|
MONARCH...........7 |
Before the Water- |
Monarch |
. Nectar ran |
Endymion: A Poetic Romance, Book III, Line 925 |
Dost thou forget, sham |
Monarch |
of the Waves, |
Hyperion: A Fragment, Book II, Line 319 |
Mighty |
monarch |
, |
Otho the Great, Act I, SCENE II, Albert, Line 51b |
When here, a |
monarch |
, whose proud foot is used |
Otho the Great, Act I, SCENE II, Gersa, Line 103 |
Deluded |
monarch |
, 'tis a cruel lie. |
Otho the Great, Act III, SCENE II, Ethelbert, Line 218 |
"I can't say," said the |
monarch |
, "that may be |
The Jealousies, Line 397 |
The |
monarch |
handled o'er and o'er again |
The Jealousies, Line 451 |
|
MONDAY............1 |
O to arrive each |
Monday |
morn from Ind, |
To J.R., Line 9 |
|
MONETA............5 |
Is Saturn's; I, |
Moneta |
, left supreme |
The Fall of Hyperion: A Dream, CANTO I, Line 226 |
And so by turns - till sad |
Moneta |
cried, |
The Fall of Hyperion: A Dream, CANTO I, Line 240 |
Surpassing wan |
Moneta |
by the head, |
The Fall of Hyperion: A Dream, CANTO I, Line 337 |
|
Moneta |
silent. Without stay or prop |
The Fall of Hyperion: A Dream, CANTO I, Line 388 |
Ere I could turn, |
Moneta |
cried - "These twain |
The Fall of Hyperion: A Dream, CANTO I, Line 460 |
|
MONETA'S..........3 |
To make rejoinder to |
Moneta's |
mourn. |
The Fall of Hyperion: A Dream, CANTO I, Line 231 |
So at the view of sad |
Moneta's |
brow, |
The Fall of Hyperion: A Dream, CANTO I, Line 275 |
In Saturn's temple. Then |
Moneta's |
voice |
The Fall of Hyperion: A Dream, CANTO I, Line 300 |
|
MONEY.............3 |
A |
money |
mong'ring, pitiable brood. |
Addressed to Haydon, Line 8 |
Can't be got without hard |
money |
! |
Robin Hood, Line 48 |
How could these |
money |
-bags see east and west?- |
Isabella; or, The Pot of Basil, Line 142 |
|
MONG'RING.........1 |
A money |
mong'ring |
, pitiable brood. |
Addressed to Haydon, Line 8 |
|
MONITOR...........2 |
And |
monitor |
me nightly to lone slumber. |
Endymion: A Poetic Romance, Book IV, Line 884 |
But make your own heart |
monitor |
, and save |
Otho the Great, Act IV, SCENE I, Albert, Line 120 |
|
MONITORS..........1 |
True tender |
monitors |
, |
Unfelt, unheard, unseen, Line 13 |
|
MONK..............4 |
Not Ethelbert the |
monk |
, if he were here, |
Otho the Great, Act II, SCENE II, Erminia, Line 25 |
Those grey lids wink, and thou not know it, |
monk |
! |
Otho the Great, Act III, SCENE II, Ludolph, Line 88 |
Out, tedious |
monk |
! |
Otho the Great, Act III, SCENE II, Ludolph, Line 160a |
Fear'st thou not my fury, |
monk |
? |
Otho the Great, Act III, SCENE II, Otho, Line 237b |
|
MONKEY............1 |
Shamm'd a good snore - the |
monkey |
-men descended, |
When they were come unto the Faery's court, Line 93 |
|
MONKIES...........1 |
And then the thievish |
monkies |
down would creep |
When they were come unto the Faery's court, Line 90 |
|
MONKISH...........3 |
Until their |
monkish |
pantomime |
O Some Skulls in Beauley Abbey, near Inverness, Line 65 |
In |
monkish |
fashion! |
O Some Skulls in Beauley Abbey, near Inverness, Line 84 |
No poison gender'd in close |
monkish |
cell |
The Fall of Hyperion: A Dream, CANTO I, Line 49 |
|
MONKS.............2 |
In short, sir, 'tis a very place for |
monks |
, |
Fragment of Castle-builder, CASTLE BUILDER, Line 16 |
Enter ETHELBERT and six |
Monks |
. |
Otho the Great, Act I, SCENE II, S.D. to Line 185 |
|
MONSIEUR..........1 |
"Certes, |
monsieur |
were best take to his feet, |
The Jealousies, Line 257 |
|
MONSTER...........4 |
Of nameless |
monster |
. A cold leaden awe |
Endymion: A Poetic Romance, Book III, Line 136 |
Some friendly |
monster |
, pitying my sad state, |
Endymion: A Poetic Romance, Book III, Line 350 |
A show- |
monster |
about the streets of Prague, |
Otho the Great, Act I, SCENE II, Otho, Line 167 |
|
Monster |
of folly! Ghost of a turn'd brain! |
Otho the Great, Act III, SCENE II, Ludolph, Line 202 |
|
MONSTER'S.........2 |
They cut away no formless |
monster's |
head, |
Isabella; or, The Pot of Basil, Line 394 |
The |
monster's |
always after something new," |
The Jealousies, Line 545 |
|
MONSTERS..........2 |
On which were many |
monsters |
seen, |
The Eve of St. Mark, Line 78 |
Two ugly |
monsters |
. |
Otho the Great, Act III, SCENE II, Ethelbert, Line 69a |
|
MONSTROUS.........20 |
While his boat hastens to the |
monstrous |
steep |
Sleep and Poetry, Line 88 |
My stumblings down some |
monstrous |
precipice: |
Endymion: A Poetic Romance, Book I, Line 703 |
Like Vulcan's rainbow, with some |
monstrous |
roof |
Endymion: A Poetic Romance, Book II, Line 231 |
The |
monstrous |
sea is thine - the myriad sea! |
Endymion: A Poetic Romance, Book III, Line 69 |
And air of visions, and the |
monstrous |
swell |
Endymion: A Poetic Romance, Book IV, Line 652 |
Sir, Convent Garden is a |
monstrous |
beast; |
Fragment of Castle-builder, CASTLE BUILDER, Line 9 |
Since Merlin paid his Demon all the |
monstrous |
debt. |
The Eve of St. Agnes, Line 171 |
All as ye pass swell out the |
monstrous |
truth, |
Hyperion: A Fragment, Book I, Line 65 |
O |
monstrous |
forms! O effigies of pain! |
Hyperion: A Fragment, Book I, Line 228 |
Forehead to forehead held their |
monstrous |
horns; |
Hyperion: A Fragment, Book II, Line 12 |
But I was haunted by the |
monstrous |
ghost |
Otho the Great, Act I, SCENE II, Gersa, Line 124 |
I'll choose a jailor, whose swart |
monstrous |
face |
Otho the Great, Act II, SCENE I, Otho, Line 91 |
Shall I go myself? |
Monstrous |
wickedness! |
Otho the Great, Act II, SCENE II, Erminia, Line 3 |
You cannot credit such a |
monstrous |
tale. |
Otho the Great, Act II, SCENE II, Ethelbert, Line 138 |
Oh! |
monstrous |
! |
Otho the Great, Act III, SCENE I, Albert, Line 61b |
That |
monstrous |
region, whose dull rivers pour |
What can I do to drive away, Line 34 |
What is the |
monstrous |
bugbear that can fright |
King Stephen Act I, SCENE I, Stephen, Line 20 |
" |
Monstrous |
affair! Pshaw! pah! what ugly minx |
The Jealousies, Line 163 |
My master finds a |
monstrous |
horrid bore; |
The Jealousies, Line 285 |
She frown'd; a |
monstrous |
owl across us flies |
The Jealousies, Line 655 |
|
MONTH.............4 |
The anxious |
month |
, relieving from its pains, |
After dark vapours have oppressed our plains, Line 5 |
Not even I, for one whole |
month |
, will pry |
Endymion: A Poetic Romance, Book IV, Line 824 |
A whole long |
month |
of May in this sad plight |
Isabella; or, The Pot of Basil, Line 25 |
Wherewith the seasonable |
month |
endows |
Ode to a Nightingale, Line 44 |
|
MONTMORENCI.......1 |
Of |
Montmorenci |
. Why so sad a moan? |
Sleep and Poetry, Line 89 |
|
MONUMENT..........1 |
To that eternal domed |
monument |
. |
The Fall of Hyperion: A Dream, CANTO I, Line 71 |
|
MONY..............1 |
An' |
mony |
ithers. |
Ah! ken ye what I met the day, Line 32 |
|
MOOD..............13 |
We must think rather, that in a playful |
mood |
, |
Specimen of an Induction to a Poem, Line 8 |
That I can never tell what |
mood |
is best. |
To G.A.W., Line 12 |
Her motherly cheeks. Arous'd from this sad |
mood |
|
Endymion: A Poetic Romance, Book I, Line 343 |
In ponderous stone, developing the |
mood |
|
Endymion: A Poetic Romance, Book III, Line 132 |
There came an eastern voice of solemn |
mood |
:- |
Endymion: A Poetic Romance, Book IV, Line 10 |
Trifling his ivy-dart, in dancing |
mood |
, |
Endymion: A Poetic Romance, Book IV, Line 210 |
Anthropophagi in Othello's |
mood |
, |
Give me your patience, sister, while I frame, Line 10 |
Revolve these facts in your acutest |
mood |
, |
Otho the Great, Act I, SCENE I, Conrad, Line 35 |
In such a |
mood |
as now you listen to me: |
Otho the Great, Act I, SCENE I, Conrad, Line 36 |
What |
mood |
is this? Hath fortune touch'd thy brain? |
Otho the Great, Act I, SCENE II, Otho, Line 99 |
A melancholy |
mood |
will haunt a man, |
Otho the Great, Act IV, SCENE I, Auranthe, Line 124 |
Too much upon your thoughtful |
mood |
, I will |
Otho the Great, Act IV, SCENE II, Gersa, Line 47 |
Plain in our own original |
mood |
and tense, |
The Jealousies, Line 791 |
|
MOODS.............4 |
Ravening a worm.- Away ye horrid |
moods |
, |
Dear Reynolds, as last night I lay in bed, Line 105 |
|
Moods |
of one's mind! You know I hate them well, |
Dear Reynolds, as last night I lay in bed, Line 106 |
Than with these horrid |
moods |
be left in lurch. |
Dear Reynolds, as last night I lay in bed, Line 109 |
And from detested |
moods |
in new romance |
Dear Reynolds, as last night I lay in bed, Line 111 |
|
MOODY.............3 |
Who never shook before. There's |
moody |
death |
Otho the Great, Act V, SCENE I, Auranthe, Line 4 |
Their shutters with a |
moody |
sense of wealth, |
The Jealousies, Line 209 |
Knowing the Emperor's |
moody |
bitterness; |
The Jealousies, Line 338 |
|
MOON..............58 |
As when a cloud a golden |
moon |
doth veil, |
To Lord Byron, Line 9 |
Peep with the |
moon |
-beams through the leafy roof, |
To Hope, Line 11 |
Responsive to sylphs, in the |
moon |
beamy air. |
To Some Ladies, Line 12 |
And when the |
moon |
her pallid face discloses, |
Had I a man's fair form, then might my sighs, Line 13 |
Lovely the |
moon |
in ether, all alone: |
Calidore: A Fragment, Line 157 |
Or the coy |
moon |
, when in the waviness |
To My Brother George (epistle), Line 59 |
Or by the |
moon |
lifting her silver rim |
I stood tip-toe upon a little hill, Line 113 |
Haply a halo round the |
moon |
- a glee |
To the Ladies Who Saw Me Crown'd, Line 3 |
Or |
moon |
, if that her hunting be begun. |
On The Story of Rimini, Line 8 |
From our dark spirits. Such the sun, the |
moon |
, |
Endymion: A Poetic Romance, Book I, Line 13 |
Dear as the temple's self, so does the |
moon |
, |
Endymion: A Poetic Romance, Book I, Line 28 |
Seems at the distance like a crescent |
moon |
: |
Endymion: A Poetic Romance, Book I, Line 544 |
The loveliest |
moon |
, that ever silver'd o'er |
Endymion: A Poetic Romance, Book I, Line 592 |
From the clear |
moon |
, the trees, and coming madness. |
Endymion: A Poetic Romance, Book II, Line 218 |
O |
Moon |
! the oldest shades 'mong oldest trees |
Endymion: A Poetic Romance, Book III, Line 52 |
O |
Moon |
! old boughs lisp forth a holier din |
Endymion: A Poetic Romance, Book III, Line 54 |
O |
Moon |
! far-spooming Ocean bows to thee, |
Endymion: A Poetic Romance, Book III, Line 70 |
A |
moon |
-beam to the deep, deep water-world, |
Endymion: A Poetic Romance, Book III, Line 101 |
To taste the gentle |
moon |
, and freshening beads, |
Endymion: A Poetic Romance, Book III, Line 110 |
"What is there in thee, |
Moon |
! that thou shouldst move |
Endymion: A Poetic Romance, Book III, Line 142 |
Thou wast the charm of women, lovely |
Moon |
! |
Endymion: A Poetic Romance, Book III, Line 169 |
Aeaea's isle was wondering at the |
moon |
:- |
Endymion: A Poetic Romance, Book III, Line 415 |
Even in the passing of thine honey- |
moon |
, |
Endymion: A Poetic Romance, Book III, Line 917 |
Tall chestnuts keep away the sun and |
moon |
:- |
Endymion: A Poetic Romance, Book IV, Line 207 |
It seem'd as when around the pale new |
moon |
|
Endymion: A Poetic Romance, Book IV, Line 368 |
The |
moon |
put forth a little diamond peak, |
Endymion: A Poetic Romance, Book IV, Line 497 |
You may go, with sun or |
moon |
, |
Robin Hood, Line 20 |
Son of the old |
moon |
-mountains African! |
To the Nile, Line 1 |
And the |
moon |
, all silver proud, |
Extracts from an Opera, DAISY'S SONG Line 3 |
And of thy roses amorous of the |
moon |
, |
Isabella; or, The Pot of Basil, Line 148 |
And she forgot the stars, the |
moon |
, and sun, |
Isabella; or, The Pot of Basil, Line 417 |
Full hard against the |
moon |
. |
Old Meg she was a gipsey, Line 16 |
It should be rich and sombre, and the |
moon |
, |
Fragment of Castle-builder, CASTLE BUILDER, Line 26 |
To see what else the |
moon |
alone can shew; |
Fragment of Castle-builder, CASTLE BUILDER, Line 32 |
A cloud across the |
moon |
,- the lights bring in! |
Fragment of Castle-builder, CASTLE BUILDER, Line 46 |
Orbed is the |
moon |
and bright, |
'Tis the "witching time of night", Line 2 |
And the |
moon |
is waxing warm |
'Tis the "witching time of night", Line 8 |
|
Moon |
, keep wide thy golden ears; |
'Tis the "witching time of night", Line 10 |
With the spheres of sun and |
moon |
; |
Bards of passion and of mirth, Line 6 |
And the |
moon |
, whether prudish or complaisant, |
Hush, hush, tread softly, hush, hush, my dear, Line 13 |
Feebly she laugheth in the languid |
moon |
, |
The Eve of St. Agnes, Line 127 |
Full on this casement shone the wintry |
moon |
, |
The Eve of St. Agnes, Line 217 |
Then by the bed-side, where the faded |
moon |
|
The Eve of St. Agnes, Line 253 |
Against the window-panes; St. Agnes' |
moon |
hath set. |
The Eve of St. Agnes, Line 324 |
One |
moon |
, with alteration slow, had shed |
Hyperion: A Fragment, Book I, Line 83 |
Far from her |
moon |
had Phoebe wandered; |
Hyperion: A Fragment, Book II, Line 30 |
And the most patient brilliance of the |
moon |
! |
Hyperion: A Fragment, Book III, Line 98 |
And haply the Queen- |
Moon |
is on her throne, |
Ode to a Nightingale, Line 36 |
To dazzle the soft |
moon |
, when tenderest clouds |
Otho the Great, Act III, SCENE II, Ludolph, Line 228 |
Of a wide empire, like a glowing |
moon |
; |
Otho the Great, Act IV, SCENE I, Auranthe, Line 80 |
And towards her stept: she, like a |
moon |
in wane, |
Lamia, Part I, Line 136 |
But in blank splendor beam'd like the mild |
moon |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 269 |
Ponderous upon my senses a whole |
moon |
. |
The Fall of Hyperion: A Dream, CANTO I, Line 392 |
Still suck their fill of light from sun and |
moon |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 421 |
What stare outfaces now my silver |
moon |
! |
To Fanny, Line 18 |
Aye, even on the first of the new |
moon |
, |
The Jealousies, Line 26 |
Bigger than stags,- a |
moon |
,- with other mysteries. |
The Jealousies, Line 450 |
"At half-past three arose the cheerful |
moon |
- |
The Jealousies, Line 685 |
|
MOON'S............2 |
Where woven boughs shut out the |
moon's |
bright ray, |
To Hope, Line 8 |
Beneath the curved |
moon's |
triumphal arch. |
To George Felton Mathew, Line 30 |
|
MOONED............1 |
Of all her milder- |
mooned |
body's grace; |
Lamia, Part I, Line 156 |
|
MOONLESS..........1 |
Or, on a |
moonless |
night, |
Endymion: A Poetic Romance, Book IV, Line 156 |
|
MOONLIGHT.........8 |
Or a rapt seraph in a |
moonlight |
beam; |
To George Felton Mathew, Line 24 |
The wanderer by |
moonlight |
? to him bringing |
I stood tip-toe upon a little hill, Line 185 |
Sweet poesy by |
moonlight |
: besides these, |
Endymion: A Poetic Romance, Book I, Line 369 |
And |
moonlight |
; aye, to all the mazy world |
Endymion: A Poetic Romance, Book I, Line 460 |
Yes, |
moonlight |
Emperor! felicity |
Endymion: A Poetic Romance, Book IV, Line 776 |
Buttress'd from |
moonlight |
, stands he, and implores |
The Eve of St. Agnes, Line 77 |
He found him in a little |
moonlight |
room, |
The Eve of St. Agnes, Line 112 |
The lustrous salvers in the |
moonlight |
gleam; |
The Eve of St. Agnes, Line 284 |
|
MOONS.............3 |
That I may never know how change the |
moons |
, |
Ode on Indolence, Line 39 |
Skies full of splendid |
moons |
, and shooting stars, |
Otho the Great, Act V, SCENE V, Ludolph, Line 45 |
And full of silver |
moons |
, that, as she breathed, |
Lamia, Part I, Line 51 |
|
MOONSHINE.........2 |
In the cold |
moonshine |
. Straight he seiz'd her wrist; |
Endymion: A Poetic Romance, Book IV, Line 508 |
Its little smoke, in pallid |
moonshine |
, died: |
The Eve of St. Agnes, Line 200 |
|
MOOR..............1 |
Of Druid stones, upon a forlorn |
moor |
, |
Hyperion: A Fragment, Book II, Line 35 |
|
MOORE.............1 |
Look in the Almanack - |
Moore |
never lies- |
The Jealousies, Line 500 |
|
MOORS.............6 |
And wither drearily on barren |
moors |
: |
Endymion: A Poetic Romance, Book I, Line 287 |
Of happiness, to when upon the |
moors |
, |
Endymion: A Poetic Romance, Book I, Line 390 |
And liv'd upon the |
moors |
; |
Old Meg she was a gipsey, Line 2 |
She linger'd still. Meantime, across the |
moors |
, |
The Eve of St. Agnes, Line 74 |
For o'er the southern |
moors |
I have a home for thee." |
The Eve of St. Agnes, Line 351 |
Of snow upon the mountains and the |
moors |
; |
Bright star, would I were stedfast as thou art, Line 8 |
|
MORAL.............4 |
The sage will mingle with each |
moral |
theme |
To My Brother George (epistle), Line 77 |
He might have given the |
moral |
a fresh frown, |
Lamia, Part II, Line 8 |
Stuck in his |
moral |
throat, no coughing e'er could stir. |
The Jealousies, Line 108 |
The tiptoe marquis, |
moral |
and gallant, |
The Jealousies, Line 150 |
|
MORALIZE..........2 |
And thou shouldst |
moralize |
on Milton's blindness, |
To George Felton Mathew, Line 61 |
To |
moralize |
upon a smile or tear, |
On The Story of Rimini, Line 10 |
|
MORBID............1 |
O bright-eyed Hope, my |
morbid |
fancy cheer; |
To Hope, Line 21 |
|
MOREOVER..........5 |
|
Moreover |
, through the dancing poppies stole |
Endymion: A Poetic Romance, Book I, Line 566 |
Against an endless storm. |
Moreover |
too, |
Endymion: A Poetic Romance, Book II, Line 883 |
He shall not die. |
Moreover |
, and in chief, |
Endymion: A Poetic Romance, Book III, Line 701 |
Saying |
moreover |
, "Isabel, my sweet! |
Isabella; or, The Pot of Basil, Line 297 |
Tell him, |
moreover |
, I am prisoner |
Otho the Great, Act II, SCENE II, Erminia, Line 74 |
|
MORION............1 |
Smote on the |
morion |
of a Flemish knight, |
King Stephen Act I, SCENE II, Second Knight, Line 39 |
|
MORN..............43 |
'Tis |
morn |
, and the flowers with dew are yet drooping, |
To Some Ladies, Line 13 |
In the coolness of the |
morn |
. |
Hadst thou liv'd in days of old, Line 34 |
The |
morn |
, the eve, the light, the shade, the flowers; |
Specimen of an Induction to a Poem, Line 67 |
That fill'd the eyes of |
morn |
;- the laurel'd peers |
To My Brother George (sonnet), Line 3 |
Gay villagers, upon a |
morn |
of May, |
To My Brother George (epistle), Line 83 |
Caught from the early sobbing of the |
morn |
. |
I stood tip-toe upon a little hill, Line 7 |
For if we wander out in early |
morn |
, |
To Leigh Hunt, Esq., Line 2 |
For all the blushing of the hasty |
morn |
. |
Unfelt, unheard, unseen, Line 18 |
For 'twas the |
morn |
: Apollo's upward fire |
Endymion: A Poetic Romance, Book I, Line 95 |
Or blind Orion hungry for the |
morn |
. |
Endymion: A Poetic Romance, Book II, Line 198 |
Whose silent wheels, fresh wet from clouds of |
morn |
, |
Endymion: A Poetic Romance, Book II, Line 519 |
From eve to |
morn |
across the firmament. |
Endymion: A Poetic Romance, Book III, Line 146 |
Just when the light of |
morn |
, with hum of bees, |
Endymion: A Poetic Romance, Book III, Line 419 |
The fairest face that |
morn |
e'er look'd upon |
Endymion: A Poetic Romance, Book III, Line 424 |
"One |
morn |
she left me sleeping: half awake |
Endymion: A Poetic Romance, Book III, Line 477 |
Our pillows; and the fresh to-morrow |
morn |
|
Endymion: A Poetic Romance, Book IV, Line 23 |
My steeds are all pawing on the thresholds of |
morn |
: |
Apollo to the Graces, Line 3 |
To thee the spring shall be a tripple |
morn |
. |
O thou whose face hath felt the winter's wind, Line 8 |
O to arrive each Monday |
morn |
from Ind, |
To J.R., Line 9 |
This |
morn |
, my friend, and yester evening taught |
To J.R., Line 13 |
With every |
morn |
their love grew tenderer, |
Isabella; or, The Pot of Basil, Line 9 |
And greet thee |
morn |
and even in the skies." |
Isabella; or, The Pot of Basil, Line 336 |
And the new |
morn |
she saw not: but in peace |
Isabella; or, The Pot of Basil, Line 422 |
No breakfast had she many a |
morn |
, |
Old Meg she was a gipsey, Line 13 |
But every |
morn |
of woodbine fresh |
Old Meg she was a gipsey, Line 17 |
Sweet birds antheming the |
morn |
: |
Fancy, Line 42 |
And all the bliss to be before to-morrow |
morn |
. |
The Eve of St. Agnes, Line 72 |
Whose prayers for thee, each |
morn |
and evening, |
The Eve of St. Agnes, Line 157 |
That all day long, from earliest |
morn |
, |
The Eve of St. Mark, Line 26 |
Far sunken from the healthy breath of |
morn |
, |
Hyperion: A Fragment, Book I, Line 2 |
Till suddenly a splendour, like the |
morn |
, |
Hyperion: A Fragment, Book II, Line 357 |
And let the clouds of even and of |
morn |
|
Hyperion: A Fragment, Book III, Line 16 |
That waileth every |
morn |
and eventide, |
Hyperion: A Fragment, Book III, Line 109 |
Is emptied of this folk, this pious |
morn |
? |
Ode on a Grecian Urn, Line 37 |
One |
morn |
before me were three figures seen, |
Ode on Indolence, Line 1 |
The |
morn |
was clouded, but no shower fell, |
Ode on Indolence, Line 45 |
With wooing light upon me, ere the |
morn |
|
Otho the Great, Act IV, SCENE II, Ludolph, Line 40 |
Quench'd in the |
morn |
. |
Otho the Great, Act V, SCENE V, Sigifred, Line 50a |
"My silver planet, both of eve and |
morn |
! |
Lamia, Part II, Line 48 |
Far sunken from the healthy breath of |
morn |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 295 |
Through the wide air to Kent this |
morn |
I glide!" |
The Jealousies, Line 527 |
The |
morn |
was full of holiday; loud bells |
The Jealousies, Line 568 |
At half-past four the |
morn |
essay'd to beam- |
The Jealousies, Line 708 |
|
MORNING...........47 |
Now |
Morning |
from her orient chamber came, |
Imitation of Spenser, Line 1 |
Was night to thy fair |
morning |
! Thou didst die |
Oh Chatterton! how very sad thy fate, Line 7 |
And fright him as the |
morning |
frightens night! |
To Hope, Line 18 |
And tears 'mong the dewdrops of |
morning |
oft glistened. |
On Receiving a Curious Shell..., Line 32 |
I shall again see Phoebus in the |
morning |
: |
To George Felton Mathew, Line 21 |
Athwart the |
morning |
air: some lady sweet, |
Specimen of an Induction to a Poem, Line 13 |
And |
morning |
shadows streaking into slimness |
To Charles Cowden Clarke, Line 87 |
With careless robe, to meet the |
morning |
ray, |
To G.A.W., Line 7 |
Most happy listener! when the |
morning |
blesses |
Sleep and Poetry, Line 16 |
The |
morning |
sun-beams to the great Apollo |
Sleep and Poetry, Line 60 |
The |
morning |
precious: beauty was awake! |
Sleep and Poetry, Line 192 |
Within my breast; so that the |
morning |
light |
Sleep and Poetry, Line 399 |
Fresh |
morning |
gusts have blown away all fear |
To a Young Lady Who Sent Me a Laurel Crown, Line 1 |
Of |
morning |
roses - riplings tenderly |
To the Ladies Who Saw Me Crown'd, Line 6 |
Who loves to peer up at the |
morning |
sun, |
On The Story of Rimini, Line 1 |
Such |
morning |
incense from the fields of May, |
Endymion: A Poetic Romance, Book I, Line 470 |
To slumbery pout; just as the |
morning |
south |
Endymion: A Poetic Romance, Book II, Line 406 |
A dreary |
morning |
once I fled away |
Endymion: A Poetic Romance, Book II, Line 556 |
Vex'd like a |
morning |
eagle, lost and weary, |
Endymion: A Poetic Romance, Book II, Line 635 |
Dancing before the |
morning |
gates of heaven? |
Endymion: A Poetic Romance, Book II, Line 688 |
And snatch thee from the |
morning |
; o'er the main |
Endymion: A Poetic Romance, Book II, Line 697 |
Into sweet air; and sober'd |
morning |
came |
Endymion: A Poetic Romance, Book III, Line 115 |
Heaven's gates, and Aethon snort his |
morning |
gold |
Endymion: A Poetic Romance, Book III, Line 364 |
Gulphs in the |
morning |
light, and scuds along |
Endymion: A Poetic Romance, Book III, Line 956 |
All gather'd in the dewy |
morning |
: hie |
Endymion: A Poetic Romance, Book IV, Line 579 |
|
Morning |
fair and storm-wreck'd hull; |
Welcome joy, and welcome sorrow, Line 13 |
Fire-wing'd, and make a |
morning |
in his mirth: |
Spenser, a jealous honorer of thine, Line 8 |
To hear her |
morning |
-step upon the stair. |
Isabella; or, The Pot of Basil, Line 24 |
So said he one fair |
morning |
, and all day |
Isabella; or, The Pot of Basil, Line 41 |
In its ripe warmth this gracious |
morning |
time." |
Isabella; or, The Pot of Basil, Line 68 |
So on a pleasant |
morning |
, as he leant |
Isabella; or, The Pot of Basil, Line 177 |
When the full |
morning |
came, she had devised |
Isabella; or, The Pot of Basil, Line 337 |
From |
morning |
, four o'clock, to twelve at noon, |
Fragment of Castle-builder, CASTLE BUILDER, Line 10 |
Full blown, and such warmth for the |
morning |
take; |
Hush, hush, tread softly, hush, hush, my dear, Line 22 |
Arise - arise! the |
morning |
is at hand;- |
The Eve of St. Agnes, Line 345 |
The |
morning |
-bright Apollo! young Apollo!' |
Hyperion: A Fragment, Book II, Line 294 |
And in the |
morning |
twilight wandered forth |
Hyperion: A Fragment, Book III, Line 33 |
Then glut thy sorrow on a |
morning |
rose, |
Ode on Melancholy, Line 15 |
He will be here this |
morning |
. |
Otho the Great, Act I, SCENE I, Conrad, Line 106a |
Self-influenced; then, in his |
morning |
dreams |
Otho the Great, Act I, SCENE III, Sigifred, Line 107 |
When in the |
morning |
he doth yawn with pride, |
Otho the Great, Act II, SCENE I, Sigifred, Line 14 |
Break amorous through the clouds, as |
morning |
breaks, |
Lamia, Part I, Line 77 |
And, like new flowers at |
morning |
song of bees, |
Lamia, Part I, Line 142 |
Alone they can drink up the |
morning |
rain: |
Lamia, Part I, Line 264 |
I' the |
morning |
, freighted with a weight of woe, |
The Jealousies, Line 239 |
Have nantz, with which my |
morning |
-coffee's laced." |
The Jealousies, Line 365 |
You must away this |
morning |
." "Hum! so soon?" |
The Jealousies, Line 494 |
|
MORNING'S.........3 |
Fresh for the opening of the |
morning's |
eye. |
On Seeing the Elgin Marbles, Line 8 |
He felt aloof the day and |
morning's |
prime- |
Endymion: A Poetic Romance, Book IV, Line 374 |
The |
morning's |
very fine,- uncommonly! |
The Jealousies, Line 552 |
|
MOROSE............1 |
Dark clouds, and muttering of winds |
morose |
. |
Endymion: A Poetic Romance, Book III, Line 652 |
|
MORPHEAN..........2 |
Into those regions? The |
Morphean |
fount |
Endymion: A Poetic Romance, Book I, Line 747 |
O for some drowsy |
Morphean |
amulet! |
The Eve of St. Agnes, Line 257 |
|
MORPHEUS..........1 |
What it might mean. Perhaps, thought I, |
Morpheus |
, |
Endymion: A Poetic Romance, Book I, Line 559 |
|
MORPHEUS'.........1 |
More dead than |
Morpheus' |
imaginings: |
Endymion: A Poetic Romance, Book III, Line 122 |
|
MORRIS............2 |
To sway their floating |
morris |
. "Whose is this? |
Endymion: A Poetic Romance, Book IV, Line 426 |
Gone, the merry |
morris |
din; |
Robin Hood, Line 33 |
|
MORROW............26 |
The message certain to be done to- |
morrow |
- |
Sleep and Poetry, Line 323 |
Therefore, on every |
morrow |
, are we wreathing |
Endymion: A Poetic Romance, Book I, Line 6 |
His spreaded feathers to the |
morrow |
chill, |
Endymion: A Poetic Romance, Book III, Line 389 |
Our pillows; and the fresh to- |
morrow |
morn |
Endymion: A Poetic Romance, Book IV, Line 23 |
I bade good- |
morrow |
, |
Endymion: A Poetic Romance, Book IV, Line 174 |
Answering thus, just as the golden |
morrow |
|
Endymion: A Poetic Romance, Book IV, Line 726 |
Come to-day, and come to- |
morrow |
, |
Welcome joy, and welcome sorrow, Line 3 |
"To- |
morrow |
will I bow to my delight, |
Isabella; or, The Pot of Basil, Line 27 |
To- |
morrow |
will I ask my lady's boon."- |
Isabella; or, The Pot of Basil, Line 28 |
Lest I should miss to bid thee a good |
morrow |
: |
Isabella; or, The Pot of Basil, Line 202 |
To-day thou wilt not see him, nor to- |
morrow |
, |
Isabella; or, The Pot of Basil, Line 231 |
There is a budding |
morrow |
in midnight, |
To Homer, Line 11 |
And all the bliss to be before to- |
morrow |
morn. |
The Eve of St. Agnes, Line 72 |
Flown, like a thought, until the |
morrow |
-day; |
The Eve of St. Agnes, Line 239 |
Or new Love pine at them beyond to- |
morrow |
. |
Ode to a Nightingale, Line 30 |
Fair on your Graces fall this early |
morrow |
! |
Otho the Great, Act I, SCENE I, Albert, Line 124 |
To have not thy good |
morrow |
. |
Otho the Great, Act I, SCENE III, Sigifred, Line 109a |
Good |
morrow |
, holy father! I have had |
Otho the Great, Act II, SCENE II, Erminia, Line 118 |
To- |
morrow |
? Ho! some wine! |
Otho the Great, Act III, SCENE I, Albert, Line 32a |
Soft beauty! by to- |
morrow |
I should die, |
Otho the Great, Act III, SCENE II, Ludolph, Line 13 |
You will to- |
morrow |
succumb to his wishes, |
Otho the Great, Act IV, SCENE I, Conrad, Line 54 |
To- |
morrow |
, when the Emperor sends |
Otho the Great, Act IV, SCENE I, Albert, Line 174b |
'Tis not to- |
morrow |
then? |
Otho the Great, Act V, SCENE V, Ludolph, Line 50b |
To- |
morrow |
, son, |
Otho the Great, Act V, SCENE V, Otho, Line 164b |
I will to bed - To- |
morrow |
- |
Otho the Great, Act V, SCENE V, Ludolph, Line 195 |
To- |
morrow |
, or the next day, as time suits, |
The Jealousies, Line 355 |
|
MORROWS...........1 |
Come with the constant dawn upon thy |
morrows |
? |
Endymion: A Poetic Romance, Book II, Line 46 |
|
MORSEL............1 |
And press my dainty |
morsel |
to my breast. |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 67 |
|
MORTAL............51 |
So graceful, that it seems no |
mortal |
hand, |
Specimen of an Induction to a Poem, Line 5 |
Of which no |
mortal |
eye can reach the flowers; |
To My Brother George (epistle), Line 44 |
Ah! surely he had burst our |
mortal |
bars; |
I stood tip-toe upon a little hill, Line 190 |
The silvery setting of their |
mortal |
star. |
Endymion: A Poetic Romance, Book I, Line 359 |
No man e'er panted for a |
mortal |
love. |
Endymion: A Poetic Romance, Book I, Line 526 |
Ah, desperate |
mortal |
! I ev'n dar'd to press |
Endymion: A Poetic Romance, Book I, Line 661 |
Men's being |
mortal |
, immortal; to shake |
Endymion: A Poetic Romance, Book I, Line 844 |
' Ah! impious |
mortal |
, whither do I roam?' |
Endymion: A Poetic Romance, Book I, Line 942 |
Where there was never sound of |
mortal |
men, |
Endymion: A Poetic Romance, Book II, Line 78 |
To |
mortal |
steps, before thou canst be ta'en |
Endymion: A Poetic Romance, Book II, Line 125 |
An exil'd |
mortal |
, sounds its pleasant name! |
Endymion: A Poetic Romance, Book II, Line 316 |
Presents immortal bowers to |
mortal |
sense; |
Endymion: A Poetic Romance, Book II, Line 438 |
For a |
mortal |
youth, and how she strove to bind |
Endymion: A Poetic Romance, Book II, Line 459 |
Of human words! roughness of |
mortal |
speech! |
Endymion: A Poetic Romance, Book II, Line 818 |
Why is this |
mortal |
here? Does thou not know |
Endymion: A Poetic Romance, Book IV, Line 428 |
There never liv'd a |
mortal |
man, who bent |
Endymion: A Poetic Romance, Book IV, Line 646 |
Is sure enough to make a |
mortal |
man |
Endymion: A Poetic Romance, Book IV, Line 960 |
And then 'twas fit that from this |
mortal |
state |
Endymion: A Poetic Romance, Book IV, Line 991 |
By all that from thy |
mortal |
lips did roll; |
Lines on Seeing a Lock of Milton's Hair, Line 19 |
Or else he would forget his |
mortal |
nature. |
Four seasons fill the measure of the year, Line 14 |
This |
mortal |
body of a thousand days |
This mortal body of a thousand days, Line 1 |
One who was great through |
mortal |
days and died of fame unshorn. |
There is a joy in footing slow across a silent plain, Line 12 |
Would bar return and make a man forget his |
mortal |
way. |
There is a joy in footing slow across a silent plain, Line 32 |
Many a |
mortal |
of these days |
Not Aladdin magian, Line 35 |
I have hid from |
mortal |
man; |
Not Aladdin magian, Line 43 |
But the stupid eye of |
mortal |
|
Not Aladdin magian, Line 45 |
Beyond this world, this |
mortal |
time |
O Some Skulls in Beauley Abbey, near Inverness, Line 63 |
She knelt, so pure a thing, so free from |
mortal |
taint. |
The Eve of St. Agnes, Line 225 |
Beyond a |
mortal |
man impassion'd far |
The Eve of St. Agnes, Line 316 |
Say, wherefore did I laugh? O |
mortal |
pain! |
Why did I laugh tonight? No voice will tell, Line 6 |
No care had touch'd his cheek with |
mortal |
doom, |
Character of C.B., Line 8 |
Too huge for |
mortal |
tongue or pen of scribe: |
Hyperion: A Fragment, Book I, Line 160 |
I see them, on the |
mortal |
world beneath, |
Hyperion: A Fragment, Book I, Line 334 |
Had pour'd a |
mortal |
oil upon his head, |
Hyperion: A Fragment, Book II, Line 97 |
As with us |
mortal |
men, the laden heart |
Hyperion: A Fragment, Book II, Line 101 |
Colder than the |
mortal |
death. |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 66 |
Upon his |
mortal |
days with temperate blood, |
On Fame ("How fever'd is the man"), Line 2 |
These draperies are fine, and, being a |
mortal |
, |
Otho the Great, Act V, SCENE V, Ludolph, Line 31 |
I would have, as a |
mortal |
I may not, |
Otho the Great, Act V, SCENE V, Ludolph, Line 35 |
Nor grew they pale, as |
mortal |
lovers do. |
Lamia, Part I, Line 145 |
What |
mortal |
hath a prize, that other men |
Lamia, Part II, Line 57 |
Not |
mortal |
, but of heavenly progeny, |
Lamia, Part II, Line 87 |
As still I do. Hast any |
mortal |
name, |
Lamia, Part II, Line 88 |
Labour for |
mortal |
good? I sure should see |
The Fall of Hyperion: A Dream, CANTO I, Line 159 |
Thou shalt with those dull |
mortal |
eyes behold, |
The Fall of Hyperion: A Dream, CANTO I, Line 247 |
" |
Mortal |
, that thou may'st understand aright, |
The Fall of Hyperion: A Dream, CANTO II, Line 1 |
Too huge for |
mortal |
tongue, or pen of scribe. |
The Fall of Hyperion: A Dream, CANTO II, Line 9 |
For love of |
mortal |
women, maidens fair, |
The Jealousies, Line 5 |
From |
mortal |
tempters all to make retreat,- |
The Jealousies, Line 25 |
"Ah, beauteous |
mortal |
!" "Hush!" quoth Coralline, |
The Jealousies, Line 64 |
You say you love a |
mortal |
. I would fain |
The Jealousies, Line 463 |
|
MORTAL'S..........2 |
That |
mortal's |
a fool who such happiness misses; |
O come, dearest Emma!, Line 18 |
To kiss a |
mortal's |
lips, when such were in their prime. |
The Jealousies, Line 99 |
|
MORTALITY.........6 |
My spirit is too weak - |
mortality |
|
On Seeing the Elgin Marbles, Line 1 |
Now past the midway from |
mortality |
, |
Endymion: A Poetic Romance, Book III, Line 315 |
Was there far strayed from |
mortality |
. |
Endymion: A Poetic Romance, Book III, Line 1007 |
More happy than betides |
mortality |
. |
Endymion: A Poetic Romance, Book IV, Line 859 |
No ounce of man in thy |
mortality |
? |
Otho the Great, Act III, SCENE II, Ludolph, Line 85 |
But my own weak |
mortality |
, I bore |
The Fall of Hyperion: A Dream, CANTO I, Line 389 |
|
MORTALITY'S.......1 |
Escap'd from dull |
mortality's |
harsh net? |
Endymion: A Poetic Romance, Book III, Line 907 |
|
MORTALS...........9 |
Sweet too the converse of these happy |
mortals |
, |
Calidore: A Fragment, Line 158 |
For what poor |
mortals |
fragment up, as mere |
Endymion: A Poetic Romance, Book III, Line 845 |
Among the abodes of |
mortals |
here below, |
Endymion: A Poetic Romance, Book IV, Line 628 |
Of |
mortals |
each to each, against the blooms |
Endymion: A Poetic Romance, Book IV, Line 641 |
To |
mortals |
, of their little week; |
Bards of passion and of mirth, Line 30 |
For as among us |
mortals |
omens drear |
Hyperion: A Fragment, Book I, Line 169 |
Of deities or |
mortals |
, or of both, |
Ode on a Grecian Urn, Line 6 |
And once, while among |
mortals |
dreaming thus, |
Lamia, Part I, Line 215 |
And, pledging all the |
mortals |
of the world, |
The Fall of Hyperion: A Dream, CANTO I, Line 44 |
|
MOSS..............4 |
That they may bind the |
moss |
in leafy nets. |
I stood tip-toe upon a little hill, Line 34 |
With golden |
moss |
. His every sense had grown |
Endymion: A Poetic Romance, Book II, Line 671 |
The |
moss |
-lain Dryads shall be lull'd to sleep; |
Ode to Psyche, Line 57 |
Of |
moss |
, was spread a feast of summer fruits, |
The Fall of Hyperion: A Dream, CANTO I, Line 29 |
|
MOSS'D............1 |
To bend with apples the |
moss'd |
cottage-trees, |
To Autumn, Line 5 |
|
MOSSED............2 |
Through wilderness, and woods of |
mossed |
oaks; |
Endymion: A Poetic Romance, Book II, Line 49 |
And rubb'd his sides against the |
mossed |
bark |
When they were come unto the Faery's court, Line 85 |
|
MOSSES............2 |
Of |
mosses |
, and flowers, to pillow thy head; |
O come, dearest Emma!, Line 10 |
So thick with leaves and |
mosses |
, that they seem'd |
Endymion: A Poetic Romance, Book II, Line 666 |
|
MOSSIE............1 |
An' |
mossie |
fountains? |
Ah! ken ye what I met the day, Line 4 |
|
MOSSINESS.........2 |
And th' half seen |
mossiness |
of linnets' nests. |
Specimen of an Induction to a Poem, Line 22 |
From the quaint |
mossiness |
of aged roots: |
I stood tip-toe upon a little hill, Line 40 |
|
MOSSY.............22 |
Which, pure from |
mossy |
beds, did down distill, |
Imitation of Spenser, Line 5 |
Meantime, on shady levels, |
mossy |
fine, |
Endymion: A Poetic Romance, Book I, Line 312 |
In a |
mossy |
stone, that sometimes was my seat, |
Endymion: A Poetic Romance, Book I, Line 877 |
The nether sides of |
mossy |
stones and rock,- |
Endymion: A Poetic Romance, Book I, Line 937 |
The smoothest |
mossy |
bed and deepest, where |
Endymion: A Poetic Romance, Book II, Line 710 |
Through |
mossy |
rocks; where, 'mid exuberant green, |
Endymion: A Poetic Romance, Book II, Line 992 |
Of some steep |
mossy |
hill, where ivy dun |
Endymion: A Poetic Romance, Book IV, Line 671 |
Those gentle limbs on |
mossy |
bed reclin'd: |
Endymion: A Poetic Romance, Book IV, Line 677 |
Thy |
mossy |
footstool shall the altar be |
Endymion: A Poetic Romance, Book IV, Line 711 |
A hermit young, I'll live in |
mossy |
cave, |
Endymion: A Poetic Romance, Book IV, Line 860 |
His head upon a |
mossy |
hillock green, |
Endymion: A Poetic Romance, Book IV, Line 918 |
Happy field or |
mossy |
cavern, |
Lines on the Mermaid Tavern, Line 3 |
Happy field or |
mossy |
cavern, |
Lines on the Mermaid Tavern, Line 25 |
A |
mossy |
place, a Merlin's hall, a dream. |
Dear Reynolds, as last night I lay in bed, Line 34 |
One hour, half ideot, he stands by |
mossy |
waterfall, |
There is a joy in footing slow across a silent plain, Line 41 |
Quiet on her |
mossy |
nest; |
Fancy, Line 62 |
Where it rests its |
mossy |
brim |
Song of Four Fairies: Fire, Air, Earth, and Water, BREAMA, Line 33 |
Through verdurous glooms and winding |
mossy |
ways. |
Ode to a Nightingale, Line 40 |
Fair, on a sloping green of |
mossy |
tread, |
Lamia, Part I, Line 181 |
His silent sandals swept the |
mossy |
green; |
Lamia, Part I, Line 239 |
The |
mossy |
mound and arbour were no more; |
The Fall of Hyperion: A Dream, CANTO I, Line 60 |
Of Saturn fill'd the |
mossy |
glooms around |
The Fall of Hyperion: A Dream, CANTO I, Line 407 |
|
MOST..............79 |
Whene'er the fate of those I hold |
most |
dear |
To Hope, Line 19 |
But, what creates the |
most |
intense surprize, |
Ode to Apollo, Line 11 |
So pushes off his boat |
most |
eagerly, |
Calidore: A Fragment, Line 59 |
Art thou |
most |
lovely? When gone far astray |
To G.A.W., Line 3 |
|
Most |
happy listener! when the morning blesses |
Sleep and Poetry, Line 16 |
And now broad wings. |
Most |
awfully intent, |
Sleep and Poetry, Line 151 |
Mark'd with |
most |
flimsy mottos, and in large |
Sleep and Poetry, Line 205 |
Into |
most |
lovely labyrinths will be gone, |
Sleep and Poetry, Line 266 |
Who simply tell the |
most |
heart-easing things. |
Sleep and Poetry, Line 268 |
As any thing |
most |
true; as that the year |
Sleep and Poetry, Line 294 |
His eyes from her sweet face. |
Most |
happy they! |
Sleep and Poetry, Line 391 |
Queen of the wide air; thou |
most |
lovely queen |
I stood tip-toe upon a little hill, Line 205 |
A trampling down of what the world |
most |
prizes, |
On Receiving a Laurel Crown from Leigh Hunt, Line 11 |
And then I run into |
most |
wild surmises |
On Receiving a Laurel Crown from Leigh Hunt, Line 13 |
Due reverence to your |
most |
sovereign eyes. |
To the Ladies Who Saw Me Crown'd, Line 14 |
So do these wonders a |
most |
dizzy pain, |
On Seeing the Elgin Marbles, Line 11 |
For when men star'd at what was |
most |
divine |
To Haydon with a Sonnet Written on Seeing the Elgin Marbles, Line 11 |
Of late has haunted a |
most |
valiant crew |
Before he went to live with owls and bats, Line 10 |
And giving out a shout |
most |
heaven rending, |
Endymion: A Poetic Romance, Book I, Line 304 |
And I could witness his |
most |
kingly hour, |
Endymion: A Poetic Romance, Book I, Line 549 |
A breeze, |
most |
softly lulling to my soul; |
Endymion: A Poetic Romance, Book I, Line 567 |
|
Most |
like a sojourning demi-god, and leave |
Endymion: A Poetic Romance, Book I, Line 724 |
|
Most |
fondly lipp'd, and then these accents came: |
Endymion: A Poetic Romance, Book I, Line 964 |
|
Most |
delicate, as though afraid to smutch |
Endymion: A Poetic Romance, Book II, Line 90 |
Not to have dipp'd in love's |
most |
gentle stream. |
Endymion: A Poetic Romance, Book II, Line 182 |
What misery |
most |
drowningly doth sing |
Endymion: A Poetic Romance, Book II, Line 281 |
Of love, that fairest joys give |
most |
unrest; |
Endymion: A Poetic Romance, Book II, Line 366 |
Hither, |
most |
gentle sleep! and soothing foil |
Endymion: A Poetic Romance, Book II, Line 705 |
By the |
most |
soft completion of thy face, |
Endymion: A Poetic Romance, Book II, Line 757 |
And |
most |
forlorn upon that widow'd bed |
Endymion: A Poetic Romance, Book II, Line 859 |
With |
most |
prevailing tinsel: who unpen |
Endymion: A Poetic Romance, Book III, Line 2 |
And there she sits |
most |
meek and most alone; |
Endymion: A Poetic Romance, Book III, Line 46 |
And there she sits most meek and |
most |
alone; |
Endymion: A Poetic Romance, Book III, Line 46 |
But even now |
most |
miserable old, |
Endymion: A Poetic Romance, Book III, Line 303 |
With daily boon of fish |
most |
delicate: |
Endymion: A Poetic Romance, Book III, Line 369 |
|
Most |
piously;- all lovers tempest-tost, |
Endymion: A Poetic Romance, Book III, Line 703 |
Through the wide forest - a |
most |
fearful tone, |
Endymion: A Poetic Romance, Book IV, Line 323 |
Search my |
most |
hidden breast! By truth's own tongue, |
Endymion: A Poetic Romance, Book IV, Line 458 |
|
Most |
like with joy gone mad, with sorrow cloy'd. |
Endymion: A Poetic Romance, Book IV, Line 495 |
Is |
most |
articulate; where hopes infest; |
Endymion: A Poetic Romance, Book IV, Line 540 |
His fate |
most |
goddess-like. Help me, I pray, |
Endymion: A Poetic Romance, Book IV, Line 844 |
As feels a dreamer what doth |
most |
create |
Endymion: A Poetic Romance, Book IV, Line 889 |
O, I am frighten'd with |
most |
hateful thoughts! |
Extracts from an Opera, [fourth section] Line 1 |
And should have been |
most |
happy - but I saw |
Dear Reynolds, as last night I lay in bed, Line 93 |
Still do I that |
most |
fierce destruction see, |
Dear Reynolds, as last night I lay in bed, Line 102 |
Lorenzo, and we are |
most |
loth to invade |
Isabella; or, The Pot of Basil, Line 182 |
For I have seen my sons |
most |
unlike Gods. |
Hyperion: A Fragment, Book I, Line 328 |
Asia, born of |
most |
enormous Caf, |
Hyperion: A Fragment, Book II, Line 53 |
Remorse, spleen, hope, but |
most |
of all despair. |
Hyperion: A Fragment, Book II, Line 95 |
To the |
most |
hateful seeing of itself. |
Hyperion: A Fragment, Book II, Line 370 |
And the |
most |
patient brilliance of the moon! |
Hyperion: A Fragment, Book III, Line 98 |
|
Most |
like the struggle at the gate of death; |
Hyperion: A Fragment, Book III, Line 126 |
Is heap'd upon her, maiden |
most |
unmeek,- |
Ode on Indolence, Line 29 |
To |
most |
believing Otho; and so help'd |
Otho the Great, Act I, SCENE I, Conrad, Line 52 |
|
Most |
mighty Otho? Will not my great host |
Otho the Great, Act I, SCENE II, Gersa, Line 95 |
Enough, |
most |
noble Gersa. You are free |
Otho the Great, Act I, SCENE II, Otho, Line 130 |
There will I be, a |
most |
unwelcome guest, |
Otho the Great, Act I, SCENE III, Ludolph, Line 94 |
In this |
most |
honourable antiroom, |
Otho the Great, Act II, SCENE I, Ludolph, Line 11 |
You are a |
most |
perplexing noble boy. |
Otho the Great, Act II, SCENE I, Otho, Line 112 |
You again, Duke? Justice, |
most |
noble Otho! |
Otho the Great, Act III, SCENE II, Ethelbert, Line 64 |
Were some |
most |
sensitive portion of thy life, |
Otho the Great, Act III, SCENE II, Ludolph, Line 93 |
|
Most |
atrocious! |
Otho the Great, Act III, SCENE II, Ludolph, Line 147b |
So |
most |
maliciously, so madly striven |
Otho the Great, Act III, SCENE II, Ludolph, Line 227 |
Until |
most |
easy matters take the shape |
Otho the Great, Act IV, SCENE I, Auranthe, Line 125 |
Your generous father, |
most |
illustrious Otho, |
Otho the Great, Act IV, SCENE II, Gersa, Line 61 |
His |
most |
uneasy moments, when cold death |
Otho the Great, Act V, SCENE II, Ludolph, Line 14 |
And, |
most |
especially, we must keep clear |
Otho the Great, Act V, SCENE IV, Physician, Line 21 |
Is a good symptom, and |
most |
favourable; |
Otho the Great, Act V, SCENE IV, Physician, Line 58 |
Where the |
most |
wicked Princess is? |
Otho the Great, Act V, SCENE V, Gonfrid, Line 8a |
Being a wife |
most |
mild and dutiful. |
Otho the Great, Act V, SCENE V, Ludolph, Line 77 |
|
Most |
piteous indeed! |
Otho the Great, Act V, SCENE V, First Knight, Line 96b |
Its |
most |
ambiguous atoms with sure art; |
Lamia, Part I, Line 196 |
They could inhabit; the |
most |
curious |
Lamia, Part I, Line 392 |
To banish thoughts of that |
most |
hateful land, |
What can I do to drive away, Line 31 |
|
Most |
noble Earl! |
King Stephen Act I, SCENE II, Second Captain, Line 9b |
Eludes death, giving death to |
most |
that dare |
King Stephen Act I, SCENE II, First Captain, Line 14 |
She greets |
most |
noble Glocester from her heart, |
King Stephen Act I, SCENE II, Second Captain, Line 24 |
More than that, |
most |
gracious Queen, |
King Stephen Act I, SCENE IV, Chester, Line 29b |
The strangest sight - the |
most |
unlook'd-for chance- |
The Jealousies, Line 755 |
|
MOTE..............1 |
And how a litling child |
mote |
be |
The Eve of St. Mark, Line 103 |
|
MOTH..............4 |
Nor let the beetle, nor the death- |
moth |
be |
Ode on Melancholy, Line 6 |
Now on the |
moth |
-time of that evening dim |
Lamia, Part I, Line 220 |
Or in that place the |
moth |
could not corrupt, |
The Fall of Hyperion: A Dream, CANTO I, Line 75 |
"Five minutes before one - brought down a |
moth |
|
The Jealousies, Line 649 |
|
MOTH'S............2 |
As are the tiger- |
moth's |
deep-damask'd wings; |
The Eve of St. Agnes, Line 213 |
Of |
moth's |
down, to make soft the royal beds, |
The Jealousies, Line 767 |
|
MOTHER............14 |
Came |
mother |
Cybele! alone - alone- |
Endymion: A Poetic Romance, Book II, Line 640 |
Thou art her |
mother |
, |
Endymion: A Poetic Romance, Book IV, Line 288 |
As doth a |
mother |
wild |
God of the meridian, Line 13 |
|
Mother |
of Hermes! and still youthful Maia! |
Mother of Hermes! and still youthful Maia, Line 1 |
And thy |
mother |
sweet is nigh thee! |
'Tis the "witching time of night", Line 30 |
On his ear like |
mother |
-tongue; |
Where's the Poet? Show him! show him, Line 15 |
His ancient |
mother |
, for some comfort yet. |
Hyperion: A Fragment, Book I, Line 21 |
Who cost her |
mother |
Tellus keener pangs, |
Hyperion: A Fragment, Book II, Line 54 |
Saturn sat near the |
Mother |
of the Gods, |
Hyperion: A Fragment, Book II, Line 389 |
Together had he left his |
mother |
fair |
Hyperion: A Fragment, Book III, Line 31 |
And been well nurtured in his |
mother |
tongue. |
The Fall of Hyperion: A Dream, CANTO I, Line 15 |
By angel tasted, or our |
mother |
Eve; |
The Fall of Hyperion: A Dream, CANTO I, Line 31 |
His antient |
mother |
, for some comfort yet. |
The Fall of Hyperion: A Dream, CANTO I, Line 326 |
I won't speak to his sister or his |
mother |
! |
The Jealousies, Line 156 |
|
MOTHER'S..........6 |
Shall the dear babe, upon its |
mother's |
breast, |
To My Brother George (epistle), Line 102 |
And by thy |
Mother's |
lips-" |
Endymion: A Poetic Romance, Book III, Line 990a |
Fell thin as a young |
mother's |
, who doth seek |
Isabella; or, The Pot of Basil, Line 35 |
If with thy |
mother's |
milk thou hast suck'd in |
Otho the Great, Act IV, SCENE II, Ludolph, Line 10 |
Could to a |
mother's |
soften, were these last: |
The Fall of Hyperion: A Dream, CANTO I, Line 250 |
Her |
mother's |
screams with the striped tiger's blent, |
The Jealousies, Line 391 |
|
MOTHERLY..........1 |
Her |
motherly |
cheeks. Arous'd from this sad mood |
Endymion: A Poetic Romance, Book I, Line 343 |
|
MOTHERS...........1 |
|
Mothers |
and wives! who day by day prepare |
Endymion: A Poetic Romance, Book I, Line 207 |
|
MOTHS.............1 |
Of diverse |
moths |
, that aye their rest are quitting; |
I stood tip-toe upon a little hill, Line 112 |
|
MOTION............3 |
At the bath's edge, and keeps a gentle |
motion |
|
Sleep and Poetry, Line 375 |
For not the faintest |
motion |
could be seen |
I stood tip-toe upon a little hill, Line 13 |
Without a |
motion |
, save of their big hearts |
Hyperion: A Fragment, Book II, Line 26 |
|
MOTION'D..........1 |
|
Motion'd |
him to be silent; vainly so, |
Lamia, Part II, Line 303 |
|
MOTIONLESS........5 |
With hands held back, and |
motionless |
, amaz'd |
I stood tip-toe upon a little hill, Line 232 |
Of deep-seen wonders |
motionless |
,- and blaze |
Endymion: A Poetic Romance, Book III, Line 885 |
His sluggish form reposing |
motionless |
. |
Endymion: A Poetic Romance, Book IV, Line 389 |
And still these two were postured |
motionless |
, |
Hyperion: A Fragment, Book I, Line 85 |
Long, long, those two were postured |
motionless |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 382 |
|
MOTIONS...........2 |
The meanings of all |
motions |
, shapes, and sounds; |
Endymion: A Poetic Romance, Book III, Line 698 |
Or gainsaid by one word; his very |
motions |
, |
Otho the Great, Act V, SCENE IV, Ethelbert, Line 31 |
|
MOTLEY............1 |
A |
motley |
crowd thick gather'd in the hall, |
The Jealousies, Line 762 |
|
MOTTLED...........1 |
Through caves, and palaces of |
mottled |
ore, |
Endymion: A Poetic Romance, Book II, Line 594 |
|
MOTTOS............1 |
Mark'd with most flimsy |
mottos |
, and in large |
Sleep and Poetry, Line 205 |