4222. Robert Southey to Anne Grant, 24 July 1824

 

Address: To/ Mrs Grant/ at Mrs Smiths/ Meadowside/ near/ Glasgow
Stamped: [partial] KESW
Postmark: [partial] G/ JU/ 1824/ 403
Endorsements: From/ Mr Southey/ 24 July 1824; Shown to Mrs Smith 151 Georges/ Street – XXX/ (from Robert Southey Esq)
MS: Collections of Maine Historical Society, Dr John S. H. Fogg Collection (Coll. 420). ALS; 4p.
Previously published: Kenneth Curry (ed.), New Letters of Robert Southey, 2 vols (London and New York, 1965), II, pp. 266–267.


My dear Madam

If I had any influence with Colburn, it could not be better employed than on this occasion. I have never had any communication with him, but once, which was many years ago, when he wrote to request that I would lend him a portrait of myself to be engraved for his magazine, & also communicate to him some particulars of my life.

(1)

See Southey to Henry Colburn, 5 June 1814, The Collected Letters of Robert Southey. Part Four, Letter 2434. An engraving of Southey appeared, together with a ‘long Memoir’, in Colburn’s New Monthly Magazine, 1 (January–July 1814), Frontispiece; 566–571.

It happened that a most methodistical mis-likeness of me had been exhibited some little time before in the European Magazine,

(2)

A ‘Memoir of Robert Southey, Esq.’ and a portrait ‘Engraved by Blood, from an Original Drawing by Edridge in the Possession of G. C. Bedford, Esq.’ appeared in European Magazine, 66 (July 1814), [3]–5.

– & as I was willing enough to supersede it by something better, I told Colburn where he might borrow a bust,

(3)

The bust sculpted by James Smith (1775–1813) in October 1813. Colburn borrowed it from Henry Herbert Southey.

which was the only satisfactory resemblance that existed: at the same time I stated in as few words as possible the time & place of my birth, & the course of my education saying that this would suffice for his purpose, & that the public had no business to expect any thing more in the way of memoirs while the subject in question was alive. Mr Colburn however was not satisfied with this. He borrowed the bust, & got someone to attempt the impossible task of making a portrait from it, which he engraved as an original picture: – a miserable looking wretch it is, – something in physiognomy between assassin & hangman. And he produced a long memoir of my private life, evidently written by some person who must once have been my guest, – or he could not have known so much, – & yet could had been in no degree intimately acquainted with me, – or he could not have made so many grossly erroneous statements. Of course I thought myself ill used, but this sort of usage is too common to excite either surprize or anger.

This has been my whole intercourse with Mr Colburn. – Campbell

(4)

Thomas Campbell (1777–1844; DNB), the Scottish poet and editor of the New Monthly Magazine 1821–1830.

is the person who is most likely to have influence with him. But surely you can stand in need of no such interference. There has been but one opinion of all the books which you have published <your writings>, & they are of a character always to excite as much interest as when they were first published.

As to the form of publication, booksellers ought to be the best advisors. To me the common octavo is the least agreable form in which a book can appear, as being too large to be held conveniently in the hand, & yet not large enough to require a table. The crown octavo is a much pleasanter size; but I believe the other is the more economical way of printing. In either shape two duodecimos volumes may very well be comprised in one volume. – When the Works are published

(5)

Anne Grant did not publish her collected works.

it may be in my power to render them some little service, & that opportunity I will gladly take, – glad indeed of any occasion to show with what sincere respect I regard Mrs Grant & her writings.

Dear Madam
Believe me yours very faithfully
Robert Southey.

Notes

1. See Southey to Henry Colburn, 5 June 1814, The Collected Letters of Robert Southey. Part Four, Letter 2434. An engraving of Southey appeared, together with a ‘long Memoir’, in Colburn’s New Monthly Magazine, 1 (January–July 1814), Frontispiece; 566–571.[back]
2. A ‘Memoir of Robert Southey, Esq.’ and a portrait ‘Engraved by Blood, from an Original Drawing by Edridge in the Possession of G. C. Bedford, Esq.’ appeared in European Magazine, 66 (July 1814), [3]–5.[back]
3. The bust sculpted by James Smith (1775–1813) in October 1813. Colburn borrowed it from Henry Herbert Southey.[back]
4. Thomas Campbell (1777–1844; DNB), the Scottish poet and editor of the New Monthly Magazine 1821–1830.[back]
5. Anne Grant did not publish her collected works.[back]
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