|
KNAPSACK..........2 |
In his |
knapsack |
|
There was a naughty boy, Line 6 |
This |
knapsack |
|
There was a naughty boy, Line 18 |
|
KNEE..............6 |
Ah! no - as I breathe it, I press thy fair |
knee |
, |
O come, dearest Emma!, Line 15 |
More boisterous than a lover's bended |
knee |
; |
Sleep and Poetry, Line 260 |
Those who would watch. Perhaps, the trembling |
knee |
|
Endymion: A Poetic Romance, Book I, Line 337 |
Of |
knee |
from knee, nor ankles pointing light; |
Endymion: A Poetic Romance, Book II, Line 401 |
Of knee from |
knee |
, nor ankles pointing light; |
Endymion: A Poetic Romance, Book II, Line 401 |
Submissive of |
knee |
-bent obeisance, |
The Jealousies, Line 753 |
|
KNEEL.............11 |
Of thy wide heaven - Should I rather |
kneel |
|
Sleep and Poetry, Line 49 |
Yet would I |
kneel |
and kiss thy gentle hand! |
To a Young Lady Who Sent Me a Laurel Crown, Line 14 |
"I saw Osirian Egypt |
kneel |
adown |
Endymion: A Poetic Romance, Book IV, Line 257 |
I cannot choose but |
kneel |
here and adore. |
Endymion: A Poetic Romance, Book IV, Line 302 |
Here will I |
kneel |
, for thou redeemed hast |
Endymion: A Poetic Romance, Book IV, Line 649 |
I'll |
kneel |
to Vesta, for a flame of fire; |
Endymion: A Poetic Romance, Book IV, Line 701 |
And let me |
kneel |
, and let me pray to thee, |
Extracts from an Opera, [sixth section] Line 2 |
Perchance speak, |
kneel |
, touch, kiss - in sooth such things have been. |
The Eve of St. Agnes, Line 81 |
Wait here, my child, with patience; |
kneel |
in prayer |
The Eve of St. Agnes, Line 178 |
Why do I anger him when I should |
kneel |
? |
Otho the Great, Act IV, SCENE I, Auranthe, Line 75 |
In thy resolved looks! Yes, I could |
kneel |
|
Otho the Great, Act V, SCENE I, Auranthe, Line 5 |
|
KNEEL'D...........1 |
|
Kneel'd |
down beside it, and with tenderest force |
Endymion: A Poetic Romance, Book III, Line 779 |
|
KNEELED...........1 |
And so she |
kneeled |
, with her locks all hoar, |
Isabella; or, The Pot of Basil, Line 380 |
|
KNEELING..........4 |
One, |
kneeling |
to a lyre, touch'd the strings, |
Endymion: A Poetic Romance, Book II, Line 420 |
From his green prison, and here |
kneeling |
down |
Endymion: A Poetic Romance, Book IV, Line 69 |
And that fair |
kneeling |
Goddess; and then spake, |
Hyperion: A Fragment, Book I, Line 92 |
And that fair |
kneeling |
Goddess at his feet. |
The Fall of Hyperion: A Dream, CANTO I, Line 403 |
|
KNEELS............1 |
her robes, and a train of Women. She |
kneels |
. |
Otho the Great, Act I, SCENE II, S.D. to Line 12 |
|
KNEES.............11 |
Ah, what a task! upon my bended |
knees |
, |
Sleep and Poetry, Line 310 |
His nervy |
knees |
there lay a boat-spear keen. |
Endymion: A Poetic Romance, Book I, Line 174 |
Then takes his lamp, and riseth from his |
knees |
, |
The Eve of St. Agnes, Line 11 |
Her rich attire creeps rustling to her |
knees |
: |
The Eve of St. Agnes, Line 230 |
Upon his |
knees |
he sank, pale as smooth-sculptured stone. |
The Eve of St. Agnes, Line 297 |
To those who woo her with too slavish |
knees |
, |
On Fame ("Fame, like a wayward girl"), Line 2 |
The rebel-lords, on bended |
knees |
, received |
Otho the Great, Act I, SCENE I, Conrad, Line 100 |
Because I cannot flatter with bent |
knees |
|
Otho the Great, Act I, SCENE II, Gersa, Line 106 |
Thou standest safe beneath this statue's |
knees |
." |
The Fall of Hyperion: A Dream, CANTO I, Line 181 |
For the broad marble |
knees |
; and who thou art, |
The Fall of Hyperion: A Dream, CANTO I, Line 214 |
Where the Chief Justice on his |
knees |
and hands doth crawl. |
The Jealousies, Line 765 |
|
KNELL.............2 |
'Tis gallant Sydney's, Russell's, Vane's sad |
knell |
, |
Lines Written on 29 May, Line 5 |
Though my own |
knell |
they be! This cannot last! |
Otho the Great, Act V, SCENE IV, Otho, Line 43 |
|
KNELLING..........1 |
While little sounds of life are round me |
knelling |
, |
Isabella; or, The Pot of Basil, Line 308 |
|
KNELT.............11 |
The penitent shower fell, as down he |
knelt |
|
Endymion: A Poetic Romance, Book III, Line 289 |
I |
knelt |
with pain - reached out my hand - had grasp'd |
Endymion: A Poetic Romance, Book III, Line 671 |
|
Knelt |
to receive those accents halcyon. |
Endymion: A Poetic Romance, Book III, Line 923 |
Or like one who, in after ages, |
knelt |
|
Endymion: A Poetic Romance, Book IV, Line 891 |
Her brother kiss'd her too, and |
knelt |
adown |
Endymion: A Poetic Romance, Book IV, Line 998 |
When Isabella by Lorenzo |
knelt |
. |
Isabella; or, The Pot of Basil, Line 360 |
As down she |
knelt |
for heaven's grace and boon; |
The Eve of St. Agnes, Line 219 |
She |
knelt |
, so pure a thing, so free from mortal taint. |
The Eve of St. Agnes, Line 225 |
Who |
knelt |
, with joined hands and piteous eye, |
The Eve of St. Agnes, Line 305 |
A nymph, to whom all hoofed Satyrs |
knelt |
; |
Lamia, Part I, Line 14 |
Arose and |
knelt |
before him, wept a rain |
Lamia, Part II, Line 66 |
|
KNEW..............41 |
Where oaks, that erst the Druid |
knew |
, are growing, |
To George Felton Mathew, Line 39 |
To things ye |
knew |
not of,- were closely wed |
Sleep and Poetry, Line 194 |
He |
knew |
not where; and how he would say, nay, |
Endymion: A Poetic Romance, Book I, Line 729 |
Nor |
knew |
that nests were built. Now a soft kiss- |
Endymion: A Poetic Romance, Book II, Line 806 |
They |
knew |
not whence this bounty, and elate |
Endymion: A Poetic Romance, Book III, Line 370 |
Because he |
knew |
not whither he was going. |
Endymion: A Poetic Romance, Book IV, Line 551 |
And yet he |
knew |
it not. |
Endymion: A Poetic Romance, Book IV, Line 797a |
So after my own heart! I |
knew |
, I knew |
Endymion: A Poetic Romance, Book IV, Line 881 |
So after my own heart! I knew, I |
knew |
|
Endymion: A Poetic Romance, Book IV, Line 881 |
Nobody |
knew |
whither, till |
Lines on the Mermaid Tavern, Line 15 |
Since men |
knew |
nor rent nor leases. |
Robin Hood, Line 10 |
He |
knew |
whose gentle hand was at the latch, |
Isabella; or, The Pot of Basil, Line 17 |
"Ha! ha!" said she, "I |
knew |
not this hard life, |
Isabella; or, The Pot of Basil, Line 329 |
And yet they |
knew |
it was Lorenzo's face: |
Isabella; or, The Pot of Basil, Line 476 |
Boasting he never |
knew |
excess, |
O Some Skulls in Beauley Abbey, near Inverness, Line 32 |
He startled her; but soon she |
knew |
his face, |
The Eve of St. Agnes, Line 96 |
Beauty before the wide world never |
knew |
- |
When they were come unto the Faery's court, Line 60 |
The slang of cities in no wise he |
knew |
, |
Character of C.B., Line 19 |
With reverence, though to one who |
knew |
it not. |
Hyperion: A Fragment, Book I, Line 25 |
Before our lips |
knew |
else but solemn sounds; |
Hyperion: A Fragment, Book II, Line 340 |
That was before we |
knew |
the winged thing, |
Hyperion: A Fragment, Book II, Line 341 |
The winged boy I |
knew |
; |
Ode to Psyche, Line 21 |
How is it, shadows, that I |
knew |
ye not? |
Ode on Indolence, Line 11 |
And ached for wings, because I |
knew |
the three: |
Ode on Indolence, Line 24 |
I |
knew |
to be my demon Poesy. |
Ode on Indolence, Line 30 |
If Otho |
knew |
|
Otho the Great, Act I, SCENE III, Sigifred, Line 11b |
Cowards, who never |
knew |
their little hearts, |
Otho the Great, Act I, SCENE III, Ludolph, Line 79 |
As one I |
knew |
some passed weeks ago, |
Otho the Great, Act II, SCENE I, Ludolph, Line 41 |
I |
knew |
you through disguise. You are the Arab! |
Otho the Great, Act II, SCENE I, Otho, Line 127 |
By Venus, 'tis a pity I |
knew |
not |
Otho the Great, Act II, SCENE II, Albert, Line 30 |
The other cursing low, whose voice I |
knew |
|
Otho the Great, Act IV, SCENE II, Page, Line 123 |
Alas! poor Prince, I would you |
knew |
my heart! |
Otho the Great, Act V, SCENE II, Albert, Line 28 |
He would return that way, as well she |
knew |
, |
Lamia, Part I, Line 221 |
They pass'd the city gates, he |
knew |
not how, |
Lamia, Part I, Line 348 |
Were seen about the markets: none |
knew |
where |
Lamia, Part I, Line 391 |
And enter'd marveling: for they |
knew |
the street, |
Lamia, Part II, Line 152 |
Pendent; and by her voice I |
knew |
she shed |
The Fall of Hyperion: A Dream, CANTO I, Line 220 |
With reverence, though to one who |
knew |
it not. |
The Fall of Hyperion: A Dream, CANTO I, Line 330 |
He sat and cursed a bride he |
knew |
he could not touch. |
The Jealousies, Line 126 |
He " |
knew |
the city," as we say, of yore, |
The Jealousies, Line 206 |
For shortest cuts and turns, was nobody |
knew |
more. |
The Jealousies, Line 207 |
|
KNIFE.............5 |
The sacrifice goes on; the pontif |
knife |
|
Dear Reynolds, as last night I lay in bed, Line 20 |
Cut Mercy with a sharp |
knife |
to the bone; |
Isabella; or, The Pot of Basil, Line 174 |
But there is crime - a brother's bloody |
knife |
! |
Isabella; or, The Pot of Basil, Line 333 |
Shows her a |
knife |
.- "What feverous hectic flame |
Isabella; or, The Pot of Basil, Line 348 |
Then with her |
knife |
, all sudden, she began |
Isabella; or, The Pot of Basil, Line 367 |
|
KNIGHT............15 |
Ah! courteous Sir |
Knight |
, with large joy thou art crown'd; |
On Receiving a Curious Shell..., Line 17 |
A very Red Cross |
Knight |
- a stout Leander - |
Woman! when I behold thee flippant, vain, Line 13 |
But ah! I am no |
knight |
whose foeman dies; |
Had I a man's fair form, then might my sighs, Line 5 |
Sometimes, when the good |
knight |
his rest would take, |
Specimen of an Induction to a Poem, Line 19 |
Wherefore more proudly does the gentle |
knight |
|
Specimen of an Induction to a Poem, Line 47 |
There stood a |
knight |
, patting the flowing hair |
Calidore: A Fragment, Line 110 |
O what can ail thee, |
knight |
at arms, |
La Belle Dame sans Merci: A Ballad, Line 1 |
O what can ail thee, |
knight |
at arms, |
La Belle Dame sans Merci: A Ballad, Line 5 |
ALBERT, a |
Knight |
, favoured by Otho |
Otho the Great, Dramatis Personae, 4 |
Yes - it is Albert; a brave German |
knight |
, |
Otho the Great, Act II, SCENE II, Captain, Line 16 |
Will you send yonder |
knight |
to me? |
Otho the Great, Act II, SCENE II, Erminia, Line 21a |
Into the lap of honour;- save me, |
knight |
! |
Otho the Great, Act II, SCENE II, Erminia, Line 49 |
That your |
knight |
Albert be brought here before you. |
Otho the Great, Act III, SCENE II, Ethelbert, Line 189 |
Enter Second |
Knight |
. |
King Stephen Act I, SCENE II, S.D. to Line 28b |
Smote on the morion of a Flemish |
knight |
, |
King Stephen Act I, SCENE II, Second Knight, Line 39 |
|
KNIGHTHOOD........1 |
Just when your |
knighthood |
is grown ripe and full |
King Stephen Act I, SCENE III, Stephen, Line 37 |
|
KNIGHTLY..........4 |
Thy locks in a |
knightly |
casque are rested: |
Hadst thou liv'd in days of old, Line 52 |
Over a |
knightly |
brow; while they went by |
Calidore: A Fragment, Line 131 |
To hear of |
knightly |
deeds, and gallant spurning |
Calidore: A Fragment, Line 143 |
(For |
knightly |
Spenser to Libertas told it,) |
To My Brother George (epistle), Line 24 |
|
KNIGHTS...........16 |
Adventurous |
knights |
take up their dinted shields: |
To a Friend Who Sent Me Some Roses, Line 4 |
Bestridden of gay |
knights |
, in gay apparel, |
To My Brother George (epistle), Line 27 |
|
Knights |
, ladies, praying in dumb orat'ries, |
The Eve of St. Agnes, Line 16 |
Nobles, |
Knights |
, Attendants, and Soldiers |
Otho the Great, Dramatis Personae, 13 |
|
Knights |
, |
Otho the Great, Act I, SCENE II, S.D. to Line 1a |
[Enter CONRAD, from the Castle, attended by two |
Knights |
and |
Otho the Great, Act I, SCENE II, S.D. to Line 1b |
[To one of his |
Knights |
, who goes out. |
Otho the Great, Act I, SCENE II, S.D. to Line 37b |
CONRAD, Nobles, |
Knights |
, Ladies, etc., etc., etc. Music. |
Otho the Great, Act III, SCENE II, S.D. to Line 1 |
Your |
knights |
, found war-proof in the bloody field, |
Otho the Great, Act III, SCENE II, Conrad, Line 34 |
[Exeunt |
Knights |
, Ladies, etc. |
Otho the Great, Act III, SCENE II, S.D. to Line 103 |
back scene, guarded by two Soldiers. Lords, Ladies, |
Knights |
, Gentlemen, etc., |
Otho the Great, Act V, SCENE V, Setting |
Alarum. Enter KING STEPHEN, |
Knights |
, and Soldiers. |
King Stephen Act I, SCENE I, S.D. to Line 1 |
Trumpets sounding a victory. Enter GLOCESTER, |
Knights |
, and |
King Stephen Act I, SCENE II, S.D. to Line 1 |
Intreating him, his captains, and brave |
knights |
|
King Stephen Act I, SCENE II, Second Captain, Line 25 |
Enter DE KAIMS and |
Knights |
, etc. |
King Stephen Act I, SCENE III, S.D. to Line 14 |
[Trumpets. Enter the EARL OF CHESTER and |
Knights |
. |
King Stephen Act I, SCENE III, S.D. to Line 47 |
|
KNIT..............2 |
And his dark brow for very wrath is |
knit |
? |
Specimen of an Induction to a Poem, Line 26 |
A disguis'd demon, missioned to |
knit |
|
Endymion: A Poetic Romance, Book I, Line 701 |
|
KNOCK.............1 |
I'll |
knock |
you-" "Does your Majesty mean - down? |
The Jealousies, Line 408 |
|
KNOCK'D...........2 |
Until he |
knock'd |
at the magician's door; |
The Jealousies, Line 275 |
And |
knock'd |
down three cut glasses, and his best ink-stand. |
The Jealousies, Line 351 |
|
KNOCKS............1 |
Who |
knocks |
? |
Otho the Great, Act IV, SCENE I, Auranthe, Line 105 |
|
KNOT..............2 |
Of fruits, and flowers, and bunches of |
knot |
-grass, |
The Eve of St. Agnes, Line 210 |
Tied in a burnish'd |
knot |
, their semblance took |
The Jealousies, Line 269 |
|
KNOTS.............1 |
Of flowers, garlands, love- |
knots |
, silly posies, |
Endymion: A Poetic Romance, Book IV, Line 938 |
|
KNOTTY............2 |
To the |
knotty |
side of an old pollard tree |
When they were come unto the Faery's court, Line 84 |
As though some |
knotty |
problem, that had daft |
Lamia, Part II, Line 160 |
|
KNOW..............95 |
And then, thou wilt |
know |
that the sigh comes from me. |
O come, dearest Emma!, Line 16 |
That well you |
know |
to honour:- "Life's very toys |
To Charles Cowden Clarke, Line 128 |
For his great Maker's presence, but must |
know |
|
Sleep and Poetry, Line 43 |
And seems to listen: O that I might |
know |
|
Sleep and Poetry, Line 153 |
And did not |
know |
it,- no, they went about, |
Sleep and Poetry, Line 203 |
They should not |
know |
thee, who, athirst to gain |
Sleep and Poetry, Line 282 |
Of spanning wisdom; though I do not |
know |
|
Sleep and Poetry, Line 285 |
A chill as from a tomb, did I not |
know |
|
Written in Disgust of Vulgar Superstition, Line 10 |
That what I want I |
know |
not where to seek: |
To Haydon with a Sonnet Written on Seeing the Elgin Marbles, Line 4 |
How "love doth |
know |
no fulness nor no bounds." |
Unfelt, unheard, unseen, Line 12 |
That thou dost |
know |
of things mysterious, |
Endymion: A Poetic Romance, Book I, Line 506 |
The which were blended in, I |
know |
not how, |
Endymion: A Poetic Romance, Book I, Line 617 |
What I |
know |
not: but who, of men, can tell |
Endymion: A Poetic Romance, Book I, Line 835 |
Feast on, and meanwhile I will let thee |
know |
|
Endymion: A Poetic Romance, Book II, Line 454 |
His quiver is mysterious, none can |
know |
|
Endymion: A Poetic Romance, Book II, Line 539 |
Its powerless self: I |
know |
this cannot be. |
Endymion: A Poetic Romance, Book II, Line 702 |
I |
know |
thine inmost bosom, and I feel |
Endymion: A Poetic Romance, Book III, Line 293 |
For these I |
know |
thou canst not feel a drouth, |
Endymion: A Poetic Romance, Book III, Line 395 |
And whisper one sweet word that I may |
know |
|
Endymion: A Poetic Romance, Book IV, Line 319 |
Why is this mortal here? Does thou not |
know |
|
Endymion: A Poetic Romance, Book IV, Line 428 |
That thou mayst always |
know |
whither I roam, |
Endymion: A Poetic Romance, Book IV, Line 687 |
Who |
know |
him not. Each diligently bends |
Endymion: A Poetic Romance, Book IV, Line 895 |
Her eye-lashes may be, for ought I |
know |
, |
Extracts from an Opera, [fourth section] Line 4 |
You |
know |
the Enchanted Castle - it doth stand |
Dear Reynolds, as last night I lay in bed, Line 26 |
You |
know |
it well enough, where it doth seem |
Dear Reynolds, as last night I lay in bed, Line 33 |
You |
know |
the clear lake, and the little isles, |
Dear Reynolds, as last night I lay in bed, Line 35 |
Moods of one's mind! You |
know |
I hate them well, |
Dear Reynolds, as last night I lay in bed, Line 106 |
You |
know |
I'd sooner be a clapping bell |
Dear Reynolds, as last night I lay in bed, Line 107 |
|
Know |
there is richest juice in poison-flowers. |
Isabella; or, The Pot of Basil, Line 104 |
"I |
know |
what was, I feel full well what is, |
Isabella; or, The Pot of Basil, Line 313 |
Clearly she saw, as other eyes would |
know |
|
Isabella; or, The Pot of Basil, Line 363 |
To see if I might |
know |
the men, |
Ah! ken ye what I met the day, Line 15 |
That gods might |
know |
my own particular taste. |
Of late two dainties were before me plac'd, Line 4 |
Mankind do |
know |
of hell: I look o'erhead, |
Read me a lesson, Muse, and speak it loud, Line 5 |
Thus much I |
know |
, that, a poor witless elf, |
Read me a lesson, Muse, and speak it loud, Line 11 |
While the night breeze doth softly let us |
know |
|
Fragment of Castle-builder, CASTLE BUILDER, Line 33 |
Child, I |
know |
thee! Child no more, |
'Tis the "witching time of night", Line 31 |
Muses nine, that I may |
know |
him! |
Where's the Poet? Show him! show him, Line 2 |
All the house is asleep, but we |
know |
very well |
Hush, hush, tread softly, hush, hush, my dear, Line 2 |
For if thou diest, my love, I |
know |
not where to go." |
The Eve of St. Agnes, Line 315 |
Why did I laugh? I |
know |
this being's lease- |
Why did I laugh tonight? No voice will tell, Line 9 |
What your poor servants |
know |
but too, too well? |
When they were come unto the Faery's court, Line 23 |
|
Know |
you the three ' great crimes' in faery land? |
When they were come unto the Faery's court, Line 24 |
'Tis sooth indeed, we |
know |
it to our sorrow- |
When they were come unto the Faery's court, Line 39 |
Nor did he |
know |
each aged watchman's beat, |
Character of C.B., Line 24 |
I |
know |
the covert, for thence came I hither." |
Hyperion: A Fragment, Book I, Line 152 |
Why do I |
know |
ye? why have I seen ye? why |
Hyperion: A Fragment, Book I, Line 231 |
And the which book ye |
know |
I ever kept |
Hyperion: A Fragment, Book II, Line 137 |
And |
know |
that we had parted from all hope. |
Hyperion: A Fragment, Book II, Line 261 |
Thy name is on my tongue, I |
know |
not how; |
Hyperion: A Fragment, Book III, Line 83 |
Ye |
know |
on earth, and all ye need to know. |
Ode on a Grecian Urn, Line 50 |
Ye know on earth, and all ye need to |
know |
. |
Ode on a Grecian Urn, Line 50 |
That I may never |
know |
how change the moons, |
Ode on Indolence, Line 39 |
I |
know |
not: |
Otho the Great, Act I, SCENE I, Conrad, Line 98b |
|
Know |
you not of him? |
Otho the Great, Act I, SCENE II, Otho, Line 66a |
Nay, nay, without more words, dost |
know |
of him? |
Otho the Great, Act I, SCENE II, Otho, Line 67 |
I |
know |
how the great basement of all power |
Otho the Great, Act I, SCENE II, Otho, Line 175 |
The Emperor must not |
know |
it, Sigifred. |
Otho the Great, Act I, SCENE III, Ludolph, Line 6 |
Yes, yes, I |
know |
he hath a noble nature |
Otho the Great, Act I, SCENE III, Ludolph, Line 55 |
I |
know |
the clear truth; so would Otho see, |
Otho the Great, Act I, SCENE III, Sigifred, Line 86 |
You |
know |
his temper, hot, proud, obstinate; |
Otho the Great, Act I, SCENE III, Ludolph, Line 89 |
To chattering pigmies? I would have you |
know |
|
Otho the Great, Act II, SCENE I, Otho, Line 61 |
What more than I |
know |
of could so have chang'd |
Otho the Great, Act II, SCENE I, Ludolph, Line 142 |
Lady, I should rejoice to |
know |
you so. |
Otho the Great, Act II, SCENE II, Albert, Line 43 |
To |
know |
you spotless. |
Otho the Great, Act II, SCENE II, Gersa, Line 108a |
You shall |
know |
all anon. |
Otho the Great, Act III, SCENE I, Albert, Line 42a |
To-day! O I forgot you could not |
know |
; |
Otho the Great, Act III, SCENE I, Sigifred, Line 57 |
Nay, my lord, I do not |
know |
. |
Otho the Great, Act III, SCENE II, Auranthe, Line 25b |
Those grey lids wink, and thou not |
know |
it, monk! |
Otho the Great, Act III, SCENE II, Ludolph, Line 88 |
I |
know |
not whether to pity, curse, or laugh. |
Otho the Great, Act III, SCENE II, Ludolph, Line 206 |
I |
know |
it - it must be - I see it all! |
Otho the Great, Act III, SCENE II, Ethelbert, Line 259 |
Well, well I |
know |
what ugly jeopardy |
Otho the Great, Act IV, SCENE I, Conrad, Line 1 |
What I shall do, I |
know |
not; what I would |
Otho the Great, Act IV, SCENE I, Auranthe, Line 44 |
Imperial? I do not |
know |
the time |
Otho the Great, Act IV, SCENE I, Auranthe, Line 87 |
You |
know |
full well what makes me look so pale. |
Otho the Great, Act IV, SCENE I, Albert, Line 112 |
Some horror; all I |
know |
, this present, is |
Otho the Great, Act IV, SCENE I, Auranthe, Line 114 |
Me the great pain of telling. You must |
know |
. |
Otho the Great, Act IV, SCENE I, Albert, Line 121 |
And listen to me; |
know |
me once for all. |
Otho the Great, Act IV, SCENE I, Albert, Line 134 |
To |
know |
thee sad thus, will unloose my tongue |
Otho the Great, Act IV, SCENE II, Page, Line 14 |
Yet, one day, you must |
know |
a grief, whose sting |
Otho the Great, Act IV, SCENE II, Gersa, Line 72 |
I see you |
know |
it all! |
Otho the Great, Act V, SCENE II, Albert, Line 7a |
I am no seer; you |
know |
we must obey |
Otho the Great, Act V, SCENE V, Gonfrid, Line 5 |
They |
know |
their own thoughts best. As for the third, |
Otho the Great, Act V, SCENE V, Ludolph, Line 58 |
That he may bless me, as I |
know |
he will, |
Otho the Great, Act V, SCENE V, Ludolph, Line 113 |
Thou art a scholar, Lycius, and must |
know |
|
Lamia, Part I, Line 279 |
So noiseless, and he never thought to |
know |
. |
Lamia, Part I, Line 349 |
We |
know |
her woof, her texture; she is given |
Lamia, Part II, Line 232 |
Sweet smelling, whose pure kinds I could not |
know |
. |
The Fall of Hyperion: A Dream, CANTO I, Line 34 |
I |
know |
it - and to know it is despair |
To Fanny, Line 41 |
I know it - and to |
know |
it is despair |
To Fanny, Line 41 |
Fain would I |
know |
the great usurper's fate. |
King Stephen Act I, SCENE II, Glocester, Line 8 |
"I |
know |
a many Berthas!" "Mine's above |
The Jealousies, Line 372 |
"You seem to |
know |
"- "I do know," answer'd Hum, |
The Jealousies, Line 379 |
"You seem to know"- "I do |
know |
," answer'd Hum, |
The Jealousies, Line 379 |
His Majesty will |
know |
her temper time enough. |
The Jealousies, Line 702 |
|
KNOW'ST...........4 |
Thou |
know'st |
the deepness of his misery. |
Endymion: A Poetic Romance, Book II, Line 551 |
My weary watching. Though thou |
know'st |
it not, |
Endymion: A Poetic Romance, Book III, Line 297 |
On barren souls. Great Muse, thou |
know'st |
what prison, |
Endymion: A Poetic Romance, Book IV, Line 20 |
|
Know'st |
thou that man?" Poor Lamia answer'd not. |
Lamia, Part II, Line 255 |
|
KNOWING...........10 |
I slowly sail, scarce |
knowing |
my intent; |
To Charles Cowden Clarke, Line 18 |
In a green island, far from all men's |
knowing |
? |
Sleep and Poetry, Line 6 |
|
Knowing |
within myself the manner in which this Poem has |
Endymion: A Poetic Romance, Preface, paragraph1 |
At which I wondered greatly, |
knowing |
well |
Endymion: A Poetic Romance, Book I, Line 556 |
Or I shall think you |
knowing |
; |
O blush not so! O blush not so, Line 2 |
Hath fled to her bower, well |
knowing |
I want |
Hush, hush, tread softly, hush, hush, my dear, Line 14 |
|
Knowing |
his mawkish honesty. |
Otho the Great, Act IV, SCENE I, Auranthe, Line 10a |
Because he mused beyond her, |
knowing |
well |
Lamia, Part II, Line 38 |
And |
knowing |
surely she could never win |
Lamia, Part II, Line 113 |
|
Knowing |
the Emperor's moody bitterness; |
The Jealousies, Line 338 |
|
KNOWLEDGE.........8 |
Leading to universal |
knowledge |
- see, |
Endymion: A Poetic Romance, Book I, Line 289 |
By a fore- |
knowledge |
of unslumbrous night! |
Endymion: A Poetic Romance, Book I, Line 912 |
O fret not after |
knowledge |
- I have none, |
O thou whose face hath felt the winter's wind, Line 9 |
O fret not after |
knowledge |
- I have none, |
O thou whose face hath felt the winter's wind, Line 11 |
She had no |
knowledge |
when the day was done, |
Isabella; or, The Pot of Basil, Line 421 |
And all my |
knowledge |
is that joy is gone, |
Hyperion: A Fragment, Book II, Line 253 |
|
Knowledge |
enormous makes a God of me. |
Hyperion: A Fragment, Book III, Line 113 |
If I have any |
knowledge |
of you, sir, |
Otho the Great, Act II, SCENE II, Erminia, Line 112 |
|
KNOWN.............25 |
Had she but |
known |
how beat my heart |
Fill for me a brimming bowl, Line 21 |
Greeted, as he had |
known |
them long before. |
Calidore: A Fragment, Line 33 |
With many else which I have never |
known |
. |
To Charles Cowden Clarke, Line 48 |
Nor should I now, but that I've |
known |
you long; |
To Charles Cowden Clarke, Line 52 |
Or |
known |
your kindness, what might I have been? |
To Charles Cowden Clarke, Line 73 |
A well- |
known |
voice sigh'd, "Sweetest, here am I!" |
Endymion: A Poetic Romance, Book II, Line 714 |
"O |
known |
Unknown! from whom my being sips |
Endymion: A Poetic Romance, Book II, Line 739 |
Sat silently. Love's madness he had |
known |
: |
Endymion: A Poetic Romance, Book II, Line 860 |
What elysium have ye |
known |
, |
Lines on the Mermaid Tavern, Line 2 |
What elysium have ye |
known |
, |
Lines on the Mermaid Tavern, Line 24 |
There is a joy in every spot made |
known |
by times of old, |
There is a joy in footing slow across a silent plain, Line 5 |
What thou among the leaves hast never |
known |
, |
Ode to a Nightingale, Line 22 |
To make our golden fortune |
known |
to you. |
Otho the Great, Act I, SCENE I, Conrad, Line 24 |
Still it must not be |
known |
, good Sigifred; |
Otho the Great, Act I, SCENE III, Ludolph, Line 10 |
|
Known |
only to his troop, hath greater plea |
Otho the Great, Act I, SCENE III, Ludolph, Line 28 |
Had I |
known |
that of him I have since known, |
Otho the Great, Act II, SCENE I, Conrad, Line 47 |
Had I known that of him I have since |
known |
, |
Otho the Great, Act II, SCENE I, Conrad, Line 47 |
Yes, he was ever |
known |
to be a man |
Otho the Great, Act II, SCENE II, Erminia, Line 22 |
Whom I have |
known |
from her first infancy, |
Otho the Great, Act II, SCENE II, Ethelbert, Line 131 |
To unperplex'd delight and pleasure |
known |
. |
Lamia, Part I, Line 327 |
My presence in wide Corinth hardly |
known |
: |
Lamia, Part II, Line 93 |
Be poet's or fanatic's will be |
known |
|
The Fall of Hyperion: A Dream, CANTO I, Line 17 |
|
Known |
to the woodland nostril, so the words |
The Fall of Hyperion: A Dream, CANTO I, Line 406 |
Of honour forfeit. O, that my |
known |
voice |
King Stephen Act I, SCENE I, Stephen, Line 7 |
"Good! good!" cried Hum, "I've |
known |
her from a child! |
The Jealousies, Line 388 |
|
KNOWS.............9 |
And 'tis right just, for well Apollo |
knows |
|
To My Brother George (epistle), Line 45 |
He who |
knows |
these delights, and, too, is prone |
On The Story of Rimini, Line 9 |
Why it is thus, one |
knows |
in heaven above: |
Endymion: A Poetic Romance, Book II, Line 128 |
Enchanted has it been the Lord |
knows |
where. |
Give me your patience, sister, while I frame, Line 18 |
|
Knows |
thee not, thus afflicted, for a God; |
Hyperion: A Fragment, Book I, Line 56 |
The Duke is out of temper; if he |
knows |
|
Otho the Great, Act I, SCENE I, Albert, Line 145 |
Who comforts those she sees not, who |
knows |
not |
The Fall of Hyperion: A Dream, CANTO I, Line 270 |
|
Knows |
thee not, so afflicted, for a God; |
The Fall of Hyperion: A Dream, CANTO I, Line 358 |
"He's in the kitchen, or the Lord |
knows |
where,"- |
The Jealousies, Line 313 |
|
KNOX..............2 |
Since |
Knox |
, the revolutionist, |
O Some Skulls in Beauley Abbey, near Inverness, Line 14 |
There's Bertha Blount of York,- and Bertha |
Knox |
of Perth." |
The Jealousies, Line 378 |
|
KNUCKLES..........1 |
These treasures - touch'd the |
knuckles |
- they unclasp'd- |
Endymion: A Poetic Romance, Book III, Line 672 |
|
KOSCIUSKO.........1 |
Good |
Kosciusko |
, thy great name alone |
To Kosciusko, Line 1 |
|
KOSCIUSKO'S.......1 |
Of the goaded world; and |
Kosciusko's |
worn |
Sleep and Poetry, Line 387 |
|
KYRTLED...........1 |
Green- |
kyrtled |
Spring, flush Summer, golden store |
Endymion: A Poetic Romance, Book IV, Line 422 |