|
OH................28 |
|
Oh |
Peace! and dost thou with thy presence bless |
On Peace, Line 1 |
|
Oh |
Europe, let not sceptred tyrants see |
On Peace, Line 10 |
|
Oh |
brush not yet the pearl strung spray, |
Stay, ruby breasted warbler, stay, Line 3 |
|
Oh |
Chatterton! how very sad thy fate! |
Oh Chatterton! how very sad thy fate, Line 1 |
|
Oh |
! how I love, on a fair summer's eve, |
Oh! how I love, on a fair summer's eve, Line 1 |
|
Oh |
! what a power has white simplicity! |
This pleasant tale is like a little copse, Line 9 |
|
Oh |
! 'twas born to die. |
Think not of it, sweet one, so, Line 8 |
Of heaven! |
Oh |
Cynthia, ten-times bright and fair! |
Endymion: A Poetic Romance, Book II, Line 170 |
The world has done its duty. Yet, |
oh |
yet, |
Endymion: A Poetic Romance, Book II, Line 728 |
|
Oh |
what a wild and harmonized tune |
Endymion: A Poetic Romance, Book III, Line 170 |
|
Oh |
, no - it shall not pine, and pine, and pine |
Endymion: A Poetic Romance, Book III, Line 578 |
A power overshadows thee! |
Oh |
, brave! |
Endymion: A Poetic Romance, Book III, Line 759 |
|
Oh |
! the sweetness of the pain! |
Welcome joy, and welcome sorrow, Line 23 |
I dare not yet!- |
Oh |
never will the prize, |
Dear Reynolds, as last night I lay in bed, Line 74 |
|
Oh |
pain - for since the eagle's earliest scream |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 25 |
|
Oh |
, sweet Fancy! let her loose; |
Fancy, Line 67 |
|
Oh |
leave me not in this eternal woe, |
The Eve of St. Agnes, Line 314 |
But |
oh |
! how unlike marble was that face: |
Hyperion: A Fragment, Book I, Line 34 |
Of these new-form'd art thou, |
oh |
brightest child! |
Hyperion: A Fragment, Book I, Line 319 |
|
Oh |
! monstrous! |
Otho the Great, Act III, SCENE I, Albert, Line 61b |
Aye, wife! |
Oh |
, impudence! |
Otho the Great, Act III, SCENE II, Ludolph, Line 75b |
And all men! Vanish - |
Oh |
! Oh! Oh! |
Otho the Great, Act IV, SCENE I, Auranthe, Line 184 |
And all men! Vanish - Oh! |
Oh |
! Oh! |
Otho the Great, Act IV, SCENE I, Auranthe, Line 184 |
And all men! Vanish - Oh! Oh! |
Oh |
! |
Otho the Great, Act IV, SCENE I, Auranthe, Line 184 |
|
Oh |
! for enough life to support me on |
Otho the Great, Act V, SCENE II, Albert, Line 1 |
|
Oh |
! thou good man, against whose sacred head |
Otho the Great, Act V, SCENE V, Ludolph, Line 140 |
|
Oh |
, my son! my son! |
Otho the Great, Act V, SCENE V, Otho, Line 179b |
Quoth the dark page; " |
Oh |
no!" return'd the Swiss, |
The Jealousies, Line 281 |
|
OIL...............3 |
She whisk'd against their eyes the sooty |
oil |
. |
Endymion: A Poetic Romance, Book III, Line 521 |
Had pour'd a mortal |
oil |
upon his head, |
Hyperion: A Fragment, Book II, Line 97 |
Which to the |
oil |
-trade doth great scaith and harm, |
The Jealousies, Line 215 |
|
OILED.............1 |
Turn the key deftly in the |
oiled |
wards, |
Sonnet to Sleep, Line 13 |
|
OILS..............1 |
And fragrant |
oils |
with ceremony meet |
Lamia, Part II, Line 194 |
|
OLD...............177 |
Hadst thou liv'd in days of |
old |
, |
Hadst thou liv'd in days of old, Line 1 |
From the worn top of some |
old |
battlement |
Specimen of an Induction to a Poem, Line 15 |
Some tale of love and arms in time of |
old |
. |
To My Brother George (epistle), Line 18 |
Of Flora, and |
old |
Pan: sleep in the grass, |
Sleep and Poetry, Line 102 |
As she was wont of |
old |
? prepare her steeds, |
Sleep and Poetry, Line 165 |
Affright you? Did our |
old |
lamenting Thames |
Sleep and Poetry, Line 212 |
As a large cross, some |
old |
cathedral's crest, |
Sleep and Poetry, Line 296 |
What first inspired a bard of |
old |
to sing |
I stood tip-toe upon a little hill, Line 163 |
Was at his |
old |
labor, |
God of the golden bow, Line 30 |
Wasting of |
old |
time - with a billowy main - |
On Seeing the Elgin Marbles, Line 13 |
Of Hecate leaves them their |
old |
shadowy sound. |
On the Sea, Line 4 |
Sit ye near some |
old |
cavern's mouth and brood |
On the Sea, Line 13 |
Your sceptre worth a straw, your cushions |
old |
door mats." |
Before he went to live with owls and bats, Line 8 |
Supports an |
old |
bishop and crosier; |
The Gothic looks solemn, Line 3 |
|
Old |
Jonah went to C. |
O grant that like to Peter I, Line 4 |
Trees |
old |
, and young sprouting a shady boon |
Endymion: A Poetic Romance, Book I, Line 14 |
About |
old |
forests; while the willow trails |
Endymion: A Poetic Romance, Book I, Line 43 |
To feel this sun-rise and its glories |
old |
. |
Endymion: A Poetic Romance, Book I, Line 106 |
Of their |
old |
piety, and of their glee: |
Endymion: A Poetic Romance, Book I, Line 130 |
To stammer where |
old |
Chaucer used to sing. |
Endymion: A Poetic Romance, Book I, Line 134 |
By the dim echoes of |
old |
Triton's horn: |
Endymion: A Poetic Romance, Book I, Line 206 |
But in |
old |
marbles ever beautiful. |
Endymion: A Poetic Romance, Book I, Line 319 |
Or the |
old |
eyes dissolving at his woe, |
Endymion: A Poetic Romance, Book I, Line 400 |
Frozen in that |
old |
tale Arabian. |
Endymion: A Poetic Romance, Book I, Line 406 |
Then |
old |
songs waken from enclouded tombs; |
Endymion: A Poetic Romance, Book I, Line 787 |
|
Old |
ditties sigh above their father's grave; |
Endymion: A Poetic Romance, Book I, Line 788 |
Many |
old |
rotten-timber'd boats there be |
Endymion: A Poetic Romance, Book II, Line 18 |
Though |
old |
Ulysses tortured from his slumbers |
Endymion: A Poetic Romance, Book II, Line 26 |
Alas! 'tis his |
old |
grief. For many days, |
Endymion: A Poetic Romance, Book II, Line 47 |
Like |
old |
Deucalion mountain'd o'er the flood, |
Endymion: A Poetic Romance, Book II, Line 197 |
|
Old |
darkness from his throne: 'twas like the sun |
Endymion: A Poetic Romance, Book II, Line 246 |
Down sidelong aisles, and into niches |
old |
. |
Endymion: A Poetic Romance, Book II, Line 264 |
Feeling about for its |
old |
couch of space |
Endymion: A Poetic Romance, Book II, Line 336 |
To its |
old |
channel, or a swollen tide |
Endymion: A Poetic Romance, Book II, Line 340 |
|
Old |
ocean rolls a lengthened wave to the shore, |
Endymion: A Poetic Romance, Book II, Line 348 |
|
Old |
Atlas' children? Art a maid of the waters, |
Endymion: A Poetic Romance, Book II, Line 690 |
O fountain'd hill! |
Old |
Homer's Helicon! |
Endymion: A Poetic Romance, Book II, Line 717 |
That there is no |
old |
power left to steep |
Endymion: A Poetic Romance, Book II, Line 731 |
Half lost, and all |
old |
hymns made nullity! |
Endymion: A Poetic Romance, Book II, Line 794 |
By a cavern wind unto a forest |
old |
; |
Endymion: A Poetic Romance, Book II, Line 831 |
Of the |
old |
bards to mighty deeds: his plans |
Endymion: A Poetic Romance, Book II, Line 895 |
And set those |
old |
Chaldeans to their tasks.- |
Endymion: A Poetic Romance, Book III, Line 21 |
Aye, 'bove the withering of |
old |
-lipp'd Fate |
Endymion: A Poetic Romance, Book III, Line 29 |
O Moon! |
old |
boughs lisp forth a holier din |
Endymion: A Poetic Romance, Book III, Line 54 |
|
Old |
rusted anchors, helmets, breast-plates large |
Endymion: A Poetic Romance, Book III, Line 123 |
An |
old |
man sitting calm and peacefully. |
Endymion: A Poetic Romance, Book III, Line 192 |
Upon a weeded rock this |
old |
man sat, |
Endymion: A Poetic Romance, Book III, Line 193 |
Beside this |
old |
man lay a pearly wand, |
Endymion: A Poetic Romance, Book III, Line 213 |
The |
old |
man rais'd his hoary head and saw |
Endymion: A Poetic Romance, Book III, Line 218 |
I bow full hearted to your |
old |
decree! |
Endymion: A Poetic Romance, Book III, Line 252 |
I care not for this |
old |
mysterious man!" |
Endymion: A Poetic Romance, Book III, Line 280 |
But even now most miserable |
old |
, |
Endymion: A Poetic Romance, Book III, Line 303 |
O such deformities! |
Old |
Charon's self, |
Endymion: A Poetic Romance, Book III, Line 503 |
|
Old |
Eolus would stifle his mad spleen, |
Endymion: A Poetic Romance, Book III, Line 653 |
When at my feet emerg'd an |
old |
man's hand, |
Endymion: A Poetic Romance, Book III, Line 669 |
For each their |
old |
love found. A murmuring rose, |
Endymion: A Poetic Romance, Book III, Line 824 |
Thou frownest, and |
old |
Eolus thy foe |
Endymion: A Poetic Romance, Book III, Line 951 |
Smooth-moving came Oceanus the |
old |
, |
Endymion: A Poetic Romance, Book III, Line 994 |
And thou, |
old |
forest, hold ye this for true, |
Endymion: A Poetic Romance, Book IV, Line 77 |
|
Old |
Tartary the fierce! |
Endymion: A Poetic Romance, Book IV, Line 262 |
From the |
old |
womb of night, his cave forlorn |
Endymion: A Poetic Romance, Book IV, Line 372 |
Or from |
old |
Skiddaw's top, when fog conceals |
Endymion: A Poetic Romance, Book IV, Line 394 |
Leaving |
old |
Sleep within his vapoury lair. |
Endymion: A Poetic Romance, Book IV, Line 483 |
Forgetting the |
old |
tale. |
Endymion: A Poetic Romance, Book IV, Line 780a |
Through the |
old |
garden-ground of boyish days. |
Endymion: A Poetic Romance, Book IV, Line 784 |
For the soothsayers |
old |
saw yesternight |
Endymion: A Poetic Romance, Book IV, Line 829 |
And by |
old |
Rhadamanthus' tongue of doom, |
Endymion: A Poetic Romance, Book IV, Line 953 |
By |
old |
Saturnus' forelock, by his head |
Endymion: A Poetic Romance, Book IV, Line 956 |
|
Old |
scholar of the spheres! |
Lines on Seeing a Lock of Milton's Hair, Line 2 |
With |
old |
philosophy; |
Lines on Seeing a Lock of Milton's Hair, Line 30 |
When through the |
old |
oak forest I am gone, |
On Sitting Down to Read King Lear Once Again, Line 11 |
An astrologer's |
old |
quill |
Lines on the Mermaid Tavern, Line 16 |
Underneath a new |
old |
sign |
Lines on the Mermaid Tavern, Line 19 |
Away with |
old |
hock and madeira! |
Hence burgundy, claret, and port, Line 2 |
And their hours are |
old |
and gray, |
Robin Hood, Line 2 |
Some |
old |
hunting ditty, while |
Robin Hood, Line 27 |
Honour to the |
old |
bow-string! |
Robin Hood, Line 50 |
Son of the |
old |
moon-mountains African! |
To the Nile, Line 1 |
|
Old |
Socrates a tying his cravat; |
Dear Reynolds, as last night I lay in bed, Line 9 |
From some |
old |
magic like Urganda's sword. |
Dear Reynolds, as last night I lay in bed, Line 29 |
And pannier'd mules for ducats and |
old |
lies- |
Isabella; or, The Pot of Basil, Line 134 |
To make |
old |
prose in modern rhyme more sweet: |
Isabella; or, The Pot of Basil, Line 156 |
That |
old |
nurse stood beside her wondering, |
Isabella; or, The Pot of Basil, Line 377 |
O for the gentleness of |
old |
Romance, |
Isabella; or, The Pot of Basil, Line 387 |
Fair reader, at the |
old |
tale take a glance, |
Isabella; or, The Pot of Basil, Line 389 |
O give me their |
old |
vigour, and unheard, |
Mother of Hermes! and still youthful Maia, Line 9 |
And may it taste to you like good |
old |
wine, |
Give me your patience, sister, while I frame, Line 19 |
When adieux have grown |
old |
and goodbyes |
Sweet, sweet is the greeting of eyes, Line 3 |
Fade away where |
old |
time is retreating. |
Sweet, sweet is the greeting of eyes, Line 4 |
|
Old |
Meg she was a gipsey, |
Old Meg she was a gipsey, Line 1 |
And with her fingers |
old |
and brown |
Old Meg she was a gipsey, Line 21 |
|
Old |
Meg was brave as Margaret Queen |
Old Meg she was a gipsey, Line 25 |
An |
old |
red blanket cloak she wore; |
Old Meg she was a gipsey, Line 27 |
For |
old |
ones |
There was a naughty boy, Line 16 |
My pulse is warm with thine |
old |
barley-bree, |
This mortal body of a thousand days, Line 5 |
Has any here an |
old |
grey mare |
All gentle folks who owe a grudge, Line 9 |
There is a pleasure on the heath where Druids |
old |
have been, |
There is a joy in footing slow across a silent plain, Line 3 |
There is a joy in every spot made known by times of |
old |
, |
There is a joy in footing slow across a silent plain, Line 5 |
When shapes of |
old |
come striding by and visages of old, |
There is a joy in footing slow across a silent plain, Line 37 |
When shapes of old come striding by and visages of |
old |
, |
There is a joy in footing slow across a silent plain, Line 37 |
To do an honor to your |
old |
bald pate |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 3 |
And if not Mr. Bates, why I'm not |
old |
! |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 19 |
It cannot be! My |
old |
eyes are not true! |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 28 |
By my |
old |
night cap, night cap night and day, |
Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 42 |
|
Old |
"Mene, Mene, Tekel, Upharsin." |
Fragment of Castle-builder, CASTLE BUILDER, Line 54 |
Than on the marble fairness of |
old |
Greece. |
Fragment of Castle-builder, CASTLE BUILDER, Line 61 |
That the jealous, the jealous |
old |
baldpate may hear, |
Hush, hush, tread softly, hush, hush, my dear, Line 3 |
The |
old |
man may sleep, and the planets may wink; |
Hush, hush, tread softly, hush, hush, my dear, Line 20 |
Like pious incense from a censer |
old |
, |
The Eve of St. Agnes, Line 7 |
Of |
old |
romance. These let us wish away, |
The Eve of St. Agnes, Line 41 |
As she had heard |
old |
dames full many times declare. |
The Eve of St. Agnes, Line 45 |
Save one |
old |
beldame, weak in body and in soul. |
The Eve of St. Agnes, Line 90 |
Then there's that |
old |
Lord Maurice, not a whit |
The Eve of St. Agnes, Line 103 |
And Madeline asleep in lap of legends |
old |
. |
The Eve of St. Agnes, Line 135 |
|
Old |
Angela was feeling for the stair, |
The Eve of St. Agnes, Line 191 |
Were long be-nightmar'd. Angela the |
old |
|
The Eve of St. Agnes, Line 375 |
Dwelling in the |
old |
Minster Square; |
The Eve of St. Mark, Line 40 |
On ceiling beam and |
old |
oak chair, |
The Eve of St. Mark, Line 75 |
To the knotty side of an |
old |
pollard tree |
When they were come unto the Faery's court, Line 84 |
His |
old |
right hand lay nerveless, listless, dead, |
Hyperion: A Fragment, Book I, Line 18 |
"Saturn, look up!- though wherefore, poor |
old |
King? |
Hyperion: A Fragment, Book I, Line 52 |
Until at length |
old |
Saturn lifted up |
Hyperion: A Fragment, Book I, Line 89 |
Groan'd for the |
old |
allegiance once more, |
Hyperion: A Fragment, Book I, Line 162 |
And bid |
old |
Saturn take his throne again."- |
Hyperion: A Fragment, Book I, Line 250 |
Up to the zenith,- hieroglyphics |
old |
, |
Hyperion: A Fragment, Book I, Line 277 |
Studied from that |
old |
spirit-leaved book |
Hyperion: A Fragment, Book II, Line 133 |
In glory that |
old |
Darkness: nor are we |
Hyperion: A Fragment, Book II, Line 215 |
And every gulf, and every chasm |
old |
, |
Hyperion: A Fragment, Book II, Line 360 |
There those four shouted forth |
old |
Saturn's name; |
Hyperion: A Fragment, Book II, Line 387 |
Many a fallen |
old |
Divinity |
Hyperion: A Fragment, Book III, Line 8 |
Who hath forsaken |
old |
and sacred thrones |
Hyperion: A Fragment, Book III, Line 77 |
In the earth's wide entrails |
old |
|
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 69 |
When |
old |
age shall this generation waste, |
Ode on a Grecian Urn, Line 46 |
Seem'd to say- "Sleep, |
old |
man, in safety sleep; |
Otho the Great, Act I, SCENE II, Otho, Line 61 |
An |
old |
lion sugar-cates of mild reprieve? |
Otho the Great, Act I, SCENE II, Otho, Line 172 |
From Gersa's tents. Farewell, |
old |
Ethelbert. |
Otho the Great, Act I, SCENE II, Otho, Line 199 |
Peace! peace, |
old |
man! I cannot think she is. |
Otho the Great, Act II, SCENE II, Gersa, Line 130 |
For |
old |
serge hangings,- me, your humble friend, |
Otho the Great, Act III, SCENE I, Sigifred, Line 36 |
The news is scarce a minute |
old |
with me. |
Otho the Great, Act III, SCENE I, Sigifred, Line 58 |
And |
old |
romances; but I'll break the spell. |
Otho the Great, Act III, SCENE II, Otho, Line 48 |
Ludolph, |
old |
Ethelbert, be sure, comes not |
Otho the Great, Act III, SCENE II, Otho, Line 107 |
|
Old |
abbot, stand here forth. Lady Erminia, |
Otho the Great, Act III, SCENE II, Otho, Line 111 |
But an |
old |
man's is narrow, tenantless |
Otho the Great, Act III, SCENE II, Ethelbert, Line 183 |
Here, Albert, this |
old |
phantom wants a proof! |
Otho the Great, Act III, SCENE II, Ludolph, Line 207 |
The lady weeping, the |
old |
abbot cowl'd. |
Otho the Great, Act V, SCENE III, Gonfrid, Line 12 |
Or of |
old |
AEtna's pulpy wine-presses, |
Otho the Great, Act V, SCENE V, Ludolph, Line 123 |
Among the Gods, upon Olympus |
old |
, |
Lamia, Part I, Line 71 |
Not one hour |
old |
, yet of sciential brain |
Lamia, Part I, Line 191 |
From Pyrrha's pebbles or |
old |
Adam's seed. |
Lamia, Part I, Line 333 |
Is that |
old |
man? I cannot bring to mind |
Lamia, Part I, Line 372 |
|
Old |
Apollonius - from him keep me hid." |
Lamia, Part II, Line 101 |
The |
old |
man through the inner doors broad-spread; |
Lamia, Part II, Line 170 |
What for the sage, |
old |
Apollonius? |
Lamia, Part II, Line 222 |
From his |
old |
teacher's wrinkled countenance, |
Lamia, Part II, Line 244 |
To thin the scarlet conclave of |
old |
men, |
The Fall of Hyperion: A Dream, CANTO I, Line 50 |
Of an |
old |
sanctuary with roof august, |
The Fall of Hyperion: A Dream, CANTO I, Line 62 |
So |
old |
the place was, I remembered none |
The Fall of Hyperion: A Dream, CANTO I, Line 65 |
Against rebellion: this |
old |
image here, |
The Fall of Hyperion: A Dream, CANTO I, Line 224 |
No farther than to where |
old |
Saturn's feet |
The Fall of Hyperion: A Dream, CANTO I, Line 320 |
His |
old |
right hand lay nerveless, listless, dead, |
The Fall of Hyperion: A Dream, CANTO I, Line 323 |
Until |
old |
Saturn rais'd his faded eyes, |
The Fall of Hyperion: A Dream, CANTO I, Line 400 |
Methought I heard some |
old |
man of the earth |
The Fall of Hyperion: A Dream, CANTO I, Line 440 |
Groan for the |
old |
allegiance once more, |
The Fall of Hyperion: A Dream, CANTO II, Line 11 |
In my |
old |
liberty? |
What can I do to drive away, Line 6 |
As in |
old |
pictures tender cherubim |
The Jealousies, Line 37 |
Close at your back, that sly |
old |
Crafticant? |
The Jealousies, Line 49 |
And for the nephew of |
old |
Palfior, |
The Jealousies, Line 147 |
And to |
old |
Hum through street and alley hied; |
The Jealousies, Line 205 |
A thimble-full of |
old |
Jamaica rum." |
The Jealousies, Line 363 |
Live!- O! at Canterbury, with her |
old |
grand-dame." |
The Jealousies, Line 387 |
Charm'd into ever freezing, lay an |
old |
|
The Jealousies, Line 512 |
Like the |
old |
pageant of Aurora's train, |
The Jealousies, Line 578 |
I say, |
old |
hocus, have you such a thing |
The Jealousies, Line 600 |
Thank you, |
old |
mummy!- now securely I take wing." |
The Jealousies, Line 603 |
|
Old |
Crafticant will smoke me, by-the-bye! |
The Jealousies, Line 615 |
About this time,- a sad |
old |
figure of fun; |
The Jealousies, Line 656 |
I met, far gone in liquor, that |
old |
man, |
The Jealousies, Line 786 |
|
OLDEN.............4 |
Even for common bulk, those |
olden |
three, |
Endymion: A Poetic Romance, Book III, Line 848 |
Shut up thine |
olden |
pages, and be mute. |
On Sitting Down to Read King Lear Once Again, Line 4 |
Gone mad through |
olden |
songs and poesies. |
Dear Reynolds, as last night I lay in bed, Line 54 |
He sipp'd no |
olden |
Tom, or ruin blue, |
Character of C.B., Line 21 |
|
OLDEST............2 |
O Moon! the |
oldest |
shades 'mong oldest trees |
Endymion: A Poetic Romance, Book III, Line 52 |
O Moon! the oldest shades 'mong |
oldest |
trees |
Endymion: A Poetic Romance, Book III, Line 52 |
|
OLIVE.............3 |
To some high noble and his |
olive |
-trees. |
Isabella; or, The Pot of Basil, Line 168 |
Each like a dove leaving its |
olive |
perch, |
Hyperion: A Fragment, Book II, Line 286 |
It was my chance to meet his |
olive |
brow, |
Otho the Great, Act I, SCENE II, Albert, Line 54 |
|
OLIVES............1 |
Rejoice, O Delos, with thine |
olives |
green, |
Hyperion: A Fragment, Book III, Line 24 |
|
OLYMPIAN..........3 |
The |
Olympian |
eagle's vision, is dark, |
Endymion: A Poetic Romance, Book II, Line 911 |
O were I one of the |
Olympian |
twelve, |
Extracts from an Opera, [first section] Line 1 |
With one of his well-pleas'd |
Olympian |
oaths, |
Otho the Great, Act I, SCENE III, Sigifred, Line 14 |
|
OLYMPIANS.........1 |
Fluttering among the faint |
Olympians |
, |
Ode to Psyche, Line 42 |
|
OLYMPUS...........6 |
Who from |
Olympus |
watch our destinies! |
Endymion: A Poetic Romance, Book I, Line 605 |
|
Olympus |
! we are safe! Now, Carian, break |
Endymion: A Poetic Romance, Book III, Line 764 |
Of high |
Olympus |
utter'd slavish sighs. |
Nature withheld Cassandra in the skies, Line 8 |
Found way unto |
Olympus |
, and made quake |
Hyperion: A Fragment, Book I, Line 146 |
From high |
Olympus |
had he stolen light, |
Lamia, Part I, Line 9 |
Among the Gods, upon |
Olympus |
old, |
Lamia, Part I, Line 71 |
|
OLYMPUS'..........2 |
Had waned from |
Olympus' |
solemn height, |
Endymion: A Poetic Romance, Book II, Line 784 |
Of all |
Olympus' |
faded hierarchy! |
Ode to Psyche, Line 25 |
|
OMEGA.............1 |
The pale |
Omega |
of a wither'd race, |
The Fall of Hyperion: A Dream, CANTO I, Line 288 |
|
OMEN..............1 |
Bad |
omen |
- this new match can't be a happy one. |
The Jealousies, Line 657 |
|
OMENS.............1 |
For as among us mortals |
omens |
drear |
Hyperion: A Fragment, Book I, Line 169 |
|
OMINOUS...........1 |
Where these are new and strange, are |
ominous |
. |
Endymion: A Poetic Romance, Book III, Line 911 |
|
OMIT..............1 |
a memorable instance in this kind, which I may not |
omit |
, of one Menippus Lycius, |
Lamia, Keats's Footnote from Burton, |
|
OMNIPOTENT........1 |
Of the |
omnipotent |
Father, cleavest the air, |
As from the darkening gloom a silver dove, Line 12 |
|
ON'T..............6 |
And emptied |
on't |
a black dull-gurgling phial: |
Endymion: A Poetic Romance, Book III, Line 515 |
And curb'd, think |
on't |
, O Latmian! did I sit |
Endymion: A Poetic Romance, Book III, Line 663 |
That bone, fie |
on't |
, bears just the shape |
O Some Skulls in Beauley Abbey, near Inverness, Line 81 |
I have mine own particular comments |
on't |
; |
Otho the Great, Act II, SCENE I, Ludolph, Line 43 |
I ache to think |
on't |
. |
Otho the Great, Act V, SCENE III, Theodore, Line 13b |
Now I think |
on't |
, perhaps I could convince |
The Jealousies, Line 473 |
|
ONE'S.............7 |
|
One's |
thoughts from such a beauty; when I hear |
Woman! when I behold thee flippant, vain, Line 37 |
And |
one's |
own image from the bottom peep? |
Endymion: A Poetic Romance, Book III, Line 332 |
|
One's |
senses with so dense a breathing stuff |
Endymion: A Poetic Romance, Book III, Line 381 |
And each |
one's |
gentle wrists, with reverence, |
Endymion: A Poetic Romance, Book III, Line 743 |
Moods of |
one's |
mind! You know I hate them well, |
Dear Reynolds, as last night I lay in bed, Line 106 |
To follow |
one's |
nose |
There was a naughty boy, Line 55 |
To follow |
one's |
nose to the north! |
There was a naughty boy, Line 58 |
|
ONENESS...........1 |
Into a sort of |
oneness |
, and our state |
Endymion: A Poetic Romance, Book I, Line 796 |
|
ONES..............6 |
The mighty |
ones |
who have made eternal day |
Endymion: A Poetic Romance, Book II, Line 253 |
Schooling its half-fledg'd little |
ones |
to brush |
Endymion: A Poetic Romance, Book IV, Line 130 |
But there are higher |
ones |
I may not see, |
Endymion: A Poetic Romance, Book IV, Line 853 |
For old |
ones |
|
There was a naughty boy, Line 16 |
We fair |
ones |
show a preference, too blind! |
Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 8 |
The mitred |
ones |
of Nice and Trent |
O Some Skulls in Beauley Abbey, near Inverness, Line 7 |
|
ONLY..............28 |
But thy soft note - its |
only |
joy. |
Stay, ruby breasted warbler, stay, Line 20 |
That breast, earth's |
only |
paradise! |
Fill for me a brimming bowl, Line 16 |
Gorgeous as I would have it - |
only |
I see |
On Receiving a Laurel Crown from Leigh Hunt, Line 10 |
To a wide lawn, whence one could |
only |
see |
Endymion: A Poetic Romance, Book I, Line 82 |
|
Only |
I pray, as fairest boon, to die, |
Endymion: A Poetic Romance, Book III, Line 550 |
Warm mountaineer! for canst thou |
only |
bear |
Endymion: A Poetic Romance, Book IV, Line 54 |
One moment from his home: |
only |
the sward |
Endymion: A Poetic Romance, Book IV, Line 335 |
Bright signal that she |
only |
stoop'd to tie |
Endymion: A Poetic Romance, Book IV, Line 500 |
"I would have thee my |
only |
friend, sweet maid! |
Endymion: A Poetic Romance, Book IV, Line 849 |
My |
only |
visitor! not ignorant though, |
Endymion: A Poetic Romance, Book IV, Line 850 |
For it |
only |
will last our youth out; |
O blush not so! O blush not so, Line 14 |
O thou whose |
only |
book has been the light |
O thou whose face hath felt the winter's wind, Line 5 |
|
Only |
to meet again more close, and share |
Isabella; or, The Pot of Basil, Line 75 |
Is mist and crag - not |
only |
on this height, |
Read me a lesson, Muse, and speak it loud, Line 13 |
A buried miser's |
only |
son, |
O Some Skulls in Beauley Abbey, near Inverness, Line 74 |
My heart began to burn - and |
only |
pains, |
Nature withheld Cassandra in the skies, Line 10 |
And |
only |
blind from sheer supremacy, |
Hyperion: A Fragment, Book II, Line 185 |
And yet she answer'd not, |
only |
complain'd, |
Hyperion: A Fragment, Book II, Line 249 |
Known |
only |
to his troop, hath greater plea |
Otho the Great, Act I, SCENE III, Ludolph, Line 28 |
Is not the |
only |
proud heart in his realm. |
Otho the Great, Act I, SCENE III, Ludolph, Line 57 |
Grey-growing. To thee |
only |
I appeal, |
Otho the Great, Act III, SCENE II, Ethelbert, Line 177 |
The |
only |
sad one; for thou didst not hear |
Lamia, Part I, Line 72 |
Telling me |
only |
where my nymph is fled,- |
Lamia, Part I, Line 86 |
|
Only |
the dreamer venoms all his days, |
The Fall of Hyperion: A Dream, CANTO I, Line 175 |
To what I erewhile heard: |
only |
his lips |
The Fall of Hyperion: A Dream, CANTO I, Line 450 |
No,- wine is |
only |
sweet to happy men; |
What can I do to drive away, Line 27 |
His speech, his |
only |
words were "yes" and "no," |
The Jealousies, Line 185 |
I've said it, sire; you |
only |
have to choose |
The Jealousies, Line 437 |
|
ONSET.............1 |
Escapes, makes fiercer |
onset |
, the anew |
King Stephen Act I, SCENE II, First Captain, Line 13 |
|
ONWARD............15 |
Flit |
onward |
- now a lovely wreath of girls |
Sleep and Poetry, Line 149 |
Easily |
onward |
, thorough flowers and weed. |
Endymion: A Poetic Romance, Book I, Line 62 |
|
Onward |
it flies. From languor's sullen bands |
Endymion: A Poetic Romance, Book II, Line 66 |
And |
onward |
to another city speeds. |
Endymion: A Poetic Romance, Book II, Line 152 |
|
Onward |
he goes - he stops - his bosom beats |
Endymion: A Poetic Romance, Book II, Line 355 |
He |
onward |
kept; wooing these thoughts to steal |
Endymion: A Poetic Romance, Book III, Line 140 |
And |
onward |
went upon his high employ, |
Endymion: A Poetic Romance, Book III, Line 783 |
At every |
onward |
step proud domes arose |
Endymion: A Poetic Romance, Book III, Line 836 |
Still |
onward |
; still the splendour gradual swell'd. |
Endymion: A Poetic Romance, Book III, Line 840 |
|
Onward |
the tiger and the leopard pants, |
Endymion: A Poetic Romance, Book IV, Line 241 |
|
Onward |
these myriads - with song and dance, |
Endymion: A Poetic Romance, Book IV, Line 243 |
A little |
onward |
ran the very stream |
Endymion: A Poetic Romance, Book IV, Line 785 |
|
Onward |
I look'd beneath the gloomy boughs, |
The Fall of Hyperion: A Dream, CANTO I, Line 297 |
|
Onward |
from the antichamber of this dream, |
The Fall of Hyperion: A Dream, CANTO I, Line 465 |
" |
Onward |
we floated o'er the panting streets, |
The Jealousies, Line 730 |
|
ONWARDS...........1 |
First |
onwards |
in, among the fallen tribe. |
Hyperion: A Fragment, Book II, Line 100 |
|
OOZ'D.............2 |
Tawny and gold, |
ooz'd |
slowly from far lands |
Endymion: A Poetic Romance, Book II, Line 114 |
Of happiness, from fairy-press |
ooz'd |
out. |
Endymion: A Poetic Romance, Book III, Line 802 |
|
OOZE..............4 |
The |
ooze |
-born Goddess beckoned and drew |
Endymion: A Poetic Romance, Book III, Line 893 |
And warm with dew at |
ooze |
from living blood! |
Endymion: A Poetic Romance, Book IV, Line 667 |
And divine liquids come with odorous |
ooze |
|
Isabella; or, The Pot of Basil, Line 411 |
His Druid locks to shake and |
ooze |
with sweat, |
Hyperion: A Fragment, Book I, Line 137 |
|
OOZINGS...........1 |
Thou watchest the last |
oozings |
hours by hours. |
To Autumn, Line 22 |
|
OOZY..............2 |
A new magnificence. On |
oozy |
throne |
Endymion: A Poetic Romance, Book III, Line 993 |
Arose, with locks not |
oozy |
, and began, |
Hyperion: A Fragment, Book II, Line 170 |
|
OPAL..............1 |
Rich |
opal |
domes were seen, on high upheld |
Endymion: A Poetic Romance, Book III, Line 841 |
|
OPAQUE............1 |
Dungeon'd in |
opaque |
element, to keep |
Hyperion: A Fragment, Book II, Line 23 |
|
OPE...............8 |
And scarcely stays to |
ope |
the folding doors: |
Calidore: A Fragment, Line 70 |
Yet can I |
ope |
thy window-sash to find |
This mortal body of a thousand days, Line 10 |
Why should I |
ope |
thy melancholy eyes? |
Hyperion: A Fragment, Book I, Line 70 |
Then, as was wont, his palace-door flew |
ope |
|
Hyperion: A Fragment, Book I, Line 205 |
A bright torch, and a casement |
ope |
at night, |
Ode to Psyche, Line 66 |
We are all weary - faint - set |
ope |
the doors- |
Otho the Great, Act V, SCENE V, Ludolph, Line 194 |
Why should I |
ope |
thy melancholy eyes? |
The Fall of Hyperion: A Dream, CANTO I, Line 370 |
The little Bertha's eyes |
ope |
on the stars serene." |
The Jealousies, Line 396 |
|
OPED..............1 |
The doors all look as if they |
oped |
themselves, |
Dear Reynolds, as last night I lay in bed, Line 49 |
|
OPEN..............43 |
My ear is |
open |
like a greedy shark, |
Woman! when I behold thee flippant, vain, Line 27 |
Spenser! thy brows are arched, |
open |
, kind, |
Specimen of an Induction to a Poem, Line 49 |
And |
open |
face of heaven,- to breathe a prayer |
To one who has been long in city pent, Line 3 |
When these enchanted portals |
open |
wide, |
To My Brother George (epistle), Line 33 |
That freshly terminate in |
open |
plains, |
To Charles Cowden Clarke, Line 116 |
That stays one moment in an |
open |
flower, |
Sleep and Poetry, Line 3 |
|
Open |
afresh your round of starry folds, |
I stood tip-toe upon a little hill, Line 47 |
Of heaven appear'd to |
open |
for my flight, |
Endymion: A Poetic Romance, Book I, Line 582 |
To follow it upon the |
open |
plain, |
Endymion: A Poetic Romance, Book I, Line 892 |
Queen Venus leaning downward |
open |
arm'd: |
Endymion: A Poetic Romance, Book II, Line 526 |
These dreary caverns for the |
open |
sky. |
Endymion: A Poetic Romance, Book II, Line 987 |
Ere it burst |
open |
swift as fairy thought, |
Endymion: A Poetic Romance, Book III, Line 857 |
|
Open |
your ears and stay your trudge |
All gentle folks who owe a grudge, Line 3 |
|
Open |
wide the mind's cage-door, |
Fancy, Line 7 |
|
Open |
thine eyes, for meek St. Agnes' sake, |
The Eve of St. Agnes, Line 278 |
Her blue affrayed eyes wide |
open |
shone: |
The Eve of St. Agnes, Line 296 |
Her eyes were |
open |
, but she still beheld, |
The Eve of St. Agnes, Line 298 |
Burst the door |
open |
, quick - or I declare |
When they were come unto the Faery's court, Line 16 |
|
Open |
thine eyes eterne, and sphere them round |
Hyperion: A Fragment, Book I, Line 117 |
He ground severe his skull, with |
open |
mouth |
Hyperion: A Fragment, Book II, Line 51 |
Came |
open |
-eyed to guess what we would speak:- |
Hyperion: A Fragment, Book II, Line 338 |
|
Open |
eyes that never daze: |
Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 12 |
The |
open |
casement press'd a new-leaved vine, |
Ode on Indolence, Line 47 |
A few days since, I was an |
open |
rebel,- |
Otho the Great, Act I, SCENE I, Conrad, Line 37 |
Appear'd, a sudden host, in the |
open |
day. |
Otho the Great, Act I, SCENE I, Conrad, Line 49 |
Nor judge my |
open |
purposes awry. |
Otho the Great, Act I, SCENE II, Otho, Line 141 |
Frank, |
open |
, generous; Albert I may trust. |
Otho the Great, Act II, SCENE II, Erminia, Line 23 |
Our ear is |
open |
. First we here denounce |
Otho the Great, Act III, SCENE II, Otho, Line 113 |
Nay |
open |
speech, rude mockery grown common, |
Otho the Great, Act III, SCENE II, Ethelbert, Line 131 |
Here is the Duke, waiting with |
open |
arms |
Otho the Great, Act III, SCENE II, Erminia, Line 249 |
His eyes are fix'd still on the |
open |
doors, |
Otho the Great, Act IV, SCENE II, Gersa, Line 64 |
Through the dark ways they chose to the |
open |
air; |
Otho the Great, Act IV, SCENE II, Page, Line 125 |
|
Open |
the door; let's hear if all is quiet. |
Otho the Great, Act V, SCENE IV, Otho, Line 35 |
|
Open |
it straight;- hush!- quiet!- my lost boy! |
Otho the Great, Act V, SCENE IV, Otho, Line 37 |
[The doors |
open |
. Enter Page. Several women are seen |
Otho the Great, Act V, SCENE V, S.D. to Line 187 |
Saving a tythe which love still |
open |
kept, |
Lamia, Part II, Line 24 |
He answer'd, bending to her |
open |
eyes, |
Lamia, Part II, Line 46 |
Where even at the |
open |
doors awhile |
The Fall of Hyperion: A Dream, CANTO I, Line 466 |
Spoken to in clear, plain, and |
open |
terms, |
King Stephen Act I, SCENE IV, Maud, Line 15 |
The Magazin des Modes now |
open |
is |
The Jealousies, Line 283 |
" |
Open |
the window, Hum; I'm ready now!" |
The Jealousies, Line 541 |
Or on the |
open |
turf their soothed eyelids closed. |
The Jealousies, Line 693 |
At the |
open |
doors, with wide saluting eyes, |
The Jealousies, Line 758 |
|
OPEN'D............2 |
|
Open'd |
upon the dusk demesnes of night; |
Hyperion: A Fragment, Book I, Line 298 |
She felt the warmth, her eyelids |
open'd |
bland, |
Lamia, Part I, Line 141 |
|
OPENED............2 |
|
Opened |
again, and from without, in shone |
Endymion: A Poetic Romance, Book III, Line 992 |
|
Opened |
- she enter'd with her servants three. |
When they were come unto the Faery's court, Line 72 |
|
OPENER............1 |
Dread |
opener |
of the mysterious doors |
Endymion: A Poetic Romance, Book I, Line 288 |
|
OPENEST...........1 |
Into mine own: for why? thou |
openest |
|
Endymion: A Poetic Romance, Book III, Line 295 |
|
OPENING...........8 |
We will hasten, my fair, to the |
opening |
glades, |
O come, dearest Emma!, Line 5 |
Is the swift |
opening |
of their wide portal, |
To My Brother George (epistle), Line 30 |
Of words at |
opening |
a portfolio. |
Sleep and Poetry, Line 338 |
Fresh for the |
opening |
of the morning's eye. |
On Seeing the Elgin Marbles, Line 8 |
|
Opening |
his eyelids with a healthier brain, |
Endymion: A Poetic Romance, Book I, Line 465 |
And lo! from |
opening |
clouds, I saw emerge |
Endymion: A Poetic Romance, Book I, Line 591 |
Charm'd magic casements, |
opening |
on the foam |
Ode to a Nightingale, Line 69 |
A Cabinet, |
opening |
towards a Terrace. |
Otho the Great, Act V, SCENE IV, Setting |
|
OPENS.............1 |
[Goes to the door, listens, and |
opens |
it. Enter ALBERT. |
Otho the Great, Act IV, SCENE I, S.D. to Line 106 |
|
OPERATE...........1 |
Doth |
operate |
quietly when his breath is gone: |
Otho the Great, Act V, SCENE II, Albert, Line 42 |
|
OPERATIONS........2 |
Have bared their |
operations |
to this globe- |
Endymion: A Poetic Romance, Book III, Line 35 |
Therefore the |
operations |
of the dawn |
Hyperion: A Fragment, Book I, Line 294 |
|
OPES..............1 |
Each |
opes |
delighted at thy lay. |
Stay, ruby breasted warbler, stay, Line 12 |
|
OPIATE............2 |
Or emptied some dull |
opiate |
to the drains |
Ode to a Nightingale, Line 3 |
And |
opiate |
for the conscience have I none! |
Otho the Great, Act I, SCENE I, Albert, Line 158 |
|
OPINION...........1 |
"Mr. Nisby is of |
opinion |
that laced coffee is bad |
The Jealousies, Keats's Note to Line 365 |
|
OPIUM.............1 |
You vext with bad revolt? Was't |
opium |
, |
Otho the Great, Act I, SCENE III, Sigifred, Line 34 |
|
OPPOSE............1 |
And canst |
oppose |
to each malignant hour |
Hyperion: A Fragment, Book I, Line 339 |
|
OPPOSITE..........5 |
Towards a bowery island |
opposite |
; |
Endymion: A Poetic Romance, Book I, Line 428 |
And |
opposite |
the stedfast eye doth meet |
Fragment of Castle-builder, CASTLE BUILDER, Line 51 |
Just |
opposite |
, an island of the sea, |
Hyperion: A Fragment, Book II, Line 275 |
Full brimm'd, and |
opposite |
sent forth a look |
Lamia, Part II, Line 242 |
Diverse, sheer |
opposite |
, antipodes. |
The Fall of Hyperion: A Dream, CANTO I, Line 200 |
|
OPPOSITION........2 |
A total |
opposition |
? No one. So |
Endymion: A Poetic Romance, Book III, Line 693 |
I'll make the |
opposition |
-benches wince, |
The Jealousies, Line 138 |
|
OPPRESS...........1 |
A brace of toads, than league with them t' |
oppress |
|
Otho the Great, Act IV, SCENE I, Albert, Line 164 |
|
OPPRESS'D.........5 |
With the base purple of a court |
oppress'd |
, |
To Hope, Line 39 |
At that |
oppress'd |
I hurried in.- Ah! where |
Endymion: A Poetic Romance, Book I, Line 970 |
I am so |
oppress'd |
with joy! Why, I have shed |
Endymion: A Poetic Romance, Book III, Line 431 |
Until the poppied warmth of sleep |
oppress'd |
|
The Eve of St. Agnes, Line 237 |
Indeed too much |
oppress'd |
. May I be bold |
Otho the Great, Act II, SCENE I, Conrad, Line 53 |
|
OPPRESSED.........2 |
After dark vapours have |
oppressed |
our plains |
After dark vapours have oppressed our plains, Line 1 |
And he |
oppressed |
. Yet he shall not die, |
Endymion: A Poetic Romance, Book III, Line 695 |
|
OPPRESSIVE........1 |
Stifled beneath the thick |
oppressive |
shade |
Otho the Great, Act V, SCENE I, Ludolph, Line 19 |
|
OPPREST...........1 |
The prison gates that have so long |
opprest |
|
Endymion: A Poetic Romance, Book III, Line 296 |
|
OPPROBRIOUS.......1 |
My joys with such |
opprobrious |
surprise? |
Otho the Great, Act III, SCENE II, Ludolph, Line 80 |
|
OPS...............2 |
Of |
Ops |
the queen all clouded round from sight; |
Hyperion: A Fragment, Book II, Line 78 |
And |
Ops |
, uplifting her black folded veil, |
Hyperion: A Fragment, Book II, Line 113 |
|
ORACLE............2 |
No shrine, no grove, no |
oracle |
, no heat |
Ode to Psyche, Line 34 |
Thy shrine, thy grove, thy |
oracle |
, thy heat |
Ode to Psyche, Line 48 |
|
ORACULAR..........1 |
Till this |
oracular |
couplet met his eye |
The Jealousies, Line 454 |
|
ORANGE............1 |
Why were they proud? Because fair |
orange |
-mounts |
Isabella; or, The Pot of Basil, Line 123 |
|
ORANGES...........1 |
My terrace is well bowered with |
oranges |
. |
Fragment of Castle-builder, CASTLE BUILDER, Line 34 |
|
ORAT'RIES.........2 |
Knights, ladies, praying in dumb |
orat'ries |
, |
The Eve of St. Agnes, Line 16 |
Warm from their fireside |
orat'ries |
, |
The Eve of St. Mark, Line 16 |
|
ORATORY...........1 |
Your |
oratory |
; your breath is not so hitch'd. |
Otho the Great, Act V, SCENE II, Ludolph, Line 47 |
|
ORB...............4 |
But, gentle |
Orb |
! there came a nearer bliss- |
Endymion: A Poetic Romance, Book III, Line 175 |
The planet |
orb |
of fire, whereon he rode |
Hyperion: A Fragment, Book I, Line 269 |
Their wisdom long since fled.- Two wings this |
orb |
|
Hyperion: A Fragment, Book I, Line 283 |
Eager to sail their |
orb |
; the porches wide |
Hyperion: A Fragment, Book I, Line 297 |
|
ORBED.............7 |
Her pearl round ears, white neck, and |
orbed |
brow; |
Endymion: A Poetic Romance, Book I, Line 616 |
There hangs by unseen film, an |
orbed |
drop |
Endymion: A Poetic Romance, Book I, Line 806 |
Descried an |
orbed |
diamond, set to fray |
Endymion: A Poetic Romance, Book II, Line 245 |
|
Orbed |
is the moon and bright, |
'Tis the "witching time of night", Line 2 |
Blazing Hyperion on his |
orbed |
fire |
Hyperion: A Fragment, Book I, Line 166 |
My wrath against thee for the |
orbed |
world. |
Otho the Great, Act IV, SCENE II, Gersa, Line 91 |
Blazing Hyperion on his |
orbed |
fire |
The Fall of Hyperion: A Dream, CANTO II, Line 15 |
|
ORBING............1 |
|
Orbing |
along the serene firmament |
Otho the Great, Act IV, SCENE I, Auranthe, Line 79 |
|
ORBS..............3 |
To commune with those |
orbs |
, once more I rais'd |
Endymion: A Poetic Romance, Book I, Line 600 |
But meeting her blue |
orbs |
! Who, who can write |
Endymion: A Poetic Romance, Book II, Line 531 |
There was no recognition in those |
orbs |
. |
Lamia, Part II, Line 260 |
|
ORBY..............1 |
Now I begin to feel thine |
orby |
power |
Endymion: A Poetic Romance, Book III, Line 180 |
|
ORDER.............3 |
Such thousands of shut eyes in |
order |
plac'd; |
Endymion: A Poetic Romance, Book III, Line 738 |
Through bronzed lyre in tragic |
order |
go, |
Isabella; or, The Pot of Basil, Line 443 |
In white robes, and themselves in |
order |
placed |
Lamia, Part II, Line 196 |
|
ORDER'D...........1 |
And |
order'd |
some death-warrants to be sent |
The Jealousies, Line 178 |
|
ORDERS............1 |
These |
orders |
given, the Prince, in half a pet, |
The Jealousies, Line 199 |
|
ORDINARY..........1 |
Trot round the quarto - |
ordinary |
time! |
The Jealousies, Line 638 |
|
ORE...............3 |
With quivering |
ore |
: 'twas even an awful shine |
Endymion: A Poetic Romance, Book I, Line 352 |
Through caves, and palaces of mottled |
ore |
, |
Endymion: A Poetic Romance, Book II, Line 594 |
To search its sullen entrails rich with |
ore |
, |
The Fall of Hyperion: A Dream, CANTO I, Line 274 |
|
OREAD.............2 |
An arch face peep'd,- an |
Oread |
as I guess'd. |
Endymion: A Poetic Romance, Book I, Line 671 |
O |
Oread |
-Queen! would that thou hadst a pain |
Endymion: A Poetic Romance, Book II, Line 961 |
|
ORED..............1 |
To take the rich- |
ored |
driftings of the flood. |
Isabella; or, The Pot of Basil, Line 112 |
|
ORGAN.............5 |
In solemn tenour and deep |
organ |
tone: |
Hyperion: A Fragment, Book I, Line 48 |
Grew up like |
organ |
, that begins anew |
Hyperion: A Fragment, Book II, Line 126 |
In solemn tenor and deep |
organ |
tune; |
The Fall of Hyperion: A Dream, CANTO I, Line 350 |
From a Man-Tiger- |
Organ |
, prettiest of his toys." |
The Jealousies, Line 333 |
Than the Emperor when he play'd on his Man-Tiger- |
Organ |
. |
The Jealousies, Line 342 |
|
ORGANIC...........1 |
Chief of |
organic |
numbers! |
Lines on Seeing a Lock of Milton's Hair, Line 1 |
|
ORGANS............2 |
Hollow |
organs |
all the day; |
Not Aladdin magian, Line 30 |
While play'd the |
organs |
loud and sweet. |
The Eve of St. Mark, Line 22 |
|
ORIENT............1 |
Now Morning from her |
orient |
chamber came, |
Imitation of Spenser, Line 1 |
|
ORIGINAL..........1 |
Plain in our own |
original |
mood and tense, |
The Jealousies, Line 791 |
|
ORION.............1 |
Or blind |
Orion |
hungry for the morn. |
Endymion: A Poetic Romance, Book II, Line 198 |
|
ORPHEAN...........2 |
Alone? No, no; and by the |
Orphean |
lute, |
Endymion: A Poetic Romance, Book II, Line 164 |
I should have |
Orphean |
lips, and Plato's fancy, |
Otho the Great, Act V, SCENE V, Ludolph, Line 23 |
|
ORPHEUS...........3 |
In every place where infant |
Orpheus |
slept. |
Endymion: A Poetic Romance, Book I, Line 794 |
Thou leddest |
Orpheus |
through the gleams of death; |
Endymion: A Poetic Romance, Book III, Line 98 |
But |
Orpheus |
-like at an Eurydice; |
Lamia, Part I, Line 248 |
|
ORTHODOXY.........1 |
With |
orthodoxy |
; |
O Some Skulls in Beauley Abbey, near Inverness, Line 10 |