This poses a contrast worth contemplating: on the one hand, as earlier in the chapter
(I:3:8 and note), enthusiasm here literally suggests the presence of an indwelling
deity, or at least Victor's aspiration to play God; on the other hand, anxiety indicates
a counterforce within his mind, disrupting his self-assurance, even prompting self-alienation.
Since in Milton's myth Satan is created as a counterforce at the precise moment that
God announces his plan to create a new race, these contrary poles are essential to
the basic creation myth in terms of which Mary Shelley plots her novel.
See also the angel Raphael's account of the beginning of the new universe in Paradise
Lost (V.579-617).