4198. Robert Southey to Caroline Bowles, 7 June 1824

 

Address: [in another hand, deletion and readdress in a second hand] London Tenth June 1824/ Miss Bowles/ <78 High Street>/ Buckland <Cheltenham>/ Lymington / Hants/ Fm/ JRickman
Stamped: LYMINGTON 98 
Postmarks: FREE/ 10 JU 10/ 1824 
Endorsement: No 59. To Miss Caroline Bowles
MS: British Library, Add MS 47889. ALS; 4p. 
Previously published: Edward Dowden (ed.), The Correspondence of Robert Southey with Caroline Bowles (Dublin and London, 1881), pp. 62–64.


I am under the visitation of my annual cold, which condemns me for a great part of every day to idleness. In the morning I do not rise before breakfast, because this visitor rises with me, & very soon afterwards I am fain to lie back on the sopha, & close my eyes, which have no complaint of their own, but are incapable of bearing the light while the membrane which lines the nose & the throat are in a state of such extreme excitability. First I tried repose, – & that almost long enough to disable me from exertion, by putting me what is called out of condition; – then I tried exercise, – & am now again resigned to inaction & a darkened room, with an upper lip which no razor dare approach, & a proboscis half excoriated by the frequent visits of the pockethandkerchief. In 1799 when I had the first of these inveterate cararrhs (which I never failed to have every year since, except when I was in Portugal) – I wrote an Ode, upon it being at that time Poet Laureate to the Morning Post

(1)

Southey quotes here the third stanza of his unpublished ‘Ode’; see Southey to Daniel Stuart, 19 December 1799, The Collected Letters of Robert Southey. Part Two, Letter 464. Southey wrote this when he was employed to provide poetry for the Morning Post, but it was not published in the newspaper.

– & it is worthy of being transferred from the rough copy in my desk to Ediths magnifico Album. Behold a specimen of it –

Weave the warp & weave the woof
The pocket handkerchief for me; –
Give ample room & verse enough
To hold the flowing sea.
Heard ye the din of trumpets bray –
Nose to napkin, – nostril-force –
Hot currents urge their way
And thro the double fountain take their course.
Mark the social hour of night
When the house-roof shall echo with affright
The sneeze’s sudden thunder.
The neighbours rise in wonder,
A room-quake follows; each upon his chair,
Starts at the fearful sound, & interjects a prayer.

Just half my life has elapsed since that Ode was written, & among those parts of my character which remain unaffected by time, the love of nonsense – as you may perceive is one.

Since you heard from me I have scarcely been able to write any thing except a review of Hayleys Memoirs

(2)

Southey’s review of John Johnson (1769–1833; DNB), Memoirs of the Life and Writings of William Hayley, Esq. the Friend and Biographer of Cowper, Written by Himself; with Extracts from his Private Correspondence, and Unpublished Poetry; and Memoirs of his Son Thomas Alphonso Hayley, the Young Sculptor (1823), no. 1179 in the sale catalogue of Southey’s library, Quarterly Review, 31 (March 1825), 263–311, published 11 March 1825.

which I went thro doggedly making what I could of materials not very good in themselves, & miserably put together by their author. Having however some gratitude for Hayley for introducing me by his notes to the Spanish poets,

(3)

William Hayley, An Essay on Epic Poetry; in Five Epistles to the Revd Mr. Mason. With Notes (London, 1782), pp. 202–273, included accounts of the life and work of Lope Félix de Vega y Carpio (1562–1635) and Alonso de Ercilla y Zuñiga (1533–1594), with quotations and translations.

– a good deal of respect for his love of literature & the arts & the country, – for his total exemption from all envious feelings, his attachment to his friends, – & above all for his devotion to that poor son,

(4)

Thomas Alphonso Hayley (1780–1800; DNB), a sculptor.

– I have spoken of him in a style very different from the prevailing tone of magazines & reviews.

You asked me once about Mary Wollstonecraft. I had never seen her when that Dedication was written.

(5)

‘To Mary Wollstonecraft’, Poems (Brisol, 1797), p. [3].

I saw her afterwards three or four times when she was Mrs Godwin; – & never saw a woman, who would have been better fitted to do honour to her sex, if she had not fallen on evil times, – & into evil hands. But it is hardly possible for any one to conceive what those times were, who has not lived in them.

I wish Landor’s book

(6)

Walter Savage Landor, Imaginary Conversations of Literary Men and Statesmen (1824).

may fall in your way, still more do I wish that you could see Landor himself, – who talks as that book is written, – as if he spoke in thunder & lightning. Such of the sheets as frightened the publisher were sent to me, & I struck out what would either have given most offence here, or endangered his personal safety where he is. How it is received I know not, – & indeed I know nothing of what is going on in the world of London, except that Edith is not yet ball-sick, & <that> poor Bertha I believe is home-sick. The former goes into Devonshire at the end of this month with Lady Malet,

(7)

Lady Susanna Malet, née Wales (1779–1868), widow of Sir Charles Malet, 1st Baronet (1752–1815; DNB).

– the latter to the neighbourhood of Portsmouth with the Rickmans;

(8)

John and Susannah Rickman.

– & in case she should pass your way in any of their excursions – which is by no means unlikely, I shall tell her where you she may hope to see give you a passing call. – We are parching here for want of rain. – The <History> H

(9)

Deletion and insertion in another hand.

of the W Indies is my brother Tom’s.

(10)

Thomas Southey, Chronological History of the West Indies (1827). Southey was seeking to raise subscriptions for its publication.

– I hear to day that Bowles is out of health, – & depressed by his xxx it. He is at present in London. – How are you? & is your singing time come – for come it will. – Love from all here. Cuthbert would be delighted to see you, & your Sultan also, – being a great admirer of what he used to call oodleoos.

(11)

Owls; see Southey to Grosvenor Charles Bedford, 11 November 1821, The Collected Letters of Robert Southey. Part Six, Letter 3747.

Dear friend God bless you

RS.

Notes

1. Southey quotes here the third stanza of his unpublished ‘Ode’; see Southey to Daniel Stuart, 19 December 1799, The Collected Letters of Robert Southey. Part Two, Letter 464. Southey wrote this when he was employed to provide poetry for the Morning Post, but it was not published in the newspaper.[back]
2. Southey’s review of John Johnson (1769–1833; DNB), Memoirs of the Life and Writings of William Hayley, Esq. the Friend and Biographer of Cowper, Written by Himself; with Extracts from his Private Correspondence, and Unpublished Poetry; and Memoirs of his Son Thomas Alphonso Hayley, the Young Sculptor (1823), no. 1179 in the sale catalogue of Southey’s library, Quarterly Review, 31 (March 1825), 263–311, published 11 March 1825.[back]
3. William Hayley, An Essay on Epic Poetry; in Five Epistles to the Revd Mr. Mason. With Notes (London, 1782), pp. 202–273, included accounts of the life and work of Lope Félix de Vega y Carpio (1562–1635) and Alonso de Ercilla y Zuñiga (1533–1594), with quotations and translations.[back]
4. Thomas Alphonso Hayley (1780–1800; DNB), a sculptor.[back]
5. ‘To Mary Wollstonecraft’, Poems (Brisol, 1797), p. [3].[back]
6. Walter Savage Landor, Imaginary Conversations of Literary Men and Statesmen (1824).[back]
7. Lady Susanna Malet, née Wales (1779–1868), widow of Sir Charles Malet, 1st Baronet (1752–1815; DNB).[back]
9. Deletion and insertion in another hand.[back]
10. Thomas Southey, Chronological History of the West Indies (1827). Southey was seeking to raise subscriptions for its publication.[back]
11. Owls; see Southey to Grosvenor Charles Bedford, 11 November 1821, The Collected Letters of Robert Southey. Part Six, Letter 3747.[back]
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