1 |
There must be some superior |
costliness |
, |
Otho the Great, Act V, SCENE V, Ludolph, Line 33 |
|
COSTLY............2 |
Springing from a |
costly |
vase. |
Hadst thou liv'd in days of old, Line 55 |
|
costly |
|
Otho the Great, Act V, SCENE V, Setting |
|
COT...............1 |
Toward the castle or the |
cot |
where long ago was born |
There is a joy in footing slow across a silent plain, Line 11 |
|
COTERIES..........1 |
To waiting-maids, and bed-room |
coteries |
, |
The Jealousies, Line 119 |
|
COTTAGE...........2 |
That in a little |
cottage |
I have found; |
Keen, fitful gusts are whisp'ring here and there, Line 10 |
To bend with apples the moss'd |
cottage |
-trees, |
To Autumn, Line 5 |
|
COTTAGERS.........1 |
And gave them to the |
cottagers |
|
Old Meg she was a gipsey, Line 23 |
|
COTTAGES..........1 |
To scour the plains and search the |
cottages |
. |
Otho the Great, Act I, SCENE II, Conrad, Line 39 |
|
COTTON............1 |
Its swathe is on the |
cotton |
tree; |
'Tis the "witching time of night", Line 21 |
|
COTTUS............1 |
Next |
Cottus |
: prone he lay, chin uppermost, |
Hyperion: A Fragment, Book II, Line 49 |
|
COUCH.............15 |
The pleasant day, upon a |
couch |
at ease. |
Sleep and Poetry, Line 353 |
For the sun's purple |
couch |
; to emulate |
Endymion: A Poetic Romance, Book I, Line 365 |
On her own |
couch |
, new made of flower leaves, |
Endymion: A Poetic Romance, Book I, Line 438 |
Feeling about for its old |
couch |
of space |
Endymion: A Poetic Romance, Book II, Line 336 |
For on a silken |
couch |
of rosy pride, |
Endymion: A Poetic Romance, Book II, Line 392 |
From the imprinted |
couch |
, and when he did, |
Endymion: A Poetic Romance, Book II, Line 871 |
Ripe fruits, and lonely |
couch |
, contentment gave; |
Endymion: A Poetic Romance, Book II, Line 968 |
And my |
couch |
a low grass tomb. |
Welcome joy, and welcome sorrow, Line 33 |
And on her |
couch |
low murmuring "Where? O where?" |
Isabella; or, The Pot of Basil, Line 240 |
And |
couch |
supine their beauties, lily white; |
The Eve of St. Agnes, Line 52 |
For rest divine upon exalted |
couch |
|
Hyperion: A Fragment, Book I, Line 192 |
Upon a |
couch |
, near to a curtaining |
Lamia, Part II, Line 18 |
As pale it lay upon the rosy |
couch |
: |
Lamia, Part II, Line 250 |
On the high |
couch |
he lay!- his friends came round- |
Lamia, Part II, Line 309 |
For rest divine upon exalted |
couch |
|
The Fall of Hyperion: A Dream, CANTO II, Line 36 |
|
COUCH'D...........1 |
|
Couch'd |
in the teeming grass, |
Extracts from an Opera, DAISY'S SONG Line 7 |
|
COUCH'S...........1 |
The dull of midnight, at her |
couch's |
foot |
Isabella; or, The Pot of Basil, Line 274 |
|
COUCHANT..........2 |
The frozen God still |
couchant |
on the earth, |
Hyperion: A Fragment, Book I, Line 87 |
Bright, and cirque- |
couchant |
in a dusky brake. |
Lamia, Part I, Line 46 |
|
COUCHED...........2 |
|
Couched |
in thy brightness, dream of fields divine: |
Endymion: A Poetic Romance, Book III, Line 58 |
Saw two fair creatures, |
couched |
side by side |
Ode to Psyche, Line 9 |
|
COUCHES...........3 |
|
Couches |
of rugged stone, and slaty ridge |
Hyperion: A Fragment, Book II, Line 16 |
|
Couches |
warm as theirs is cold? |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 70 |
Around the silken |
couches |
, wondering |
Lamia, Part II, Line 197 |
|
COUGHING..........1 |
Stuck in his moral throat, no |
coughing |
e'er could stir. |
The Jealousies, Line 108 |
|
COULD'ST..........1 |
O thou |
could'st |
foster me beyond the brink |
Endymion: A Poetic Romance, Book IV, Line 306 |
|
COULDST...........3 |
|
Couldst |
thou wish for lineage higher |
Hadst thou liv'd in days of old, Line 37 |
Thou |
couldst |
rejoice to see my hopeless stream |
Endymion: A Poetic Romance, Book II, Line 1002 |
An inch appears the utmost thou |
couldst |
budge; |
The Jealousies, Line 245 |
|
COUNCIL...........6 |
How in the |
Council |
you condemn'd this war, |
Otho the Great, Act I, SCENE II, Otho, Line 147 |
Enter GONFRID, from the |
Council |
-room. |
Otho the Great, Act II, SCENE I, S.D. to Line 17b |
Instant dismiss'd the |
Council |
from his sight, |
Otho the Great, Act II, SCENE I, Gonfrid, Line 20 |
[Exit. Enter the Nobles from the |
Council |
-room. They cross |
Otho the Great, Act II, SCENE I, S.D. to Line 22 |
In |
Council |
, dreams too much among his books. |
King Stephen Act I, SCENE IV, Chester, Line 32 |
The Common |
Council |
and my fool Lord Mayor |
The Jealousies, Line 768 |
|
COUNCILS..........1 |
Hot to their |
Councils |
, scarce content |
O Some Skulls in Beauley Abbey, near Inverness, Line 9 |
|
COUNSEL...........6 |
They all three wept - but |
counsel |
was as vain |
When they were come unto the Faery's court, Line 65 |
O speak your |
counsel |
now, for Saturn's ear |
Hyperion: A Fragment, Book II, Line 162 |
When, lackeying my |
counsel |
at a beck, |
Otho the Great, Act I, SCENE I, Conrad, Line 99 |
You would not hear my |
counsel |
, when his life |
Otho the Great, Act IV, SCENE I, Conrad, Line 17 |
Sometimes the |
counsel |
of a dying man |
Otho the Great, Act V, SCENE II, Albert, Line 41 |
Faithful |
counsel |
have I given, |
King Stephen Act I, SCENE IV, Glocester, Line 5b |
|
COUNSELLORS.......1 |
Are all my |
counsellors |
. If they can make |
Otho the Great, Act II, SCENE I, Ludolph, Line 108 |
|
COUNT.............11 |
Weep! I'll |
count |
the tears: |
Think not of it, sweet one, so, Line 10 |
Of kind and passionate looks; to |
count |
, and count |
Endymion: A Poetic Romance, Book I, Line 657 |
Of kind and passionate looks; to count, and |
count |
|
Endymion: A Poetic Romance, Book I, Line 657 |
No more will I |
count |
over, link by link, |
Endymion: A Poetic Romance, Book I, Line 978 |
Exhales in mists to heaven. Aye, the |
count |
|
Endymion: A Poetic Romance, Book II, Line 723 |
Come down, we pray thee, ere the hot sun |
count |
|
Isabella; or, The Pot of Basil, Line 187 |
Do you not |
count |
, when I am queen, to take |
Otho the Great, Act I, SCENE I, Auranthe, Line 115 |
Who goes there? |
Count |
Sigifred? Ha! ha! |
Otho the Great, Act III, SCENE I, Albert, Line 33 |
We'll meet upon our subject. Farewell, |
Count |
! |
Otho the Great, Act III, SCENE I, Albert, Line 63 |
To |
count |
with the toil the innumerable degrees. |
The Fall of Hyperion: A Dream, CANTO I, Line 92 |
Or kiss thine eyes, or |
count |
thy locks, tress after tress?" |
The Jealousies, Line 171 |
|
COUNTENANCE.......9 |
Of thy lively |
countenance |
, |
Hadst thou liv'd in days of old, Line 3 |
When I think on thy noble |
countenance |
: |
Specimen of an Induction to a Poem, Line 52 |
More serene than Cordelia's |
countenance |
? |
Sleep and Poetry, Line 9 |
A smile was on his |
countenance |
; he seem'd, |
Endymion: A Poetic Romance, Book I, Line 175 |
Already, a more healthy |
countenance |
? |
Endymion: A Poetic Romance, Book I, Line 987 |
His laugh at nature's holy |
countenance |
, |
Endymion: A Poetic Romance, Book IV, Line 948 |
Your honest |
countenance |
all things above, |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 34 |
Is then a father's |
countenance |
a Gorgon? |
Otho the Great, Act V, SCENE IV, Otho, Line 12 |
From his old teacher's wrinkled |
countenance |
, |
Lamia, Part II, Line 244 |
|
COUNTERCHANGE.....1 |
Their points of contact, and swift |
counterchange |
; |
Lamia, Part I, Line 194 |
|
COUNTERFEIT.......1 |
Moans from my heart, and sighs not |
counterfeit |
. |
Otho the Great, Act IV, SCENE II, Page, Line 17 |
|
COUNTING..........1 |
|
Counting |
his woe-worn minutes, by the strokes |
Endymion: A Poetic Romance, Book II, Line 50 |
|
COUNTLESS.........1 |
Speckled with |
countless |
fleeces? Have not rains |
Endymion: A Poetic Romance, Book I, Line 216 |
|
COUNTREE..........1 |
Ravish'd away far from her dear |
countree |
; |
The Jealousies, Line 77 |
|
COUNTRIES.........1 |
Then will I pass the |
countries |
that I see |
Sleep and Poetry, Line 99 |
|
COUNTRY...........5 |
The poor folk of the sea- |
country |
I blest |
Endymion: A Poetic Romance, Book III, Line 368 |
From mouth to mouth through all the |
country |
pass'd: |
Isabella; or, The Pot of Basil, Line 502 |
Tasting of Flora and the |
country |
green, |
Ode to a Nightingale, Line 13 |
The |
Country |
, with the Castle in the distance. |
Otho the Great, Act I, SCENE III, Setting |
The |
Country |
. |
Otho the Great, Act III, SCENE I, Setting |
|
COUNTRY'S.........2 |
Let me not see our |
country's |
honour fade: |
To Hope, Line 32 |
Proud to behold him in his |
country's |
eye. |
Addressed to Haydon, Line 14 |
|
COUNTS............1 |
" |
Counts |
of the palace, and the state purveyor |
The Jealousies, Line 766 |
|
COUPLE'S..........1 |
And dipt again, with the young |
couple's |
weight,- |
Endymion: A Poetic Romance, Book I, Line 426 |
|
COUPLED...........2 |
|
Coupled |
so unaware; |
Lines on Seeing a Lock of Milton's Hair, Line 39 |
Her ears, and she shall take them |
coupled |
with |
Otho the Great, Act IV, SCENE II, Page, Line 16 |
|
COUPLET...........1 |
Till this oracular |
couplet |
met his eye |
The Jealousies, Line 454 |
|
COURIERS..........1 |
For |
couriers |
are abroad to seek you out. |
Otho the Great, Act I, SCENE III, Sigifred, Line 124 |
|
COURSE............10 |
written with the least atom of purpose to forestall criticisms of |
course |
, but |
Endymion: A Poetic Romance, Preface, paragraph3 |
My soul to keep in its resolved |
course |
." |
Endymion: A Poetic Romance, Book I, Line 488 |
Along the ground they took a winding |
course |
. |
Endymion: A Poetic Romance, Book II, Line 926 |
Stay, stay thy weary |
course |
, and let me lead, |
Endymion: A Poetic Romance, Book II, Line 950 |
I will delight thee all my winding |
course |
, |
Endymion: A Poetic Romance, Book II, Line 988 |
Away from me again, as though her |
course |
|
Endymion: A Poetic Romance, Book III, Line 649 |
We fall by |
course |
of Nature's law, not force |
Hyperion: A Fragment, Book II, Line 181 |
And ever ready was to take her |
course |
|
What can I do to drive away, Line 12 |
Anon, I'll tell what |
course |
were best to take; |
The Jealousies, Line 493 |
And, as we shaped our |
course |
, this, that way run, |
The Jealousies, Line 723 |
|
COURSERS..........2 |
Had found white |
coursers |
prancing in the glen: |
Calidore: A Fragment, Line 57 |
In air he sees white |
coursers |
paw, and prance, |
To My Brother George (epistle), Line 26 |
|
COURSES...........2 |
O'erwhelming water- |
courses |
; scaring out |
Endymion: A Poetic Romance, Book III, Line 88 |
Spin round, the stars their antient |
courses |
keep, |
The Fall of Hyperion: A Dream, CANTO I, Line 419 |
|
COURT.............15 |
With the base purple of a |
court |
oppress'd, |
To Hope, Line 39 |
Of clattering hoofs; into the |
court |
he sprang, |
Calidore: A Fragment, Line 76 |
And as he to the |
court |
-yard pass'd along, |
Isabella; or, The Pot of Basil, Line 193 |
By following fat elbows up a |
court |
. |
Fragment of Castle-builder, CASTLE BUILDER, Line 19 |
When they were come unto the Faery's |
court |
|
When they were come unto the Faery's court, Line 1 |
Pedestal'd haply in a palace |
court |
, |
Hyperion: A Fragment, Book I, Line 32 |
A poor |
court |
-bankrupt, outwitted and lost, |
Otho the Great, Act I, SCENE I, Conrad, Line 34 |
The |
Court |
-yard of the Castle. |
Otho the Great, Act I, SCENE II, Setting |
If men, in |
court |
and camp, lie not outright, |
Otho the Great, Act II, SCENE II, Erminia, Line 35 |
Turn, thou |
court |
-Janus, thou forget'st thyself; |
Otho the Great, Act III, SCENE II, Erminia, Line 248 |
An inner |
Court |
of the Castle. |
Otho the Great, Act V, SCENE III, Setting |
That, on a |
court |
day bow'd to haughty Maud, |
King Stephen Act I, SCENE III, Stephen, Line 29 |
Which seeing, his high |
court |
of parliament |
The Jealousies, Line 19 |
"'Stead of his anxious Majesty and |
court |
|
The Jealousies, Line 757 |
"A poet, mounted on the |
court |
-clown's back, |
The Jealousies, Line 775 |
|
COURTEOUS.........4 |
Ah! |
courteous |
Sir Knight, with large joy thou art crown'd; |
On Receiving a Curious Shell..., Line 17 |
In |
courteous |
fountains to all cups outreach'd; |
Endymion: A Poetic Romance, Book III, Line 926 |
With reconciling words and |
courteous |
mien |
Lamia, Part II, Line 171 |
Of accent feminine, so |
courteous |
." |
The Fall of Hyperion: A Dream, CANTO I, Line 215 |
|
COURTEOUSLY.......2 |
Lorenzo, |
courteously |
as he was wont, |
Isabella; or, The Pot of Basil, Line 189 |
And touch'd the wards; the door full |
courteously |
|
When they were come unto the Faery's court, Line 71 |
|
COURTESY..........2 |
Do me the |
courtesy |
, |
Otho the Great, Act IV, SCENE II, Gersa, Line 43b |
How Glocester overstrains his |
courtesy |
|
King Stephen Act I, SCENE IV, Chester, Line 37 |
|
COURTIER'S........1 |
And kiss the |
courtier's |
missal, its silk steps? |
Otho the Great, Act I, SCENE III, Ludolph, Line 65 |
|
COURTIERS.........3 |
[Enter GERSA and |
Courtiers |
. |
Otho the Great, Act IV, SCENE II, S.D. to Line 42 |
[Exeunt |
Courtiers |
. |
Otho the Great, Act IV, SCENE II, S.D. to Line 45 |
To your so loving |
courtiers |
for one day; |
The Jealousies, Line 536 |
|
COURTLIEST........2 |
The |
courtliest |
inviter to a feast; |
Otho the Great, Act I, SCENE II, Otho, Line 9 |
From lips the |
courtliest |
and the rubiest |
King Stephen Act I, SCENE IV, Chester, Line 55 |
|
COURTLY...........2 |
Or stand in |
courtly |
talk by fives and sevens: |
Specimen of an Induction to a Poem, Line 43 |
Came up,- a |
courtly |
smile upon his face, |
Calidore: A Fragment, Line 125 |
|
COURTS............5 |
With outspread wings the Naiad Zephyr |
courts |
, |
To Charles Cowden Clarke, Line 6 |
All |
courts |
and passages, where silence dead |
Endymion: A Poetic Romance, Book II, Line 267 |
Into the outer |
courts |
of Neptune's state: |
Endymion: A Poetic Romance, Book III, Line 854 |
Glar'd a blood-red through all its thousand |
courts |
, |
Hyperion: A Fragment, Book I, Line 179 |
Glares a blood red through all the thousand |
courts |
, |
The Fall of Hyperion: A Dream, CANTO II, Line 27 |
|
COUSIN............3 |
Blue!- gentle |
cousin |
to the forest green, |
Blue!- 'Tis the life of heaven - the domain, Line 9 |
But Selfishness, Love's |
cousin |
, held not long |
Isabella; or, The Pot of Basil, Line 241 |
Thy flesh, near |
cousin |
to the common dust, |
The Fall of Hyperion: A Dream, CANTO I, Line 109 |
|
COUSIN'S..........1 |
And for the Speaker's second |
cousin's |
aunt, |
The Jealousies, Line 152 |
|
COV'RING..........1 |
|
Cov'ring |
half thine ivory breast; |
Hadst thou liv'd in days of old, Line 46 |
|
COVE..............2 |
Into a shady, fresh, and ripply |
cove |
, |
Endymion: A Poetic Romance, Book I, Line 430 |
When the prow sweeps into a midnight |
cove |
. |
Hyperion: A Fragment, Book II, Line 355 |
|
COVENANTAL........1 |
And the |
Covenantal |
Ark, |
The Eve of St. Mark, Line 36 |
|
COVER'D...........3 |
|
Cover'd |
with crystal vines; then weeping trees, |
Endymion: A Poetic Romance, Book II, Line 615 |
And |
cover'd |
it with mould, and o'er it set |
Isabella; or, The Pot of Basil, Line 415 |
Fast fading violets |
cover'd |
up in leaves; |
Ode to a Nightingale, Line 47 |
|
COVERLET..........1 |
While legion'd fairies pac'd the |
coverlet |
, |
The Eve of St. Agnes, Line 168 |
|
COVERLETS.........1 |
My table |
coverlets |
of Jason's fleece |
Fragment of Castle-builder, CASTLE BUILDER, Line 62 |
|
COVERLID..........1 |
Or when grey clouds are thy cold |
coverlid |
? |
To Ailsa Rock, Line 8 |
|
COVERLIDS.........1 |
And |
coverlids |
gold-tinted like the peach, |
Endymion: A Poetic Romance, Book II, Line 396 |
|
COVERT............10 |
Where on one side are |
covert |
branches hung, |
To George Felton Mathew, Line 45 |
From his lush clover |
covert |
; - when anew |
To a Friend Who Sent Me Some Roses, Line 3 |
That for themselves a cooling |
covert |
make |
Endymion: A Poetic Romance, Book I, Line 17 |
Of |
covert |
flowers in vain; and then he flung |
Endymion: A Poetic Romance, Book II, Line 95 |
He sprang from his green |
covert |
: there she lay, |
Endymion: A Poetic Romance, Book IV, Line 101 |
As the break- |
covert |
blood-hounds of such sin: |
Isabella; or, The Pot of Basil, Line 221 |
Where Porphyro took |
covert |
, pleas'd amain. |
The Eve of St. Agnes, Line 188 |
I know the |
covert |
, for thence came I hither." |
Hyperion: A Fragment, Book I, Line 152 |
But for the main, here found they |
covert |
drear. |
Hyperion: A Fragment, Book II, Line 32 |
There was no |
covert |
, no retired cave |
Hyperion: A Fragment, Book III, Line 39 |
|
COVERTS...........1 |
And birds from |
coverts |
innermost and drear |
Endymion: A Poetic Romance, Book III, Line 470 |
|
COVERTURE.........1 |
Pull'd down fresh foliage and |
coverture |
|
Endymion: A Poetic Romance, Book III, Line 930 |
|
COVETOUS..........1 |
Into their vision |
covetous |
and sly! |
Isabella; or, The Pot of Basil, Line 141 |
|
COWARD............5 |
A |
coward |
, did my very eye-lids wink |
Sleep and Poetry, Line 299 |
For endless pleasure, by some |
coward |
blushes: |
Endymion: A Poetic Romance, Book II, Line 788 |
Yet must I be a |
coward |
!- Horror rushes |
Endymion: A Poetic Romance, Book II, Line 789 |
I am safe! |
Coward |
! why am I in fear? |
Otho the Great, Act IV, SCENE I, Auranthe, Line 102 |
O faltering |
coward |
! |
Otho the Great, Act IV, SCENE II, Ludolph, Line 113b |
|
COWARDICE.........1 |
In hungry pride and gainful |
cowardice |
, |
Isabella; or, The Pot of Basil, Line 130 |
|
COWARDS...........2 |
|
Cowards |
, who never knew their little hearts, |
Otho the Great, Act I, SCENE III, Ludolph, Line 79 |
Fly, |
cowards |
, fly! Glocester is at your backs! |
King Stephen Act I, SCENE I, Stephen, Line 9 |
|
COWER.............3 |
Should |
cower |
beneath what, in comparison, |
Hyperion: A Fragment, Book II, Line 154 |
Draw! but remember thou must |
cower |
thy plumes, |
Otho the Great, Act IV, SCENE II, Ludolph, Line 109 |
And make him |
cower |
lowly while I soar? |
What can I do to drive away, Line 23 |
|
COWER'D...........1 |
Faded before him, |
cower'd |
, nor could restrain |
Lamia, Part I, Line 137 |
|
COWERING..........1 |
|
Cowering |
their tawny brushes. Silent sails |
Endymion: A Poetic Romance, Book II, Line 647 |
|
COWL..............3 |
This skull-cap wore the |
cowl |
from sloth, |
O Some Skulls in Beauley Abbey, near Inverness, Line 19 |
Took to the |
cowl |
,- then rav'd and swore |
O Some Skulls in Beauley Abbey, near Inverness, Line 53 |
Shall sprawl distracted! O that that dull |
cowl |
|
Otho the Great, Act III, SCENE II, Ludolph, Line 92 |
|
COWL'D............1 |
The lady weeping, the old abbot |
cowl'd |
. |
Otho the Great, Act V, SCENE III, Gonfrid, Line 12 |
|
COWSLIP...........3 |
And where the bee with |
cowslip |
bells was wrestling. |
To George Felton Mathew, Line 50 |
'Tis a |
cowslip |
bed; |
Hither, hither, love, Line 6 |
A |
cowslip |
on the head, |
Endymion: A Poetic Romance, Book IV, Line 168 |
|
COWSLIP'D.........1 |
From rushes green, and brakes, and |
cowslip'd |
lawns, |
Lamia, Part I, Line 6 |
|
COY...............5 |
To the |
coy |
muse, with me she would not live |
To George Felton Mathew, Line 32 |
Or the |
coy |
moon, when in the waviness |
To My Brother George (epistle), Line 59 |
To embracements warm as theirs makes |
coy |
excuse. |
Endymion: A Poetic Romance, Book II, Line 533 |
Fame, like a wayward girl, will still be |
coy |
|
On Fame ("Fame, like a wayward girl"), Line 1 |
Her soft look growing |
coy |
, she saw his chain so sure: |
Lamia, Part I, Line 256 |
|
CRACK.............1 |
Whose rug is straw, whose wholeness is a |
crack |
; |
The Jealousies, Line 230 |
|
CRACKLING.........1 |
Bay leaves were |
crackling |
in the fragrant pile, |
Endymion: A Poetic Romance, Book I, Line 228 |
|
CRACKLINGS........1 |
And their faint |
cracklings |
o'er our silence creep |
To My Brothers, Line 2 |
|
CRADLE............8 |
From out her |
cradle |
shell. The wind out-blows |
Endymion: A Poetic Romance, Book I, Line 627 |
And airy |
cradle |
, lowly bow'd his face |
Endymion: A Poetic Romance, Book II, Line 337 |
From thy sea-foamy |
cradle |
; or to doff |
Endymion: A Poetic Romance, Book II, Line 699 |
To |
cradle |
thee, my sweet, and lull thee: yes, |
Endymion: A Poetic Romance, Book III, Line 572 |
As was thy |
cradle |
; hither shalt thou flee |
Endymion: A Poetic Romance, Book IV, Line 995 |
To find a bard's low |
cradle |
place about the silent north. |
There is a joy in footing slow across a silent plain, Line 28 |
Its |
cradle |
still are in the lake; |
'Tis the "witching time of night", Line 19 |
This |
cradle |
of my glory, this soft clime, |
Hyperion: A Fragment, Book I, Line 236 |
|
CRADLE'S..........1 |
Upon the little |
cradle's |
top |
'Tis the "witching time of night", Line 35 |
|
CRADLED...........1 |
And |
cradled |
me in roses. Thus condemn'd |
Endymion: A Poetic Romance, Book III, Line 457 |
|
CRADLING..........2 |
A yielding up, a |
cradling |
on her care. |
Endymion: A Poetic Romance, Book I, Line 411 |
Their |
cradling |
arms, and purpos'd to convey |
Endymion: A Poetic Romance, Book III, Line 1017 |
|
CRAFTICANT........5 |
Close at your back, that sly old |
Crafticant |
? |
The Jealousies, Line 49 |
Written by |
Crafticant |
, and published |
The Jealousies, Line 87 |
First wily |
Crafticant |
, the chamberlain, |
The Jealousies, Line 580 |
Old |
Crafticant |
will smoke me, by-the-bye! |
The Jealousies, Line 615 |
Thus |
Crafticant |
pursues his diary:- |
The Jealousies, Line 641 |
|
CRAFTICANTO.......1 |
This as a falsehood |
Crafticanto |
treats; |
The Jealousies, Line 631 |
|
CRAFTICANTO'S.....1 |
Down stairs on |
Crafticanto's |
evidence; |
The Jealousies, Line 789 |
|
CRAG..............9 |
Is mist and |
crag |
- not only on this height, |
Read me a lesson, Muse, and speak it loud, Line 13 |
Red- |
Crag |
, my spectacles! Now let me see! |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 29 |
Red- |
Crag |
!- What, madam, can you then repent |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 44 |
Red- |
Crag |
, I say! O I must have you close! |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 47 |
Red- |
Crag |
, there lies beneath my farthest toe |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 48 |
A vein of sulphur - go, dear Red- |
Crag |
, go- |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 49 |
The moment then - for then will Red- |
Crag |
rub |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 65 |
|
Crag |
jutting forth to crag, and rocks that seem'd |
Hyperion: A Fragment, Book II, Line 10 |
Crag jutting forth to |
crag |
, and rocks that seem'd |
Hyperion: A Fragment, Book II, Line 10 |
|
CRAG'S............1 |
Above her, on a |
crag's |
uneasy shelve, |
Hyperion: A Fragment, Book II, Line 64 |
|
CRAGGINESS........1 |
O'er sailing the blue |
cragginess |
, a car |
Sleep and Poetry, Line 126 |
|
CRAGGIS...........1 |
A coming down by |
craggis |
grey |
Ah! ken ye what I met the day, Line 3 |
|
CRAGGY............5 |
And |
craggy |
isles, and sea-mew's plaintive cry |
Endymion: A Poetic Romance, Book III, Line 341 |
Her brothers were the |
craggy |
hills, |
Old Meg she was a gipsey, Line 9 |
Hearken, thou |
craggy |
ocean pyramid, |
To Ailsa Rock, Line 1 |
Here are the |
craggy |
stones beneath my feet; |
Read me a lesson, Muse, and speak it loud, Line 10 |
The |
craggy |
hollowness of a wild-reefed shore. |
The Jealousies, Line 738 |
|
CRAMP'D...........1 |
Gaunt, wither'd, sapless, feeble, |
cramp'd |
, and lame. |
Endymion: A Poetic Romance, Book III, Line 638 |
|
CRAMPT............1 |
Lock'd up like veins of metal, |
crampt |
and screw'd; |
Hyperion: A Fragment, Book II, Line 25 |
|
CRANIOLOGIST......1 |
Well! I'm a |
craniologist |
, |
O Some Skulls in Beauley Abbey, near Inverness, Line 17 |
|
CRANNIED..........1 |
Like |
crannied |
vermin,- no! but fresh, and young, |
Otho the Great, Act IV, SCENE II, Ludolph, Line 84 |
|
CRANNIES..........1 |
Into the dwellings, through the door |
crannies |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 206 |
|
CRANNY............1 |
Into some |
cranny |
to escape my wrath? |
Otho the Great, Act V, SCENE II, Ludolph, Line 40 |
|
CRAVAT............1 |
Old Socrates a tying his |
cravat |
; |
Dear Reynolds, as last night I lay in bed, Line 9 |
|
CRAVATS...........1 |
To |
cravats |
and to petticoats. |
Not Aladdin magian, Line 52 |
|
CRAVE.............1 |
Young Phoebe's, golden hair'd; and so 'gan |
crave |
|
Endymion: A Poetic Romance, Book IV, Line 451 |
|
CRAVED............1 |
And fluttering ensigns emulously |
craved |
|
The Jealousies, Line 734 |
|
CRAVINGS..........1 |
Annull'd my vigorous |
cravings |
: and thus quell'd |
Endymion: A Poetic Romance, Book III, Line 662 |
|
CRAWL.............2 |
May change you to a spider, so to |
crawl |
|
Otho the Great, Act V, SCENE II, Ludolph, Line 39 |
Where the Chief Justice on his knees and hands doth |
crawl |
. |
The Jealousies, Line 765 |
|
CRAWL'D...........1 |
This |
crawl'd |
through life in feebleness, |
O Some Skulls in Beauley Abbey, near Inverness, Line 31 |
|
CRAZE.............3 |
And, for my tortur'd brain begins to |
craze |
, |
Endymion: A Poetic Romance, Book IV, Line 116 |
She would weep, and he would |
craze |
: |
Robin Hood, Line 42 |
The holy missal; thou didst |
craze |
|
O Some Skulls in Beauley Abbey, near Inverness, Line 45 |
|
CRAZED............1 |
O they had all been sav'd but |
crazed |
eld |
Endymion: A Poetic Romance, Book III, Line 661 |