• nature

    In 1818 Victor had used the ambiguous term "view of nature." In her revision Mary
    Shelley makes clear that he is speaking not of a "natural view," but rather of the
    range of possibility offered in the universe. This is compatible with contemporary
    usage. Johnson's Dictionary (1755) gives eleven definitions of the word, none of which
    conforms to our idea of nature as merely an external, visual phenomenon:

    • An imaginary being supposed to preside over the material and animal world
    • The native state of properties of any thing, by which it is discriminated from others
    • The constitution of an animated body
    • Disposition of mind; temper
    • The regular course of things
    • The compass of natural existence
    • Natural affection, or reverence; native sensations
    • The state or operation of the material world
    • Sort; species
    • Sentiments or images adapted to nature, or conformable to truth and reality
    • Physics; the science which teaches the qualities of things

    Given this spectrum of meanings, we might suppose that the first application, from
    Victor Frankenstein's perspective, would be to the last connotation. He is, after
    all, a scientist speaking to another engaged in research and suggesting to him that
    the known boundaries of the discipline are inadequate to the realities he has uncovered.
    And yet the fact that these earlier definitions of nature touch so pointedly on what
    we might ordinarily think of as extraneous categories—moral or theological—should
    prepare us for such an elaboration in Victor's narrative as well. The second and third
    definitions, for instance, pertain as much to what Victor as creator imparted to his
    Creature's mind as to his body, and the fourth might raise the question of his essential
    morality. The seventh might revert to Victor's own psychological shortcomings, or,
    depending on one's perspective, those of his Creature. That "power" is associated
    in Victor's mind with his idea of nature allows us, as well, to cross the one spectrum
    of meanings with another distinctive to that term. Again, Victor might think of it
    in a strictly scientific sense, as a producer of essential energy, an aspect of the
    electricity that is understood as a dynamic force force by both him and Walton. And
    yet, as we will eventually learn, his existence has in its recent history turned almost
    wholly on an axis of personal power politics as he has struggled with his Creature
    for dominance.