Passing Judgment, Conceding Perfection: Third-Person Narration and Versions of the Cavellian Secular

Austen and Cavell

Your Friends and Lovers: Perfectionism’s Recounting of Romanticism

Afterword

“A Modest Creed”: Saving Skepticism in Shelley and Cavell

Cavell’s Romanticism and the Autobiographical Animal

Introduction: Stanley Cavell and the Event of Romanticism

Shelley's Sound Body

Utopian Pastoral and the Inhuman Trade

Without Task: Abdication, Race, and Relation in Mary Shelley’s The Last Man

 

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