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Gallery

Explorable Archive of Art from the Romantic Era

Section Editors: Theresa M. Kelley
, Jacob Leveton
Page Title

Explore All Images

No image available

Venice: The Dogana and San Giorgio Maggiore

A page of a grammar lesson about verbs

Unknown

This image serves to visually illustrate and explicate a lesson plan in a grammar book. The accompanying text appears to be a lesson plan regarding verbs and their "properties." The image depicts three figures, each of which represents a different "voice" of verbs.

Verbs

A page of a grammar lesson about adverbs

Unknown

While the other illustration from Cobbin's Elements of English Grammar (the first image of the gallery) uses visual figures to personify discussed terms, this image provides a picture of the action described by the accompanying text: that is, the illustration acts

Verbs with Adverbs

A portrait of a young boy with a secondary scene below depicting a teacher and his student

Unknown
In collaboration with G.H. Wilson

A young, nude boy is depicted against a dark background in a bust medallion. Two cornucopias entwine above his head, spilling forth fruit and foliage as a border around the frame. Below is a smaller scene in which a teacher and pupil sit at a round table for a lesson in literacy.

Victor, the Savage of Aveyron

A small rowboat passes a glacier

Louis Haghe

Sir George Back's Victoria Headland effectively places the British Empire in a relation of unique, solitary independence to the Arctic landscape which, rather than acting as an impediment to imperial movements, placidly funnels the explorers' rowboat along the river towards the sea.

Victoria Headland, Mouth of the Thlew-ee-cho-de-zeth

bridge

Joseph Wilkinson
In collaboration with William Frederick Wells

View above Seatoller

A view of some houses along a path

Humphry Repton
In collaboration with John Adey Repton

Repton's lavishly illustrated texts served to record past accomplishments as wells as to advertise his skills as a landscape architect.

View from My Own Cottage, in Essex (after)

A view of some houses along a path

Humphry Repton
In collaboration with John Adey Repton

Repton's lavishly illustrated texts served to record past accomplishments as wells as to advertise his skills as a landscape architect.

View from My Own Cottage, in Essex (before)

A panoramic scene of the countryside

Humphry Repton

This painting exists in two states: the first portrays the actual, "unimproved" prospect from the house at Tatton Park, as it was when Repton first visited the Park, on 8 Nov. 1791; the second depicts the same prospect as it would appear if "improved" by Repton.

View from the house at Tatton, showing the manner of connecting the two waters; and also the effect of the net-fence as a false scale, which lessens the size of the nearest water

two men in conversation near bank

Joseph Wilkinson
In collaboration with William Frederick Wells

View in St. John's Vale, near Wanthwaite.

Vale

Joseph Wilkinson
In collaboration with William Frederick Wells

View in St. John's Vale, with Green-crag &c.

Ruins of the Temple of Peace

Abraham-Louis-Rodolphe Ducros

Cutting a nearly perfect diagonal across the picture plane from the top left corner, the ruins of the Temple of Peace, or Basilica of Maxentius, loom large on the canvas, casting a shadow on the groups of peasants and ghosts that have gathered at the foot of the ruin.

View in the Roman Forum (The Temple of Peace)

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