| |
| GNARLED...........2 |
| As over them a |
gnarled |
staff she shook. |
Endymion: A Poetic Romance, Book III, Line 508 |
| Honey from out the |
gnarled |
hive I'll bring, |
Endymion: A Poetic Romance, Book IV, Line 682 |
| |
| GNAT..............2 |
| Of grass, a wailful |
gnat |
, a bee bustling |
Endymion: A Poetic Romance, Book I, Line 450 |
| So act the lion with this silly |
gnat |
? |
Otho the Great, Act III, SCENE II, Ludolph, Line 223 |
| |
| GNATS.............2 |
| Quick waterflies and |
gnats |
were sporting still, |
Endymion: A Poetic Romance, Book II, Line 135 |
| Then in a wailful choir the small |
gnats |
mourn |
To Autumn, Line 27 |
| |
| GNAWING...........4 |
| Clings cruelly to us, like the |
gnawing |
sloth |
Endymion: A Poetic Romance, Book I, Line 907 |
| Sense of the |
gnawing |
fire at heart and brain. |
Isabella; or, The Pot of Basil, Line 272 |
| A |
gnawing |
- silent - deadly, quiet death! |
Otho the Great, Act V, SCENE I, Ludolph, Line 23 |
| I feel her |
gnawing |
here!- Let her but vanish, |
Otho the Great, Act V, SCENE V, Ludolph, Line 160 |
| |
| GNOMED............1 |
| Empty the haunted air, and |
gnomed |
mine- |
Lamia, Part II, Line 236 |
| |
| GNOMES............1 |
| Then black |
gnomes |
scattering sixpences like rain; |
The Jealousies, Line 583 |
| |
| GO................63 |
| |
Go |
glad and smilingly athwart the gloom; |
Sleep and Poetry, Line 146 |
| That 'tis their sighing, wailing ere they |
go |
|
Written in Disgust of Vulgar Superstition, Line 12 |
| Or " |
Go |
"? This very moment I would frown |
To a Young Lady Who Sent Me a Laurel Crown, Line 11 |
| Sigh thou mayest, but bid it |
go |
|
Think not of it, sweet one, so, Line 3 |
| More suddenly than doth a moment |
go |
, |
Endymion: A Poetic Romance, Book II, Line 1021 |
| With new-born life! What shall I do? Where |
go |
, |
Endymion: A Poetic Romance, Book III, Line 239 |
| Thou shalt not |
go |
the way of aged men; |
Endymion: A Poetic Romance, Book III, Line 596 |
| On forest-fruits, and never, never |
go |
|
Endymion: A Poetic Romance, Book IV, Line 627 |
| See, through the trees, a little river |
go |
|
Endymion: A Poetic Romance, Book IV, Line 680 |
| That those deceptions which for pleasure |
go |
|
Endymion: A Poetic Romance, Book IV, Line 851 |
| You may |
go |
, with sun or moon, |
Robin Hood, Line 20 |
| And when maidens |
go |
a maying, |
Extracts from an Opera, FOLLY'S SONG Line 3 |
| But my lady first did |
go |
,- |
Extracts from an Opera, SONG Line 10 |
| Then who would |
go |
|
For there's Bishop's Teign, Line 37 |
| The pipes |
go |
shrilly, the libation flows: |
Dear Reynolds, as last night I lay in bed, Line 22 |
| |
Go |
, shed one tear upon my heather-bloom, |
Isabella; or, The Pot of Basil, Line 303 |
| And I should rage, if spirits could |
go |
mad; |
Isabella; or, The Pot of Basil, Line 314 |
| Through bronzed lyre in tragic order |
go |
, |
Isabella; or, The Pot of Basil, Line 443 |
| For seldom did she |
go |
to chapel-shrift, |
Isabella; or, The Pot of Basil, Line 467 |
| And |
go |
|
There was a naughty boy, Line 71 |
| And now I on will |
go |
. |
All gentle folks who owe a grudge, Line 36 |
| No, not a stone, or I shall |
go |
in fits- |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 39 |
| A vein of sulphur - |
go |
, dear Red-Crag, go- |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 49 |
| A vein of sulphur - go, dear Red-Crag, |
go |
- |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 49 |
| |
Go |
thither quick and so complete my joy. |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 56 |
| |
Go |
, pretty page, and in her ear |
Ah! woe is me! poor Silver-wing, Line 8 |
| |
Go |
, pretty page, and soothly tell,- |
Ah! woe is me! poor Silver-wing, Line 12 |
| From wicked men like thee. |
Go |
, go!- I deem |
The Eve of St. Agnes, Line 143 |
| From wicked men like thee. Go, |
go |
!- I deem |
The Eve of St. Agnes, Line 143 |
| For if thou diest, my love, I know not where to |
go |
." |
The Eve of St. Agnes, Line 315 |
| Give me the picklock, sirrah, and |
go |
play." |
When they were come unto the Faery's court, Line 64 |
| Shall we leave these and |
go |
seek |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 68 |
| |
Go |
feed on icicles, while we |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 91 |
| No, no, |
go |
not to Lethe, neither twist |
Ode on Melancholy, Line 1 |
| You'll not be perjured! |
Go |
to Albert then, |
Otho the Great, Act I, SCENE I, Conrad, Line 79 |
| |
Go |
, page his dusty heels upon a march, |
Otho the Great, Act I, SCENE I, Conrad, Line 81 |
| Albert, |
go |
thou and bear him company. |
Otho the Great, Act I, SCENE II, Otho, Line 156 |
| |
Go |
- I follow you. |
Otho the Great, Act I, SCENE III, Ludolph, Line 129b |
| Your hand - I |
go |
! Ha! here the thunder comes |
Otho the Great, Act II, SCENE I, Ludolph, Line 57 |
| But, Ludolph, ere you |
go |
, I would enquire |
Otho the Great, Act II, SCENE I, Otho, Line 118 |
| Shall I |
go |
myself? Monstrous wickedness! |
Otho the Great, Act II, SCENE II, Erminia, Line 3 |
| [They |
go |
in and return. |
Otho the Great, Act II, SCENE II, S.D. to Line 68b |
| From these bright revelries; |
go |
, show yourself, |
Otho the Great, Act III, SCENE I, Sigifred, Line 53 |
| You - |
go |
to your sister there and plot again, |
Otho the Great, Act III, SCENE II, Ethelbert, Line 65 |
| |
Go |
! conquer Italy! |
Otho the Great, Act IV, SCENE I, Auranthe, Line 156a |
| Good, good; he dies. You |
go |
, say you? |
Otho the Great, Act IV, SCENE I, Conrad, Line 181b |
| |
Go |
no further; not a step more. Thou art |
Otho the Great, Act V, SCENE I, Auranthe, Line 1 |
| |
Go |
,- I fear thee! I tremble every limb, |
Otho the Great, Act V, SCENE I, Auranthe, Line 3 |
| To pray thee far away! Conrad, |
go |
! go!- |
Otho the Great, Act V, SCENE I, Auranthe, Line 6 |
| To pray thee far away! Conrad, go! |
go |
!- |
Otho the Great, Act V, SCENE I, Auranthe, Line 6 |
| |
Go |
, go,- no blood! no blood!- go, gentle Conrad! |
Otho the Great, Act V, SCENE I, Auranthe, Line 9 |
| Go, |
go |
,- no blood! no blood!- go, gentle Conrad! |
Otho the Great, Act V, SCENE I, Auranthe, Line 9 |
| Go, go,- no blood! no blood!- |
go |
, gentle Conrad! |
Otho the Great, Act V, SCENE I, Auranthe, Line 9 |
| Humour him to the height. I fear to |
go |
; |
Otho the Great, Act V, SCENE IV, Physician, Line 52 |
| The day is not quite done. |
Go |
, bring them hither. |
Otho the Great, Act V, SCENE V, Ludolph, Line 116 |
| Youngster! Page! |
go |
bid them drag her to me! |
Otho the Great, Act V, SCENE V, Ludolph, Line 178 |
| Who |
go |
on to Corinth from Cenchreas' shore; |
Lamia, Part I, Line 174 |
| No, no, you have dismiss'd me; and I |
go |
|
Lamia, Part II, Line 44 |
| Imperial Elfinan, |
go |
hang thyself or drown! |
The Jealousies, Line 144 |
| "At the same time, Eban, this instant |
go |
|
The Jealousies, Line 187 |
| And evermore thy steps |
go |
clatter-clitter; |
The Jealousies, Line 231 |
| And fiddle-faddle standest while you |
go |
; |
The Jealousies, Line 238 |
| See, past the skirts of yon white cloud they |
go |
, |
The Jealousies, Line 553 |
| |
| GOADED............1 |
| Of the |
goaded |
world; and Kosciusko's worn |
Sleep and Poetry, Line 387 |
| |
| GOAL..............5 |
| Its airy |
goal |
, haply some bower veils |
Endymion: A Poetic Romance, Book II, Line 192 |
| The |
goal |
of consciousness? Ah, 'tis the thought, |
Endymion: A Poetic Romance, Book II, Line 283 |
| Fancy is dead and drunken at its |
goal |
; |
This mortal body of a thousand days, Line 8 |
| Though winning near the |
goal |
- yet, do not grieve; |
Ode on a Grecian Urn, Line 18 |
| Points level to the |
goal |
of victory. |
King Stephen Act I, SCENE I, Baldwin, Line 23 |
| |
| GOBI..............1 |
| Above the plains of |
Gobi |
,- desert, bleak; |
The Jealousies, Line 659 |
| |
| GOBLET............10 |
| Hast thou a |
goblet |
for dark sparkling wine? |
On Receiving a Curious Shell..., Line 5 |
| That |
goblet |
right heavy, and massy, and gold? |
On Receiving a Curious Shell..., Line 6 |
| A shell for Neptune's |
goblet |
: she did soar |
Endymion: A Poetic Romance, Book I, Line 593 |
| My |
goblet |
full of wine - my topmost deed:- |
Endymion: A Poetic Romance, Book III, Line 168 |
| Thy venom'd |
goblet |
will we quaff until |
Endymion: A Poetic Romance, Book III, Line 988 |
| A full-brimm'd |
goblet |
, dances lightly, sings |
Endymion: A Poetic Romance, Book IV, Line 416 |
| While she held the |
goblet |
sweet, |
Fancy, Line 88 |
| Let the red wine within the |
goblet |
boil, |
Hyperion: A Fragment, Book III, Line 18 |
| Fill, fill my |
goblet |
,- here's a |
Otho the Great, Act V, SCENE IV, Ludolph, Line 39 |
| In a deep |
goblet |
: let me see - what wine? |
Otho the Great, Act V, SCENE V, Ludolph, Line 120 |
| |
| GOBLETS...........3 |
| Their rich brimm'd |
goblets |
, that incessant run |
To My Brother George (epistle), Line 39 |
| And precious |
goblets |
that make rich the wine. |
Otho the Great, Act I, SCENE I, Conrad, Line 13 |
| Of cups and |
goblets |
, and the store thrice told |
Lamia, Part II, Line 186 |
| |
| GOD...............52 |
| From thee, great |
God |
of Bards, receive their heavenly birth. |
Ode to Apollo, Line 47 |
| |
God |
! she is like a milk-white lamb that bleats |
Woman! when I behold thee flippant, vain, Line 31 |
| To where the great |
God |
lives for evermore. |
To Kosciusko, Line 14 |
| |
God |
of the golden bow, |
God of the golden bow, Line 1 |
| Our vows are wanting to our great |
god |
Pan. |
Endymion: A Poetic Romance, Book I, Line 213 |
| With wine, in honour of the shepherd- |
god |
. |
Endymion: A Poetic Romance, Book I, Line 226 |
| Most like a sojourning demi- |
god |
, and leave |
Endymion: A Poetic Romance, Book I, Line 724 |
| Where all that beauty snar'd me."- Cruel |
god |
, |
Endymion: A Poetic Romance, Book II, Line 952 |
| Yes, every |
god |
be thank'd, and power benign, |
Endymion: A Poetic Romance, Book III, Line 253 |
| Shouted the new born |
god |
; "Follow, and pay |
Endymion: A Poetic Romance, Book III, Line 807 |
| |
God |
Neptune's palaces!" With noise increas'd, |
Endymion: A Poetic Romance, Book III, Line 834 |
| |
God |
of warm pulses, and dishevell'd hair, |
Endymion: A Poetic Romance, Book III, Line 984 |
| Great |
God |
of breathless cups and chirping mirth!- |
Endymion: A Poetic Romance, Book IV, Line 236 |
| And to |
god |
Phoebus, for a golden lyre; |
Endymion: A Poetic Romance, Book IV, Line 702 |
| |
God |
of the meridian! |
God of the meridian, Line 1 |
| Of madness?- |
God |
of Song, |
God of the meridian, Line 17 |
| |
God |
rest her aged bones somewhere- |
Old Meg she was a gipsey, Line 29 |
| Ere the |
God |
of Torment taught her |
Fancy, Line 82 |
| The music, yearning like a |
god |
in pain, |
The Eve of St. Agnes, Line 56 |
| Gif thate the modre ( |
God |
her blesse) |
The Eve of St. Mark, Line 105 |
| No |
god |
, no demon of severe response, |
Why did I laugh tonight? No voice will tell, Line 2 |
| Knows thee not, thus afflicted, for a |
God |
; |
Hyperion: A Fragment, Book I, Line 56 |
| The frozen |
God |
still couchant on the earth, |
Hyperion: A Fragment, Book I, Line 87 |
| From man to the sun's |
God |
; yet unsecure: |
Hyperion: A Fragment, Book I, Line 168 |
| Stood full blown, for the |
God |
to enter in. |
Hyperion: A Fragment, Book I, Line 212 |
| He might not:- No, though a primeval |
God |
: |
Hyperion: A Fragment, Book I, Line 292 |
| As thou canst move about, an evident |
God |
; |
Hyperion: A Fragment, Book I, Line 338 |
| There saw she direst strife; the supreme |
God |
|
Hyperion: A Fragment, Book II, Line 92 |
| "Titans, behold your |
God |
!" at which some groan'd; |
Hyperion: A Fragment, Book II, Line 110 |
| Among immortals when a |
God |
gives sign, |
Hyperion: A Fragment, Book II, Line 118 |
| So ended Saturn; and the |
God |
of the Sea, |
Hyperion: A Fragment, Book II, Line 167 |
| Have ye beheld the young |
God |
of the Seas, |
Hyperion: A Fragment, Book II, Line 232 |
| Not savage, for he saw full many a |
God |
|
Hyperion: A Fragment, Book II, Line 350 |
| Knowledge enormous makes a |
God |
of me. |
Hyperion: A Fragment, Book III, Line 113 |
| And so become immortal."- Thus the |
God |
, |
Hyperion: A Fragment, Book III, Line 120 |
| |
God |
save illustrious Otho! |
Otho the Great, Act I, SCENE II, Conrad, Line 6b |
| Large as a |
god |
speak out, where all is thine. |
Otho the Great, Act II, SCENE I, Otho, Line 135 |
| Thank |
God |
for that! |
Otho the Great, Act V, SCENE V, Otho, Line 190a |
| The |
God |
, dove-footed, glided silently |
Lamia, Part I, Line 42 |
| Return'd the snake, "but seal with oaths, fair |
God |
!" |
Lamia, Part I, Line 88 |
| Then, once again, the charmed |
God |
began |
Lamia, Part I, Line 112 |
| The |
God |
on half-shut feathers sank serene, |
Lamia, Part I, Line 123 |
| But the |
God |
fostering her chilled hand, |
Lamia, Part I, Line 140 |
| Or where |
God |
Bacchus drains his cups divine, |
Lamia, Part I, Line 209 |
| Each shrining in the midst the image of a |
God |
. |
Lamia, Part II, Line 190 |
| Soon was |
God |
Bacchus at meridian height; |
Lamia, Part II, Line 213 |
| To see as a |
God |
sees, and take the depth |
The Fall of Hyperion: A Dream, CANTO I, Line 304 |
| Knows thee not, so afflicted, for a |
God |
; |
The Fall of Hyperion: A Dream, CANTO I, Line 358 |
| The frozen |
God |
still bending to the earth, |
The Fall of Hyperion: A Dream, CANTO I, Line 386 |
| Have chang'd a |
God |
into a shaking palsy. |
The Fall of Hyperion: A Dream, CANTO I, Line 426 |
| From man to the Sun's |
God |
: yet unsecure; |
The Fall of Hyperion: A Dream, CANTO II, Line 17 |
| |
God |
save the Empress. |
King Stephen Act I, SCENE II, First Captain, Line 19a |
| |
| GOD'S.............4 |
| A gold-green zenith 'bove the Sea- |
God's |
head. |
Endymion: A Poetic Romance, Book III, Line 878 |
| From the |
God's |
large eyes; he smil'd delectable, |
Endymion: A Poetic Romance, Book III, Line 901 |
| |
God's |
help! my lady fair the conjuror plays |
The Eve of St. Agnes, Line 124 |
| Ever exalted at the |
God's |
approach: |
Hyperion: A Fragment, Book I, Line 285 |
| |
| GODDESS...........29 |
| Dear |
goddess |
, help! or the wide-gaping air |
Endymion: A Poetic Romance, Book II, Line 194 |
| Young |
goddess |
! let me see my native bowers! |
Endymion: A Poetic Romance, Book II, Line 331 |
| By telling how the sea-born |
goddess |
pin'd |
Endymion: A Poetic Romance, Book II, Line 458 |
| Thee, gentle |
Goddess |
of my pilgrimage, |
Endymion: A Poetic Romance, Book II, Line 1014 |
| How his own |
goddess |
was past all things fair, |
Endymion: A Poetic Romance, Book III, Line 190 |
| In human accent: ' Potent |
goddess |
! chief |
Endymion: A Poetic Romance, Book III, Line 539 |
| Have mercy, |
Goddess |
! Circe, feel my prayer!' |
Endymion: A Poetic Romance, Book III, Line 554 |
| The ooze-born |
Goddess |
beckoned and drew |
Endymion: A Poetic Romance, Book III, Line 893 |
| Thus the fair |
goddess |
: while Endymion |
Endymion: A Poetic Romance, Book III, Line 922 |
| Of |
goddess |
Cyntherea! |
Endymion: A Poetic Romance, Book III, Line 975 |
| |
Goddess |
! I love thee not the less: from thee |
Endymion: A Poetic Romance, Book IV, Line 92 |
| His very |
goddess |
: good-bye earth, and sea, |
Endymion: A Poetic Romance, Book IV, Line 431 |
| The Latmian started up: "Bright |
goddess |
, stay! |
Endymion: A Poetic Romance, Book IV, Line 457 |
| His fate most |
goddess |
-like. Help me, I pray, |
Endymion: A Poetic Romance, Book IV, Line 844 |
| Before his |
goddess |
, in a blissful swoon. |
Endymion: A Poetic Romance, Book IV, Line 999 |
| She was a |
Goddess |
of the infant world; |
Hyperion: A Fragment, Book I, Line 26 |
| And the sad |
Goddess |
weeping at his feet: |
Hyperion: A Fragment, Book I, Line 88 |
| And that fair kneeling |
Goddess |
; and then spake, |
Hyperion: A Fragment, Book I, Line 92 |
| With solemn step an awful |
Goddess |
came, |
Hyperion: A Fragment, Book III, Line 46 |
| |
Goddess |
! I have beheld those eyes before, |
Hyperion: A Fragment, Book III, Line 59 |
| |
Goddess |
benign, point forth some unknown thing: |
Hyperion: A Fragment, Book III, Line 95 |
| O tell me, lonely |
Goddess |
, by the harp, |
Hyperion: A Fragment, Book III, Line 108 |
| O |
Goddess |
! hear these tuneless numbers, wrung |
Ode to Psyche, Line 1 |
| "Leave thee alone! Look back! Ah, |
Goddess |
, see |
Lamia, Part I, Line 257 |
| So threw the |
goddess |
off, and won his heart |
Lamia, Part I, Line 336 |
| This saw that |
Goddess |
, and with sacred hand |
The Fall of Hyperion: A Dream, CANTO I, Line 255 |
| I mark'd the |
goddess |
in fair statuary |
The Fall of Hyperion: A Dream, CANTO I, Line 336 |
| And the sad |
Goddess |
weeping at his feet; |
The Fall of Hyperion: A Dream, CANTO I, Line 387 |
| And that fair kneeling |
Goddess |
at his feet. |
The Fall of Hyperion: A Dream, CANTO I, Line 403 |
| |
| GODDESSES.........2 |
| Of these, thy brethren and the |
Goddesses |
! |
Hyperion: A Fragment, Book I, Line 320 |
| Of the sweets of Fairies, Peris, |
Goddesses |
, |
Lamia, Part I, Line 329 |
| |
| GODDIS............1 |
| Of |
Goddis |
love and Sathan's force |
The Eve of St. Mark, Line 108 |
| |
| GODLIKE...........5 |
| Of |
godlike |
hardship tells me I must die |
On Seeing the Elgin Marbles, Line 4 |
| And buried from all |
godlike |
exercise |
Hyperion: A Fragment, Book I, Line 107 |
| His voice leapt out, despite of |
godlike |
curb, |
Hyperion: A Fragment, Book I, Line 226 |
| Delicate, |
godlike |
, magic! must I leave |
Otho the Great, Act IV, SCENE I, Auranthe, Line 84 |
| And buried from all |
godlike |
exercise |
The Fall of Hyperion: A Dream, CANTO I, Line 413 |
| |
| GODS..............34 |
| Like whispers of the household |
gods |
that keep |
To My Brothers, Line 3 |
| And from all serious |
Gods |
; that our delight |
Endymion: A Poetic Romance, Book II, Line 785 |
| Until the |
gods |
through heaven's blue look out!- |
Endymion: A Poetic Romance, Book III, Line 268 |
| Yet I would have, great |
gods |
! but one short hour |
Endymion: A Poetic Romance, Book IV, Line 36 |
| Beheld awake his very dream: the |
gods |
|
Endymion: A Poetic Romance, Book IV, Line 436 |
| Tame on thy finger; to the River- |
gods |
, |
Endymion: A Poetic Romance, Book IV, Line 707 |
| Thank the great |
gods |
, and look not bitterly; |
Endymion: A Poetic Romance, Book IV, Line 807 |
| Be |
gods |
of your own rest imperial. |
Endymion: A Poetic Romance, Book IV, Line 823 |
| That |
gods |
might know my own particular taste. |
Of late two dainties were before me plac'd, Line 4 |
| To that large utterance of the early |
Gods |
! |
Hyperion: A Fragment, Book I, Line 51 |
| There must be |
Gods |
thrown down, and trumpets blown |
Hyperion: A Fragment, Book I, Line 127 |
| Unseen before by |
Gods |
or wondering men, |
Hyperion: A Fragment, Book I, Line 183 |
| Not heard before by |
Gods |
or wondering men. |
Hyperion: A Fragment, Book I, Line 185 |
| For I have seen my sons most unlike |
Gods |
. |
Hyperion: A Fragment, Book I, Line 328 |
| Unruffled, like high |
Gods |
, ye liv'd and ruled: |
Hyperion: A Fragment, Book I, Line 331 |
| Not long delay'd, that scar'd the younger |
Gods |
|
Hyperion: A Fragment, Book II, Line 71 |
| The first-born of all shap'd and palpable |
Gods |
, |
Hyperion: A Fragment, Book II, Line 153 |
| What can I? Tell me, all ye brethren |
Gods |
, |
Hyperion: A Fragment, Book II, Line 160 |
| Which by just right should come of mighty |
Gods |
; |
Hyperion: A Fragment, Book II, Line 258 |
| Or to the over-foolish, Giant- |
Gods |
? |
Hyperion: A Fragment, Book II, Line 310 |
| Despondence seiz'd again the fallen |
Gods |
|
Hyperion: A Fragment, Book II, Line 379 |
| Saturn sat near the Mother of the |
Gods |
, |
Hyperion: A Fragment, Book II, Line 389 |
| In whose face was no joy, though all the |
Gods |
|
Hyperion: A Fragment, Book II, Line 390 |
| What men or |
gods |
are these? What maidens loth? |
Ode on a Grecian Urn, Line 8 |
| Good |
gods |
! not else, in any way, my liege! |
Otho the Great, Act II, SCENE I, Ludolph, Line 111 |
| Good |
gods |
! |
Otho the Great, Act II, SCENE II, Albert, Line 26b |
| Among the |
gods |
!- and silence is as natural. |
Otho the Great, Act V, SCENE V, Ludolph, Line 30 |
| Good |
gods |
! no innocent blood upon my head! |
Otho the Great, Act V, SCENE V, Ludolph, Line 54 |
| Of the Wood- |
Gods |
, and even the very trees. |
Lamia, Part I, Line 34 |
| Among the |
Gods |
, upon Olympus old, |
Lamia, Part I, Line 71 |
| Real are the dreams of |
Gods |
, and smoothly pass |
Lamia, Part I, Line 127 |
| Of all the |
Gods |
, whose dreadful images |
Lamia, Part II, Line 279 |
| To that large utterance of the early |
Gods |
!- |
The Fall of Hyperion: A Dream, CANTO I, Line 353 |
| Unown'd of any weedy-haired |
gods |
; |
What can I do to drive away, Line 36 |
| |
| GODSHIPS..........1 |
| Their |
godships |
should pass this into a law; |
Extracts from an Opera, [first section] Line 2 |
| |
| GOES..............18 |
| Now over them he |
goes |
with hasty trip, |
Calidore: A Fragment, Line 69 |
| Patting against the sorrel as she |
goes |
. |
I stood tip-toe upon a little hill, Line 98 |
| A ram |
goes |
bleating: Winder of the horn, |
Endymion: A Poetic Romance, Book I, Line 281 |
| Onward he |
goes |
- he stops - his bosom beats |
Endymion: A Poetic Romance, Book II, Line 355 |
| The sacrifice |
goes |
on; the pontif knife |
Dear Reynolds, as last night I lay in bed, Line 20 |
| Divine by loving, and so |
goes |
on |
And what is Love?- It is a doll dress'd up, Line 5 |
| [To one of his Knights, who |
goes |
out. |
Otho the Great, Act I, SCENE II, S.D. to Line 37b |
| Who |
goes |
there? Count Sigifred? Ha! ha! |
Otho the Great, Act III, SCENE I, Albert, Line 33 |
| [ |
Goes |
to the door, listens, and opens it. Enter ALBERT. |
Otho the Great, Act IV, SCENE I, S.D. to Line 106 |
| (as he |
goes |
) |
Otho the Great, Act IV, SCENE I, S.D. to Line 177 |
| There |
goes |
a spotted soul |
Otho the Great, Act V, SCENE II, Ludolph, Line 48b |
| |
Goes |
, step for step, with Thea from yon woods, |
The Fall of Hyperion: A Dream, CANTO II, Line 46 |
| Is a philosopher the while he |
goes |
|
What can I do to drive away, Line 16 |
| Whose heart |
goes |
fluttering for you every where, |
To Fanny, Line 43 |
| How like a comet he |
goes |
streaming on. |
King Stephen Act I, SCENE I, Stephen, Line 17 |
| He |
goes |
on to expose, with heart and soul, |
The Jealousies, Line 93 |
| |
Goes |
off like lightning,- grains of paradise |
The Jealousies, Line 295 |
| It |
goes |
against your conscience - good! Well, don't. |
The Jealousies, Line 462 |
| |
| GOEST.............1 |
| Who while thou |
goest |
ever seem'st to stop, |
The Jealousies, Line 237 |
| |
| GOING.............8 |
| necessarily taste in |
going |
over the following pages. |
Endymion: A Poetic Romance, Preface, paragraph4 |
| And, therefore, was just |
going |
; when, behold! |
Endymion: A Poetic Romance, Book I, Line 893 |
| Because he knew not whither he was |
going |
. |
Endymion: A Poetic Romance, Book IV, Line 551 |
| They all are |
going |
. |
Endymion: A Poetic Romance, Book IV, Line 605 |
| The maidenheads are |
going |
. |
O blush not so! O blush not so, Line 4 |
| Where be ye |
going |
, you Devon maid, |
Where be ye going, you Devon maid, Line 1 |
| twenty-five years of age, that |
going |
betwixt Cenchreas and Corinth, met such a |
Lamia, Keats's Footnote from Burton, |
| The fire is |
going |
out, and no one rings |
Pensive they sit, and roll their languid eyes, Line 6 |
| |
| GOLCONDA..........1 |
| Hast thou from the caves of |
Golconda |
, a gem |
On Receiving a Curious Shell..., Line 1 |
| |
| GOLD..............56 |
| In thy western halls of |
gold |
|
Ode to Apollo, Line 1 |
| That goblet right heavy, and massy, and |
gold |
? |
On Receiving a Curious Shell..., Line 6 |
| How, from a flower, into a fish of |
gold |
|
To George Felton Mathew, Line 85 |
| Which the glad setting sun in |
gold |
doth dress; |
Calidore: A Fragment, Line 35 |
| Who from the feathery |
gold |
of evening lean;- |
To My Brother George (sonnet), Line 4 |
| Much have I travell'd in the realms of |
gold |
, |
On First Looking into Chapman's Homer, Line 1 |
| By drawling out - "Ye are that head of |
gold |
!" |
Before he went to live with owls and bats, Line 14 |
| With universal tinge of sober |
gold |
, |
Endymion: A Poetic Romance, Book I, Line 56 |
| Buds lavish |
gold |
; or ye, whose precious charge |
Endymion: A Poetic Romance, Book I, Line 203 |
| To take in draughts of life from the |
gold |
fount |
Endymion: A Poetic Romance, Book I, Line 656 |
| The semblance of |
gold |
rocks and bright gold sands, |
Endymion: A Poetic Romance, Book I, Line 742 |
| The semblance of gold rocks and bright |
gold |
sands, |
Endymion: A Poetic Romance, Book I, Line 742 |
| Even with mealy |
gold |
the waters clear. |
Endymion: A Poetic Romance, Book II, Line 91 |
| Tawny and |
gold |
, ooz'd slowly from far lands |
Endymion: A Poetic Romance, Book II, Line 114 |
| Aye, millions sparkled on a vein of |
gold |
, |
Endymion: A Poetic Romance, Book II, Line 226 |
| And coverlids |
gold |
-tinted like the peach, |
Endymion: A Poetic Romance, Book II, Line 396 |
| |
Gold |
dome, and crystal wall, and turquois floor, |
Endymion: A Poetic Romance, Book II, Line 595 |
| Our |
gold |
and ripe-ear'd hopes. With not one tinge |
Endymion: A Poetic Romance, Book III, Line 8 |
| When thy |
gold |
breath is misting in the west, |
Endymion: A Poetic Romance, Book III, Line 44 |
| On |
gold |
sand impearl'd |
Endymion: A Poetic Romance, Book III, Line 102b |
| The sway of human hand; |
gold |
vase emboss'd |
Endymion: A Poetic Romance, Book III, Line 126 |
| Would let me feel their scales of |
gold |
and green, |
Endymion: A Poetic Romance, Book III, Line 344 |
| Heaven's gates, and Aethon snort his morning |
gold |
|
Endymion: A Poetic Romance, Book III, Line 364 |
| Came |
gold |
around me, cheering me to cope |
Endymion: A Poetic Romance, Book III, Line 686 |
| A |
gold |
-green zenith 'bove the Sea-God's head. |
Endymion: A Poetic Romance, Book III, Line 878 |
| All in its mid-day |
gold |
and glimmering. |
Endymion: A Poetic Romance, Book IV, Line 681 |
| Of |
gold |
, and lines of Naiads' long bright tress. |
Endymion: A Poetic Romance, Book IV, Line 709 |
| Across the |
gold |
autumn's whole kingdoms of corn? |
Apollo to the Graces, Line 6 |
| The bosomer of clouds |
gold |
, grey, and dun. |
Blue!- 'Tis the life of heaven - the domain, Line 4 |
| Whose matter in bright |
gold |
were best be read; |
Isabella; or, The Pot of Basil, Line 94 |
| Of some |
gold |
tinge, and plays a roundelay |
Isabella; or, The Pot of Basil, Line 252 |
| |
Gold |
, black, and heavy, from the lama brought. |
Fragment of Castle-builder, CASTLE BUILDER, Line 64 |
| A cloth of woven crimson, |
gold |
, and jet:- |
The Eve of St. Agnes, Line 256 |
| "O tender spouse of |
gold |
Hyperion, |
Hyperion: A Fragment, Book I, Line 95 |
| Upon the |
gold |
clouds metropolitan, |
Hyperion: A Fragment, Book I, Line 129 |
| Bastion'd with pyramids of glowing |
gold |
, |
Hyperion: A Fragment, Book I, Line 177 |
| With all my jewell'd salvers, silver and |
gold |
, |
Otho the Great, Act I, SCENE I, Conrad, Line 12 |
| A full-heaped helmet of the purest |
gold |
. |
Otho the Great, Act I, SCENE II, Conrad, Line 42 |
| Whose words once utter'd pass like current |
gold |
; |
Otho the Great, Act III, SCENE II, Otho, Line 210 |
| A scorpion, sprawling on the first |
gold |
step, |
Otho the Great, Act IV, SCENE I, Auranthe, Line 15 |
| magnificence, with supper-tables, laden with services of |
gold |
and silver. A |
Otho the Great, Act V, SCENE V, Setting |
| Hangings of heaven's clouds, purple and |
gold |
, |
Otho the Great, Act V, SCENE V, Ludolph, Line 36 |
| A deed to be applauded, 'scribed in |
gold |
! |
Otho the Great, Act V, SCENE V, Ludolph, Line 149 |
| I saw thee sitting, on a throne of |
gold |
, |
Lamia, Part I, Line 70 |
| Days happy as the |
gold |
coin could invent |
Lamia, Part I, Line 313 |
| On libbard's paws, upheld the heavy |
gold |
|
Lamia, Part II, Line 185 |
| In baskets of bright osier'd |
gold |
were brought |
Lamia, Part II, Line 217 |
| |
gold |
, described by Homer, no substance but mere illusions. When she saw herself |
Lamia, Keats's Footnote from Burton, |
| A grain of |
gold |
upon a mountain's side, |
The Fall of Hyperion: A Dream, CANTO I, Line 272 |
| From the |
gold |
peaks of heaven's high piled clouds; |
The Fall of Hyperion: A Dream, CANTO I, Line 434 |
| Bastion'd with pyramids of glowing |
gold |
, |
The Fall of Hyperion: A Dream, CANTO II, Line 25 |
| His turban wreath'd of |
gold |
, and white, and green, |
The Jealousies, Line 278 |
| Sherry in silver, hock in |
gold |
, or glass'd champagne?" |
The Jealousies, Line 360 |
| He lifted a bright casket of pure |
gold |
, |
The Jealousies, Line 510 |
| Freckled with red and |
gold |
the moving swarm; |
The Jealousies, Line 575 |
| "Dropp'd my |
gold |
watch, and kill'd a kettle-drum- |
The Jealousies, Line 694 |
| |
| GOLDEN............98 |
| Whose silken fins and |
golden |
scales light |
Imitation of Spenser, Line 12 |
| As when a cloud a |
golden |
moon doth veil, |
To Lord Byron, Line 9 |
| Than the shell, from the bright |
golden |
sands of the ocean |
To Some Ladies, Line 23 |
| To those who strove with the bright |
golden |
wing |
To George Felton Mathew, Line 63 |
| O'er pebbly crystal, and o'er |
golden |
sands; |
To George Felton Mathew, Line 92 |
| Has placed a |
golden |
cuirass there; |
Hadst thou liv'd in days of old, Line 49 |
| When streams of light pour down the |
golden |
west, |
Oh! how I love, on a fair summer's eve, Line 2 |
| The |
golden |
lyre itself were dimly seen: |
To My Brother George (epistle), Line 12 |
| The Poet's eye can reach those |
golden |
halls, |
To My Brother George (epistle), Line 35 |
| To see high, |
golden |
corn wave in the light |
To Charles Cowden Clarke, Line 92 |
| Give me a |
golden |
pen, and let me lean |
On Leaving Some Friends at an Early Hour, Line 1 |
| A butterfly, with |
golden |
wings broad parted, |
Sleep and Poetry, Line 343 |
| Dry up the moisture from your |
golden |
lids, |
I stood tip-toe upon a little hill, Line 49 |
| Or perhaps, to show their black, and |
golden |
wings, |
I stood tip-toe upon a little hill, Line 91 |
| So in fine wrath some |
golden |
sounds he won, |
I stood tip-toe upon a little hill, Line 203 |
| God of the |
golden |
bow, |
God of the golden bow, Line 1 |
| And of the |
golden |
lyre, |
God of the golden bow, Line 2 |
| And of the |
golden |
hair, |
God of the golden bow, Line 3 |
| And of the |
golden |
fire, |
God of the golden bow, Line 4 |
| Their |
golden |
honeycombs; our village leas |
Endymion: A Poetic Romance, Book I, Line 254 |
| There shot a |
golden |
splendour far and wide, |
Endymion: A Poetic Romance, Book I, Line 350 |
| To |
golden |
palaces, strange minstrelsy, |
Endymion: A Poetic Romance, Book I, Line 457 |
| When he doth tighten up the |
golden |
reins, |
Endymion: A Poetic Romance, Book I, Line 550 |
| Hast thou a symbol of her |
golden |
hair? |
Endymion: A Poetic Romance, Book I, Line 609 |
| Edges them round, and they have |
golden |
pits: |
Endymion: A Poetic Romance, Book I, Line 875 |
| And |
golden |
keel'd, is left unlaunch'd and dry. |
Endymion: A Poetic Romance, Book II, Line 21 |
| A |
golden |
butterfly; upon whose wings |
Endymion: A Poetic Romance, Book II, Line 61 |
| |
Golden |
, or rainbow-sided, or purplish, |
Endymion: A Poetic Romance, Book II, Line 110 |
| With |
golden |
moss. His every sense had grown |
Endymion: A Poetic Romance, Book II, Line 671 |
| To nurse the |
golden |
age 'mong shepherd clans: |
Endymion: A Poetic Romance, Book II, Line 896 |
| And make my branches lift a |
golden |
fruit |
Endymion: A Poetic Romance, Book II, Line 908 |
| My fine existence in a |
golden |
clime. |
Endymion: A Poetic Romance, Book III, Line 455 |
| In prospect,- diamond gleams, and |
golden |
glows |
Endymion: A Poetic Romance, Book III, Line 837 |
| Whence could be seen, direct, a |
golden |
gate, |
Endymion: A Poetic Romance, Book III, Line 855 |
| Ripe from hue- |
golden |
swoons took all the blaze, |
Endymion: A Poetic Romance, Book III, Line 861 |
| Globing a |
golden |
sphere. |
Endymion: A Poetic Romance, Book III, Line 887a |
| To bring thee nearer to that |
golden |
song |
Endymion: A Poetic Romance, Book III, Line 957 |
| For clamour, when the |
golden |
palace door |
Endymion: A Poetic Romance, Book III, Line 991 |
| He tries the nerve of Phoebus' |
golden |
bow, |
Endymion: A Poetic Romance, Book IV, Line 411 |
| And asketh where the |
golden |
apples grow: |
Endymion: A Poetic Romance, Book IV, Line 412 |
| Green-kyrtled Spring, flush Summer, |
golden |
store |
Endymion: A Poetic Romance, Book IV, Line 422 |
| Young Phoebe's, |
golden |
hair'd; and so 'gan crave |
Endymion: A Poetic Romance, Book IV, Line 451 |
| For all the |
golden |
bowers of the day |
Endymion: A Poetic Romance, Book IV, Line 564 |
| With fennel green, and balm, and |
golden |
pines, |
Endymion: A Poetic Romance, Book IV, Line 575 |
| And to god Phoebus, for a |
golden |
lyre; |
Endymion: A Poetic Romance, Book IV, Line 702 |
| Answering thus, just as the |
golden |
morrow |
Endymion: A Poetic Romance, Book IV, Line 726 |
| "Why such a |
golden |
eve? The breeze is sent |
Endymion: A Poetic Romance, Book IV, Line 927 |
| Full |
golden |
; in her eyes a brighter day |
Endymion: A Poetic Romance, Book IV, Line 985 |
| Through the |
golden |
day will sing. |
Apollo to the Graces, Line 14 |
| O |
golden |
-tongued Romance, with serene lute! |
On Sitting Down to Read King Lear Once Again, Line 1 |
| Of |
golden |
sunshine, |
Hence burgundy, claret, and port, Line 14 |
| To rise like Phoebus with a |
golden |
quell, |
Spenser, a jealous honorer of thine, Line 7 |
| And a |
golden |
ring had she, |
Extracts from an Opera, SONG Line 14 |
| Where the |
golden |
furze |
For there's Bishop's Teign, Line 16 |
| A |
golden |
galley all in silken trim! |
Dear Reynolds, as last night I lay in bed, Line 56 |
| She fretted for the |
golden |
hour, and hung |
Isabella; or, The Pot of Basil, Line 243 |
| She calm'd its wild hair with a |
golden |
comb, |
Isabella; or, The Pot of Basil, Line 403 |
| Exact in capitals your |
golden |
name: |
Give me your patience, sister, while I frame, Line 2 |
| |
Golden |
aisled, built up in heaven, |
Not Aladdin magian, Line 8 |
| With silver saint in |
golden |
rays, |
O Some Skulls in Beauley Abbey, near Inverness, Line 44 |
| Clear, but for |
golden |
fishes in the way, |
Fragment of Castle-builder, CASTLE BUILDER, Line 29 |
| Moon, keep wide thy |
golden |
ears; |
'Tis the "witching time of night", Line 10 |
| Slipt its |
golden |
clasp, and down |
Fancy, Line 86 |
| Tales and |
golden |
histories |
Bards of passion and of mirth, Line 21 |
| And scarce three steps, ere Music's |
golden |
tongue |
The Eve of St. Agnes, Line 20 |
| On |
golden |
dishes and in baskets bright |
The Eve of St. Agnes, Line 272 |
| Broad |
golden |
fringe upon the carpet lies: |
The Eve of St. Agnes, Line 285 |
| Among its |
golden |
broideries; |
The Eve of St. Mark, Line 28 |
| Cherubim and |
golden |
mice. |
The Eve of St. Mark, Line 38 |
| With |
golden |
star, or dagger bright, |
The Eve of St. Mark, Line 94 |
| Yes, there must be a |
golden |
victory; |
Hyperion: A Fragment, Book I, Line 126 |
| Jarr'd his own |
golden |
region; and before |
Hyperion: A Fragment, Book I, Line 224 |
| But eagles |
golden |
-feather'd, who do tower |
Hyperion: A Fragment, Book II, Line 226 |
| With that new blissful |
golden |
melody. |
Hyperion: A Fragment, Book II, Line 280 |
| |
Golden |
his hair of short Numidian curl, |
Hyperion: A Fragment, Book II, Line 371 |
| Apollo is once more the |
golden |
theme! |
Hyperion: A Fragment, Book III, Line 28 |
| Went trickling down the |
golden |
bow he held. |
Hyperion: A Fragment, Book III, Line 43 |
| Didst find a lyre all |
golden |
by thy side, |
Hyperion: A Fragment, Book III, Line 63 |
| His very hair, his |
golden |
tresses famed, |
Hyperion: A Fragment, Book III, Line 131 |
| Of the |
golden |
-presenc'd sun. |
Song of Four Fairies: Fire, Air, Earth, and Water, ZEPHYR, Line 47 |
| To make our |
golden |
fortune known to you. |
Otho the Great, Act I, SCENE I, Conrad, Line 24 |
| Can it be, brother? For a |
golden |
crown |
Otho the Great, Act I, SCENE I, Auranthe, Line 88 |
| Or hug the |
golden |
housings of his steed, |
Otho the Great, Act I, SCENE III, Ludolph, Line 66 |
| Strength to thy virgin crownet's |
golden |
buds, |
Otho the Great, Act II, SCENE I, Conrad, Line 28 |
| Accursed, blasted! O, thou |
golden |
crown, |
Otho the Great, Act IV, SCENE I, Auranthe, Line 78 |
| Sprinkled with |
golden |
crescents, others bright |
Otho the Great, Act V, SCENE V, Ludolph, Line 88 |
| His |
golden |
throne, bent warm on amorous theft: |
Lamia, Part I, Line 8 |
| Blush'd into roses 'mid his |
golden |
hair, |
Lamia, Part I, Line 25 |
| Vermilion-spotted, |
golden |
, green, and blue; |
Lamia, Part I, Line 48 |
| Spoilt all her silver mail, and |
golden |
brede; |
Lamia, Part I, Line 158 |
| Whose airy texture, from a |
golden |
string, |
Lamia, Part II, Line 19 |
| His spirit pass'd beyond its |
golden |
bourn |
Lamia, Part II, Line 32 |
| Robes, |
golden |
tongs, censer, and chafing dish, |
The Fall of Hyperion: A Dream, CANTO I, Line 79 |
| About a |
golden |
censer from the hand |
The Fall of Hyperion: A Dream, CANTO I, Line 197 |
| About a |
golden |
censer from her hand |
The Fall of Hyperion: A Dream, CANTO I, Line 219 |
| By this last temple, by the |
golden |
age, |
The Fall of Hyperion: A Dream, CANTO I, Line 285 |
| Off Glocester's |
golden |
dishes - drinks pure wine, |
King Stephen Act I, SCENE IV, Maud, Line 28 |
| At five the |
golden |
light began to spring, |
The Jealousies, Line 716 |
| |
| GOLDFINCHES.......1 |
| Sometimes |
goldfinches |
one by one will drop |
I stood tip-toe upon a little hill, Line 87 |
| |
| GONDIBERT.........2 |
| 'Tis the far-fam'd, the brave Sir |
Gondibert |
, |
Calidore: A Fragment, Line 122 |
| Sir |
Gondibert |
has doff'd his shining steel, |
Calidore: A Fragment, Line 138 |
| |
| GONDOLAS..........1 |
| 'Mong the light skimming |
gondolas |
far parted, |
To George Felton Mathew, Line 15 |
| |
| GONE..............71 |
| The widening circles into nothing |
gone |
. |
Calidore: A Fragment, Line 18 |
| Into how sweet a trance his soul was |
gone |
, |
Calidore: A Fragment, Line 83 |
| Art thou most lovely? When |
gone |
far astray |
To G.A.W., Line 3 |
| Into most lovely labyrinths will be |
gone |
, |
Sleep and Poetry, Line 266 |
| Of over thinking had that moment |
gone |
|
Sleep and Poetry, Line 383 |
| Their woes |
gone |
by, and both to heaven upflown, |
I stood tip-toe upon a little hill, Line 149 |
| Into some wond'rous region he had |
gone |
, |
I stood tip-toe upon a little hill, Line 191 |
| Of their star in the east and |
gone |
to worship them. |
To Haydon with a Sonnet Written on Seeing the Elgin Marbles, Line 14 |
| He's |
gone |
- up bubbles all his amorous breath. |
On a Leander Which Miss Reynolds, My Kind Friend, Gave Me, Line 14 |
| Shed one drop then - it is |
gone |
- |
Think not of it, sweet one, so, Line 7 |
| The very music of the name has |
gone |
|
Endymion: A Poetic Romance, Book I, Line 36 |
| Were dead and |
gone |
, and her caressing tongue |
Endymion: A Poetic Romance, Book I, Line 340 |
| 'Mong shepherds |
gone |
in eld, whose looks increas'd |
Endymion: A Poetic Romance, Book I, Line 358 |
| His quick |
gone |
love, among fair blossom'd boughs, |
Endymion: A Poetic Romance, Book I, Line 375 |
| And minstrel memories of times |
gone |
by. |
Endymion: A Poetic Romance, Book I, Line 435 |
| Of death, for the fair form had |
gone |
again. |
Endymion: A Poetic Romance, Book I, Line 905 |
| Are |
gone |
in tender madness, and anon, |
Endymion: A Poetic Romance, Book I, Line 949 |
| And down some swart abysm he had |
gone |
, |
Endymion: A Poetic Romance, Book II, Line 376 |
| Thou wilt be |
gone |
away, and wilt not heed |
Endymion: A Poetic Romance, Book II, Line 747 |
| The visions of the earth were |
gone |
and fled- |
Endymion: A Poetic Romance, Book II, Line 1022 |
| In wakeful ears, like uproar past and |
gone |
- |
Endymion: A Poetic Romance, Book III, Line 19 |
| How chang'd, how full of ache, how |
gone |
in woe! |
Endymion: A Poetic Romance, Book III, Line 80 |
| Of |
gone |
sea-warriors; brazen beaks and targe; |
Endymion: A Poetic Romance, Book III, Line 124 |
| Till round his wither'd lips had |
gone |
a smile. |
Endymion: A Poetic Romance, Book III, Line 225 |
| But she was |
gone |
. Whereat the barbed shafts |
Endymion: A Poetic Romance, Book III, Line 480 |
| Ten hundred years: which |
gone |
, I then bequeath |
Endymion: A Poetic Romance, Book III, Line 598 |
| Against that hell-born Circe. The crew had |
gone |
, |
Endymion: A Poetic Romance, Book III, Line 665 |
| To thee! But then I thought on poets |
gone |
, |
Endymion: A Poetic Romance, Book IV, Line 27 |
| Swifter than sight was |
gone |
- even before |
Endymion: A Poetic Romance, Book IV, Line 337 |
| Exhal'd to Phoebus' lips, away they are |
gone |
, |
Endymion: A Poetic Romance, Book IV, Line 349 |
| Most like with joy |
gone |
mad, with sorrow cloy'd. |
Endymion: A Poetic Romance, Book IV, Line 495 |
| Of heroes |
gone |
! Against his proper glory |
Endymion: A Poetic Romance, Book IV, Line 643 |
| My life from too thin breathing: |
gone |
and past |
Endymion: A Poetic Romance, Book IV, Line 650 |
| At Vesper's earliest twinkle - they are |
gone |
- |
Endymion: A Poetic Romance, Book IV, Line 915 |
| Will I, grey- |
gone |
in passion, |
Lines on Seeing a Lock of Milton's Hair, Line 24 |
| When through the old oak forest I am |
gone |
, |
On Sitting Down to Read King Lear Once Again, Line 11 |
| Souls of poets dead and |
gone |
, |
Lines on the Mermaid Tavern, Line 1 |
| Souls of poets dead and |
gone |
, |
Lines on the Mermaid Tavern, Line 23 |
| No! those days are |
gone |
away, |
Robin Hood, Line 1 |
| |
Gone |
, the merry morris din; |
Robin Hood, Line 33 |
| |
Gone |
, the song of Gamelyn; |
Robin Hood, Line 34 |
| |
Gone |
, the tough-belted outlaw |
Robin Hood, Line 35 |
| All are |
gone |
away and past! |
Robin Hood, Line 37 |
| |
Gone |
mad through olden songs and poesies. |
Dear Reynolds, as last night I lay in bed, Line 54 |
| And so from happiness I far was |
gone |
. |
Dear Reynolds, as last night I lay in bed, Line 98 |
| She, to her chamber |
gone |
, a ditty fair |
Isabella; or, The Pot of Basil, Line 77 |
| To honour thee, and thy |
gone |
spirit greet; |
Isabella; or, The Pot of Basil, Line 158 |
| Ah! Marie, they are all |
gone |
hame |
Ah! ken ye what I met the day, Line 41 |
| He might make tremble many a man whose spirit had |
gone |
forth |
There is a joy in footing slow across a silent plain, Line 27 |
| The hall door shuts again, and all the noise is |
gone |
. |
The Eve of St. Agnes, Line 261 |
| And they are |
gone |
: ay, ages long ago |
The Eve of St. Agnes, Line 370 |
| Pair by pair had |
gone |
to rest, |
The Eve of St. Mark, Line 63 |
| They rang - no one at home - all |
gone |
to sport |
When they were come unto the Faery's court, Line 2 |
| His faded eyes, and saw his kingdom |
gone |
, |
Hyperion: A Fragment, Book I, Line 90 |
| Doth ease its heart of love in. - I am |
gone |
|
Hyperion: A Fragment, Book I, Line 112 |
| Of stone, or marble swart; their import |
gone |
, |
Hyperion: A Fragment, Book I, Line 282 |
| And all my knowledge is that joy is |
gone |
, |
Hyperion: A Fragment, Book II, Line 253 |
| Our by- |
gone |
quarrels, I confess my heart |
Otho the Great, Act I, SCENE I, Conrad, Line 22 |
| I am |
gone |
. |
Otho the Great, Act II, SCENE II, Albert, Line 78a |
| But, Conrad, now be |
gone |
; the host is look'd for; |
Otho the Great, Act IV, SCENE I, Auranthe, Line 68 |
| She's |
gone |
! I cannot clutch her! no revenge! |
Otho the Great, Act V, SCENE I, Ludolph, Line 25 |
| Doth operate quietly when his breath is |
gone |
: |
Otho the Great, Act V, SCENE II, Albert, Line 42 |
| She's |
gone |
! I am content - nobles, good night! |
Otho the Great, Act V, SCENE V, Ludolph, Line 192 |
| (Lycius was |
gone |
to summon all his kin) |
Lamia, Part II, Line 112 |
| As if with wings; but the fair trees were |
gone |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 59 |
| And look'd around, and saw his kingdom |
gone |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 401 |
| The day is |
gone |
, and all its sweets are gone! |
The day is gone, and all its sweets are gone, Line 1 |
| The day is gone, and all its sweets are |
gone |
! |
The day is gone, and all its sweets are gone, Line 1 |
| Say they are |
gone |
,- with the new dawning light |
What can I do to drive away, Line 46 |
| "By'r Lady! he is |
gone |
!" cries Hum, "and I,- |
The Jealousies, Line 613 |
| I met, far |
gone |
in liquor, that old man, |
The Jealousies, Line 786 |
| |
| GONFRID...........6 |
| THEODORE, |
GONFRID |
, Officers |
Otho the Great, Dramatis Personae, 6,7 |
| Were Theodore and |
Gonfrid |
and the rest |
Otho the Great, Act I, SCENE II, Otho, Line 72 |
| Enter THEODORE and |
GONFRID |
. |
Otho the Great, Act I, SCENE III, S.D. to Line 125 |
| [Exeunt THEODORE and |
GONFRID |
. |
Otho the Great, Act I, SCENE III, S.D. to Line 130 |
| Enter |
GONFRID |
, from the Council-room. |
Otho the Great, Act II, SCENE I, S.D. to Line 17b |
| Enter SIGIFRED, |
GONFRID |
, and THEODORE, meeting. |
Otho the Great, Act V, SCENE III, S.D. to Line 1 |
| |
| GOOD..............98 |
| On earth the |
good |
man base detraction bars |
Oh Chatterton! how very sad thy fate, Line 13 |
| Of all that's high, and great, and |
good |
, and healing. |
To George Felton Mathew, Line 10 |
| Sometimes, when the |
good |
knight his rest would take, |
Specimen of an Induction to a Poem, Line 19 |
| When the kind voice of |
good |
Sir Clerimond |
Calidore: A Fragment, Line 99 |
| Said the |
good |
man to Calidore alert; |
Calidore: A Fragment, Line 123 |
| Of sparkling Helicon:- small |
good |
it were |
To Charles Cowden Clarke, Line 27 |
| Small |
good |
to one who had by Mulla's stream |
To Charles Cowden Clarke, Line 33 |
| Again I shake your hand,- friend Charles, |
good |
night. |
To Charles Cowden Clarke, Line 132 |
| Highmindedness, a jealousy for |
good |
, |
Addressed to Haydon, Line 1 |
| |
Good |
Kosciusko, thy great name alone |
To Kosciusko, Line 1 |
| When some |
good |
spirit walks upon the earth, |
To Kosciusko, Line 10 |
| And friendliness, the nurse of mutual |
good |
; |
Sleep and Poetry, Line 318 |
| Like |
good |
men in the truth of their behaviours. |
I stood tip-toe upon a little hill, Line 86 |
| So scared, he sent for that " |
good |
king of cats," |
Before he went to live with owls and bats, Line 5 |
| they if I thought a year's castigation would do them any |
good |
;- it will not: the |
Endymion: A Poetic Romance, Preface, paragraph2 |
| Yea, every one attend! for in |
good |
truth |
Endymion: A Poetic Romance, Book I, Line 212 |
| For others, |
good |
or bad, hatred and tears |
Endymion: A Poetic Romance, Book II, Line 4 |
| And fish were dimpling, as if |
good |
nor ill |
Endymion: A Poetic Romance, Book II, Line 136 |
| All human; bearing in themselves this |
good |
, |
Endymion: A Poetic Romance, Book II, Line 156 |
| "Arise, |
good |
youth, for sacred Phoebus' sake! |
Endymion: A Poetic Romance, Book III, Line 292 |
| I bade |
good |
-morrow, |
Endymion: A Poetic Romance, Book IV, Line 174 |
| Bacchus, young Bacchus! |
good |
or ill betide, |
Endymion: A Poetic Romance, Book IV, Line 224 |
| His very goddess: |
good |
-bye earth, and sea, |
Endymion: A Poetic Romance, Book IV, Line 431 |
| |
Good |
-bye to all but love! Then doth he spring |
Endymion: A Poetic Romance, Book IV, Line 433 |
| The |
good |
-night blush of eve was waning slow, |
Endymion: A Poetic Romance, Book IV, Line 484 |
| Whither didst melt? Ah, what of that!- all |
good |
|
Endymion: A Poetic Romance, Book IV, Line 668 |
| All earthly pleasure, all imagin'd |
good |
, |
Endymion: A Poetic Romance, Book IV, Line 743 |
| |
Good |
visions in the air,- whence will befal, |
Endymion: A Poetic Romance, Book IV, Line 830 |
| With thy |
good |
help, this very night shall see |
Endymion: A Poetic Romance, Book IV, Line 887 |
| Peona kiss'd, and bless'd with fair |
good |
night: |
Endymion: A Poetic Romance, Book IV, Line 997 |
| High reason, and the lore of |
good |
and ill, |
Dear Reynolds, as last night I lay in bed, Line 75 |
| Lest I should miss to bid thee a |
good |
morrow: |
Isabella; or, The Pot of Basil, Line 202 |
| |
Good |
bye! I'll soon be back."- "Good bye!" said she:- |
Isabella; or, The Pot of Basil, Line 207 |
| Good bye! I'll soon be back."- " |
Good |
bye!" said she:- |
Isabella; or, The Pot of Basil, Line 207 |
| Burns in thee, child?- What |
good |
can thee betide, |
Isabella; or, The Pot of Basil, Line 349 |
| And may it taste to you like |
good |
old wine, |
Give me your patience, sister, while I frame, Line 19 |
| Of his granny- |
good |
- |
There was a naughty boy, Line 67 |
| Forgive me pray, |
good |
people all, |
All gentle folks who owe a grudge, Line 33 |
| |
Good |
heavens, lady, how the gemini |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 30 |
| My wine - O |
good |
! 'tis here at my desire, |
Fragment of Castle-builder, CASTLE BUILDER, Line 70 |
| And tell me how" - " |
Good |
saints! not here, not here; |
The Eve of St. Agnes, Line 107 |
| This very night: |
good |
angels her deceive! |
The Eve of St. Agnes, Line 125 |
| Alone with her |
good |
angels, far apart |
The Eve of St. Agnes, Line 142 |
| |
Good |
Angela, believe me by these tears; |
The Eve of St. Agnes, Line 150 |
| Shamm'd a |
good |
snore - the monkey-men descended, |
When they were come unto the Faery's court, Line 93 |
| Ever cures the |
good |
man's ill. |
Shed no tear - O shed no tear, Line 14 |
| Conrad! what tidings? |
Good |
, if I may guess |
Otho the Great, Act I, SCENE I, Auranthe, Line 17 |
| Or my |
good |
soldiers, or their ladies' eyes, |
Otho the Great, Act I, SCENE II, Otho, Line 13 |
| More thanks, |
good |
Conrad; for, except my son's, |
Otho the Great, Act I, SCENE II, Otho, Line 43 |
| Return with what |
good |
speed you may; for soon |
Otho the Great, Act I, SCENE II, Otho, Line 158 |
| Pray do not prose, |
good |
Ethelbert, but speak |
Otho the Great, Act I, SCENE II, Otho, Line 189 |
| Still it must not be known, |
good |
Sigifred; |
Otho the Great, Act I, SCENE III, Ludolph, Line 10 |
| To have not thy |
good |
morrow. |
Otho the Great, Act I, SCENE III, Sigifred, Line 109a |
| With |
good |
advices; and I here remain, |
Otho the Great, Act II, SCENE I, Ludolph, Line 10 |
| Its threatening edge against a |
good |
king's quiet; |
Otho the Great, Act II, SCENE I, Conrad, Line 50 |
| This was but half expected, my |
good |
sire, |
Otho the Great, Act II, SCENE I, Ludolph, Line 73 |
| I dare not. 'Twould pollute so |
good |
a father! |
Otho the Great, Act II, SCENE I, Ludolph, Line 99 |
| My crooked deeds show |
good |
and plausible, |
Otho the Great, Act II, SCENE I, Ludolph, Line 109 |
| |
Good |
gods! not else, in any way, my liege! |
Otho the Great, Act II, SCENE I, Ludolph, Line 111 |
| No, my |
good |
lord, I cannot say I did. |
Otho the Great, Act II, SCENE I, Ludolph, Line 121 |
| To my appalling, I saw too |
good |
proof |
Otho the Great, Act II, SCENE I, Otho, Line 146 |
| A trusty soul? A |
good |
man in the camp? |
Otho the Great, Act II, SCENE II, Erminia, Line 2 |
| |
Good |
gods! |
Otho the Great, Act II, SCENE II, Albert, Line 26b |
| |
Good |
morrow, holy father! I have had |
Otho the Great, Act II, SCENE II, Erminia, Line 118 |
| I have |
good |
news to tell you, Ethelbert. |
Otho the Great, Act II, SCENE II, Erminia, Line 143 |
| |
Good |
Franconia, |
Otho the Great, Act III, SCENE II, Otho, Line 26b |
| |
Good |
. |
Otho the Great, Act III, SCENE II, Ludolph, Line 151b |
| Would it were |
good |
! |
Otho the Great, Act III, SCENE II, Ethelbert, Line 151c |
| |
Good |
even! |
Otho the Great, Act IV, SCENE I, Albert, Line 176a |
| |
Good |
, good; he dies. You go, say you? |
Otho the Great, Act IV, SCENE I, Conrad, Line 181b |
| Good, |
good |
; he dies. You go, say you? |
Otho the Great, Act IV, SCENE I, Conrad, Line 181b |
| |
Good |
fellow, once again |
Otho the Great, Act IV, SCENE II, Ludolph, Line 5b |
| My |
good |
Prince, with me |
Otho the Great, Act V, SCENE II, Albert, Line 4b |
| 'Tis |
good |
,- 'tis good; let him but fall asleep, |
Otho the Great, Act V, SCENE IV, Physician, Line 49 |
| 'Tis good,- 'tis |
good |
; let him but fall asleep, |
Otho the Great, Act V, SCENE IV, Physician, Line 49 |
| Is a |
good |
symptom, and most favourable; |
Otho the Great, Act V, SCENE IV, Physician, Line 58 |
| |
Good |
gods! no innocent blood upon my head! |
Otho the Great, Act V, SCENE V, Ludolph, Line 54 |
| Patience, |
good |
people, in fit time I send |
Otho the Great, Act V, SCENE V, Ludolph, Line 75 |
| My father keeps away. |
Good |
friend - ah! Sigifred?- |
Otho the Great, Act V, SCENE V, Ludolph, Line 110 |
| Oh! thou |
good |
man, against whose sacred head |
Otho the Great, Act V, SCENE V, Ludolph, Line 140 |
| |
Good |
Ethelbert, shall I die in peace with you? |
Otho the Great, Act V, SCENE V, Ludolph, Line 172 |
| |
Good |
Prince! |
Otho the Great, Act V, SCENE V, Gersa, Line 183b |
| She's gone! I am content - nobles, |
good |
night! |
Otho the Great, Act V, SCENE V, Ludolph, Line 192 |
| And |
good |
instructor; but to-night he seems |
Lamia, Part I, Line 376 |
| Labour for mortal |
good |
? I sure should see |
The Fall of Hyperion: A Dream, CANTO I, Line 159 |
| Will I be kind to thee for thy |
good |
will. |
The Fall of Hyperion: A Dream, CANTO I, Line 242 |
| Will Stephen's death be mark'd there, my |
good |
lord, |
King Stephen Act I, SCENE II, First Knight, Line 6 |
| From Stephen, my |
good |
Prince - Stephen - Stephen- |
King Stephen Act I, SCENE II, Second Knight, Line 29 |
| Fear not, quake not, and as |
good |
wine recruits |
The Jealousies, Line 358 |
| " |
Good |
! good!" cried Hum, "I've known her from a child! |
The Jealousies, Line 388 |
| "Good! |
good |
!" cried Hum, "I've known her from a child! |
The Jealousies, Line 388 |
| "Ah! |
good |
my Prince, weep not!" And then again |
The Jealousies, Line 424 |
| A sampler hoarded slyly, |
good |
as new, |
The Jealousies, Line 440 |
| It goes against your conscience - |
good |
! Well, don't. |
The Jealousies, Line 462 |
| What |
good |
would that do? And, to be more plain, |
The Jealousies, Line 466 |
| I say no more." "Or |
good |
or ill betide, |
The Jealousies, Line 526 |
| |
Good |
Hum, and let me view this mighty coil." |
The Jealousies, Line 565 |
| Left it to pay the piper - a |
good |
sum- |
The Jealousies, Line 696 |
| |
| GOODBYES..........1 |
| When adieux have grown old and |
goodbyes |
|
Sweet, sweet is the greeting of eyes, Line 3 |
| |
| GOODLIEST.........1 |
| Whence Calidore might have the |
goodliest |
view |
Calidore: A Fragment, Line 25 |
| |
| GOODLY............4 |
| And many |
goodly |
states and kingdoms seen; |
On First Looking into Chapman's Homer, Line 2 |
| In telling of this |
goodly |
company, |
Endymion: A Poetic Romance, Book I, Line 129 |
| To |
goodly |
vessels; many a sail of pride, |
Endymion: A Poetic Romance, Book II, Line 20 |
| Thereby in |
goodly |
themes so training him, |
In after time a sage of mickle lore, Line 6 |
| |
| GOODS.............1 |
| Besides the |
goods |
meanwhile thou movest east and west. |
The Jealousies, Line 243 |
| |
| GORDIAN...........2 |
| This fire, like the eye of |
gordian |
snake, |
Endymion: A Poetic Romance, Book III, Line 494 |
| She was a |
gordian |
shape of dazzling hue, |
Lamia, Part I, Line 47 |
| |
| GORDIAN'D.........1 |
| And they were simply |
gordian'd |
up and braided, |
Endymion: A Poetic Romance, Book I, Line 614 |
| |
| GORGE.............3 |
| As bees |
gorge |
full their cells. And, by the feud |
Endymion: A Poetic Romance, Book III, Line 40 |
| Squeez'd from the |
gorge |
, and all its uncurl'd length |
Hyperion: A Fragment, Book II, Line 46 |
| Do not tempt me to throttle you on the |
gorge |
, |
King Stephen Act I, SCENE III, Stephen, Line 35 |
| |
| GORGEOUS..........4 |
| |
Gorgeous |
as I would have it - only I see |
On Receiving a Laurel Crown from Leigh Hunt, Line 10 |
| Few, who with |
gorgeous |
pageantry enrobe |
Endymion: A Poetic Romance, Book III, Line 36 |
| It is a |
gorgeous |
room, but somewhat sad; |
Fragment of Castle-builder, CASTLE BUILDER, Line 48 |
| Of powerful instruments:- the |
gorgeous |
dyes, |
Lamia, Part II, Line 205 |
| |
| GORGON............4 |
| Utter a |
gorgon |
voice? Does yonder thrush |
Endymion: A Poetic Romance, Book IV, Line 129 |
| By things I tremble at, and |
gorgon |
wrath. |
Endymion: A Poetic Romance, Book IV, Line 754 |
| Is then a father's countenance a |
Gorgon |
? |
Otho the Great, Act V, SCENE IV, Otho, Line 12 |
| A dose of senna-tea, or nightmare |
Gorgon |
, |
The Jealousies, Line 341 |
| |
| GORGONS...........1 |
| Phorcus, the sire of |
Gorgons |
. Neighbour'd close |
Hyperion: A Fragment, Book II, Line 74 |
| |
| GOSSIP............3 |
| Flit like a ghost away." - "Ah, |
Gossip |
dear, |
The Eve of St. Agnes, Line 105 |
| She turn'd, and down the aged |
gossip |
led |
The Eve of St. Agnes, Line 195 |
| The day appear'd, and all the |
gossip |
rout. |
Lamia, Part II, Line 146 |
| |
| GOT...............12 |
| When at night-fall among your books we |
got |
: |
To Charles Cowden Clarke, Line 118 |
| 'Twas there I |
got |
them, from the gaps and slits |
Endymion: A Poetic Romance, Book I, Line 876 |
| With syren words - Ah, have I really |
got |
|
Endymion: A Poetic Romance, Book II, Line 955 |
| His eyes went after them, until they |
got |
|
Endymion: A Poetic Romance, Book IV, Line 905 |
| Can't be |
got |
without hard money! |
Robin Hood, Line 48 |
| The guerdon of their murder they had |
got |
, |
Isabella; or, The Pot of Basil, Line 477 |
| And the rose herself has |
got |
|
Bards of passion and of mirth, Line 15 |
| Where |
got |
you this? Where? When? |
Otho the Great, Act II, SCENE II, Albert, Line 65 |
| (Of pastry he |
got |
store within the palace,) |
The Jealousies, Line 218 |
| Whose glass once up can never be |
got |
back, |
The Jealousies, Line 232 |
| (I've |
got |
a conscience, maugre people's jokes:) |
The Jealousies, Line 697 |
| Her Highness' pug-dog - |
got |
a sharp rebuff- |
The Jealousies, Line 699 |
| |
| GOTHIC............4 |
| Which linger yet about lone |
gothic |
arches, |
Specimen of an Induction to a Poem, Line 33 |
| The |
Gothic |
looks solemn, |
The Gothic looks solemn, Line 1 |
| What, have you convents in that |
Gothic |
isle? |
Fragment of Castle-builder, BERNADINE, Line 7 |
| That I should rather love a |
Gothic |
waste |
Fragment of Castle-builder, CASTLE BUILDER, Line 59 |
| |
| GOUD..............1 |
| Ah |
goud |
hair'd Marie, yeve I pray |
Ah! ken ye what I met the day, Line 5 |
| |
| GOURD.............2 |
| Of candied apple, quince, and plum, and |
gourd |
; |
The Eve of St. Agnes, Line 265 |
| To swell the |
gourd |
, and plump the hazel shells |
To Autumn, Line 7 |
| |
| GOUT..............1 |
| Fear of |
gout |
|
There was a naughty boy, Line 49 |
| |
| GOVERNMENT........1 |
| Of the wide kingdom's rule and |
government |
, |
King Stephen Act I, SCENE IV, Maud, Line 12 |
| |
| GOVERNS...........1 |
| And still she |
governs |
with the mildest sway: |
Sleep and Poetry, Line 240 |
| |
| GOWN..............3 |
| Than the soft rustle of a maiden's |
gown |
|
I stood tip-toe upon a little hill, Line 95 |
| Doth catch at the maiden's |
gown |
. |
For there's Bishop's Teign, Line 18 |
| Slow-stepp'd, and robed in philosophic |
gown |
: |
Lamia, Part I, Line 365 |
