This list will seem noticeably familiar to many.  And that appears to be the point.  If there ever was a primal scene for Romanticism and theory, especially in the way it was staged within North America, the 1970s would be the name for it.  Explicitly confronting or implicitly shadowboxing with that decade’s critical disposition still colors our critical endeavors more than forty years afterward, from New Historicism in the 1980s to contemporary interventions of the New Materialisms and the A