3918. Robert Southey to [Joanna Baillie], 16 November 1822

 

MS: Royal College of Surgeons of England Archives, MS0014/7, Hunter–Baillie Letters Volume 4.2, no. 165. ALS; 6p.
Previously published: The letter text is previously unpublished; the text of the poem appeared in Joanna Baillie (ed.), A Collection of Poems, Chiefly Manuscript, And From Living Authors (London, 1823), pp. 280–283.


My Dear Madam

As you are well supplied with graver & better matter for your benevolent volume,

(1)

‘The Cataract of Lodore’, sent in this letter, was included in Joanna Baillie (ed.), A Collection of Poems, Chiefly Manuscript, And From Living Authors (London, 1823), pp. 280–283, no. 99 in the sale catalogue of Southey’s library. This volume was produced to benefit Baillie’s old schoolfriend, Margaret Stirling, née Murdoch (b. 1763), widow of the Glasgow textile merchant, James Stirling (1760–1822). Mrs Stirling had been left in distressed circumstances by her husband’s business failures and death.

I send you something which is sure to be unlike any other of its contents. You will at once perceive that it was at first produced in sport, & afterwards amplified as a whimsical exhibition of the richness of our language. – As such it is likely to be copied into newspapers, & “Guides to the Lakes.”

I am much gratified that the Lines upon Lowther Castle

(2)

‘Lines. Written in Lady Lonsdale’s Album, at Lowther Castle, Oct. 13. 1821’, Joanna Baillie (ed.), A Collection of Poems, Chiefly Manuscript, And From Living Authors (London, 1823), pp. 50–51.

should have pleased you. The stanza is good, & I could have wished the verses better. But the truth is that I have almost ceased to be a poet; that I am so, has for many years been rather a matter of remembrance than of feeling; time has produced this sensible change, & has kindly withdrawn from me the inclination before it bereaves me of the power. When I shall have compleated two poems, each of some length, which were begun long ago, I shall write no more in verse.

(3)

A Tale of Paraguay (1825) and Southey’s unfinished ‘Oliver Newman’, set in New England. A fragment of the latter was published posthumously in Oliver Newman: a New-England Tale (Unfinished): with Other Poetical Remains by the Late Robert Southey (London, 1845), pp. 1–90.

Should you be in town in the spring, I may perhaps have the pleasure of meeting you there. It would be a great pleasure.

Mrs Southey joins with me in respects to your sister

(4)

Agnes Baillie (1760–1861), with whom Joanna Baillie shared a house in Hampstead.

& yourself. The evening which you did us the favour of passing here is fresh in our remembrance.

(5)

Probably a reference to Joanna Baillie’s visit to Keswick in 1808, Southey to Herbert Hill, 9 July 1808, The Collected Letters of Robert Southey. Part Three, Letter 1476.

Believe me Dear Madam
with sincere respect & regard
yr obedient servant
Robert Southey.

The Cataract of Lodore 
described in rhymes for the Nursery 
by 
One of the Lake Poets

————

How does the Water come down at Lodore?
Here it comes sparkling,
And there it lies darkling;
Here smoking & frothing
Its tumult & wrath in,
It hastens along, conflicting strong;
Now striking & raging
As if a war waging
Its caverns & rocks among:
Rising & leaping,
Sinking & creeping,
Swelling & flinging,
Showering & springing,
Eddying & whisking,
Spouting & frisking,
Turning & twisting
Around & around;
Collecting, disjecting,
With endless rebound;
Smiting & fighting,
A sight to delight in,
Confounding, astounding,
Dizzying & deafening the ear with its sound.

Receding & speeding,
And shocking & rocking,
And darting & parting.
And threading & spreading,
And whizzing & hissing,
And dripping & skipping,
And whitening & brightening,
And quivering & shivering,
And hitting & splitting,
And shining & twining,
And rattling & battling,
And shaking & quaking,
And pouring & roaring,
And waving & raving,
And tossing & crossing,
And flowing & going,
And running & stunning,
And hurrying & skurrying,
And glittering & frittering,
And gathering & feathering,
And dinning & spinning,
And foaming & roaming,
And dropping & hopping,
And working & jerking,
And guggling & struggling,
And heaving & cleaving,
And thundering & floundering,
And falling & brawling & sprawling,
And driving & riving & striving,
And sprinkling & twinkling & wrinkling,
And sounding & bounding & rounding,
And bubbling & troubling & doubling,
Dividing & gliding & sliding,
And grumbling & rumbling & tumbling,
And clattering & battering & shattering,
And gleaming & streaming, & steaming & beaming,
And rushing & flushing & brushing & gushing,
And flapping & rapping & clapping & slapping,
And curling & whirling & purling & twirling,
Retreating & beating & meeting & sheeting,
Delaying & straying, & playing & spraying,
Advancing & prancing & glancing & dancing,
Recoiling, turmoiling & toiling & boiling,
And thumping & flumping & bumping & jumping,
And dashing & flashing & splashing & clashing:
And so never ending, but alway descending,
Sounds & motions for ever & ever are blending,
All at once & all oer, with a mighty uproar,
And this way the Water comes down at Lodore.

————

Notes

1. ‘The Cataract of Lodore’, sent in this letter, was included in Joanna Baillie (ed.), A Collection of Poems, Chiefly Manuscript, And From Living Authors (London, 1823), pp. 280–283, no. 99 in the sale catalogue of Southey’s library. This volume was produced to benefit Baillie’s old schoolfriend, Margaret Stirling, née Murdoch (b. 1763), widow of the Glasgow textile merchant James Stirling (1760–1822). Mrs Stirling had been left in distressed circumstances by her husband’s business failures and death.[back]
2. ‘Lines. Written in Lady Lonsdale’s Album, at Lowther Castle, Oct. 13. 1821’, Joanna Baillie (ed.), A Collection of Poems, Chiefly Manuscript, And From Living Authors (London, 1823), pp. 50–51.[back]
3. A Tale of Paraguay (1825) and Southey’s unfinished ‘Oliver Newman’, set in New England. A fragment of the latter was published posthumously in Oliver Newman: a New-England Tale (Unfinished): with Other Poetical Remains by the Late Robert Southey (London, 1845), pp. 1–90.[back]
4. Agnes Baillie (1760–1861), with whom Joanna Baillie shared a house in Hampstead.[back]
5. Probably a reference to Joanna Baillie’s visit to Keswick in 1808, Southey to Herbert Hill, 9 July 1808, The Collected Letters of Robert Southey. Part Three, Letter 1476.[back]
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