University of Washington
In 2010, the Museum of Modern Art in New York hosted Marina Abramović’s performance, The Artist is Present. For seventy-five days, Abramović sat in a chair while a succeeding rotation of museumgoers sat parallel to the artist and gazed into her face. Some patrons stared at Abramović for hours at a time; meanwhile, no words were exchanged. How can we characterize this strange encounter between artist and audience?
Nancy Yousef classifies the above relational experience as a modern version of Romantic Intimacy, after the title of her second book. In this important study of affect, Yousef demonstrates how our present-day understanding of intimacy in artworks and especially in psychoanalytic practice follows from Romantic-era writers like William Wordsworth, Jane Austen, and Samuel Taylor Coleridge. Romantic intimacy, defined paradoxically as what is “most private [and] most shared” (119), modified the...more